, , 2008 Cloth binding under dustjacket, 268 pages, 220 x 280 mm, illustrations: 135 b/w, 52 col. English text. *fine copy. ISBN 9781905375233.
Of the triumvirate of sixteenth-century Venetian painters, Titian, Veronese, and Tintoretto, Paolo [Caliari] Veronese (1528-1588) best conveyed Venice?s civic splendor. His masterpieces in the Doge?s Palace conferred on the Republic a magnificence and authority that was rapidly dwindling by the end of the Renaissance. But on a private level, he also reshaped the fashions of the Serenissima through a steady stream of portrait commissions. Many members of Venice?s most elite families sat for Veronese, as did notable artists and authors, including Titian and Sir Phillip Sidney. Once regarded as Venice?s best portraitist, his talents in this genre unfortunately remain largely unknown to modern audiences. This book offers the first comprehensive study of the approximately forty portraits that survive. Shedding new light on early works, such as the pendants of the Da Porto and the frescos of the Barbaro in the Palladian villa at Maser, Professor Garton also examines Paolo?s images of women within the larger polemics surrounding the anonymous beauties of Giorgione, Palma il Vecchio, and Titian. The author analyzes Veronese?s innovations in martial portraiture, melancholic portrayals of artists and nobility, and evocations of the antique. Relevant issues of social history, class insecurity, and poetic convention are all brought to bear in deciphering the meanings of these images and what they reveal about the painter and his clientele. This layered study of Venice?s golden age of painting ends appropriately with a glance at the ?moderns? who profited most from the study of Veronese?s portraits: Jean-Baptiste Carpeaux, Henri Fantin-Latour, Mary Cassatt, and Henri Matisse. A complete catalogue of Veronese?s portraits follows the chapters. John Garton, Ph.D., is assistant professor of liberal arts at the Cleveland Institute of Art.
, Lisse, Rebo voor Robas Weesp 1992, 1992 Gebonden, hardcover, 385 x 290 mm, Nederlands, inclusief stofomslag; 1992; 224pp.; Conditie: Goed. ISBN 9789072770288.
, Brepols 2018, 2018 165 p., 110 x 180 mm, Texte en Francais, Paperback, . ISBN 9782503579627.
Ce livre est une invitation au voyage dans le temps, un voyage en musique dans le Moyen ge. Comme le chant m di val semble loin ! Ce voyage, forc ment, il nous faut le commencer l o nous sommes, assaillis par le vacarme des temps modernes. chants vanouis ! Chants d?hommes et surtout de femmes dans leur besogne quotidienne, dans leurs gu risons, divinations et danses ! Voix f minines puissantes, voix envo tantes reliant la vie la mort ! Chants retentissant pendant les si cles du Moyen ge, vous ne retentirez plus jamais ! Mais la trace de votre symphonie immense demeure avec nous, p le murmure, dans les harangues de l?homme contre les chants du diable. Ce livre est une invitation voyager dans le temps, entendre tous les chants du Moyen ge et non seulement ceux du grand homme. En partant du vacarme des temps modernes, le lecteur d couvrira une panoplie de musiques quotidiennes que les autorit s eccl siastiques nommaient jadis les chants du diable . John Haines is Professor of musicology and medieval studies at the University of Toronto, where he holds a joint appointment at the Faculty of Music and Centre for Medieval Studies.
Arts Council of Great Britain, London, 1973. In-8, broché sous couverture illustrée en noir et blanc, 232 pp. Preface - Foreword - Chronology - Catalogue note - Part I. Jones in the Making : The early years : 1573-1605. - The festival tradition. - The architectural tradition. - The jacobean romantic : Jones and Robert Cecil, Earl of ...
Nombreuses illustrations en noir et blanc in texte. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
B.T. BATSFORD LTD. 1963. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 187 pages. Premier plat illustré en couleurs. Texte en anglais.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Relié, 290 pages, paru en 1985 chez Zodiaque, livre avec coffret, très bon état général.
Relié, 290 pages, paru en 1985 chez Zodiaque, avec son coffret, très bon état général.
, Fonds Mercator 1985, 1985 Hardcover, 401 pages, Texte en Francais, 305 x 240 mm, dans un manteau solide, Tres belle exemplaire. ISBN 9789061531489.
Elsevier Sequoia 1976 in4. 1976. Cartonné jaquette. illustré en noir et blanc et couleurs
Bon état rousseurs sur tranche intérieur propre avec sa jaquette (petit accroc en bas du 4e plat) annotation au crayon à papier sur la page titre
, Matthew Marks Gallery, 2009 Softcover in slipcase, 80 pages. 35 images, 10 3/4 x 8 3/5 inches. *Fine condition. ISBN 9781880146477.
Essay by John Kelsey, an interview by Michael Fried, and text by Charles Ray on each work of art. Charles Ray is a catalogue of the artist s work since his retrospective exhibition that opened at the Whitney Museum of American Art in New York in 1998 and traveled to The Museum of Contemporary Art, Los Angeles, and the Museum of Contemporary Art, Chicago. Fully illustrated in color throughout, the catalogue includes pieces such as Father Figure, 2007, a large-scale sculpture of a toy tractor, and a selection of works from the series of untitled flower drawings that was featured in the 2010 Whitney Biennial. Includes custom-made slipcase that was designed under the supervision of the artist.
, Plug in Inc, 2003 Softcover, 91 pages, 30 x 21 cm, NL/EN. *NEW. ISBN 9780921381228.
John Krmeling is certainly one of the most zany and inspiring artist-architects to come out of Holland in many years. The documented projects in this first comprehensive book on Krmeling are a sheer delight. The book features sketches and photographs of Krmeling's output over the last 12 years, including a stripped-down square car, dog suits for cars, a public park installation of fake clouds with artificial sunlight, and many others. Includes Krmeling's notes and extensive photo travel diary of failed and successful modernist architectural sites and urban landscapes in Europe, the Americas, and Asia.
London 1999 Phaidon Incorporated Limited Hardcover
Relié, 30 x 30 cm, 180 pp., Anglais, Illustrations, état du livre : Très Bon Faisant partie d'une série qui place les bâtiments dans leur contexte historique, ce texte considère le bâtiment du département d'ingénierie de l'Université de Leicester, le bâtiment Willis Faber Dumas et le bâtiment Lloyd's. Il comprend des dessins techniques spécialement produits qui expliquent comment les bâtiments ont été conçus et assemblés. En examinant les bâtiments ensemble, le lecteur peut analyser et cartographier le développement de l'architecture britannique moderne et examiner les approches distinctes adoptées par trois partenariats différents. [Cette description peut avoir été traduite par une IA.]
, Brepols, 2021 Hardback, 324 pages, Size:156 x 234 mm, Illustrations:6 b/w, 1 col., Language(s):English, French. ISBN 9782503589909.
Summary This interdisciplinary collection examines the notion of sedition in the period of the French Wars of Religion (1560-1600) and focuses not only on France itself, but also on Scotland during the reign of the French-born Mary Queen of Scots. Composed of eleven chapters written by an international team of experts, this volume concentrates on the political aspects of sedition rather than religious heresy, and covers writings and publications in a wide range of fields: politics, history, law, literature, and gender. A complementary feature of this collection is the spectrum of writings studied; they include edicts and treatises, pamphlets, broadsides, legal documents, dialogues, and satirical prose and poetry. Several chapters also address visual representations of sedition. An Introduction and a Conclusion provide synthetic analyses of the material studied in the individual chapters. This is a collection which will appeal to readers with interests in the history of political ideas and thought, the comparative study of monarchical government, and concepts of tyranny and resistance, discord, rebellion, and revolt. TABLE OF CONTENTS Acknowledgements, List of Figures Introduction Sedition: From Disobedience to Revolt - John O'Brien and Marc Schachter The Language of Sedition La s dition pendant les guerres civiles (France, 1560-1600): une histoire sans v nement - Paul-Alexis Mellet The Language of Religious Conflict: Seditions, Assemblies, Emotions, Violences? - George Hoffmann Sources of Sedition Heresy and Sedition in Pierre de Ronsard's Discours des mis res de ce temps (1562) and Pierre Boton's La France divis e (c. 1595) - Andrea Frisch The Role of John Knox and his Seditious Writings in the Outbreak of the French Wars of Religion - ric Durot Cicero the Revolutionary: Some Seditious Motifs in the Literature of the French Wars of Religion - John O'Brien Genre and the Question of Sedition 'Books with Sharp Teeth': The Perception of Seditious Books in Early Modern France - Natalia Wawrzyniak How Not to Be (and Sound) Seditious: The Prince de Cond 's Justifications for Starting the First War of Religion (1562-63) - Ullrich Langer Political Crime in the Wars of Religion: Fran ois Brigard's Sedition - Tom Hamilton Gender, Sedition, and Literature The Sempill Ballats: Gendering Sedition and Rebellion - Armel Dubois-Nayt The Seditious Pleasures of the Prince in the Reveille-matin's Denunciation of Tyranny - Marc Schachter Styling Sedition in The Island of Hermaphrodites (L'Isle des hermaphrodites, 1605) - Kathleen Long Conclusion The Several Faces of Sedition - Mark Greengrass (with D nes Harai) Index
, Brepols, 2020 Hardback, 417 pages, Size:156 x 234 mm, Illustrations:10 col., Languages: English, Latin. ISBN 9782503585116.
Summary This is the first translation in any language of John of Garland's poem about the historical events of his lifetime (c. 1195- c. 1258), together with revised Latin text, introduction and notes. This work gives a vivid picture of Anglo-French relations, of studies in Toulouse after the Albigensian Crusade, and of the need for faith following Louis' catastrophic defeat in the Seventh Crusade. John gives us insights into his own life, and a stream of stories, holy and profane. The translation and notes bring to life for a wide range of medievalists this eye-witness account by an Englishman in France of major events of the age, especially 1242-52. They make clear John's debts to classical authors and to contemporaries, especially Alan of Lille and Matthew Paris. Through re-ordering the lines, this edition now generates clarity from the single manuscript. It also offers fresh insights and a new perspective on John of Garland himself. TABLE OF CONTENTS Introduction Chapter 1. Life and Works of John of Garland Chapter 2. The Manuscript Tradition and Previous Scholarship Chapter 3. De triumphis Ecclesie Chapter 4. Literary Influences and Sources Chapter 5. John's Teaching and Preaching Chapter 6. 'Arma crucemque cano': Church and Crusade Chapter 7. The Main Political Sub-Plots Chapter 8. Countering the 'Other': Heretics, Mongols, Jews, and Muslims Chapter 9. The Seenth Crusade (1248-54) Chapter 10. Conclusions Critical Edition (with translation on facing pages) Guide to the text Preface Prologue Book 1-8 Bibliography
, National Gallery of Art 1994, 1994 Hardcover, 215 pages, ENG, 295 x 230 mm, in fine order, with illustrations / images in colour and b/w. ISBN 9780521450935.
This catalogue contains entries on fifteenth- and sixteenth- (and one seventeenth-) century German (and Austrian) paintings in the National Gallery of Art, Washington DC, both German and Austrian. Entries are arranged alphabetically by artist and there is a short biography and bibliography for each artist. Individual entries follow the model established by earlier systematic catalogues and full scholarly and technical information is provided for each painting. Questions of attribution, iconography, and social and religious function and context are discussed and, where relevant, comparative examples, reconstructions of altarpieces, x-radiography and infra-red reflectogram assemblies are included. The catalogue also contains the results of dendrochronological examinations of the paintings.
Editions du Moniteur, 1982. Format 22x24 cm, broche, 119 pages.Bon etat, petites traces d'usage sur un livre d'occasion.
, Phaidon, 1979 Softcover, 128 pages, English, 335 x 255 mm, Many Illustrations, In Fine Condition !. ISBN 9780714820156.
Brilliant reproductions and magnified details of the newly restored Garden of Earthly Delights let readers enter Bosch's fantastic world and leave with a beautiful poster. This poster-and-book combination provides clear evidence of why Bosch's triptych continues to fascinate and intrigue us nearly five hundred years after its creation. The book offers stunningly close examination of the work after its recent restoration. Accompanied by a brief, fascinating essay that offers cultural and historical background on Bosch and his art, these numerous details allow readers to appreciate fully the breadth and magnificence of Bosch's achievement. A detachable poster of the painting, suitable for framing, makes this package an extraordinary gift for the artist's many devotees.
JARROLD AND SONS LTD. NON DATE. In-8. Cartonné. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 32 pages. Couverture et jaquette illustrées de photos en couleurs. Nombreuses photos couleurs et noir et blanc dans et hors texte. Jaquette légèrement passée.. Avec Jaquette. . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
, Landshoff, 1979 Hardcover with dusjacket, 263 pages, fine !. ISBN 9029080612.
Five themes--the village of Vitebsk, avant-garde Paris, love, the theater, and the message of the Bible--provide the organizing framework for a work that combines Chagall's prose and poetry with the paintings, drawings, prints, and etchings to which theyrelate Chagall by Chagall. With an introduction by the artist, edited by Charles Sorlier and translated from the French by John Shepley.
, R union des mus es nationaux, 2004 Paperback, 232 pages, Texte en Francais / Tres belle exemplaire, 300 x 245 mm, illustr. en couleur / n/b. ISBN 9782711847556.
Jongkind (1819-1891) aimait repr senter canaux et moulins de sa patrie, la Hollande, dans des sc nes d'hiver o voluent dies patineurs, ainsi que les ports. En France, son pays d'adoption, il trouva son inspiration le long des quais de Seine, dans les rues de Paris et sur la c te normande. Le peintre, qui manifesta un merveilleux talent d'aquarelliste, de dessinateur, et de graveur, acheva son existence pr s de Grenoble, La C te Saint-Andr . Si les N erlandais sont sensibles la tradition du paysage hollandais laquelle se rattache Jongkind, les Fran ais ont retenu tr s t t ce dernier comme un des leurs. Jongkind en vint tre consid r comme appartenant leur lign e, selon une filiation reconnue par Signac : " Il faut donc placer ce r novateur du paysage moderne entre Corot et Monet, en t te de ces autres pr curseurs de l'Impressionnisme : Boudin, Cals et L pine. Et, comme il le souhaitait, comme il l'indiquait en se proclamant, dans les livrets du Salon, l ve d'Isabey [...], il doit tre class parmi les ma tres de l'Ecole fran aise. "
, Van Spijk , 1981 Paperback, 30-40 pagina's, geen nummering, NL, 255 x 255 mm, in prima staat, illustraties in kleur en z/w. ISBN 9062169155.
Flammarion, 2003 - Grand In 8°, broché couv rempliée souple solide et glacée, 192 pages, bibliographie, ensemble raisonné richement illustré à pp en couleurs, recto.
Très Bon Etat à Neuf Règlement immédiat par PAYPAL : paypal.me/Artlink Virements acceptés par EBAN/BIC. Pour les envois internationaux, il est préférable de vous renseigner au préalable auprès de nous afin de connaître les frais de ports effectifs. Les envois se font uniquement en point relais MONDIAL RELAY pour les pays suivants : Allemagne, Autriche, Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Pologne, et Portugal. Merci de nous indiquer en retour le point relais choisi ainsi que votre numéro de téléphone mobile pour assurer le suivi du colis. . Une participation peut être demandée ponctuellement pour un envoi trop pondéreux. PRIX expédition FRANCE 5,00 = 1kg. Votre versement est bloqué jusqu'à confirmation de bonne réception et conformité. CONTACT 7j/7 - librairie@gmail.com 0685628422. FRANCO DE PORT dès 30 euros d'achats en France.
Thunder Bay Press 2008 In-4 cartonné 33,5 cm sur 31,2. 48 pages. Très bon état d’occasion.
Très bon état d’occasion
Le bélial " Une heure Lumière ", 2016 - In-12°, broché, couverture souple élégante rempliée illustrée pont, rappel du graphisme en manière de frontispice, 124 pages.
Règlement immédiat par PAYPAL : paypal.me/Artlink Virements acceptés par EBAN/BIC. Pour les envois internationaux, il est préférable de vous renseigner au préalable auprès de nous afin de connaître les frais de ports effectifs. Les envois se font uniquement en point relais MONDIAL RELAY pour les pays suivants : Allemagne, Autriche, Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Pologne, et Portugal. Merci de nous indiquer en retour le point relais choisi ainsi que votre numéro de téléphone mobile pour assurer le suivi du colis. . Une participation peut être demandée ponctuellement pour un envoi trop pondéreux. PRIX expédition FRANCE 5,00 = 1kg. Votre versement est bloqué jusqu'à confirmation de bonne réception et conformité. CONTACT 7j/7 - librairie@gmail.com 0685628422. FRANCO DE PORT dès 30 euros d'achats en France.
Rome, Editions Gremese 1997. 27 x 30, 224 pp., très nombreuses illustrations en couleurs, reliure d'édition pleine toile + jaquette, très bon état.