Peinture, sculpture, architecture etc. In 8 demi-cuir vert, titre doré. Faux-titre, titre, 464 pages, 1 page de table des matières, 260 illustrations, pleine page et dans le texte. Albin Michel sans date (1900) Bon exemplaire
Librairie Garnier Frères, collection "L'art de reconnaître les styles", Paris, 1923. In-12, demi-percaline bleue, titre, filets et fleurons dorés au dos, couverture conservée, 214 pp. Chapitre I. Considérations générales sur l'art en Flandre et dans les Pays-Bas - Chapitre II. L'architecture en Flandre et en Hollande - Chapitre III. La peinture et la gravure en Flandre et en Hollande - Chapitre IV. La Sculpture en ...
Avec 110 illustrations en noir et blanc in texte. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
Couverture souple. Broché. 342 pages.
Livre. Ouvrage orné de 180 gravures. Librairie Garnier Frères (Collection : L'art de reconnaître les styles), 1923.
P., Garnier Freres, sans date. in-12 broché de 374 pages.
Bon état. [NV-1]
Couverture souple. Broché. 298 pages. Couverture légèrement défraîchie.
Livre. Ouvrage orné de 182 gravures. Librairie Garnier Frères (Collection : L'art de reconnaître les styles), 1926.
P., Garnier Freres, 1920. Hardcover in-12, 298 pages, gravures noir & blanc, reliure demi-cuir, dos lisse, plats art deco, couverture conservée.
Coiffes frottées sinon bel exemplaire. [HA109-1]
H. Laurens éditeur 1905 171-176-176pp illustrées format 26,5x19cm Le présent ouvrage est formé par la réunion des trois volumes que M. Emile Bertaux a consacré à Rome dans la collection Les Villes d'Art célèbres. Le lecteur trouvera trois paginations ainsi que trois tables des matières et des illustrations correspondant aux trois parties de l'ouvrage : 1. L'Antiquité 2. De l'ère des Catacombes à l'avènement de Jules II 3. De l'avènement de Jules II à nos jours
Couverture avec rousseurs, intérieur propre et en bon état
H. LAURENS / LES VILLES D'ART CELEBRE. 1905. In-8. Cartonnage d'éditeurs. Etat d'usage, Couv. légèrement passée, Coiffe en pied abîmée, Intérieur frais. 176 pages. toilé vert, titres rouge, ornement vert. Nombreuses photos en noir et blanc dans le texte. Charnière intérieures fendues. Dos fané.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
H. LAURENS / LES VILLES D'ART CELEBRES. 1907. In-4. Cartonnage d'éditeurs. Etat d'usage, Coins frottés, Dos fané, Intérieur frais. 171 pages. Illustration en vert sur le premier plat de toile. Nombreuses photos en noir et blanc dans et hors texte. Tampon de bibliothèque.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Henri Laurens. 1967. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur bon état. 60 pages illustrées de 24 planches et 5 gravures noir et blanc; couverture légèrement tâchée.. . . . Classification Dewey : 720-Architecture
Collection des Petites monographies des Grands Edifices de la France. Classification Dewey : 720-Architecture
1953 Plon, 1953, 242 pages, in 8 broché, état d'usage, légèrement jauni, usures et frottements sur les bords des plats, coins cornés.
Fondation claude nicolas Ledoux 1987 in folio. 1987. broché. non paginé pages. Bon Etat intérieur propre
, Laconti, 1972 Hardcover, 236 pages, ENG edition, 240 x 200 mm, book is in good shape, the illustrated dustjacket "lost" its good shape, illustrations in colours / b/w.
Kunst > Expressionisme - Fauvisme
Ostende, Galeries Royales, 1951 softcover, 50 pages illustre. catalogue expo.
Editions de la connaissance,
PAUL HARTMANN. 1948. In-4. Cartonné. Etat d'usage, Coins frottés, Dos abîmé, Intérieur frais. Environ 200 pages. Frontispice en noir et blanc. Nombreuses photos en noir et blanc, dans et hors-texte de Pierre Devinoy. Mors fendu, dos partiellement détaché.. . . . Classification Dewey : 720-Architecture
Envoi de l'auteur sur la page de garde. Classification Dewey : 720-Architecture
J. PEYRONNET ET Cie. 1929. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Mouillures. 62 pages. Premier plat illustré d'une photos sépia contrecollée.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Paris, Ernest Leroux, 1881, in-4to, XV + 531 p., ill. avec 400 gravures + 3 planches dépliantes ill., reliure en toile originale, ill. avec des ornements en or et noir, tranches dorées .
Phone number : 41 (0)26 3223808
Dimension extérieur : 31,7 x 24,2 cm. Terrasses et Treilles, à Walmer-Lodge et à Courtlands (Angleterre). M.M Mawson et Mallows, architectes.
Planche 81, gravure dans son jus, en bon état général.
, Brepols 2018, 2018 xxiv + 440 pages., 220 x 280 mm, English, Hardcover, . ISBN 9782503580340.
This volume is a large exploration of the many sides of Williams's output. Once mostly considered a commercial composer and a mere rewriter of previous composers? styles, only recently Williams? music has begun to be taken seriously, and scholars from the music and the film departments have begun to produce research in the form of books, journal articles, conference papers, and Ph.D. theses. The present volume seeks to build upon, complement and review what has been written so far on Williams. This volume is a large exploration of the many sides of Williams's output, aimed at showing the range of his production (not merely focussing on film music) and at analysing the depth of his dramaturgic and compositional skills with selected case studies. To accomplish this exploration ? which has not the pretence of exhaustiveness but certainly that of being an accurate survey possessing both latitude and depth ? a large team of international scholars has been assembled from all around the world. The contributors come from film, media and music departments ? to provide a variety of disciplinary perspectives on Williams's work. Emilio Audissino (University of Southampton, UK) is a film scholar and film musicologist. Dr Audissino's main research interests are Hollywood and Italian cinema, film style and technique, horror and comedy, film analysis, and sound and music in films. His book Film/Music Analysis. A Film Studies Approach (2017) concerns a method to analyse music in films that blends Neoformalism, Gestalt Psychology, and Leonard Meyer's musicology. A John Williams specialist, he is the author of John Williams's Film Music: 'Jaws', 'Star Wars', 'Raiders of the Lost Ark' and the Return of the Classical Hollywood Music Style (2014), the first book in English on the composer.
, Alex Hillman Family Foundation, 1994 Hardcover, 216 pages, ENG, 310 x 235 x 25 mm, in New condition, no dustjacket, illustrated in colour. ISBN 9780295973876.
"Manet to Matisse: The Hillman Family Collection is a history and catalogue of one of the foremost art collections formed in America in the 1950s and 1960s. The collection is best known for its Impressionist, Post-Impressionist, and early modern masters, among them Bonnard, Braque, Dufy, Gris, Manet, Matisse, Modigliani, Picasso, Pissarro, Renoir, and Rouault. The Hillman Collection also includes works by Americans of the WPA era and postwar European artists." "The introductory essays document the acquisitions made by the Hillmans over three decades and analyze many of the best-known images in an art historical context. The seventy-eight paintings, sculptures, and works on paper are illustrated in color and accompanied by detailed catalogue entries with complete exhibition histories and bibliographic references. An illustrated Appendix listing works formerly in the Hillman Collection is also included."
, Brepols, 2024 Hardback, 448 pages, Size:156 x 234 mm, Illustrations:9 b/w, 37 col., Language: English. ISBN 9782503600291.
Summary Scotland's Royal Women and European Literary Culture, 1424-1587 seeks to fill a significant gap in the rich and ever-growing body of scholarly work on royal and aristocratic women's literary culture in the fifteenth and sixteenth centuries. There has, to date, been no book-length study of the literary activities of the female members of any one family across time and little study of Scotland's royal women in comparison to their European and English counterparts. This book adopts the missing diachronic perspective and examines the wives and daughters of Scotland's Stewart dynasty and their many and various associations with contemporary Scottish, English, and European literary culture over a period of just over 150 years. It also adopts a timely cross-border and cross-period perspective by taking a trans-national approach to the study of literary history and examining a range of texts and individuals from across the traditional medieval/early modern divide. In exploring the inter-related lives and letters of the women who married into the Scottish royal family from England and Europe ? and those daughters who married outwith Scotland into Europe's royal families ? the resultant study consistently looks beyond Scotland's land and sea borders. In so doing, it moves Scottish literary culture from the periphery to the centre of Europe and demonstrates the constitutive role that Scotland's royal women played in an essentially shared literary and artistic culture. TABLE OF CONTENTS Select Genealogy / Key Figures Introduction Part 1: The Wife and Daughters of James I of Scotland Chapter 1. Joan Beaufort Chapter 2. Margaret Chapter 3. Isabella Chapter 4. Eleanor Part 2: Queens Consort, James II-V Chapter 5. Mary of Gueldres Chapter 6. Margaret of Denmark Chapter 7.Margaret Tudor Preface to Chapters 8 and 9. The Wives of James V Chapter 8. Madeleine of Valois Chapter 9.Mary of Guise Part 3: Queen Regnant Chapter 10. Mary Queen of Scots Bibliography Index
Edition speciale pour les galeries et musees pontificaux. 1989. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 69 pages, nombreuses illustrations couleurs, dans et hors texte. Couverture illustrée.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
, Brepols, 2024 Hardback, 288 pages, Size:178 x 254 mm, Illustrations:26 b/w, 24 col., Illustrations:26 b/w, 24 col., Language: English. ISBN 9782503600680.
Summary The Middle Ages and Medievalism have been used and abused throughout history-and this continues. This narrative deserves a reassessment. But, what is Medieval? This is the central question that unifies the contributions in this volume. 'Medievalism', or the study of the Middle Ages in its broadest sense, refers to the perception, conceptualisation and movement towards the era post the fifteenth century. Its study is therefore not about the period otherwise referred to as the 'Middle Ages', but rather the myriad ways it has since been conceived. And the field of medievalism is still in its relative infancy which has led to the emergence of various existential questions about its scope, remit, theoretico-methodological and pedagogical underpinnings, interpretation, periodization, and its relationship to established disciplines and more emerging subdisciplines and specialised fields?both within and without the academy. In turn, neomedievalism has allowed insight into and a response to the medieval often dominated by the modern. This has provoked debate over the nature of neomedievalism as a discipline, subdiscipline, genre, field or offshoot in direct or contrasting relation to the more traditional medievalism. Featuring interdisciplinary contributions from academics, educational practitioners as well as museum, digital and heritage professionals, this volume provides a fresh reflection on past methods to emerging pedagogies as well as new avenues of enquiry into the ways we think about the medieval. It is by reconciling these seemingly disparate forms that we can better understand the continual, interconnected, and often politicised, reinvention of the Middle Ages throughout cultures and study.
Antwerp - Anvers , a ira, 1933 cartonnage illustre de l'editeur original; 35 pages.-[1] f. de pl. en coul. ; 19 cm *cinquante exemplaires marqu s E. L. NO; 10. .
Achev d'imprimer le 15 mars 1933 pour les ditions " a Ira" 62 Avenue Cruys, Deurne-Anvers. Les ditions " a Ira" se r servent tous droits. Il a t tir de cet ouvrage 100 exemplaires sur papier Featherweight num rot s de 1 100, dix exemplaires sur Hollande Van Gelder num rot s de I X et deux exemplaires marqu s A et B, hors commerce. Il a t tir , en outre, cinquante exemplaires marqu s E. L. NO; 10. a ira : revue mensuelle d'art et de critique a ira (1920-1923) : revue anversoise d'avant-garde