‎Holmens Bygningshistorie 1680-1770.‎

‎Kbh., 1932. 133 pp., samt tavler. (Disp.).‎

‎Monumenta Architectura Danicae. Danish Architectural Drawings 1660-1920. Copenhagen, 1961.‎

‎Copenhagen, 1961. Folio. Orig. hpergament i kassette. Topguldsnit. 402 pp. samt 181 plancher, de fleste i farver.‎

‎Holmens Bygningshistorie 1680-1930.‎

‎København, Henrik Koppel, 1932. Folio. Orig. hldrbd. Et stempel på titelbladet og forsatsbladet.190 pp., 32 opmålingsplancher, talrige tekstillustrationer.‎

‎Lectures on Architecture, comprising the History of the Art from the earliest Times to the present Day: delivered at the Surrey and Russell Institutions, London, and the Philosophical Institution at Birmingham. Second Edition.‎

‎London, Priestly and Weale, 1823. Uncut in orig. full cloth. Orig. printed titlelabel on spine. Loss of some cloth at lower part of spine. VIII,432 pp. Internally clean and fine.‎

‎City of innocence: Workshop International d'Architecture Sendai Japon/livre en français et anglais‎

‎Champ Libre 2006 15x21x1cm. 2006. Broché. 96 pages. Très bon état‎

‎Materiality of Sound in Chant Manuscripts in the West. Scriptor, Cantor & Notator (Volume I)‎

‎, Brepols, 2023 Paperback, 328 pages, Size:216 x 280 mm, Illustrations:107 b/w, 33 tables b/w., 2 maps b/w, Language(s):English, Italian, French. ISBN 9782503606149.‎

‎Summary Scriptor, Cantor & Notator is an innovative multi-author project dealing with the complex interconnections between learning, writing and performing chant in the Middle Ages. A number of different methodological approaches have been employed, with the aim of beginning to understand the phenomenon of chant transmission over a large geographical area, linking and contrasting modern definitions of East and West. Thus, in spite of this wide geographical spread, and the consequent variety of rites, languages and musical styles involved, the common thread of parallels and similarities between various chant repertoires arising from the need to fix oral repertories in a written form, and the challenges involved in so doing, are what bring this wide variety of repertoires and approaches together. This multi-centric multi-disciplinary approach will encourage scholars working in these areas to consider their work as part of a much larger geographical and historical picture, and thus reveal to reader and listener more, and far richer, patterns of connections and developments than might otherwise have been suspected. Scriptor, Cantor & Notator is published in two books. The first, The Materiality of Sound in Chant Manuscripts in the West, brings together articles on several different families of early music scripts in the Latin West and provides a vividly diverse picture of some of the best current scholarship on the various types of ancient and medieval musical notation. TABLE OF CONTENTS Methodology Concepts and Taxonomies of Music Scripts (Rankin, Susan) Design, and the Historiography of Early Music Scripts (Varelli, Giovanni) Appunti metodologici sullo studio del canto liturgico (Albiero, Laura) Indeterminacy. New Aspect of Meaning in Gregorian Chant (Mascare as Garza, scar) Guiding Silence. The Function of Melodic Interruptions in Medieval Chant (Lousberg, Leo) Et gloriosus in saecula . Pal ographie des notations franques nord-occidentales (970-1120) (Goudesenne, Jean-Fran ois) Manuscripts and Manuscript Fragments Reuniting Fragments and Reconsidering the Scribal History of the Beneventan Zone (Nardini, Luisa) Frammenti di un antifonario in notazione nonantolana (Roncroffi, Stefania) Notation in Transition? A Palaeographical Study of the Insular Missal EXcl 3515 (Mannion, Anne) Regional Scripts and Repertories Notazioni neumatiche dei secoli XI-XII nella Biblioteca Capitolare di Verona. Riflessioni e spunti di ricerca (Cunego, Giovanni) La notation musicale dans la Catalogne m di vale. Autour des origines et son volution (Garrigosa i Massana, Joaquim) The Scribe and the Notator as the Bearer of Identity. Bohemian Notation in Late Mediaeval Manuscripts of Central Europe (Veselovska, Eva)‎

‎Hoe zouden we graag wonen? Woonvertogen in Vlaanderen tijdens de jaren zestig en zeventig‎

‎, universtaire pers leuven, 2012 Paperback, 327 p., NL, 240 x 170 x 17 mm, Nieuwstaat, illustraties / afb. in z/w ISBN 9789058679086.‎

‎Fascinerend overzicht van noden en wensen bij het bouwen, inrichten en bewonen De decennia 1960-70 vormen een scharniermoment in de geschiedenis van het wonen in Vlaanderen. De toename van de welvaart en de democratisering van het autobezit lagen aan de basis van een suburbanisatiegolf. Een douche, auto of televisie kwamen binnen het handbereik van de brede middenklasse, maar hoe ging zij best om met die nieuwe technologieen en waar gaf men deze technologieen een plaats in het huis? Koos je voor traditioneel of modern? Op basis van rijk iconografisch, archivalisch en empirisch materiaal reconstrueert de auteur de geschiedenis van het wonen in Vlaanderen als een dynamisch proces tussen diverse actoren.‎

‎Tweede Wereldoorlog in Stabroek, Hoevenen, Putte‎

‎, Heemkring Molengalm, 2020 softcover, 464 pagina's met talrijke afbeeldingen.‎

‎Les Monuments d’art et d’histoire de la Suisse. Canton du Valais VII. Le district de Monthey.‎

‎ Berne, Société d’histoire de l’art en Suisse SHAS 2015, 260x210mm, 492pages, reliure d'éditeur sous jaquette. Exemplaire à l'état de neuf.‎

‎ photos couleurs et n/b, ‎

‎Shooting Range, Photography and the Great War.‎

‎BE, MER Paper Kunsthalle, 2014 SOFTCOVER, 312x245mm, 208p, ENGLISH (ENG) edition . ISBN 9789491775529.‎

‎De Groote Oorlog is het eerste grootschalig conflict dat met foto?s en films is vastgelegd. De jonge media blijken ongekende krachten te bezitten: als alziend oog, als herinnering, maar ook als wapen. Beelden leggen niet enkel een conflict vast, ze spelen er zelfs een belangrijke rol in. Shooting Range belicht op welke manier dat gebeurde, in een conflict dat de hele wereld vier jaar in de ban hield.‎

‎Patrimoine genevois, état des lieux. ‎

‎ Infolio, 2007. In-8 broché, couverture photographique à rabats. Repères dans le texte, au crayon à papier. ‎

‎"Bien sûr, nous tenons à notre patrimoine. Mais quel patrimoine, sous quelles conditions et dans quelles limites ? De génération en génération la signification du mot se transforme, d'année en année les instruments d'investigations s'affinent et se renouvellent. Il faut parfois faire le point. Ce livre propose cinq regards, cinq perspectives sur le cas de Genève: comment on voyait la ville et sa région au 19e siècle, avec quels outils juridiques on aborde aujourd'hui son patrimoine, quels objets on y classe, comment a évolué la notion de patrimoine bâti, quels sont, enfin, la pertinence et l'impact des choix genevois. Un tour d'horizon illustré, qui s'adresse aux flâneurs et aux curieux, à ceux qui veulent comprendre comment vit et change une ville." ‎

‎Léman 1900. Morceaux choisis d’architecture. Une poésie monumentale. Texte : Leila el-Wakil. Photographies : Erich Mohr. Collection Monuments et sites.‎

‎ Genève, Georg 1994, 305x240mm, 221pages, cartonnage illustré de l’éditeur. Exemplaire à l'état de neuf.‎

‎ photos couleurs, ‎

‎Patrimoine genevois - Etat des lieux. ‎

‎ Infolio, 2007. In-8 broché, couverture à rabats. Abondamment illustré en noir. ‎

‎"Bien sûr, nous tenons à notre patrimoine. Mais quel patrimoine, sous quelles conditions et dans quelles limites ? De génération en génération la signification du mot se transforme, d'année en année les instruments d'investigations s'affinent et se renouvellent. Il faut parfois faire le point. Ce livre propose cinq regards, cinq perspectives sur le cas de Genève: comment on voyait la ville et sa région au 19e siècle, avec quels outils juridiques on aborde aujourd'hui son patrimoine, quels objets on y classe, comment a évolué la notion de patrimoine bâti, quels sont, enfin, la pertinence et l'impact des choix genevois. Un tour d'horizon illustré, qui s'adresse aux flâneurs et aux curieux, à ceux qui veulent comprendre comment vit et change une ville." ‎

‎Building With Light:. An International History of Architectural Photography ‎

‎Merrell Publishers 2004 In-4 cartonnage éditeur sous jaquette 28,6 cm sur 25. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎La belle époque 1900-1914. Les illusions délicieuses de l'Europe durant quinze ans de son existence ‎

‎Fernand Nathan (1977). In-4 relié 30 x 20 cm, jaquette illustrée, 334 pages, richement illustré en couleurs. Très bon état.‎

‎Museo Morandi, Bologna: Il catalogo (Italian Edition)‎

‎, Charta, 1993 Paperback, 384 pages, ITA, 270 x 210 x 27 mm, in good condition, illustrated in colour / b/w. ISBN 9788886158367.‎

‎One of the most beloved painters of the twentieth century, Giorgio Morandi created works that continue to exert their mysterious power on viewers worldwide. This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic &;yellow cloth&; paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. The catalogue is published on the occasion of the 2015 exhibition of Morandi&;s paintings from this period at David Zwirner, New York&;which, according to The New York Times, represent &;lucid perfection, at once cerebral and impassioned.&; It marked the first major presentation of the artist&;s late work in America since the acclaimed 2008 retrospective at The Metropolitan Museum of Art, New York.‎

‎onbekende Huf‎

‎, Voetnoot, Uitgeverij, 2005 Pb. 23x24cm.NL , 95 blz. . Nieuwstaat , Mooie illustr. in kleur / z/w. ISBN 9789071877865.‎

‎Subjects from History (2 vols.), Corpus Rubenianum Ludwig Burchard vol. vol. 13.1‎

‎Turnhout, Brepols, 1977 Hardback, 690 pages., 228 b/w ill., 180 x 265 mm. set in 2 volumes, fine condition. ISBN 9780905203690.‎

‎Elizabeth McGrath recreates the context in which Rubens, who was familiar enough with classical writings to interpret them with originally and wit, worked and casts new light on rarely discussed and misidentified subjects. For Ruben's age, as for the ancient Romans, history was valued for the lessons it taught. Rubens was deeply interested in history, particularly the works of the ancient writers like Ovid, Plutarch and Juvenal, which were full of exemplary figures. Yet unlike many Renaissance artists who merely sought texts they could illustrate, Rubens was familiar enough with classical writings to interpret them with originally and wit - always with an eye for the visually striking aspect. He was thus uniquely qualified to respond to the requirements of particular commissions with exemplary themes like The Continence of Scipio, The Justice of Cambyses, The Devotion of Artemisia and The Courage of Cloelia. Elizabeth McGrath recreates the context in which Rubens worked and casts new light on rarely discussed and misidentified subjects. Also included is a detailed analysis of the tapestry cartoons on the life of Romulus, now in the National Museum of Wales, relating the series to all relevant studies, paintings and tapestries. Languages: English.‎

‎Subjects from History volume two only, Corpus Rubenianum Ludwig Burchard vol. vol. 13.1‎

‎Turnhout, Brepols, 1977 Hardback,398 pages., 228 b/w ill., 180 x 265 mm.onky volume two., fine condition. ISBN 0905203690.‎

‎Elizabeth McGrath recreates the context in which Rubens, who was familiar enough with classical writings to interpret them with originally and wit, worked and casts new light on rarely discussed and misidentified subjects. For Ruben's age, as for the ancient Romans, history was valued for the lessons it taught. Rubens was deeply interested in history, particularly the works of the ancient writers like Ovid, Plutarch and Juvenal, which were full of exemplary figures. Yet unlike many Renaissance artists who merely sought texts they could illustrate, Rubens was familiar enough with classical writings to interpret them with originally and wit - always with an eye for the visually striking aspect. He was thus uniquely qualified to respond to the requirements of particular commissions with exemplary themes like The Continence of Scipio, The Justice of Cambyses, The Devotion of Artemisia and The Courage of Cloelia. Elizabeth McGrath recreates the context in which Rubens worked and casts new light on rarely discussed and misidentified subjects. Also included is a detailed analysis of the tapestry cartoons on the life of Romulus, now in the National Museum of Wales, relating the series to all relevant studies, paintings and tapestries. Languages: English.‎

‎Flesh, Gold and Wood. The Saint-Denis altarpiece in Li ge and the question of partial paint practices in the 16th Century Proceedings of the Conference Held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015‎

‎, Brepols - Harvey Miller, 2021 Softcover, 484 pages., 230 x 290 mm, Languages: English. Disponible en une seule version avec des articles en fran ais ou en anglais. ISBN 9782930054407.‎

‎The impressive altarpiece in the church of Saint-Denis in Li ge is one of the most prestigious but also one of the most enigmatic witnesses to the rich Brabantine altarpiece production at the end of the Middle Ages. The interdisciplinary study carried out during its restoration at the Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels between 2012 and 2014 allowed to resolve some of the questions involved and to propose new refreshing hypotheses. The attribution to the Borman, the most prestigious Brussels sculptor family, was refined, as was its dating in the early 1530s, when the vocabulary of Italian Renaissance began to invade the art of the Meuse banks simultaneously with the still well-anchored Gothic style. This volume provides a broad platform for the exceptional character of the partial polychromy of the altarpiece, highlighted by the investigation conducted at the KIK-IRPA. This research was nourished by many comparative reflections. The abundant and varied studies presented here, mainly originate from an international conference held in October 2015. In addition, the restoration at KIK-IRPA, between 2016 and 2019, of some of the painted panels that initially adorned the shutters of the altarpiece, also allowed a beneficial reconsideration of the participation of the great Li ge painter Lambert Lombard and some local workshop. Starting from an amazing work, they represent an important part of the artistic activity in Li ge revived by Prince-Bishop rard de La Marck.‎

‎Recherches Sur L'Art Statuaire. Considéré Chez Les Anciens Et Chez Les Modernes, Ou Mémoire Sur Cette Question Proposée Par L'Institut National De France: Quelles ont été les causes de la perfection de la Sculpture antique, et quels seroient les moyens d'y atteindre? Ouvrage Couronné Par L'Institut National, Le 15 Vendémiaire an IX.‎

‎Paris und Nyon, Ainé, Libraire, 1805. 8°. XIV, (2), 544 S. Lederband der Zeit mit reicher Rückenvergoldung.‎

‎Cicognara 276. – Barbier IV, 28. – Erste Ausgabe. Toussaint-Bernard (1755–1839), französischer Kunsthistoriker, studierte in seiner Heimatstadt Aiy-en-Provence, in Paris und vollendete sein Kunststudium in Italien. – Die Vorsätze blass leimschattig und angestaubt. Der Einband etwas berieben.‎

‎The use of brick in French architecture. Part I : the Midi.‎

‎ NY, Architectural book publishing company, 1935. In-folio, couv. cartonnée de l'éditeur, 94 pp., nbses ill. en noir. ‎

‎ Déchirure restaurée au premier plat. Int. frais. - Frais de port : -France 4,95 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €) ‎

‎La photographie artistique.‎

‎Paris, Charles Mendel, o. J. (ca. 1910). 4°. (4), 142 S., (1) Bl., (24) S. (Anzeigen). Mit 16 Heliogravüren der Ed. Laussedat u. Imp. I. Heuse nach Photographien von Henri Emery. Chromolithogr. Orig.-Broschur mit mont. Heliogravüre (leicht fleckig, vord. Gelenke angerissen, Rücken an Kopf u. Fuss mit Fehlstellen).‎

‎1 Bogen stark gelockert. Durchgehend leicht gebräunt.‎

‎L'architecture d'aujourd'hui minimal numéro 323‎

‎Jean-Michel Place 2008 30 6x23 6x1 2cm. 2008. Broché. 149 pages. Etat de Neuf‎

‎Möbel von Architekten. Meisterstücke der Einrichtung im 20. Jahrhundert. Übersetzung aus dem Amerikanischen von Hubertus von Gemmingen.‎

‎Stuttgart, Berlin, Köln, Kohlhammer, 1990, in-4°, 315 S., ill. mit mehreren Farbfotos und 610 fotogr. Abbild., Original-Leinenband, farb. ill. OU, carton Etui.‎