Infolio, 2007. In-8 broché, couverture à rabats. Abondamment illustré en noir.
"Bien sûr, nous tenons à notre patrimoine. Mais quel patrimoine, sous quelles conditions et dans quelles limites ? De génération en génération la signification du mot se transforme, d'année en année les instruments d'investigations s'affinent et se renouvellent. Il faut parfois faire le point. Ce livre propose cinq regards, cinq perspectives sur le cas de Genève: comment on voyait la ville et sa région au 19e siècle, avec quels outils juridiques on aborde aujourd'hui son patrimoine, quels objets on y classe, comment a évolué la notion de patrimoine bâti, quels sont, enfin, la pertinence et l'impact des choix genevois. Un tour d'horizon illustré, qui s'adresse aux flâneurs et aux curieux, à ceux qui veulent comprendre comment vit et change une ville."
Merrell Publishers 2004 In-4 cartonnage éditeur sous jaquette 28,6 cm sur 25. Très bon état d’occasion.
Très bon état d’occasion
Eléonora Bairati. Philippe Jullien. Malcolm Falkus. Paolo MOnelli. Janos Riesz. Brunello Vigezzi
Reference : 22897
(1977)
Fernand Nathan (1977). In-4 relié 30 x 20 cm, jaquette illustrée, 334 pages, richement illustré en couleurs. Très bon état.
, Charta, 1993 Paperback, 384 pages, ITA, 270 x 210 x 27 mm, in good condition, illustrated in colour / b/w. ISBN 9788886158367.
One of the most beloved painters of the twentieth century, Giorgio Morandi created works that continue to exert their mysterious power on viewers worldwide. This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic &;yellow cloth&; paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. The catalogue is published on the occasion of the 2015 exhibition of Morandi&;s paintings from this period at David Zwirner, New York&;which, according to The New York Times, represent &;lucid perfection, at once cerebral and impassioned.&; It marked the first major presentation of the artist&;s late work in America since the acclaimed 2008 retrospective at The Metropolitan Museum of Art, New York.
, Voetnoot, Uitgeverij, 2005 Pb. 23x24cm.NL , 95 blz. . Nieuwstaat , Mooie illustr. in kleur / z/w. ISBN 9789071877865.
Turnhout, Brepols, 1977 Hardback, 690 pages., 228 b/w ill., 180 x 265 mm. set in 2 volumes, fine condition. ISBN 9780905203690.
Elizabeth McGrath recreates the context in which Rubens, who was familiar enough with classical writings to interpret them with originally and wit, worked and casts new light on rarely discussed and misidentified subjects. For Ruben's age, as for the ancient Romans, history was valued for the lessons it taught. Rubens was deeply interested in history, particularly the works of the ancient writers like Ovid, Plutarch and Juvenal, which were full of exemplary figures. Yet unlike many Renaissance artists who merely sought texts they could illustrate, Rubens was familiar enough with classical writings to interpret them with originally and wit - always with an eye for the visually striking aspect. He was thus uniquely qualified to respond to the requirements of particular commissions with exemplary themes like The Continence of Scipio, The Justice of Cambyses, The Devotion of Artemisia and The Courage of Cloelia. Elizabeth McGrath recreates the context in which Rubens worked and casts new light on rarely discussed and misidentified subjects. Also included is a detailed analysis of the tapestry cartoons on the life of Romulus, now in the National Museum of Wales, relating the series to all relevant studies, paintings and tapestries. Languages: English.
Turnhout, Brepols, 1977 Hardback,398 pages., 228 b/w ill., 180 x 265 mm.onky volume two., fine condition. ISBN 0905203690.
Elizabeth McGrath recreates the context in which Rubens, who was familiar enough with classical writings to interpret them with originally and wit, worked and casts new light on rarely discussed and misidentified subjects. For Ruben's age, as for the ancient Romans, history was valued for the lessons it taught. Rubens was deeply interested in history, particularly the works of the ancient writers like Ovid, Plutarch and Juvenal, which were full of exemplary figures. Yet unlike many Renaissance artists who merely sought texts they could illustrate, Rubens was familiar enough with classical writings to interpret them with originally and wit - always with an eye for the visually striking aspect. He was thus uniquely qualified to respond to the requirements of particular commissions with exemplary themes like The Continence of Scipio, The Justice of Cambyses, The Devotion of Artemisia and The Courage of Cloelia. Elizabeth McGrath recreates the context in which Rubens worked and casts new light on rarely discussed and misidentified subjects. Also included is a detailed analysis of the tapestry cartoons on the life of Romulus, now in the National Museum of Wales, relating the series to all relevant studies, paintings and tapestries. Languages: English.
, Brepols - Harvey Miller, 2021 Softcover, 484 pages., 230 x 290 mm, Languages: English. Disponible en une seule version avec des articles en fran ais ou en anglais. ISBN 9782930054407.
The impressive altarpiece in the church of Saint-Denis in Li ge is one of the most prestigious but also one of the most enigmatic witnesses to the rich Brabantine altarpiece production at the end of the Middle Ages. The interdisciplinary study carried out during its restoration at the Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels between 2012 and 2014 allowed to resolve some of the questions involved and to propose new refreshing hypotheses. The attribution to the Borman, the most prestigious Brussels sculptor family, was refined, as was its dating in the early 1530s, when the vocabulary of Italian Renaissance began to invade the art of the Meuse banks simultaneously with the still well-anchored Gothic style. This volume provides a broad platform for the exceptional character of the partial polychromy of the altarpiece, highlighted by the investigation conducted at the KIK-IRPA. This research was nourished by many comparative reflections. The abundant and varied studies presented here, mainly originate from an international conference held in October 2015. In addition, the restoration at KIK-IRPA, between 2016 and 2019, of some of the painted panels that initially adorned the shutters of the altarpiece, also allowed a beneficial reconsideration of the participation of the great Li ge painter Lambert Lombard and some local workshop. Starting from an amazing work, they represent an important part of the artistic activity in Li ge revived by Prince-Bishop rard de La Marck.
Paris und Nyon, Ainé, Libraire, 1805. 8°. XIV, (2), 544 S. Lederband der Zeit mit reicher Rückenvergoldung.
Cicognara 276. – Barbier IV, 28. – Erste Ausgabe. Toussaint-Bernard (1755–1839), französischer Kunsthistoriker, studierte in seiner Heimatstadt Aiy-en-Provence, in Paris und vollendete sein Kunststudium in Italien. – Die Vorsätze blass leimschattig und angestaubt. Der Einband etwas berieben.
NY, Architectural book publishing company, 1935. In-folio, couv. cartonnée de l'éditeur, 94 pp., nbses ill. en noir.
Déchirure restaurée au premier plat. Int. frais. - Frais de port : -France 4,95 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €)
Paris, Charles Mendel, o. J. (ca. 1910). 4°. (4), 142 S., (1) Bl., (24) S. (Anzeigen). Mit 16 Heliogravüren der Ed. Laussedat u. Imp. I. Heuse nach Photographien von Henri Emery. Chromolithogr. Orig.-Broschur mit mont. Heliogravüre (leicht fleckig, vord. Gelenke angerissen, Rücken an Kopf u. Fuss mit Fehlstellen).
1 Bogen stark gelockert. Durchgehend leicht gebräunt.
Jean-Michel Place 2008 30 6x23 6x1 2cm. 2008. Broché. 149 pages. Etat de Neuf
Stuttgart, Berlin, Köln, Kohlhammer, 1990, in-4°, 315 S., ill. mit mehreren Farbfotos und 610 fotogr. Abbild., Original-Leinenband, farb. ill. OU, carton Etui.
Phone number : 41 (0)26 3223808
Bruxelles, Archives d'Architecture Moderne, 2009 Couverture souple, 200 x 270mm., 270pp., 150 illustrations. ISBN 9722871432104.
Air France a confie au cabinet d'architecture ateliers 234 - Jean Mas la conception destinee a accueillir l'Airbus A380. Ce batiment represente une prouesse architecturale : 110 metres de portee, 40 metres de haut, 3.000 tonnes de charpente capables de supporter 400 tonnes de charge. Seul hangar de Roissy adapte a l'airbus A380, il verra naitre trois batiments jumeaux au cours des prochaines annees. Edition francais/anglais/italien. Nouveau livre.
Naarden, V+K Publishing 1995, 1995 Hardcover, 392 pagina's, Nederlands, 300 x 250 mm, boek als nieuw, met illustraties in kleur, . ISBN 9789066110441.
Monografie van de kunstschilder en stimulator van behoudende kunstenaarsgroepen.
1917 Editions et Librairie, 1917, 168 pages + 1 carte, in 8 broché, état d'usage, insolé, papier jauni, quelques usures et frottements, auréoles et taches, bords des plats fendillés.
Gründ.. 1929.. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Intérieur acceptable. 289 pages. 1ère et 4 ème de couverture illustrées en noir et blanc. Nombreuses illustrations en noir et blanc, hors texte. 2 plats de couverture détachés. Manques sur dos fendu.. . . . Classification Dewey : 720-Architecture
Monuments, églises, maisons. Classification Dewey : 720-Architecture
P., Grund (« Guides pratiques de l'amateur et du collectionneur d'art »), 1929. petit in-12, 289 pages, abondamment illustré noir & blanc, cartonnage illustré.
Très bel exemplaire, très frais. [DB-1]
P., Garnier Freres, 1920. Hardcover in-12, 458 pages, gravures noir & blanc, reliure demi-cuir, dos lisse, plats art deco, couverture conservée.
Coiffes frottées sinon bel exemplaire. [HA109-1]
P., Garnier Freres, sans date (1923). Hardcover in-12, 458 pages, gravures noir & blanc, cartonnage percaline illustré de l'éditeur (image collée)
Très bel exemplaire, très frais. [TX-11]
Paris, Garnier, 1948, 1 br., couverture illustrée. in-8 de 435-(3) pp., orné de 356 gravures, mouillures sur les 15 premières pages ;
Phone number : 06 80 15 77 01
Gründ. 1929. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Papier jauni. 289 pages - nombreuses illustrations en noir et blanc dans et hors texte. 2e plat plié. Scotch en coiffe de pied.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
broché - 12x19 - 459 pp - 1923 - librairie GARNIER et frères , Paris. Ouvrage orné de 280 gravures environ.
Paris, Garnier Frères, 1910 12 x 19, 459 pp., 280 illustrations, reliure dos cuir, bon état (épidermures)
Peinture, sculpture, architecture etc. In 8 demi-cuir vert, titre doré. Faux-titre, titre, 464 pages, 1 page de table des matières, 260 illustrations, pleine page et dans le texte. Albin Michel sans date (1900) Bon exemplaire