‎VICTOR LOUIS Architecte du Théâtre de Bordeaux , Sa vie , ses travaux et sa correspondance 1731-1800‎

‎Bordeaux Imprimerie G. Gounouilhou 1881 1 vol. in - 8 ( broché ) ( 26 x 16,5 cm ) ( poids = 1,5 kg ) X pp. ( dont fx. t. , frontisp. , t. ) , (1) f. , 608 pp. . En frontispice , un portrait dû à Marquerie et gravé par L. Contour . 8 planches HT et souvent H P . Une lettre autographe en fac-similé HT et HP . Avec dédicace à Charles Garnier , Introduction , Couplets faits par M. Marmontel , et in fine , Catalogue de l' oeuvre de Louis ( pp. 559 à 574 ) , Bibliographie ( pp. 575 à 591 ) ) , Table des matières , Table des noms . Broché à couverture souple imprimée sous papier cristal . Ex. sur papier vergé non rogné .Titre imprimé en rouge et noir . Dos insolé . Des rousseurs sur la couverture et le portrait . Le frontispice et les pp. 341 à 348 sont débrochés , mais bien présents . ‎

9 Images

‎Charles MARIONNEAU ( Bordeaux 1823 - id 1896 ) , peintre paysagiste , historien de l' art et archéologue , membre de plusieurs sociétés savantes dont la Société des archives historiques de la Gironde , la Société des Bibliophiles de Guyenne , la Société archéologique de Bordeaux , l' Académie des sciences , belles-lettres et arts de Bordeaux , était bien placé pour composer cette biographie de Victor Louis ( 1731 - 1800 ) architecte , entre autres , du Grand Théatre de Bordeaux et de nombreux châteaux dans le Bordelais . ‎

‎L'ARCHITECTURE‎

‎EDITIONS DES DEUX COQS D'OR. 1965. In-12. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 45 pages. Nombreuses illustrations en couleur, dans le texte, par Peter Spier.. . . A l'italienne. Classification Dewey : 720-Architecture‎

‎Librairie de l'Amateur. Classification Dewey : 720-Architecture‎

‎"Pompéi, les nouvelles fouilles : la ""Villa des Mystères"", l'Antiquarium. Itinéraires des musées, galeries et monuments d'Italie, N° 3."‎

‎Roma, Istituto poligrafico dello Stato, Libreria dello Stato, 1966. 13 x 18, 191 pp., 18 illustrations dans le texte, 114 hors texte, 2 plans, broché, bon état.‎

‎La loge du Change de Lyon, histoire d'un monument‎

‎In-8 broché; dimensions 193 x 140 mm. Couverture assombrie, jaunie. Bon état; un léger pli au dos. Intérieur propre; pages partiellement coupées. 275 g.‎

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‎Cumin et Masson, Lyon, 1917. Collection "Amis du vieux Lyon". Édition originale; exemplaire numéro 80 sur 150 tirés. Plusieurs documents forment le texte en différents livres. Non paginé.‎

‎PHILIBERT DE L'ORME‎

‎LIBRAIRIE DE L'ART, J. Rouan ,1887, in-4 de 66 pages ,ill. in-t et h-t, ,br. couv. illustrée ,Etat correct , .(2 photos du livre sur mon site https://www.vieuxlivre.fr) .Les frais de port pour la France sont offerts à partir de 25 euros d'achat (Mondial relay,lettre suivie)et 30 d'achat (colissimo suivi ). Pour l'étranger : tarif livre et brochure, colissimo international, DHL express‎

‎675 jaar parochie Artselaer - Aartselaar, 1309-1984 ‎

‎Sint-Niklaas,, uitgever niet gekend, 1984 , Gebonden, Hardcover 125 p. : ill. .‎

‎Alabaster Sculpture in Europe (1300-1650)‎

‎, Brepols - Harvey Miller, 2022 Softcover, Pages: 312 pages; Size:240 x 280 mm; Illustrations:360 col. ;Language(s):English. ISBN 9781912554928.‎

‎In short, everyone involved in creating this catalogue and the exhibition it records deserves praise. The volume covers a vast terrain, helpfully summarizing the current state of knowledge on a great many objects and providing a road map for further study by scholars and students of the material (and indeed of ?materiality? writ large). In doing so, the catalogue provides a stellar example of the benefits of stepping outside of the intellectual taxonomies that so often constrain scholarship: our assumptions about the firmness of divisions between stylistic periods, geographic regions, and categories of objects. It compellingly demonstrates that those boundaries are far more permeable than they often might seem, and that they can distract us from important commonalities that transcend them.? (Stephen Perkinson, in Historians of Netherlandish Art Reviews, 09/2023) BIO Marjan Debaene is Head of Collections at Museum M in Leuven. SUMMARY Alabaster was a popular material in European sculpture, especially from the fourteenth to the seventeenth century. Its relative availability and easy to sculpt characteristic made it a highly suitable material for both large monuments and small objects, for mass production and individual works, from England to Spain and France to the Netherlands, Germany and Poland. This material has been the subject of multidisciplinary research in various European countries for several decades. The research combines material analyses with historical and art-historical approaches. This publication, made for the occasion of the large exhibition on the theme at M Leuven opening on October 14th, brings together all renown specialists on the material and sheds light on the many facets of alabaster, such as its physical and chemical properties as well as its translucency, its whiteness, its softness, and its beautiful sheen, all of which made it a popular material used in different types of sculpture from the middle ages to the baroque, all throughout Europe, ranging from bespoke tombs, funerary monuments and commissioned sculptures and altarpieces to commercially interesting formulas such as English or Mechelen alabaster reliefs. TABLE OF CONTENTS Foreword M Leuven Peter Bary Foreword Mus e du Louvre Laurence des Cars Preface Marjan Debaene and Sophie Jugie 1 Alabaster as a Material for Sculpture Introduction Sophie Jugie Rhetoric of Alabaster: The Material between its Affordances and Cultural Meaning Aleksandra Lipi?ska How to Distinguish Alabaster from Alabaster: Tracing the Material Back from the Artwork to the Quarry Wolfram Kloppmann ?Marbre d?alabastre?: Status of the Interdisciplinary Research Project on Marble and Alabaster Jude De Roy, Laurent Fontaine and G raldine Patigny Catalogue nos. 1?21 2 Funerary Sculpture Introduction Sophie Jugie Alabaster as a Material for Funerary Monuments Jessica Barker Catalogue nos. 22?41 3 Alabaster Altarpieces Introduction Marjan Debaene and Michaela Z schg The Rimini Altarpiece and Alabaster Sculpture in the Southern Netherlands, around 1430 Stefan Roller English Alabaster and the Continent Lloyd de Beer Alabaster Altarpieces in the Iberian Peninsula: From Gothic to Baroque Carmen Morte Garc a Catalogue nos. 42?99 4 Sacred and Secular Introduction Michaela Z schg and Marjan Debaene The Head of St John the Baptist in Alabaster: The Object in Context Soetkin Vanhauwaert Catalogue nos. 100?126 Epilogue: Alabaster Mentalis, Trinitas Terrestris Sofie Muller Catalogue nos. 127?128 Bibliography Index Lenders to the Exhibition Photographic Acknowledgements‎

‎Sculpting Abroad Nationality and Mobility of Sculptors in the Nineteenth Century‎

‎, Brepols 2020, 2020 160 p., 28 b/w ills, 39 col. ills, 216 x 280 mm, English, Hardcover,. ISBN 9782503580272.‎

‎An edited volume reflecting upon the transnational mobility of sculptors and its implications for the artists and their art during the long nineteenth century. This volume analyses the international mobility of sculptors and their work in the nineteenth century. The creation of nation-states at that time coincided with an increasingly international outlook shared by artists, their commissioners, sellers, buyers and critics. Sculptors were encouraged to study abroad, and were recognized for their experience and success overseas. As they were very much dependent on commissions, they had to travel to provide for their revenues. While abroad, they were nonetheless expected to represent their nation and showcase their e essays in this collection reflect upon the theoretical and practical implications of the many aspects of transnationality, travel and (cultural) mobility for nineteenth-century sculptors, their work and their careers, by addressing the role of, among others, education, execution, commissions, exhibitions, art criticism and the art market. The main focus is on French, Belgian and Italian sculptors and their works but other countries are represented too, and well-known as well as lesser-known sculptors, through general articles and case studies. Tom Verschaffel is professor in cultural history at KU Leuven. His research concerns the intellectual and cultural history of the eighteenth and nineteenth centuries, and more specifically the history of historical writing, the popular representation of history and cultural nationalism, the history of cultural infrastructure and of cultural transfers. Art historian Marjan Sterckx is associate professor in Art History at Ghent University, where she recently launched the research group ThIS: The Inside Story: Art, Interior design & architecture 1750-1950. Her research concerns the intersections between sculpture, gender, photography and the interior.‎

‎Meunier in dialoog : een actueel kunstparcours door Leuven‎

‎, Erfgoedcel leuven, 2005 Softcover, 201 pages, Illustrated.‎

‎Marjolein Bastin : Dicht bij de natuur‎

‎, De Jonge Hond, 2009 Paperback, 160 pag, NL, 280 x 220 mm, in prima staat, prachtige tekeningen in kleur : pure kunst. ISBN 9789089101396.‎

‎Marjolein Bastin wordt haar hele leven al gegrepen door de schoonheid van de natuur. En al bijna net zo lang weet ze deze schoonheid te vangen in kleurrijke aquarellen. Composities van bloemen, planten en kleine dieren: vogels, vlinders en insecten, samengebracht in een sfeer van intimiteit. Haar geheim? Diepgaande kennis van de natuur gecombineerd met grote passie en vakmanschap. Marjolein Bastin ? dicht bij de natuur is het eerste boek waarin het vakmanschap en het kunstenaarschap van Marjolein Bastin optimaal worden belicht. Voor het boek koos Marjolein Bastin twintig van haar favoriete tekeningen. Ze vertelt waarom ze juist die tekeningen heeft gekozen en geeft de kijker inzicht in de totstandkoming ervan. Het onderwerp, de compositie, de techniek, maar vooral de grote liefde voor het tekenen en de natuur komen uitvoerig aan bod. Verder biedt het boek een dwarsdoorsnede van hoogtepunten uit haar omvangrijke oeuvre. In de inleiding wordt getoond dat Marjolein Bastin in een lange traditie werkt. Zelf heeft ze zich mede laten inspireren door natuurtekenaars Maria Sibylla Merian en Dirk van Gelder door de onvergetelijke Jac. P. Thijsse.‎

‎C. Stone - Marc Cloet.‎

‎, Borgerhoff & Lamberigts, 2020 Hardcover 260 PAGES, 24x17cm English. ISBN 9789463931380.‎

‎In C.STONE, the artist and authors deliver a kaleidoscopic image of tentative alternative understandings of social and individual phenomena. Art plays its role of catalyst and provocateur of complex human and creative processes. The place in which the book is set is the problematic border area of Mexico and Texas, USA, the goal of the publication is a state-of-the-art scanning of the attracting and repelling forces that appear between intellectual and sensual antipodes. The book's leitmotif is the artist's efforts to change the course of action and thought in the direction of mutual understanding.‎

‎KOREA, SCENIC BEAUTY & RELIGIOUS LANDMARKS‎

‎, Pandora Publishers 1998, 1998 Hardcover, 175 pages, English, 305 x 250 mm, Fine copy. illustrated with coloured illustrations,. ISBN 9789053250525.‎

‎In enkele decennia ontwikkelde Korea zich van agrarische maatschappij tot een van 's werelds succesrijkste industri?le economie?n. Maar naast het jachtige stedelijke leven hebben het landelijke leven en de natuur hun serene schoonheid behouden en is het volk trouw gebleven aan de culturele tradities. In dit boek wordt een uniek beeld gegeven van dit in het Westen nog vrijwel onbekend land. nEn quelques d?vennies, la Cor?e est pass?e d'une soci?t? agraire ? une des plus fructueuses ?conomies industrielles du monde. Mais aux c?t?s de la fi?vreuse vie citadine, la vie rurale et la nature ont su garder leur beaut? sereine et le peuple est rest? fid?le ? ses traditions culturelles. Ce livre donne une image incomparable de ce pays encore si peu connu de l'Occident. nOver the span of only a few decades, Korea has transformed itself from an agrarian society into one of the world's most successful industrial economies. But despite today's frenetic urban pace, Korea's natural environment retains its serene beauty and its people have remained true to their cultural traditions. This book offers a unique view of this too little known emerging giant.‎

‎Maisons sur l'eau in-4,couverture souple illustrée,128 pages illustré de photographies de John Blaustein,Eddy Posthuma,Pedar Ness et Mark Gabor ‎

‎ Chene 1979‎

‎Bon état‎

‎Des Villes et des Hommes in-4,relé avec jaquette illustrée,397 pages,313 illustrations dont 113 en couleur‎

‎ Flammarion 1987‎

‎Etat Neuf‎

‎Life in the english country house - A social and architectural history‎

‎ Yale university press, 1979. Format 20x26 cm, reliure editeur sous jaquette illustree, V+344 pages. Ouvrage en langue anglaise.Tres bon etat.‎

‎Alla Moda. Italian Ceramics of the 1950s-70s.‎

‎London, Mark Hill Publishing, 2023 Softcover, 223pp., 17x24cm., lavishly illustr. in col., new. ISBN 9780992968939.‎

‎Stylish and colourful, Italian ceramics of the 1950s-70s reflect the vibrant fashions, latest developments in ceramic design, and modern art of the period. Although made in large quantities and exported around the world, little is known about the companies and designers who behind them. From Bitossi to Bertoncello, and from Fantoni to Fornasetti to the many potteries on San Marino, this book breaks open a treasure chest of mid-century modern ceramic design including the rediscovery of a forgotten factory. Illustrated with over 380 stunning, specially commissioned, full colour photographs, this is the first publication to identify and bring together many of the leading factories and designers, and examine the diverse influences behind these highly varied and innovative ceramics. A specially written, illustrated introduction puts them in context, and an extensive illustrated directory of marks and labels helps you identify your ceramics. Contents include: -Over 380 stunning, specially commissioned full colour photographs. - Chapters open with a detailed history of the factory or pottery including full biographical details of designers and their inspirations and influences. A ?Hallmark Design? box gives more details about their most iconic and successful design. - Chapters on Bagni, Bitossi & Aldo Londi, Bertoncello & Rigon, Desimone, Fratelli Fanciullacci, Fantoni, Fornasetti, Gambone, and potteries on San Marino including Libertas and Marmaca. - A chapter on other makers, including objects from Mancioli, La Freccia, Pucci, and the many factories in and around Florence and Deruta. - The book closes with an illustrated chapter of marks and labels, with pages dedicated to marks used by Bagni, Bitossi, Fratelli Fanciullacci, and distributors and importers such as Raymor and Rosenthal Netter‎

‎Les 1001 MERVEILLES de l'ARCHITECTURE QU'IL FAUT AVOIR VUES DANS sa VIE‎

‎Un ouvrage de 960 pages, format 160 x 210 mm, illustré, broché couverture couleurs rempliée, publié en 2013, bon état‎

‎Préface de François Barré‎

‎La Saline royale d'Arc et Senans.‎

‎Demi Cercle (1 janvier 1988). - Fondation Claude-Nicolas Ledoux. In-4 broché (34 x 24 cm), 143 pages, illustrations en couleurs, belle impression sur papier glacé.- 940g. - Excellent état, comme neuf.‎

‎Colonial Architecture of Antigua Guatemala.‎

‎Philadelphia, The American Philosophical Society, 1966, in-4to, XVIII + 335 p., ill. with 215 fid. in black and white, original yellow cloth, orig. jacket.‎

‎Dierenverhalen ter lering en vermaak; Ecbasis cuiusdam captivi en Speculum stultorum Minder bekende middeleeuwse dierengedichten uit de Latijnse traditie, geschreven door en voor monniken uit de benedictijnse kloosterwereld.‎

‎, Brepols, 2023 Hardcover Pages: vi + 339 pages, Size:160 x 240 mm, Language; Dutch. ISBN 9782503607825.‎

‎Van den vos Reynaerde, een middeleeuwse klassieker in de Nederlandse letteren, staat in een lange traditie van dierengedichten, waar ook de Franse Roman de Renart en de Latijnse Ysengrimus, het geniale dierenepos uit de Gentse Sint-Pietersabdij, toe behoren. In deze studie zijn twee minder bekende dierengedichten uit de Latijnse traditie gebundeld, geschreven door en voor monniken uit de benedictijnse kloosterwereld. De Ecbasis cuiusdam captivi per tropologiam - De ontsnapping van een gevangene, in figuurlijke zin -, een ongehoord werk aldus de dichter, vertelt het verhaal van een kalf dat op de vooravond van Pasen uit zijn stal ontsnapt en verdwaalt in het bos. De tekst, die bol staat van zowel serieuze als ironische citaten en allusies, laat zich lezen als het tegelijk allegorische en autobiografische werk van een monnik die, gevangen in luiheid, zijn slechte gewoontes van zich af schrijft in een fictioneel gedicht. Zoals zijn geliefde Horatius het in de veelvuldig geciteerde Ars poetica voorschreef, verenigde hij in zijn dichtwerk voor literaire fijnproevers het nuttige (bezigheidstherapie en een stichtelijk verhaal tegen de achtergrond van Pasen) met het aangename (vermaak voor zijn medebroeders ter gelegenheid van het Paasfeest en het vreugdevolle einde van de vasten) in een unieke mengelmoes van autobiografie, fabel, satire en paasverhaal. Aan het eind van de twaalfde eeuw, in Engeland, schreef Nigel van Canterbury zijn Speculum stultorum (Spiegel voor dwazen), een omvangrijke satire in de vorm van een dierengedicht vol maatschappijkritiek: de paus, koningen, bisschoppen, monniken, nonnen, kooplieden, studenten, boeren ? alle standen, van hoog tot laag, krijgen er van langs. De anti-held van dit verhaal is een domme ezel die van het ene ongeluk naar het andere blundert, mislukkingen en gefnuikte ambities aan elkaar rijgt en uiteindelijk dezelfde dwaas is die hij altijd al was, maar deze harde les moet bekopen met het verlies van zijn staart en oren.I. Ecbasis cuiusdam captivi - De ontsnapping van een gevangene: vertaling II. Nigel van Canterbury, Speculum stultorum - Een spiegel voor dwazen: vertaling III. Een brief van Nigel aan Willem van Longchamps: vertaling IV. Toelichting 1. De voorgeschiedenis van het Latijnse dierenepos 2. De ontsnapping van een gevangene: proloog, de buitenfabel, de binnenfabel, de Ecbasis als kloostertekst, de Ecbasis en de Ysengrimus 3. Een spiegel voor dwazen: inhoud, Nigels brief, de Speculum stultorum en de Ysengrimus 4. Van de middeleeuwse benedictijnse kloosterwereld naar de 20e eeuw ‎

‎Hermann Kaufmann Izm Illwerke Zentrum Montafon‎

‎DETAIL. 2015. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 115 pages. Nombreuses illustrations / plans, en couleur et noir et blanc, dans et hors texte. Jaquette légèrement abîmée en coiffe de pied. En allemand et anglais.. Avec Jaquette. . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Andre Breton : Surrealism and Paintings.‎

‎, Museum of Fine Arts,Boston 2002, 2002 Paperback, 448 pages, English, 265 x 210 x 28 mm, New, with illustrations in b/w. ISBN 9780878466283.‎

‎Originally published in 1928, Surrealism and Painting is the most important statement ever written on surrealist art, and the only book on the subject composed by the movement's founder and prime theorist. It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. Long unavailable in English, Surrealism and Painting remains one of the masterworks of twentieth-century art criticism.‎

‎Mark Seliger Photographs‎

‎, teNeues Publishing, 2018 hard Hardcover with dusjacket, 256 pages , 36 x 28 cm. ISBN 9781419726613.‎

‎Mark Seliger's extraordinary portfolio is 30 years in the making. In 1987 Seliger began shooting small assignments for Rolling Stone; in 1992 he became their chief photographer, a position he kept for 15 years. During the course of his time at the magazine, he photographed more than 125 covers. He has captured some of the most iconic images of the most famous and influential faces of our time, including Kurt Cobain, Nelson Mandela, Leonardo DiCaprio, Barack Obama, Hillary Clinton, Emma Stone, Angelina Jolie, Bruce Springsteen, David Byrne, Matthew Barney, Jennifer Lawrence, Mick Jagger, Bob Dylan, Jerry Seinfeld, Jay-Z, Misty Copeland, Amy Schumer, and Paul McCartney. Mark Seliger Photographs showcases his best-known portraiture, as well as never before seen outtakes and select standouts from his landscape and personal work including portraits of Holocaust survivors and transgender men and women on Christopher Street, and documentary photography of Cuba. Accompanying the photographs is an interview between Mark Seliger and Judd Apatow, in which Seliger shares stories behind some of his most iconic work: Kurt Cobain showing up for a Rolling Stone shoot in a Corporate Magazines Still Suck T-shirt; taking a road trip with Brad Pitt; and navigating a room full of Tibetan monks while shooting His Holiness the Dalai Lama. In addition, the book also features an essay by Lyle Lovett. Mark Seliger Photographs is the ultimate celebration of one of the most in-demand portrait photographers.‎

‎Zeitlos: Kunst von heute im Hamburger Bahnhof, Berlin, Volume 10‎

‎, Prestel Verlag, 1988 Paperback, 232 seiten, Deutsch, 320 x 240 mm, in gute kondition, illustr. in farbe. ISBN 9783791308890.‎

‎ADRIAN GHENIE‎

‎, Tim Van Laere Books , 2023 Hardcover, 96 pages, ENG / NL / FR / ITA., quadrilingual, 260 x 210 mm, NEW, illustrated in colour / b/w. ISBN 9789464004250.‎

‎ ADRIAN GHENIE 1977 Baia-Mare, Romania. Lives and works in Rome and Berlin.‎