‎MUDAM, le batiment de ieoh ming pei‎

‎MUDAM 2009 In-4 relié 1 cm. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎linaje del Emperador.‎

‎, Los Centenarios de Felipe II, 2000 Paperback, 443 pages, Spanish, Illustrated, Fine Condition. ISBN 9788495146519.‎

‎Entre los objetos que Carlos V se llevó a Yuste había dos a los que profesaba una estima particular: un medallero y La Gloria, el cuadro de Tiziano que ahora guarda el Museo Nacional del Prado. A través de las piezas que componían el primero pudo tener siempre presentes las efigies de sus seres más queridos, y evocar su memoria durante el retiro extremeño.‎

‎Joe Colombo designer : catalogue raisonné 1962-2020‎

‎, Silvana Editoriale, 2023 Hardcover, 400 pages, Color illustrations , 28x24cm. ISBN 9788836646333.‎

‎Joe Colombo (Milan, 1930-1971) was one of the greatest designers of the last century, visionary and ingenious, capable of giving shape to ideas that retain a striking relevance to this day. Trained first at the Brera Academy and then at the Polytechnic of Milan, Joe Colombo has expressed, in just twenty years of work, an absolutely innovative world view, which placing man and his life at the center of reflection, imagined a dynamic and transformable habitat both on a domestic and urban scale. A design in the round, aimed at satisfying every need - also thanks to technology and new materials - and to shape the space and its objects according to the different activities of the moment, be they working or social interactions. From here, the modular and dynamic furnishing accessories with futuristic lines, among which some pieces that have become iconic of Italian design stand out such as the Tube Chair, the Spider lamp (Compasso d'Oro 1967) or the Boby trolley (now at the MoMA in New York), the "monoblocks", such as the Mini-Kitchen or the Total Table with integrated dishes, up to the global housing unit, a visionary "machine", which encompasses all the needs of living. This volume constitutes the first catalog raisonné of his work, of which about 180 projects are documented, divided between works still in production and historical works; introduced by the essays by Ignazia Favata - his historical collaborator - and Domitilla Dardi, it is completed by a critical anthology.‎

‎Notice sur l'église de Grandrieu.‎

‎ Mende, imprimerie Chaptal, 1937, 1 broché, couverture illustrée. in-8, titre, 30 pages, illustration, plan, photos + 3 planches, dessins de l'auteur ; ‎

‎Eglise romane.Grandrieu situé en Lozére prés de Langogne ‎

‎Cartesius edoctus, Hommage à Giulia Belgioioso‎

‎, Brepols - Harvey Miller, 2022 Hardback, Pages: 235 p., Size:156 x 234 mm, Illustrations:1 b/w, 1 col., Language(s):French, English, Italian. ISBN 9782503592930.‎

‎Les études qui composent ce recueil ont été prononcées le 6 octobre 2017 au Monastero degli Olivetani de Lecce, en hommage à Giulia Belgioioso, au moment où la fondatrice du Centro Dipartimentale di studi su Descartes ?Ettore Lojacono? quittait à la fois son enseignement et la direction du centre qu?elle avait créé. Le titre qui les réunit ? Cartesius edoctus ? suffit à dire l?essentiel pour un savant professeur qui a toujours su laisser la première place à celui qui a fait l?objet principal de ses recherches et de ses leçons : mais si elle a inlassablement enseigné Descartes et le cartésianisme, Giulia Belgioioso a aussi fait du Salente un « nouveau royaume » cartésien en y développant ses propres études, en y organisant des rencontres internationales et en établissant, pour parler comme Fénelon, « toutes les plus utiles maximes de gouvernement » pour les recherches des nombreux jeunes chercheurs qu?elle a formés et des équipes qui ont travaillé à l??uvre commun, en particulier à l?édition magistrale de Tutte le lettere et des Opere et Opere postume. La fondation du Centro, en 1998, très vite devenu l?alter ego du Centre d?études cartésiennes de la Sorbonne, a fourni le complément institutionnel des avancées méthodologiques évoquées plus haut. Ce recueil d?articles est un hommage : loin cependant d?être purement formel, il entend se concentrer strictement sur les axes principaux de l?activité de recherche de Giulia Belgioioso. Ce faisant, il révèle en réalité un monde entier : on s?aperçoit en effet immédiatement, ne fût-ce qu?en feuilletant le volume, que les études qui y figurent envisagent les aspects les plus importants à la fois de la philosophie de Descartes et de l?histoire du cartésianisme, comprenant également des documents inédits. La démarche conduit donc de la deuxième Méditation (Igor Agostini) à Paolo Mattia Doria ( Jean-Robert Armogathe) ; de la mathesis universalis (Frédéric de Buzon) à Christine de Suède (Carlo Borghero) ; des questions de méthode et de la visée apologétique (Vincent Carraud) à L?Homme (Daniel Garber) ; du mythe du solipsisme (Denis Kambouchner) à saint Augustin et Montaigne ( Jean-Luc Marion) ; d?un échantillon sur philosophie et médecine dans le XVIIe siècle français (Fabio Sulpizio) aux débats sur l?eucharistie à Port-Royal (Martine Pécharman) et à la condamnation d?un lockien italien (Marta Fattori). Une série de témoignages de collègues, élèves et amis complète l?ouvrage. ‎

‎ARCHITECTURE DE LA RUSSIE SEPTENTRIONALE‎

‎EDITIONS DU PROGRES. 1971. In-8. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 316 pages. Nombreuses planches illustrées en couleur, et en noir et blanc. Emboîtage abîmée.. . Sous Emboitage. . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Music and Resistance: From 1900 to the Present‎

‎, Brepols - Harvey Miller, 2023 Hardcover ,Pages: xxi + 407 p.ages. Size:270 x 215 x 28 mm.Illustrations:30 b/w, 16 musical examples.dustjacket Language(s):English. ISBN 9782503602912.‎

‎Music and Resistance: From 1900 to the Present Resistance is a relevant topic today, driven by recent global social movements such as Black Lives Matter, fourth-wave feminism and the fight for recognition of LGBTIQ+ rights. In the academic arena, resistance has been the subject of increasing attention in disciplines such as sociology, anthropology, geography, political sciences and cultural and literary studies. In music, the notion of resistance has frequently been mobilised by popular music genres (hip-hop is a notable example) and, in general, in situations of political opposition. The relationship between music and resistance is, however, much richer and more complex. Through the study of specific cases from a variety of genres covering a broad period of time from 1900 to today, this volume analyses many types of resistance in which music has been involved, including various geographic and historical contexts, and also twentieth-century dictatorships and contemporary social movements. It asks how the relationship between music and resistance is established, and how music can be understood as an act of resistance. It also examines the meaning of resistance in musical terms and how we can determine if a piece of music in a certain time and space functioned as resistance to a power system.‎

‎Beefcake, The Muscle Magazines of America 1950-1970‎

‎, Taschen, 1995 softcover, 159 pages, very richly illustrated with coloured illustrations, *as new. ISBN 9783822889398.‎

‎Beefcake, The Muscle Magazines of America 1950-1970‎

‎Emile Prisse d'Avennes: Egyptian Art -- Agyptische Kunst -- Art egyptien -- The Complete Plates ‎

‎, Taschen, , 2014 Hardcover with dusjacket, in-folio, 428 pages, Illustrated. Texte en Francais / Deutsch / English. FINE!. ISBN 9783836516471.‎

‎In seiner leidenschaftlichen Bewunderung für die grandiosen Fähigkeiten der altägyptischen und orientalischen Künstler leistete der französische Orientalist, Schriftsteller und Künstler Émile Prisse d?Avennes (1807?1879) Bahnbrechendes auf dem Gebiet der Ägyptologie. Schon als Jugendlicher träumte er davon, den Orient zu erkunden, mit 19 machte er sich erstmals auf den Weg und besuchte Griechenland, Palästina und Indien. In den folgenden 40 Jahren bereiste er Syrien, die Arabische Halbinsel und Persien und lebte einige Zeit in Ägypten und Algerien. Ägypten erkundete Prisse d?Avennes, in arabische Gewänder gekleidet, unter dem Namen Idris Effendi. Als Erforscher der altägyptischen und islamischen Kulturen schrieb er später in seiner Geschichte der ägyptischen Kunst: ?Ich habe die elegantesten Vorlagen ausgewählt, diejenigen, deren Gestalt eine sehr genaue Vorstellung vermittelt vom Geschmack und Luxus dieser Zeit, als die ägyptische Kunstfertigkeit sich auf dem Gipfel ihrer Brillanz befand.? Im Jahr 1844 reiste Prisse d?Avennes von Alexandria nach Frankreich, wo er drei Jahre später die Monuments égyptiens (Ägyptische Baudenkmäler) veröffentlichte. Dieser Band enthält 51 Tafeln, die auf Zeichnungen basieren, die er während seiner Zeit in Ägypten angefertigt hatte. Nach einem erneuten Aufenthalt in Nordafrika kehrte er 1860 wieder nach Paris zurück, mit den Früchten seiner zahlreichen Reisen im Gepäck: Hunderte von Foliozeichnungen, Fotografien, Skizzen, Karten und 400 Metern an Basreliefs. Fasziniert von der Symmetrie, Komplexität und Opulenz der ägyptischen und arabischen Kunst, griff er auf diesen gewaltigen Fundus zurück, um Sammelwerke zur Kunst und Architektur zu schaffen, in die er seine Forschungen zum historischen, gesellschaftlichen und religiösen Kontext ebenso einfließen ließ wie seine Untersuchungen von Originaldokumenten. 1878/79 erschien in Paris unter dem Titel Histoire de l?art égyptien (Geschichte der ägyptischen Kunst) sein vollständiges Kompendium, das 159 beeindruckende Tafeln zur ägyptischen Kunst enthält. Diese außergewöhnlichen Tafeln zu Architektur, Skulptur, Malerei und Kunstgewerbe werden hier erstmals in einem Band vereint und vollständig veröffentlicht. ---- In his passionate admiration for the magnificent skills of ancient Egyptian and oriental artists, the French orientalist, writer and artist Émile Prisse d?Avennes (1807?1879) made groundbreaking contributions to the field of Egyptology. Even as a teenager he dreamed of exploring the Orient. At the age of 19 he set off for the first time and visited Greece, Palestine and India. In the following 40 years he traveled to Syria, the Arabian Peninsula and Persia and lived for some time in Egypt and Algeria. Prisse d'Avennes explored Egypt, dressed in Arab robes, under the name Idris Effendi. As a researcher of ancient Egyptian and Islamic cultures, he later wrote in his history of Egyptian art: ?I have selected the most elegant models, those whose shape gives a very accurate idea of ??the taste and luxury of that time when Egyptian artistry was at its peak brilliance.? In 1844, Prisse d'Avennes traveled from Alexandria to France, where three years later he published Monuments égyptiens (Egyptian Monuments). This volume contains 51 plates based on drawings he made during his time in Egypt. After another stay in North Africa, he returned to Paris in 1860 with the fruits of his numerous travels in his luggage: hundreds of folio drawings, photographs, sketches, maps and 400 meters of bas-reliefs. Fascinated by the symmetry, complexity and opulence of Egyptian and Arabic art, he drew on this enormous fund to create collections on art and architecture, in which he incorporated his research into the historical, social and religious context as well as his studies of original documents. In 1878/79 his complete compendium was published in Paris under the title Histoire de l'art égyptien (History of Egyptian Art), which contains 159 impressive plates on Egyptian art. These extraordinary panels on architecture, sculpture, painting and decorative arts are brought together and published in full in one volume for the first time.‎

‎Art of the Renaissance Book. Tributes in Honor of Lilian Armstrong‎

‎, Brepols, 2023 Hardback, 480 pages, Size:220 x 280 mm, Illustrations:15 b/w, 142 col., Language(s):English, Italian, French. ISBN 9782503584638.‎

‎Summary This book presents new research by eminent and emerging scholars in honor of Lilian Armstrong, whose extraordinary research has elucidated a vast corpus of imagery previously hidden inside manuscripts and books produced in late medieval and Renaissance Venice and the Veneto. Armstrong was one of the pioneers focusing upon the unique nature of each copy of early printed editions, an approach which has transformed the field of book history. Her studies of antiquarian imagery in books and manuscripts revealed the inventiveness and originality of these works, and that many important classical motifs initially emerged in such marginal spaces before they were canonized in sculpture and oil painting. The contributions by art historians, manuscript scholars, and book historians collected here on the book arts across Europe are testimonies to the fact that Lilian Armstrong's research has been highly influential across disciplines and geographical areas of study. TABLE OF CONTENTS INTRODUCTION The Art of the Renaissance Book: Honoring Lilian Armstrong Helena Katalin Szépe and Ilaria Andreoli PART I: EARLY PRINTED BOOKS AND THEIR DECORATION I, libelle: Rodericus Zamorensis Launches his Book Martin Davies The Graphic Style of the First Books Printed in Venice Renzo Baldasso Italian Book Design as Paradigm and Challenge for German Artists, Intellectuals, and Printers (among others Ulrich Schreier, Hartmann Schedel, and Günther Zainer) Christine Beier Nicolas Jenson and Jacobus Rubeus in Cologne and Zutphen Lotte Hellinga Une énigmatique illustration dans un incunable vénitien François Avril Il Calepino 1533: una doppia emissione, un frontespizio "metalibrario," e una nuova edizione delle Tre Parche Edoardo Barbieri PART II: MANUSCRIPT PAINTING IN ITALY An Illustrated "Esopo" of the Veneto in the British Library Matilde Malaspina Una nuova tessera per l'attività di Cristoforo Majorana e la biblioteca di Andrea Matteo III Acquaviva Teresa d'Urso Per Alessandro Leoni, Antonio Maria da Villafora, e il Maestro delle Sette Virtù Giordana Mariani Canova Due codici miniati da Antonio Maria da Villafora: un commentario al primo libro delle Sentenze di Egidio Romano della Biblioteca Angelica e un messale del Musée Jacquemart-André Federica Toniolo and Gennaro Toscano Benedetto Bordon, the Barozzi Breviary Master, and the Venetian Procurators of Saint Mark Helena Katalin Szépe Il miniatore Giorgio Colonna e la raffigurazione dell'Arsenale veneziano Susy Marcon PART III: COLLECTING AND THE HISTORY OF SCHOLARSHIP ON EARLY BOOKS Venetian Miniatures in Munich Incunabula: New Additions Ulrike Bauer-Eberhardt An Ex-Celotti Antiphonal Cutting Inscribed "BF" in the North Carolina Museum of Art Lyle Humphrey Re-uniting Cuttings by Antonio Maria da Villafora Collected by James Dennistoun in Padua in 1839 with their Parent Manuscript Jonathan J.G. Alexander Les Missels imprimés à Venise (1896): storia di un incunabolo moderno Ilaria Andreoli‎

‎Marlene Dumas‎

‎, Phaidon Press, 2009 Hardcover with dusjacket, 240 pages, very richly illustrated with coloured illustrations, *New. ISBN 9780714845845.‎

‎Marlene Dumas (b.1953) is a South African-born, Amsterdam-based painter, and an internationally admired artists. Dumas recalls in her work the painterly gestures of Expressionism, whilst combining the critical distance of Conceptual art with the pleasures of eroticism. Through her delicately painted oil-on-canvas or ink-and-watercolour depictions of the female form as well as portraits of children and erotic scenes, she comments on the state of painting today. What does it mean to be a woman working within the predominantly male genre of expressionist painting? The artist often depicts women: their expressions, their body and facial typologies, their self-image, their ideals. The relationships between art and female beauty ? or between art-historical models and twentieth-century supermodels ? are constant themes in her work. Dumas does not paint from life but deliberately chooses ?stock? images from a variety of sources, from magazine cuttings to picture postcards to Old Master paintings, as re-observed through her contemporary perspective. Since the late 1970s she has exhibited widely, with solo exhibitions at the Tate Gallery, London (1996), the Museum für Moderne Kunst, Frankfurt (1998), the Museum van Hedendaagse Kunst, Antwerp (1999), the Centre Pompidou, Paris (2002), the New Museum, New York (2002), the Museum of Contemporary Art, Los Angeles (2008) and the Museum of Modern Art, New York (2008). Dutch art critic Dominic van den Boogerd surveys themes in Dumas? work in relation to a range of conceptual legacies in depictions of the human figure. New York artist Barbara Bloom interviews Dumas on questions contemporary women artists are asked, from issues of intellectual process to the representation of the self. Art journalist and former Editor of Vogue Italia Mariuccia Casadio focuses on Dumas? painting Josephine (1997), reflecting on the iconic legacy of Josephine Baker. For her Artist?s Choice Dumas has selected two authors: Oscar Wilde, whose story ?The Fisherman and His Soul? inspired the artist?s early series of works on the theme of mermaids; and Jean Genet, whose autobiography Le Journal du voleur (1949, trans. Thief?s Journal, 1964) is excerpted here. Marlene Dumas has often acted as a spokesperson for her work; the Artist?s Writings section features many such seminal texts on her own art as well as meditations on love, religion, politics, and a discussion of Goya?s painting The Fates. In the Update section art critic Jan Avgikos surveys Dumas? work from 1999 to present.‎

‎Inventing Past Narratives. Venice and the Adriatic Space (13th?15th Centuries)‎

‎, Brepols - Harvey Miller, 2024 Paperback, Pages: 108 pages, Size:210 x 270 mm, Illustrations:10 b/w, 49 col. Language(s):English. ISBN 9788028004644.‎

‎By the late Middle Ages, Venice became the main stage of a national and international myth: while enhancing its historical role in the past, the city tried to demonstrate the legitimacy of its role in the present. In fact, for celebrating its triumph and erasing its weaknesses and defeats, Venice generated a rich repertoire of past narratives that were bringing together heterogeneous materials, by composing unconnected pieces and attributing new meanings to different histories or objects from other pasts. An ambitious goal had to be achieved: that of creating the impression of a unique and grandiose city whose roots were lost in a remote and magnificent past. The result is a patchwork that, through the longue durée approach, has been articulated around both new and ancient stories, local and foreign myths, reconstructed or rediscovered objects and narratives. In order to investigate more precisely the trajectories of the Venetian past narratives, this volume intends to determine, through an interdisciplinary prism, which are the different strategies, objectives, and resources that have been exploited in the framework of these past narratives. TABLE OF CONTENTS Introduction Ilaria Molteni & Valeria Russo Framing Venetian Past Narratives. An Epistemological Introduction Articles Francesca Gambino About the Time Charlemagne Invaded the Laguna and Venice Returned Frankish Fire with Bread Niccolò Gensini ?Bons Mariniers? Between History and Prophecy. Venice, Venetians, and the Mediterranean Sea in the Prophecies de Merlin Giuseppina Brunetti Morte a Vwenezia. Per la morte di Dante: l?invenzione e i documenti Ruben Campini, Ivan Foletti, & Annalisa Moraschi Clash of Titans. Venturi, Kondakov, and the Staging of Late Medieval Venetian Painting in the History of Art History‎

‎Cassiodorus Institutiones humanarum litterarum. Textus ? ?‎

‎, Brepols - Harvey Miller, 2023 Hardcover, Pages: 512 ,Size:155 x 245 mm Illustrations:137 b/w, 1 tables b/w.Language(s):Latin, Italian. ISBN 9782503595894.‎

‎The Institutiones humanarum litterarum ? that is, the second book of Cassiodorus? masterpiece, devoted to secular learning ? have come to us in three different textual forms: the ?authentic? recension ?, corresponding to Cassiodorus? final wishes, and two subsequent recensions, named ? and ?. Here, later interpolations were added starting from an earlier authorial draft, providing modern readers with valuable information about Cassiodorus? progressive revisions and updates. Subsequent additions are also evidence of the early fortune of the Institutiones, showing which texts were actively read and studied from the 6th to the 9th centuries. Following Roger Mynors? and Pierre Courcelle?s fundamental intuitions, Ilaria Morresi provides the first complete critical edition of the ? ? corpora, based on the systematic study of the manuscript tradition. Much attention is paid to the many diagrams included both within the Institutiones saeculares and the interpolations, which are clues to the great importance of images for Early Mediaeval teaching on Trivium and Quadrivium. Introduzione I. Testo e redazioni II. Tradizione manoscritta e stemmata codicum III. Nota al testo Bibliografia Institutiones humanarum litterarum Additamenta quae in textu II inueniuntur Additamenta quae in textu III inueniuntur Appendix ? Schemata quae in Humanarum litterarum institutionibus inueniuntur Indices‎

‎En bygningshistorisk og etnologisk undersøgelse af 24 ejendomme i gaderne Åbenrå-Landemærket i København.‎

‎Nationalmuseet, K., 1966. 4to. Opapbd. 275 pp. Rigt illustreret.‎

‎Incubation in Early Byzantium. The Formation of Christian Incubation Cults and Miracle Collections‎

‎, Brepols, 2024 Hardback, 328 pages, Size:156 x 234 mm, Language: English. ISBN 9782503606606.‎

‎Summary Incubation (temple sleep) was a well-known ritual in the Near East and became increasingly popular in Classical and Hellenistic Greece, becoming attached to Asclepius and other divinities. It flourished in the Eastern Mediterranean, where it was encountered by the emergent Christianity. Temple sleep was so widespread that it was impossible to ban. The Christianization of the incubation ritual was thus a detailed and lengthy (but successful) process that encompassed several aspects of the Church's self-definition, including important social and theological issues of the era. The list of relevant issues is extensive: the fate of Greek temples and the reinterpretation of sacred space, confronting Hippocratic medicine, and the learned Greek intelligentsia. Since disease and a search for cure is a ubiquitous human need, the early Church embraced a healing ministry, in secular terms as well as in ritual healing. Incubation records show how the Church viewed dreams, conversion, or the notions of magic and divination. All these come within the framework of writing miracles: the transformation of the cult was thus incorporated into standard Church discourse, from ritual practice to proper literary genres. This first comprehensive monograph on Christian incubation examines the rich material of all the relevant Greek miracle collections: those of Saint Thecla, Cyrus and John, the different versions of Saint Cosmas and Damian and saint Artemios, as well as the minor incubation saints, As a result, it unfolds the transformation of healing sites and practices related to dreams as they spread across Byzantium, from rural Asia Minor to Constantinople and Alexandria. TABLE OF CONTENTS Introduction Part I. Cults and Records Chapter 1. Greek Incubation and its Aftermath Chapter 2. The Literary Background of the Collections Chapter 3. Christian Incubation Saints: Their Cult Sites and Miracle Records Part II. Sources Chapter 4. Material Sources Chapter 5. Oral Tradition Chapter 6. The Hagiographers Part III. Stories Chapter 7. Compositional Structure in the Miracle Collections Chapter 8. Narrative Techniques and Variants of Dream Stories Chapter 9. Dreaming about Doctors Chapter 10. Mirroring Society and its Beliefs Conclusion Bibliography Index‎

‎Rembrandt, Rubens, Van Dyck e il Seicento dei Paesi Bassi‎

‎, Leonardo arte, 1995, 1995 Paperback, 207 paginas, Text Italiano, 285 x 240 mm, . ISBN 9788878135352.‎

‎Rembrandt, Rubens, Van Dyck e il Seicento dei Paesi Bassi. Exhibition held Apr. 8-May 28, 1995 at the Museo della Permanente, Milan, June 10-July 23, 1995 at Sinclair-Haus Bad Homburg v.d. Ho?he, and July 30-Sept. 24, 1995 at the Von der Heydt-Museum Wuppertal.‎

‎Dutch Old Masters from Budapest : highlights from Szépmúvészeti Múzeum ‎

‎, NAI 2016, 2016 Softcover, 136 pages, English, 295 x 240 mm, illustrated with coloured illustrations, New copy !. ISBN 9789462083240.‎

‎ From 12 November, the Frans Hals Museum in Haarlem presents 80 works by Dutch masters from one of the finest collections in the world, that of the Szépmüvészeti Múzeum in Budapest. Works by artists from Haarlem including Willem Buytewech, Willem Claesz Heda, Pieter Saenredam and Jacob van Ruisdael are shown alongside works by famous Dutch and Flemish painters such as Hendrick Avercamp, Jan Lievens and Anthonie van Dyck. Moreover, on the occasion of the 350th year of Frans Hals's death in 2016, two of his beautiful portraits that are now in Budapest are reunited with his paintings at the Frans Hals Museum The publication presents these gems from the Szépmüvészeti Múzeum through large colour images and informative texts about genres, techniques and the collection as a whole, thus throwing new light on the Haarlem pieces and at the same time painting a kaleidoscopic picture of the art of this period‎

‎Chateaux forts et féodalité en Ile-de-France du XIe au XIIIe siècle.‎

‎ 1983 Nonette, Créer, 1983, grand in 8° relié pleine toile bleue décorée de l'éditeur, 507 pages ; importante iconographie in et hors-texte. ‎

‎Bel exemplaire. ...................... Photos sur demande .......................... ‎

‎La vie en VARANGUE. ‎

‎S.l., Les éditions du Pacifique, 1990; in-4, 207 pp., cartonnage de l'éditeur. Très bon état avec sa jaquette - architecture traditionnelle de l'île Maurice.‎

‎Très bon état avec sa jaquette - architecture traditionnelle de l'île Maurice.‎

‎Aspects de la Mouvance Construite Internationale.‎

‎, Les Amis des Musees de Verviers/Fondation pro Mesure Art International: Verviers, 1994., Softcover, unpag. (ca125pp)., ills. in b/w., good copy. .‎

‎Gevonden Goed -Goed Gevonden : 10 jaar verdiepen in Vlaanderen.‎

‎, BAAC, 2021 Paperback, 176 pag., NED. uitgave, 240 x 170 x 15 mm, NIEUW, illustraties in kleur / z/w. ISBN 9789464448580.‎

‎We schreven mee aan Gevonden Goed Gevonden. 10 jaar verdiepen in Vlaanderen, een overzicht van 10 jaar archeologisch onderzoek door BAAC, onafhankelijk studiebureau voor Archeologie en Bouwhistorie. Het resultaat is een boek vol boeiende artikels waarin BAAC-medewerkers de lezer meenemen op een reis tussen wetenschap en verwondering, tussen onderzoek en verhaal. Geheugen Collectief herwerkte de wetenschappelijke teksten van BAAC tot een publieksboek.‎

‎Atelier Stephan Vanfleteren. ENG.‎

‎, Hannibal Kannibaal , 2023 hardcover,dusjacket, 25 x 18,4 cm, 448 pages English edition ISBN 9789464666564.‎

‎For the past twelve years, Stephan Vanfleteren (b. 1969) has been working intense hours in his daylight studio at home. Atelier is a collection of that work. Vanfleteren is searching for beauty and meaning, both in daylight and under artificial light. Grey stage curtains are everywhere as a constantly repeating background. The photographer embraces well-known personalities and anonymous people. He inspects and captures the grooves in the face of an old fisherman and the hand of Nick Cave on the same terms as he does a beachcombed bottle. He focuses an adoring gaze on his own children coming of age as well as on impassioned artists in their old age. He sees the frozen corpse of a kingfisher and the body of a twisting dancer, and watches as the sunlight slowly shifts across his stage curtain. Vanfleteren connects to the traditions of old and contemporary masters but remains faithful to his characteristic style. His craftsmanship and artistic nature make us both witness and party to the splash of incoming light. With text contributions by Ilja Leonard Pfeijffer and Stephan Vanfleteren.‎

‎Atelier Stephan Vanfleteren. FR‎

‎, Hannibal Kannibaal , 2023 hardcover, couverture,25 x 18,4 cm, 448 pages , Texte en Francais ISBN 9789464666571.‎

‎Aperçu magistral de la photographie de studio par Stephan Vanfleteren Au cours des douze dernières années, Stephan Vanfleteren (1969) a travaillé de manière intense chez lui, dans un studio éclairé par la lumière du jour. Atelier est un recueil de ces ?uvres. Qu?il travaille à la lumière naturelle ou avec un éclairage artificiel, Vanfleteren est à la recherche de beauté et de sens. Les rideaux de théâtre gris y sont omniprésents, en toile de fond. Le photographe immortalise tant des personnalités connues que des anonymes. Il s?intéresse aux rides sur le visage d?un vieux pêcheur et examine la main de Nick Cave avec la même attention qu?une bouteille échouée sur la plage. Il adore ses enfants, qu?il voit grandir, et les vieux artistes passionnés. Il contemple le petit corps raidi d?un martin-pêcheur ou la taille souple d?un danseur, suit du regard la lumière du soleil qui glisse doucement sur le rideau. Vanfleteren se rattache à la tradition de maîtres anciens mais reste fidèle au style qui a toujours fait sa particularité. Son savoir-faire technique et son c?ur d?artiste font de nous les témoins et les complices de la lumière incidente. Avec des contributions textuelles par Ilja Leonard Pfeijffer et Stephan Vanfleteren. Omschrijving Aperçu magistral de la photographie de studio par Stephan Vanfleteren « Ce livre montre que Vanfleteren a intériorisé cette lumière particulière à tel point qu?il peut la faire apparaître sans l?aide de lampes ou du soleil. » ? Ilja Leonard Pfeijffer Au cours des douze dernières années, Stephan Vanfleteren (1969) a travaillé de manière intense chez lui, dans un studio éclairé par la lumière du jour. Atelier est un recueil de ces ?uvres. Qu?il travaille à la lumière naturelle ou avec un éclairage artificiel, Vanfleteren est à la recherche de beauté et de sens. Les rideaux de théâtre gris y sont omniprésents, en toile de fond. Le photographe immortalise tant des personnalités connues que des anonymes. Il s?intéresse aux rides sur le visage d?un vieux pêcheur et examine la main de Nick Cave avec la même attention qu?une bouteille échouée sur la plage. Il adore ses enfants, qu?il voit grandir, et les vieux artistes passionnés. Il contemple le petit corps raidi d?un martin-pêcheur ou la taille souple d?un danseur, suit du regard la lumière du soleil qui glisse doucement sur le rideau. Vanfleteren se rattache à la tradition de maîtres anciens mais reste fidèle au style qui a toujours fait sa particularité. Son savoir-faire technique et son c?ur d?artiste font de nous les témoins et les complices de la lumière incidente. Avec des contributions textuelles par Ilja Leonard Pfeijffer et Stephan Vanfleteren.‎

‎Atelier Stephan Vanfleteren. NL‎

‎, Hannibal Kannibaal , 2023 hardcover stofomslag, 25 x 18,4 cm, 448 pagina's, Nederlandstalige editie. ISBN 9789464666557.‎

‎De voorbije twaalf jaar fotografeerde Stephan Vanfleteren (1969) zeer intens in zijn daglichtstudio thuis. Atelier is de verzameling van dat werk. Zowel in daglicht als met kunstlicht gaat Vanfleteren op zoek naar schoonheid en betekenis. Grijze theaterdoeken zijn daarbij altijd aanwezig als constant terugkerende achtergrond. De fotograaf omarmt bekende persoonlijkheden en anonieme mensen. Hij toont het gelaat van een oude visser en inspecteert zowel de hand van Nick Cave als een op het strand gejutte fles. Hij adoreert zijn eigen opgroeiende kinderen en bevlogen oude kunstenaars. Hij bekijkt het verstijfde lijkje van een ijsvogeltje en het lichaam van een elastische danser, of hij slaat het traag schuivende zonlicht in zijn atelier gade. Vanfleteren sluit aan bij de traditie van oude en hedendaagse meesters, maar blijft trouw aan zijn karakteristieke stijl. Met zijn vakmanschap en kunstenaarshart maakt hij ons tot getuige én tot medeplichtige van een delict met invallend licht. Met tekstbijdragen van Ilja Leonard Pfeijffer en Stephan Vanfleteren.‎

‎Villas modernes Banlieue Ouest 1900 1939‎

‎Alternatives 1997‎

‎Très bon état Ouvrage toilé sous jaquette, largement illustré de dessins couleurs. Format à l italienne . Des créations étourdissantes de Guimard aux résidences privées signées par Perret, Le Corbusier et tant d'autres dans le Boulogne de l'entre-deux-guerres, en passant par le chef-d'uvre inachevé de Mallet-Stevens pour le couturier Paul Poiret, l'atelier de Théo Van Doesburg, la villa de l'écrivain Jacques Chardonne et des uvres plus anonymes, ce livre promenade restitue dans leur état d'origine une soixantaine de maisons modernes construites en banlieue parisienne entre 1900 et 1940. Architecture XXe - largeur/hauteur :25,5x22 cm - poid : 850 g - nombre de pages : 128 p. - langue : Français‎