, Hirmer Verlag (Thames), 2023 HB, 280 x 240 mm, 304 pages , 250 Kleurenillustraties, EN edition, ISBN 9783777438481.
Hugo van der Goes (c. 1440-1482) was the most important Flemish artist of the second half of the 15th century. His innovative pictorial compositions are characterised by monumental figures and realistic narrative moments. They paved the way for the development of Netherlandish painting during the following centuries. Hugo van der Goes worked in Ghent and in the Red Cloister near Brussels. His works were admired by his contemporaries and were copied countless times until well into the 17th century. This modern monograph pays tribute to the character and importance of his numerically modest works. It juxtaposes his great altarpieces with more intimate panels, drawings and miniatures as well as works from his immediate circle. Lavishly illustrated and competently explained, the publication creates a comprehensive overview of the creative oeuvre of a magnificent artist.
, Max Str m , 2020 Hardcover, HB, 232 x 295 mm, 144 pages , 105 colour illustrations,English edition. ISBN 9789171264916.
The photographer and visual artist Erik Johansson creates surreal worlds through his own unique method. It often takes him months just to make one image, in a process where his photographs are combined so that an original place emerges. The result is often humorous, sometimes even scary, but always mind-blowing. Erik Johansson has become world-famous through his captivating and detailed images. Places Beyond is his second and biggest book so far, presenting his best images in large format. He also reveals the secrets of his method in an inspirational chapter where he explains his creative process. Places Beyond contains more than a hundred stunning pictures. - Features classic images as well as never before published photographs - Includes a chapter explaining the wonder behind Erik Johansson's images and how they are created
, V+K publishing, 1998 Gebonden, Hardcover met stofomslag compleet. Nederlands, 260 pagina's, met prachtige illustraties. ISBN 906611861.
Wereldtentoonstellingen hebben de afgelopen anderhalve eeuw door hun aard en omvang een belangrijke bijdrage geleverd aan de architectuurgeschiedenis. Door de tijdelijkheid van de structuren en het aan de tentoonstelling verbonden prestige waren de paviljoens vaak spectaculair en vernieuwend. De tastbare bewijzen daarvan zijn echter in de meeste gevallen verdwenen, soms onbedoeld, zoals in het geval van Crystal Palace, maar over het algemeen bewust, zoals in het gevan van de Galerie des Machines. Enkele beroemde bouwwerken zijn wel bewaard gebleven: de Eiffeltoren en het Atomium. Het Duitse paviljoen van Ludwig Mies van der Rohe uit 1929 en het Pavillon de l'Esprit Nouveau uit 1925 van Le Corbusier zijn zelfs gereconstrueerd. Meer dan 3OO illustraties van 3O tentoonstellingen geven een goede indruk van de rijkheid en diversiteit van een bijna vergeten categorie in de architectuur: het tentoonstellingspaviljoen.
, Universitaire Pers Leuven, 2014 softcover,272pp. Illustrated. Fine copy.english only. 230 x 170 mm, ISBN 9789058679918.
The first monograph covering Dibbets's iconic photographic oeuvre Dutchman Jan Dibbets ( b. 1941) is one of the principal artists to have introduced photography into the plastic arts, and this as early as the 1960s. At a time when photography has massively invaded contemporary art institutions?not without generating confusion and excess?it is not easy to evaluate the full radicality of Dibbets's approach. This radicalism has nothing to do with modernist overkill. Dibbets did not merely go further than others; rather, he simply went elsewhere. Beginning in 1967, he embarked on a long-range project which, as we advance into the 21st century, he seems not to have abandoned: the "pictorializing" of photography. Jan Dibbets is one of the few artists of his generation and reputation not to have seen his oeuvre accorded full monographic coverage. This exhaustive study seeks to fill this gap by covering almost fifty years of his photographic oeuvre.
, Erik Wauters, 2020 softcover, 78 pages, Illustrations en couleurs , Texte en Francais. ISBN 9789464072099.
Aarau, Sauerländer, 1949, in-8vo, 32 S. mit 16 ganzseit. Abb., ill. farb. O.-Broschüre.
Phone number : 41 (0)26 3223808
Paul Munier éditeur non daté Chemise cartonnée en percaline à anses contenant 1 fascicule de 8 pages : Titre - Références - Avertissement - Table des matières et 40 livrets - Exemplaire complet Chemise endommagée au niveau du dos - Intérieur bon état 1 530 g
Paris, éd. Mazenod, coll. "L'Art et les grandes civilisations", 1983 - fort in-folio, reliure éditeur pleine toile, couv. et jaquette illustrées, 628 pages, très nbses illustrations couleurs (souvent pleine page) et N&B -TBE
Le grand livre du mois. 1989. In-8. Broché. Très bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 418 pages augmentées de quelques schémas et photos en noir et blanc dans texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Jean paul Gisserot. Mai 2001. In-8. Broché. Très bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 30 pages augmentées de nombreuses photos en couleurs dans texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
, H.N. Abrams, 1989 hardcover with dusjacket 630 pages, ENG. edition, 320 x 255 x 50 mm. ISBN 9780810906310.
Authoritative work and invaluable reference book of the Gothic era. With 935 ilustrations, including 178 in full color, foldouts, map, ground plans, elevations.
Paris, Fayard, 1989. 16 x 24, 418 pp., nombreuses figures, cartonnage souple d'édition, bon état.
Paris, Fayard, 1989. 16 x 24, 418 pp., 160 figures, reliure souple d'édition, très bon état (1 cachet et 1 signature d'ex-particulier sur la page de faux-titre).
,Paris, Mame 1990, 79 pp., 1 vol. in 8 carré br. couverture illustrée, illustrations in et hors-texte en noir et en couleurs.
Paris, Mame, 1990. 22 x 23, 79 pp., quelques illustrations, en couleurs et en N/B, quelques cartes et plans, broché, bon état (1 cachet et 1 signature de l'ex-particulier).
SCOP-SADAG. 1979. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Env. 50 pages. Illustré de nombreuses photos en noir et blanc (héliogravées) et en couleur, dans et hors texte. Annotations en page de titre. Photo en noir et blanc scotchée sur le 2e plat.. . . . Classification Dewey : 720-Architecture
Coll. 'Les Belles Eglises de Paris'. Classification Dewey : 720-Architecture
S.l., Jean-Paul Gisserot, 2003, gd. in-4, cartonnage couv. photos coul. éd., 93 pp., papier glacé, très nb. photos coul., Table des matières, Remarquable ouvrage sur l'art roman par le conservateur général du patrinoine. Une visite dans l'architecture du Moyen-Âge. Très bon état
Gallimard 1993 12x17x1cm. 1993. Broché. 176 pages. Bon Etat intérieur propre
ERLANDE-BRANDENBURG Alain, BABELON Jean-Pierre, JENN Françoise & JENN Jean-Marie
Reference : 3918
Publié par les Archives Départementales de la Seine-Saint-Denis, 1975. In-4. Broché. Couverture illustrée. 78 pages de texte + XVIII pages de photos NB in fine de Charles Ciccione. Assez bon état. Nous y joignons 2 cartes de visites, contrecollées sur la page de titre, du préfet et du président du Conseil général de la Seine-Saint-Denis de l'époque. Envoi en tarif " lettre "
Huitième Jour 2000 21x23x1cm. 2000. Broché. 71 pages. Bon Etat intérieur propre
Huitième Jour, La Collection, ; 2000, in-4 broché, 71 pp, illustrations, in english. Very Good Condition.
ERLANDE-BRANDENBURG et sous La Direction de Pierre LEMOINE
Reference : 016453
(1988)
ISBN : 2711828735
Paris Réunion Des Musées Nationaux / Albin Michel 1988 In Quarto Ouvrage à la fois d'histoire , d'architecture et de beaux-arts , contenant de nombreuses photographies de tapisseries , des pièces intérieurs , des plafonds des cheminées peintes , des sculptures , des armes , etc . Très beau livre à offrir . Architecture . - 110 p., 950 gr.
Couverture rigide Comme neuf Très bon 1ère Édition
erlinde De Bruyckere , Brett Littman , Estate Philippe Vandenberg (Redacteur)
Reference : 38194
UK, Skira , 2012 Hardback, 240x280mm, 144p, 100 colour illustrations. ISBN 9788857214146.
A selection of drawings by two Belgian artists: Philippe Vandenberg, painter, and Berlinde De Bruyckere, sculptress. Philippe Vandenberg (Ghent, 1952 Brussels, 2009) was a foremost Belgian painter, whose oeuvre presented a series of radical stylistic and thematic shifts, reflecting both a personal trajectory and responses to varying socio-cultural changes. The creative basis of Berlinde De Bruyckeres drawings, sculptures and installations, is rooted in her childhood, and has been layered over with subsequent experiences and ideas. Its figurative points of departure render her work highly recognizable. Even though their oeuvres are so divergent in approach, sensibility, imagery, style, iconography, they show some strong affinity. As far as the content of their work is concerned, the two artists share parallel existential views, as well as a deep interest in the literary world, in the history of Western art, and in the traditions of religious imagery. The starting point is Berlinde De Bruyckeres intuitive selection from Philippe Vandenberg's legacy of drawings. For more than one year she leafed through his work. From the extensive amount of drawings that he left behind, she selected about 70 items and joined them to a selection from her own drawings. This book is the reflection of a meeting. It is a dialogue, not between artists who may, or may not, have known each other, but between their corpus of drawings.
, Brepols, 2023 Paperback, 637 pages, Size:210 x 270 mm, Language: Italian. ISBN 9782503584058.
Summary This catalogue collects Italian biblical works issued from the beginning of print to the middle of the 17th century. The abundant literature had multiple uses: the transmission of the sacred text, its interpretation, preaching, religious education, and devotional uses (meditation and prayer). It was also used as a foundation of learning and general knowledge, ethics, professional practices (i.e. in medecine and politics), domestic piety and everyday life, as well as literary and theatrical entertainment. This catalogue will help to reconstruct the access to the Bible by Italian lay people. It contributes to the historiographical debate on how Italians could read the Bible after the ban of biblical translations. It represents an extremely rich source of information for future research about authorship, readership and the very nature and use of this production, shedding light on forgotten bestsellers of Italian Renaissance.