‎Votre maison dans le sud-ouest - Pays basque, Landes, Gironde‎

‎ Ch. Massin, non date. Format 21x28 cm, reliure sous jaquette illustree, 79 pages. Un nom sur la page de garde.Bon etat, petites traces d'usage sur un livre d'occasion.‎

‎VOTRE MAISON DANS LE SUD OUEST - PAYS BASQUE LANDES GIRONDE.‎

‎CH.MASSIN. NON DATE. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 79 pages - nombreuses illustrations en couleurs dans et hors texte - nombreux plans en noir et blanc dans le texte - jaquette en bon état.. Avec Jaquette. . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎CONSTRUCTION ET ARCHITECTURE. Métiers en mutation ? ‎

‎1984 / 79 pages. Broché. Editions l'equerre.‎

‎Couverture présentant des frottements d'usage, intérieur trés frais. Bon état.‎

‎Helden in harnas. gedrukte ridderverhalen uit de vijftiende en zestiende eeuw‎

‎, Sterck & De Vreese, 2021 Paperback,128 pp Illustrated. tekst Nederlands. ISBN 9789056157951.‎

‎Elisabeth de Bruijn, Marie-Charlotte Le Bailly, Steven Van Impe (red.) Ridders roepen bij jong en oud beelden op van heldhaftige avonturen, zwaardgevechten, magi rs, draken en hoofse liefde. Niet alle ridderverhalen zijn bewaard gebleven. Terwijl Karel ende Elegast terechtkwam in de literaire canon, verdwenen de verhalen over de vrouw met de vissenstaart Melusine, Helias de Zwaanridder of ridder Parijs en de mooie Vienna. De auteurs gaan op zoek naar die fascinatie voor de helden in harnas. De opkomst van de boekdrukkunst in de vijftiende en zestiende eeuw veranderde veel. Middeleeuwse verhalen werden gecommercialiseerd, aangepast en internationaal verspreid. De gebruikte verteltechnieken doen denken aan de verhaallijnen van soapseries en droegen bij aan het succes van ridderverhalen.// Elisabeth de Bruijn, Marie-Charlotte Le Bailly, Steven Van Impe (eds.) Knights evoke images of heroic adventures, sword fights, magicians, dragons and courtly love in young and old. Not all knight's stories have survived. While Karel ende Elegast ended up in the literary canon, the stories about the fish-tailed woman Melusine, Helias the Swan knight or knight Paris and the beautiful Vienna disappeared. The authors go in search of that fascination for the heroes in armor. The rise of the printing press in the fifteenth and sixteenth centuries changed a lot. Medieval stories were commercialized, adapted and distributed internationally. The storytelling techniques used are reminiscent of the storylines of soap operas and contributed to the success of chivalric stories.‎

‎Jan des Bouvrie ‎

‎, Holkema en Warendorf, 1985 paperback, 100 pagina's met prachtige illustraties z/w.‎

‎Onze-Lieve-Vrouwkerk te Ninove, Inventaris van het kunstpatrimonium in Oost-Vlaanderen‎

‎Gent, Provincie Oost-Vlaanderen 1980, 1980 Paperback, 129 paginas + 100 afbeeldingen, Nederlands, 240 x 160 mm, Nieuwstaat, .‎

‎Na een historische inleiding en bibliografie volgt nog wat uitleg over de voormalige parochiekerk van Ninove, die gesloopt werd begin 19de eeuw. Dan komt de volledige inventaris aan bod van de huidige parochiekerk, die eigenlijk de voormalige abdijkerk is.‎

‎Gennem hovedet muren / Mit dem Kopf durch die Wand / Head through the wall : Sammlung Block‎

‎, Statens Museum for Kunst 1992, 1992 287 Seiten. Der Katalog verzeichnet 517 Werke und Objekte aus der Sammlung.Texte D nisch / Englisch / Deutsch.Gutes kondition. ISBN 9788775510764.‎

‎Montagne des photographes : La Montagne est tout un art.‎

‎, Bordas, 1989 Hardcover, 239 pages, Francais, Illustrations/ Photo's en n/b, 360 x 270 x 38 mm, Grand Format , jaquette, Prima Conditions !., gaine en carton ISBN 9782040184704.‎

‎Cette cha ne de montagnes a t cr e il y a environ 300 millions d'ann es. Les Romains d couvrirent que cette zone tait riche en filons d?or et d?argent. C'est pourquoi ils ont construit ici plusieurs forts et tabli plusieurs routes commerciales dans cette r gion. Au Moyen ge, cette zone constituait la fronti re entre le royaume des Francs et celui des Wisigoths. Plusieurs ch teaux, comme le ch teau du Hautpoul et le ch teau de Lastours, datent de cette poque. Gr ce l'enclavement de cette zone, la Montagne Noire a t largement pargn e par les effets d vastateurs de la Guerre de Cent Ans. Pendant des si cles, l?exploitation des m taux pr cieux a t la principale source de revenus de cette r gion. Apr s l' puisement des filons d'or, d'argent et de cuivre au XVe si cle, cette zone fut de plus en plus abandonn e. En partie gr ce ce d veloppement, la Montagne Noire est devenue au fil des si cles l'une des plus belles r serves naturelles du sud de la France.‎

‎CIRKUS Elisabeth Ivanovsky.‎

‎ Antwerpen, Bibliofielenvereeniging TIJL, kammenstraat 65., 1933 Oplage bedraagt slechts 54 exemplaren waarvan 1-50 genummerd en 4 ex. buiten handel. DIT IS EXEMPLAAR 49. Gesigneerd door Elisabeth Ivanovsky Deze uiterst zeldzame portfolio bestaat uit zwart color kaft met daarin zeven sjablonen, naar ontwerp en uitgevoerd door Elisabeth Ivanovsky bewerkt op zwaar pastelpapier. -- Edition is only 54 copies of which 1-50 numbered and 4 ex. outside trade. THIS IS COPY 49. Signed by Elisabeth Ivanovsky This extremely rare folder consists of a black color cover containing seven templates, designed and executed by Elisabeth Ivanovsky, edited on heavy pastel paper.‎

‎In 1933 werkte Elisabeth Ivanovsky af en toe in een drukkerij in Antwerpen om stencils te maken. Ze kreeg de kans om daar haar eigen creatie te publiceren - "Cirkus", een portfolio van zeven sjablonen inclusief omslag - onafhankelijk van de werken die voor de I.S.A.D. (La Cambre) zijn uitgevoerd. De portfolio werd voor het eerst tentoongesteld op de offici le Bessarabische salon in Chisinau in 1934 daarna in "Infancia y Arte moderno", IVAM Centre Julio Gonzalez, Valencia en "Russian Art of the Image for Children (1900-1945)" in het Centre de l'Illustration, H tel de Mora, Moulins. In 2010, opnieuw in Chisinau in het National Museum of Arts van Moldavi tijdens de herdenking "Elisabeth Ivanovschi - 100 ani de la nastere" in 2010 ook daarna tijdens "Lof der zeldzaamheid - Honderd schatten van het zeldzame boekenreservaat" in de Nationale Bibliotheek van Frankrijk Fran ois-Mitterrand in 2014-2015. Van de 59 exemplaren van de originele uitgave (Antwerpen: Uitgeverij Tijl) wordt er n bewaard door de BnF (Parijs) evenals vijf aquarelprojecten, n door de Koninklijke Bibliotheek (KBR, Brussel), n door het Van Abbemuseum - LS Collectie (Eindhoven), n door het Nationaal Museum voor Moldavische Kunst (Chisinau), n door de Bibliotheek Universiteit Van Amsterdam en twee door particulieren (Parijs, Brussel) en deze portfolio in Antwerpen). In 1933, Elisabeth Ivanovsky occasionally worked in a printing house in Antwerp to make stencils. She had the opportunity to publish her own creation there - "Cirkus", a portfolio of seven templates including cover - independent of the works submitted for the I.S.A.D. (La Cambre). The portfolio was first exhibited at the official Bessarabian salon in Chisinau in 1934 then at "Infancia y Arte moderno", IVAM Center Julio Gonzalez, Valencia and "Russian Art of the Image for Children (1900-1945)" at the Center de l'Illustration, H tel de Mora, Moulins. In 2010, again in Chisinau in the National Museum of Arts of Moldova during the commemoration "Elisabeth Ivanovschi - 100 ani de la nastere" in 2010 also afterwards in "Praise of rarity - One hundred treasures of the rare book reserve" in the National Library of France Fran ois-Mitterrand in 2014-2015. Of the 59 copies of the original edition (Antwerp: Uitgeverij Tijl), one is kept by the BnF (Paris) as well as five watercolor projects, one by the Koninklijke Bibliotheek (KBR, Brussels), one by the Van Abbemuseum - LS Collection (Eindhoven) , one by the National Museum of Moldavian Art (Chisinau), one by the University of Amsterdam Library and three by private individuals (Paris, Brussels, and this copie in Antwerp). ‎

‎scheppende kracht van papier Duurzaam, innovatief en sociaal‎

‎, , 2023 softcover, 127 pp. met prachtige illustraties. 26 18,7 cm. ISBN 9789083189451.‎

‎Meester papierschepper Leo Hoegen uit Utrecht heeft een lange staat van dienst als papierschepper. Ruim veertig jaar ervaring in experimenteren en innoveren, meedoen aan kunstprojecten, advies geven aan buitenlandse bedrijven en vooral heel veel les geven. ?De scheppende kracht van papier? bestaat uit de interessantste hoogtepunten van Leo?s carri re, die lezen als een avonturenboek. Elk hoofdstuk biedt praktijkoefeningen om te leren papierscheppen, met een QR-code voor een film waarin Leo laat zien hoe u dat doet. Stap voor stap wordt u ingewijd in de geheimen van dit eeuwenoude, maar nog springlevende ambacht. Een lesboek dat ook prima geschikt is als leesboek. Auteur Elise Meier heeft diverse boeken over ambachten op haar naam staan zoals Gouden Handen, Kunst& Ambacht, Op zoek naar het nieuwe ambacht. Ook schrijft zij regelmatig in tijdschriften over ambachten en immaterieel erfgoed.‎

‎RODOLPHE II Monarque et mecene‎

‎, Cercle d'Art, 1990 Hardcover, 271 pages, Francais, Illustrations. ISBN 9782702202555.‎

‎Arts musulmans . Extrême-Orient.‎

‎ Paris, Armand Colin, 1939. In-4, br. , 496 pp. , nbr. illustrations. ‎

‎dos manquant en partie, titre conservé, à relier ,dans l'état ‎

‎Case Study Houses 1945-1966 : De Californische impuls‎

‎, Taschen / De Morgen, 2007 Hardcover, 96 pag. NL, 240 x 190 mm, goede staat, ill. in kleur / z/w. ISBN 9789077686577.‎

‎Treading on Thin Air: Atmospheric Physics, Forensic Meteorology, and Climate Change : How Weather Shapes Our Everyday Lives‎

‎, Pegasus Books 2016, 2016 Hardcover, 273 pages, EN , 235 x 165 mm , with pictures / illustrations in colour and b/w, in very fine condition !. ISBN 9781605988221.‎

‎Weather, water, and climate. How we feel, how productive we are, even our sheer existence, depends on these three things. The United States economic activity varies annually by 1.7% due to weather-that is more than $500 billion dollars each year! Weather applications on mobile devices are the second most popular 'apps' - more popular than social networking, maps, music,and news. In Treading on Thin Air, Dr. Elizabeth Austin, a world-renowned atmospheric physicist, reveals how the climate is intimately tied to our daily lives. The effects and impacts of weather on humans, society and the planet are changing with the times. Dr. Austin will demystify climate change, revealing what is really happening with our climate and why, whether it is El Nino, tornadoes, floods or hurricanes. Weather and society are at its most fascinating at extremes, and as Dr. Austin is one of a handful of forensic meteorologists around the globe. She has been called upon to investigate plane crashes, murders, wildfires, avalanches, even bombing cases. Drawing upon her rich experiences, Austin's Treading on Thin Air promises to be an enlightening and informative journey through the wild word of weather.‎

‎Matisse Picasso‎

‎, Tate Publishing, 2002 Hardcover, 400 pages , ENG, 315 x 255 x 35 mm, dustjacket, book is as new, illustrated in colour / b/w. ISBN 9781854373922.‎

‎Annotation. Henri Matisse and Pablo Picasso have long been seen as the twin giants of modern art, as polar opposites but also as complementary figures. Between them they are the originators of many of the most significant innovations of 20th-century painting and sculpture, but their relationship has rarely been explored in all of its closeness and complexity. In spite of their initial rivalry, the two masters eventually acknowledged one another as equals, becoming, in their old age, increasingly important to one another both artistically and personally. From the time of their initial encounters in 1906 in Gertrude and Leo Stein's Paris studio until 1917, they individually produced some of the greatest art of the 20th century and maintained an openly competitive relationship brimming with intense innovation. Matisse Picasso presents the artists' oeuvres in groupings that reveal the affinities but also the extreme contrasts of their artistic visions. Published to accompany the landmark exhibition (a joint effort of The Museum of Modern Art, New York; the Tate Modern, London; the Reunion des musees nationaux/Musee Picasso, and the Musee national d'art moderne/Centre Georges Pompidou, Paris), Matisse Picasso is the first major examination of the fascinating relationships between their art, their careers, and their lives. Thirty-four essays, each by a member of the exhibition's curatorial team, focus on a particular moment in the artists' evolving relationship. These texts are accompanied by an introductory history, commentary on the public perception of important artistic relationships, and an extensive chronology.‎

‎Le Corbusier‎

‎Carlton Books Ltd 2000 Livre en anglais. In-8 cartonnage éditeur. 23 cm sur 17. 80 pages. Nombreuses photographies en couleurs et noir et blanc dont certaines hors-texte. Jaquette en bon état. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Lives and Afterlives. The Hiberno-Latin Patrician Tradition, 650?1100‎

‎, Brepols, 2023 Paperback, 179 pages, Size:156 x 234 mm, Illustrations:6 tables b/w., Language: English. ISBN 9782503606040.‎

‎Summary Saint Patrick is a central figure in the medieval Irish Church. As the converter saint he was a central anchor through which Irish people came to understand their complicated religious past as well as their new place in the wider Christian world. This study considers some of the earliest and most influential writings focused on Saint Patrick, and asks how successive generations forged, sustained and redirected aspects of the saint's persona in order to suit their specific religious and political needs. In this book Elizabeth Dawson, for the first time, treats the Hiberno-Latin vitae of Patrick as a body of connected texts. Seminal questions about the corpus are addressed, such as who wrote the Lives and why? What do the works tell us about the communities that venerated and celebrated the saint? And what impact did these Lives have on the success and endurance of the saint's cult? Challenging the perception that Patrick's legend was created and sustained almost exclusively by the monastic community at Armagh, she demonstrates that the Patrick who emerges from the Lives is a varied and malleable saint with whom multiple communities engaged. TABLE OF CONTENTS Acknowledgements List of Abbreviations Preface Chapter 1. Beginnings Chapter 2. T rech n Chapter 3. Muirch Chapter 4. Beyond the seventh century Chapter 5. Expanding the Tradition: Vita Secunda, Vita Tertia & Vita Quarta Epilogue Appendix Bibliography Index‎

‎Veronica's Revenge : Contemporary Perspectives on Photography‎

‎, Scalo, 1998 Hardcover, 254 pages, ENG, 240 x 180 x 24 mm, dustjacket, As New ! illustrated in colour / b/w. ISBN 9783931141783.‎

‎The Lambert Collection is one of the greatest collections of contemporary photographs in the world, made during a time in which photographic art has undergone fundamental changes in both its intentions and perceptions. This collection of essays by the foremost writers on international contemporary art accompanies full-page reproductions of 130 photographs from the collection, placing them in the context of contemporary art practice, and singling out particular artists and images for their own personal analysis.This book fills a real gap in photography publishing and critically examines the photographic creation of the recent decades.‎

‎Hercules to Olympus Part XI, 2: Mythological Subjects Hercules to Olympus / 2 volumes.‎

‎, Brepols - Harvey Miller, 2023 hardcover with dusjacket, 2 vols, 946 pages.Size:175 x 260 mm Illustrations:450 b/w. Language(s):English. ISBN 9781912554867.‎

‎One remarkable feature of European culture as it developed in the Renaissance was the accommodation it made with ancient paganism. The classical gods and their legends were allegorised, transformed into symbolic figures or emblematic scenes that might accord with Christian morality. At the same time a secular space was created in art for the depiction of the most popular myths, above all the love stories recounted by the ancient poets. These stories were not only attractive in themselves; they offered the opportunity to depict nude figures in narrative action, which the example of antiquity held forth as the highest goal for painting. Rubens was one of the greatest creators of classical allegory; he was also a supreme interpreter of the classical stories. No painter was so at home in the literature of the Greeks and Romans. When he painted for pleasure, which, increasingly in the course of his life, he felt able to do, he used pagan myth to express and celebrate themes of love, beauty and the creative forces of nature, often in wonderfully idiosyncratic ways. At the same time, as a Christian committed to the ideals of the Catholic Reformation, Rubens respected the restrictions generally placed on the depiction of pagan tales. Most of his mythological paintings were made for private settings, for display within houses (including his own) or in the galleries of princes, noblemen and prelates. It is happy accident of history that these splendid paintings are now widely visible in the great museums of the world.‎

‎Thinking through Rubens Selected Studies by Arnout Balis.‎

‎, Brepols, 2024 Hardcover, Pages: 220 pages,90 x 255mm,Illustrations:18 b/w, 88 col. Language(s):English. ISBN 9781915487285.‎

‎Over the course of his life, Arnout Balis (d. 2021) did a lot of thinking about and around Rubens. A principal beneficiary of this was the Corpus Rubenianum, that multi-volume catalogue of the work of the artist to which he devoted so much of his scholarly endeavour ? as author, and, still more, as the most generous of editors. But he also produced wide-ranging, as well as more closely detailed, studies on the artist that were written for a variety of contexts. Arnout Balis was an artist before he was an art historian, and the question of how Rubens channelled his ideas into visual form constantly attracted and intrigued him. He was fascinated, too, by the practicalities of the artist?s method of production, given the enormous output of Rubens?s studio. Not only did he rigorously assemble and analyse every scrap of information about pupils or associates of the master, but he made himself an expert in the work of each of Rubens?s artistic contemporaries. In all his investigations, whether involving the attribution of a painting, an iconographic puzzle or the solution to a historical problem, he took nothing for granted, treating any received idea or initial intuition with due scepticism until it could be shown to stand the test of the evidence, documentary and visual. The present volume shows the Balis method in action. It includes several studies already acclaimed as exemplary, and others which deserve to be more widely known. Five of them are made available here for the first time in English translation. Preface Arnout Balis: A Personal Memoir by Elizabeth McGrath 1 Hippopotamus Rubenii: A Small Chapter in the History of Zoology (1981) 2 Image and Counterimage: On Dissident Rubens Biographies (1985) 3 Picturing Fables in Seventeenth-Century Flemish Painting (1985) 4 ?Fatto da un mio discepolo?: Rubens?s Studio Practices Reviewed (1994) 5 Working it out: Design Tools and Procedures in Sixteenth- and Seventeenth-Century Flemish Art (2000) 6 Rubens and Inventio: The Contribution of his Theoretical Notebook (2001) 7 Rubens and his Studio: Defining the Problem (2007) 8 A Painting by Willem Panneels, an Intriguing Pupil of Rubens (2020) 9 Many Hands in Rubens?s Workshop: an Exploration (2021) 10 A Sheet from Rubens?s Theoretical Notebook (2021)‎

‎Le Caire. Cairo. Centre en mouvement. Centre in movement. Collection Petit altas urbain.‎

‎ Marseille, IRD Editions 2012, 270x240mm, 287pages, broché. Couverture à rabats. Exemplaire à l'état de neuf.‎

‎ photos couleurs et n/b, édition bilingue: français - anglais, ‎

‎Typical Venice? The Art of Commodities 13th-16th Centuries. , ‎

‎, Brepols - Harvey Miller 2020, 2020 Hardcover, . iv + 268 p., 70 col. ills , 220 x 280 mm, English, FINE ISBN 9781912554300.‎

‎What is the art of commodities, and how does it contribute to shaping a city? The case of Venice, which perhaps more than any other late medieval or early modern city depended on trade, offers some widely applicable considerations in response to these questions. Commodities exist as such only when they can be bought and sold. Select materials, techniques and tools, motifs, and working processes are entailed in the conception and realization of commodities, with the aim of producing and selling in numbers. The art of commodities is an art of anticipation and organization, as complex as the material, social, and symbolic situations it results from, deals with, and contributes to shaping. In turn, an analysis of commodities allows for profound insights in these situations. The art of commodities ultimately presents specific challenges, solutions, and styles; it is an art of objects, as well as an art of cities and societies. In Venice, commodities did much more than circulate throughout the Lagoon: the city was made of them. The studies in this book consider the Serenissima?s diverse commodities, merchants, and routes from multiple perspectives. Ella Beaucamp is a doctoral candidate at Ludwig-Maximilians-Universit t M nchen, where she developed her dissertation topic within the research group ?Premodern Objects. An Archaeology of Experience?, led by Philippe Cordez. She studies the high medieval stone reliefs of Venetian house facades, relating them to the larger context of Mediterranean trade and artistic production. The Centro Tedesco di Studi Veneziani, the Gerda Henkel Stiftung, and the Max Weber Foundation ? German Humanities Institutes Abroad have supported her work. For her master?s thesis she was the recipient of the Heinrich W lfflin Prize from Ludwig-Maximilians-Universit t M nchen. Philippe Cordez is Deputy Director of the German Center for Art History in Paris. His research and teaching deal with medieval art history and more generally with object studies in art history. This work has been supported by the cole des Hautes tudes en Sciences Sociales in Paris, the Universit t Hamburg, the Kunsthistorisches Institut in Florenz ? Max-Planck-Institut, Ludwig-Maximilians-Universit t M nchen, the Universit de Montr al, and the Sterling and Francine Clark Art Institute, Williamstown. His book Treasure, Memory, Nature: Church Objects in the Middle Ages, translated from French and awarded the Prize of the German Medievalists? Society (Medi vistenverband e.V.), is available at Harvey Miller Publishers.‎

‎LUX AETERNA Ellen Marie.‎

‎, Stichting Kunstboek, 2022 HB, 290 x 240 mm, 144 pages, 80 Kleurenillustraties, EN-NL edition. ISBN 9789058566812.‎

‎Kunstenares Ellen Marie grijpt terug naar de ambachtelijkheid van oude meesters. Dat leerde ze niet aan de Willem De Kooning Academie waar ze eerst studeerde, maar aan de Barcelona Academy of Art, waar ze traditionele teken- en schildertechnieken kreeg onderwezen. Nu heeft ze een eigen studio in Barcelona en geeft ze er les aan de Academy. Lux Aeterna, 'Eeuwig Licht' is een reeks van 57 schilderijen waarin ze het proces volgt van een dansende man op weg naar zelfverwezenlijking, de hoogste der menselijke behoeften. In het eerste deel treffen we hem aan kronkelend van zielenpijn, getormenteerd doordat een blinddoek hem belet het licht dat hem omringt, waar te nemen. In deel twee valt de blinddoek af en komt er geleidelijk een dans op gang. Er ontstaat een dialoog tussen het licht dat op zijn lichaam valt en het onzichtbare licht, de levenskracht die van binnenuit opwelt, eerst ingetogen daarna steeds woester. In het derde deel spatten de klodders verf van het doek. De vorm valt meer en meer uit elkaar en transmuteert tot een onherkenbare massa waarin nog slechts de suggestie van een figuur zit. In het vierde deel ten slotte, vindt de man na een lange eenzame tocht verwantschap bij gelijkgestemde zielen die baden in het goddelijke licht. Dit verhaal verbeeldt de innerlijke zoektocht van de kunstenares naar Waarheid, Licht en Vrijheid. Kunstrecensent Koen Van Damme (The Art Couch) schreef vijf gedichten bij dit bijzondere werk.‎

‎Without Hands - The Art of Sarah Biffin‎

‎, Paul Holberton Publishing Ltd, 2022 Softcover, 104 pages, ENG. edition, 250 x 195 mm, NEW , illustrated in color / b/w. ISBN 9781913645366.‎

‎Overview A celebration of an artist whose under-sung legacy testifies to the enduring power of originality, drive, and devotion. Accompanying an exhibition at Philip Mould & Company, Without Hands presents the art of Sarah Biffin. Biffin (1784-1850) was born with phocomelia, a condition described on her baptism record as "born without arms and legs." After learning to sew and write as a child, Biffin joined a traveling sideshow where she painted in front of an audience. Eventually, she rose to fame as a talented miniaturist, signing many of her works "without hands." Despite her prolific output, including commissions from royalty and exquisitely detailed self-portraits, Biffin's work has been overlooked by art historians. Beautifully illustrated and including original research, Without Hands celebrates Biffin as an artist who challenged contemporary attitudes to disability.‎

‎Amalienborg Interiører. Christian VII's Palæ 1750-1800.‎

‎Kbhvn., 1945. 4to. Med orig. omslag i smukt privat hpergamentsbd. 84,(10) pp. samt 67 plancher.‎