‎Dan Graham : Werke 1965-2000‎

‎, Richter Verlag , 2002 Hardcover, 428 seiten, D, 280 x 215 x 35 mm, mit illustrazionen in farbe und s/w. dustjacket ISBN 9783933807717.‎

‎Werke 1965 - 2000 ; [anl lich der Ausstellung Dan Graham Werke 1965 - 2000 ; Museu de Arte Contempor nea de Serralves, Porto, 13. Januar bis 25. M rz 2001, Mus e d'Art Moderne de la Ville de Paris, Paris, 21. Juni bis 30. September 2001, Kr ller-M ller-Museum, Otterlo, 25. November bis 10. Februar 2002, Kiasma. Museum of Contemporary Art, Helsinki, 18. Mai bis 18. August 2002, Kunsthalle D sseldorf, 13. Oktober 2002 bis 5. Januar 2003]‎

‎TEMPLES OF BOOKS Magnificent Librairies Around the World‎

‎, Gestalten Verlag, 2022 HB, 260 x 209 mm, 288 p, throughout illustrations color.ENG edition. ISBN 9783967040241.‎

‎In 2016, the world's oldest existing library reopened in Fes, Morocco. It opened for the first time in the 9th Century. These shrines to the written word date back even further, and continue to be built today. They're a place where some of the oldest written texts are preserved and some of the newest technology connects visitors with vast amounts of knowledge. Libraries are changing, but, as places that are fundamentally free and open to all, they're also staying the same. Libraries of the World explores the most stunning examples, but it also explores how varied the idea of a library can be. It can be a grand Baroque hall with leather-bound tomes or a mid-century masterpiece, but it can just as easily be a few shelves in a repurposed phone booth. ‎

‎Estancias : les grandes demeures d'Argentine‎

‎Abbeville 25x31x0cm. Sans date. Reliure editeur avec sa jaquette + emboitage. 199 pages. Très Bon Etat de l'ensemble‎

‎DES ARCHITECTURES POUR MIEUX VIVRE. Dix-huit exemples internationaux.‎

‎1980 / 188 pages. Broché. Editions Moniteur.‎

‎Trés bel état.‎

‎RUBENS 1577-1640‎

‎, Confidential Concepts Int. 2012, 2012 Hardcover, 255 seiten, Deutsche sprache, 170 x 155 mm, im neue zustand. ISBN 9781780423685.‎

‎F r seine wohlgeformten, lasziven nackten Frauen ber hmt, war Peter Paul Rubens erstes Anliegen die Darstellung der Sinnenfreuden in all ihren Formen. Ein Barockmaler, der in seinem gesamten k nstlerischen Schaffen die Freuden und Wunder des K rperlichen feierte, die strikten sozialen Vorschriften zugunsten einer emotionalen und sinnlichen Portr tierung der Nacktheit aufgebend, um die Sch nheit des menschlichen K rpers zu zelebrieren, die f r den K nstler ebenso nat rlich war wie die Landschaften seiner Jugend. In einem ppig illustrierten Bildband entdecken Maria Varshavskaya und Xenia Egorova diesen fl mischen K nstler und setzen einen einzigartigen Fokus auf sein Werk.‎

‎Marly‎

‎Tel 1947 110 pages in4. 1947. Broché. 110 pages. nombreuses illustrations en noir et blanc et en couleurs‎

4 Images

‎Etat Correct intérieur propre‎

‎BAYEUX, Ville d'Art - Les Hôtels particuliers(La cité Gallo-Romaine, la ville féodale, maisons de bois, manoirs à tour, l'époque Louis XIII, au temps du goût français, Louis XVi ou la ville en chantier, les entrées de Bayeux...)‎

‎ CAEN, Imp. Le Brun, 1990 - Broché - In-8, 18 x 24 cm - Bonne iconographie couleurs et noir et blanc - complet des 2 cartes dépliantes - 216 pages - bon exemplaireEnvoi manuscrit de l'auteur ‎

‎ - ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le prix du supplément de port en fonction du poids et du nombre de livres- Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148 ‎

‎Les châteaux des Rois de France. ‎

‎Editions Tel, 1954, grand in-4 broché, 88 illustrations photos et une carte, environ 120 pp. Quelques rousseurs intérieures dans les marges, sinon bon état.‎

‎Les châteaux des rois de France‎

‎Editions TEL 1954 In-4 broché 30 cm sur 24.- 26 pp + 88 photographies en noir et blanc + une carte de France. Couverture à rabats. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Mansart à Versailles. Son histoire‎

‎Jacques Fréal 1972 2 volumes in-4. pleine toile éditeur bleu roi, étui carton illustré en couleurs, 655 pp. en pagination continue, 641 reproductions, plans, élévations en noir et blanc et en couleurs. Bel exemplaire.‎

‎ Très bon état d’occasion ‎

‎LE MONASTERE ROYAL DE BROU : Bourg-en-Bresse‎

‎, MONUM, 2005 Broches, 127 pages, Illustrations, Francais. ISBN 9782858228737.‎

‎Art‎

‎La belle époque des kiosques à musique in-4,relié avec jaquette illustrée,150 pages,nombreuses illustrations,bibliographie.‎

‎ Du May 1992‎

‎Très bon état‎

‎AD architectural digest, architecture, décoration, arts, design n°67 : Vivre l'été en mer a bords des plus beaux bateaux du monde, Carnet d'inspiration construire un Yacht les meilleurs désigners, Architectures au soleil : Provence Côte d'Azur secrètes,‎

‎PUBLICATION CONDE NAST. JUIL AOUT 2007. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 160 pages, illustrées en couleur et en noir et blanc.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Dukes of Arenberg and Music in the Eighteenth Century : The Story of a Music Collection‎

‎, Brepols 2015, 2015 Hardcover, iv + 267 pages, ., 184 col. ills, 220 x 280 mm, English, ISBN 9782503555577.‎

‎This publication is the revised, expanded, and updated version of the book in French that appeared in 2010 from the same publisher: Les ducs d?Arenberg et la musique au XVIIIe si cle. Histoire d?une collection musicale. The study explores in depth the development of a music collection created by one of the most influential noble European families under the Ancien R gime ? a family resident in the Spanish and then the Austrian Netherlands, the territory of the future state of Belgium. Today forming an integral part of the private family archives kept at Enghien (in the Hainaut region of Belgium), this exceptional collection of manuscripts and prints from all over Europe began to expand in the last years of the seventeenth century, and grew gradually and continually throughout the eighteenth century. Analysing this collection has afforded a rare opportunity to discover and identify musical sources entirely unknown to us until now; these include works by the Italians Alessandro Scarlatti, Pietro Torri, and Antonio Vivaldi. With the aid of unpublished archival material, it has proved possible also to relate and explain how this important music collection was amassed, and, through the prism of the musical affinities of an aristocratic family, to illustrate the evolution of taste in eighteenth-century Europe. The introduction to the book sets out key milestones in the history of the Arenbergs and their music library. The three chapters that follow trace the development of this collection under Dukes L opold-Philippe (1690-1754), Charles-Marie-Raymond (1721-1778), and Louis-Engelbert (1750-1820) d?Arenberg, while an Epilogue sheds light on the era of the Prince and composer Paul d?Arenberg (1788-1844). Via music lessons, private and public concerts, operatic performances (not only in Brussels but also in Paris, London, Vienna, and Rome), and contacts with such musicians as Mozart, Paisiello, and Haydn, the Dukes acquired in the region of 1500 music manuscripts and prints, where the above names, as well as those of Lully, Handel, Pergolesi, Gr try, and Salieri, appear alongside those of musical personalities long since fallen into obscurity. Finally, the book tells a hitherto largely untold story of musical life in the former Southern Netherlands and Europe under the Ancien R gime, the family archives shedding particular light on the role played in this by the Dukes of Arenberg as patrons of the Arts. Towards this end, the book makes detailed reference to and reproduces the most significant sources and documents. Review ?The book is beautifully produced and consists of everything a critical reader wishes to find: a fine structure, excellent prose, many full colour reproductions of highest quality, and, above all, a lot of information (?) All in all, this is a lovely book which will easily serve as an adornment on the bookshelves of readers with an interest in western music of the eighteenth century.? (Albert Clement in BMGN, 20/11/2017)‎

‎Roger Wittevrongel. Grafisch Werk - Printmaking‎

‎, Hopper & Fuchs, 2023 Hardcover, 160 pages, ENG / NL, 310 x 240 x 22 mm, New / Nieuw. ISBN 9789464002270.‎

‎Roger Wittevrongel (born in Blankenberge, Belgium, 1933) is commonly considered an exponent of hyperrealism, a style of painting typical of the 20th century American and European art that typically takes photographs as its source material. Axiomatic in that art movement is the clear and instant recognisability of what is painted, next to the immense impact of photography in the way reality is perceived. By completely eliminating all signifying context, Wittevrongel manages magically to disappear and thus to steer clear of all moralzing comments and of social commitment issues. What Wittevrongel intends to create, is an autonomous world of forms in which the ever-deceitful interplay between reality and its depiction is utterly bracketed out. For Wittevrongel, it is the paltry and the spare, at times even wretchedly banal, that receive full attention. What hits the retina is what you get. Rathprophilous obsession with dung-eating and ordure-gathering, there is the stronger than the anatomist's dissecting quests for comprehensiveness or the coprophilous obsession with dung-eating or ordure-gathering, there is the strong and patent conviction that poetry resides, not in lofty thought and deep sentiment but in the exiguous details of everyday life which we had often rather not see.‎

‎Le Pont Saint-Bénézet. Etude historique et archéologique d'un ouvrage en partie disparu. Premier volume [seul paru] : histoires et réalité‎

‎Versailles, chez l'auteur, 1953 in-8, 161 pp., avec des figures dans le texte et 29 illustrations hors-texte, broché. ‎

‎L'auteur mourut en 1961 sans avoir livré à l'impression le second volume prévu. LIVRE NON DISPONIBLE À PARIS, VENTE PAR CORRESPONDANCE UNIQUEMENT‎

‎Change. Brussels Capital of Europe.‎

‎Brussels, Prisme, 2004 Hardcover, plexi-cover 3D, 303pp., 25x27.5cm., illustrated throughout in col., good condition. English text ISBN 2960010388.‎

‎Depuis que le role international de Bruxelles se confirme, une profonde mutation est en cours. Mais les decideurs, les habitants ou meme les architectes belges ne semblent pas avoir pris la mesure de ce changement et ne semblent pas aujourd'hui a meme d'anticiper les reponses a l'immense defi qui s'annonce. Apres le chantier de l'Europe de la Monnaie, c'est celui de l'Europe de la Culture qu'il va falloir entreprendre pour cimenter l'Union europeenne. Et Bruxelles a son role historique a jouer dans ce projet. L'identite de la ville europeenne est faite de respect et de connaissance du passe, mais aussi de creativite et d'imagination. L'Europe ne peut plus se contente d'une capitale qui evolue sans projet.‎

‎Camille Saint-Sa ns, Le Carnaval des animaux Facsimile Edition of the Autograph ‎

‎, Brepols 2018, 2018 Hardcover, dusjacket, 192 pages., 127 col. ills, 300 x 366 mm, English/Francais, Manuscript. Fine. ISBN 9782503581224.‎

‎The collection De main de ma tre showcases the facsimiles of the most prestigious scores of the Music Department of the National Library of France. Camille Saint-Sa ns? extremely long career as a virtuoso, as a brilliant pianist and organist (no fewer than seventy-six years of concerts) and his daunting catalogue of works (close to six hundred are known) have helped shape the image of him as a tutelary figure, omnipresent in the musical landscape of his time, the uncontested master of French music, showered with honours and glory, yet the champion of what was, in the young 20th century, an outmoded aesthetic. Such an image ignores, however, that from the outset of his career, at the end of the 1850s, until the 1890s, Saint-Sa ns was, on the contrary, regarded in the artistic world as an agitator, as a propagator of new ideas and as an intermediary between French and Germanic cultures. Republican from his earliest days, he was a major figure in musical life, involved in many concert societies, most notably the Soci t nationale de musique, which he founded in 1871. He was also a polemicist, whose quill was much feared and who used the press as his vehicle of choice, to disseminate his ideas, attract public attention, and conquer new audiences. Similarly, if the image of the ?official? Saint-Sa ns, at home with the stage and the institutions and their etiquette, has endured, that of the ?intimate? Saint-Sa ns, known by a faithful few for his sparkling conversation, his sharp humour and taste for puns, has been lost. If there is one work, in all of Saint-Sa ns? musical output that supremely captures the disposition so typical of the composer, it is the Carnival of the Animals. Dedicated to the autograph manuscript of Camille Saint-Sa ns? famous Carnival of the Animals (1835-1921), this volume sheds a distinctive light on the musician?s personality. Completed in February 1886, The Carnival of the Animals was created for friends and performers close to Saint-Sa ns and was performed about fifteen times between 1886 and 1894 to a small audience. Because Camille Saint-Sa ns feared that his zoological fantasy would damage his reputation, the work was published in its entirety only after his death. Since then, its immense popularity has continued to grow, so much so that it is now enjoyed by music lovers and the general public alike. Presented by Marie-Gabrielle Soret, a specialist of Camille Saint-Sa ns, who provides a detailed description of the work and the context of its creation, the facsimile includes the fourteen pieces of The Carnival of the Animals. It reveals the composer's handwriting, all the performance directions as he noted them, but also to the playful animal drawings with which he decorated his score ? a fish for ?Aquarium?, the skeleton of a dinosaur for ?Fossiles?, the pale blue pencil silhouette of a swan to illustrate the famous Swan‎

‎DOTREMONT EN DE SURREALISTEN, Een jeugd in oorlog. 1940-1948‎

‎, Boudewijnstichting, 2020 Softcover, PB, 62 pagina's, ill. NL edition. ISBN 9789492347145.‎

‎Een nieuwe blik op de Belgische kunstenaar Christian Dotremont en zijn banden met het surrealisme. Alvorens Cobra op te richten en het logogram uit te vinden, begint Dotremont zijn carri re als jonge dichter in de kring van de surrealisten. De context van de bezetting confronteert hen met existenti le vragen. Dankzij het archieffonds van Christian Dotremont, dat door zijn broer Guy aan de Koning Boudewijnstichting geschonken werd, kan deze bewogen en cruciale periode in het creatieve parcours van Dotremont en in de geschiedenis van surrealisme gereconstrueerd worden.‎

‎DOTREMONT ET LES SURR ALISTES. Une jeunesse en guerre. 1940-1948‎

‎, Boudewijnstichting, 2020 softcover, PB, 62 pages, ill. Texte en Francais. ISBN 9789492347152.‎

‎Un nouveau regard sur Christian Dotremont et ses liens avec le surr alisme. Avant de fonder le mouvement Cobra et d'inventer les logogrammes, Dotremont entame son parcours comme jeune po te aux c t s des surr alistes. Le contexte d'Occupation les confronte des questions existentielles. Le fonds d'archives Christian Dotremont, confi par son fr re Guy la Fondation Roi Baudouin, permet de reconstruire cette p riode agit e et cruciale du parcours de l'artiste et de l'histoire du surr alisme.‎

‎Christian Hauvette‎

‎Paris, Gustavo Gili, 1997, in-4, broché, 95 pages. Très bon état. ‎

4 Images

‎MARLY de MARIE, Jeanne & Alfred ‎

‎ Ed. TEL - 1947 - Grand In-4 - Cartonnage souple sous jaquette illustrée en couleurs - Photographies NB & Nombreuses planches illustrées en héliogravure - 110 pages - bon exemplaire - Envoi rapide et soigné ‎

5 Images

‎ - ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le prix du supplément de port en fonction du poids et du nombre de livres- Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148 ‎

‎Marly. Présentation de Lucien- Wilter.‎

‎ Paris, Editions "Tel ", 1947 ; 1 volume in-4°, broché, couverture rempliée crème illustrée en noir et brun ;110pp.; couverture très légèrement jaunie, mais bon exemplaire.‎

‎Illustré de 143 photographies en noir dans le texte ou à pleine page et de 8 reproductions en couleurs de plans des bassins. (GrMG) ‎

‎Marly. Présentation de Lucien Wilter.‎

‎ P., Editions Tel, 1947, in 4° broché, 110 pages ; couverture rempliée illustrée. ‎

‎Illustré de 143 gravures en noir et 8 planches en couleurs. PHOTOS sur DEMANDE. ...................... Photos sur demande ..........................‎

‎Marly. Présentation de Lucien Wilter.‎

‎ P., Tel, 1947. In-4 broché, couv. ill. rempliées, 110 pp., 8 ill. en couleurs sur 3 planches, 143 ill. en noir. ‎

‎ Bonne condition. - Frais de port : -France 4,95 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €) ‎