‎CONSTANTIN MEUNIER. Mus e Meunier, Bruxelles‎

‎, Snoeck, 2021 HB, 255 x 210 mm, 144 p, 200 illustraties. NL edition. ISBN 9789461616920.‎

‎De presentatie is toegespitst op de evolutie van de kunstenaar tussen 1875 en 1905, zijn 'tweede leven', zoals hij het zelf uitdrukte. Tijdens die laatste dertig jaar van zijn leven groeide Meuniers aandacht voor de sociale en industri le ontwikkelingen in Belgi en zette hij in op realistische voorstellingen, aanvankelijk in schilderijen en tekeningen. Daarna, vanaf 1885, keerde hij terug naar de beeldhouwkunst, waarin hij zich ontpopte tot een van de allergrootsten. In het spoor van doeken als De gebarsten smeltkroes ontstonden belangrijke beelden als De smeder, een hele kolonie van gipsen en bronzen beelden die hun tijd diepgaand hebben be nvloed en nog heel lang zouden nazinderen in de realistische kunst van de eerste decennia van de 20e eeuw. GESCHIEDENIS VAN DE COLLECTIE Aan het einde van zijn leven liet Constantin Meunier (1831-1905) deze mooie atelierwoning bouwen. In 1936 werd het gebouw, met zijn meer dan 700 werken tellende collectie, door de Belgische staat aangekocht en drie jaar later voor het publiek opengesteld. Het museum werd aan de Koninklijke Musea voor Schone Kunsten van Belgi toegevoegd en in 1986 gerenoveerd. Sindsdien stelt het ongeveer 150 werken en documenten tentoon‎

‎CONSTANTIN MEUNIER MUSEUM‎

‎, Mus e Meunier, Bruxelles, 2021 HB, 255 x 210 mm, 144 p, 200 illustraties.NL edition. ISBN 9789461616920.‎

‎Publicatie naar aanleiding van de heropening van het museum Constantin Meunier De presentatie is toegespitst op de evolutie van de kunstenaar tussen 1875 en 1905, zijn 'tweede leven', zoals hij het zelf uitdrukte. Tijdens die laatste dertig jaar van zijn leven groeide Meuniers aandacht voor de sociale en industri le ontwikkelingen in Belgi en zette hij in op realistische voorstellingen, aanvankelijk in schilderijen en tekeningen. Daarna, vanaf 1885, keerde hij terug naar de beeldhouwkunst, waarin hij zich ontpopte tot een van de allergrootsten. In het spoor van doeken als De gebarsten smeltkroes ontstonden belangrijke beelden als De smeder, een hele kolonie van gipsen en bronzen beelden die hun tijd diepgaand hebben be nvloed en nog heel lang zouden nazinderen in de realistische kunst van de eerste decennia van de 20e eeuw. GESCHIEDENIS VAN DE COLLECTIE Aan het einde van zijn leven liet Constantin Meunier (1831-1905) deze mooie atelierwoning bouwen. In 1936 werd het gebouw, met zijn meer dan 700 werken tellende collectie, door de Belgische staat aangekocht en drie jaar later voor het publiek opengesteld. Het museum werd aan de Koninklijke Musea voor Schone Kunsten van Belgi toegevoegd en in 1986 gerenoveerd. Sindsdien stelt het ongeveer 150 werken en documenten tentoon.‎

‎CONSTANTIN MEUNIER MUSEUM ENG.‎

‎, Mus e Meunier, Bruxelles, 2021 HB, 255 x 210 mm, 144 p, 200 illustraties. ENGLISH edition. ISBN 9789461616937.‎

‎Publication at the occasion of the re-opening of the museum Constantin Meunier. This museum is located in Ixelles in the house-cum-studio of artist, painter, sculptor and draughtsman Constantin Meunier (1831-1905). The items on display trace more specifically the evolution of the master between 1875 and 1905, this "second life" in his own words, during which his Realist talent focused more on the social and industrial aspects of Belgium, first through painting and drawing and then, from 1885 onwards, with his return to sculpture to become one of the greatest artists of the genre. Paintings like The Broken Pot are echoed by important sculptures like The Hammerer, a whole people of plaster and bronze that deeply marked his day and continued to influence Realist art well into the first decades of the 20th century. HISTORY OF THE COLLECTION Constantin Meunier (1831-1905) had this beautiful housecum-studio built towards the end of his life. Sheltering an extensive collection of over 700 works, the house was acquired by the Belgian state in 1936 and opened to the public in 1939. Attached to the Royal Museums of Fine Arts of Belgium, and subsequently renovated, it has since 1986 presented a selection of about 150 works and documents.‎

‎INITIATION A LA SYMBOLIQUE ROMANE XIIe siècle ‎

‎Paris Flammarion 1964 in 8 (21x15) 1 volume broché, 313 pages [1], avec de nombreuses illustrations en noir et blanc, dont hors-texte. Nouvelle Édition de " L'essai sur la symbolique romane". Collection "Homo Sapiens". Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Bon ‎

‎Initiation à la symbolique romane (XIIe siècle). Collection : Champs Flammarion, N° 19.‎

‎Paris, Flammarion, 1977. 11 x 18, 312 pp., 5 figures, broché, très bon état.‎

‎"Nouvelle édition de l' ""Essai sur la symbolique romane"""‎

‎Essai sur la symbolique romane .‎

‎ P, Flammarion, 1955 , in8br, 254pp , planches in et hors texte.Couverture légèrement défraichie . ‎

‎Initiation à la Symbolique romane (XIIe siècle).‎

‎Paris, Flammarion (« Homo Sapiens »), 1969. in-8°, 313 pages, illustre hors texte N/B, fig. in-texte, -, 3 index, broche, couverture.‎

‎Couverture et dos insol. sinon bel exemplaire. [CA31-4] ‎

‎Initiation à la symbolique romane (XIIe siècle). Collection : Champs : N° 19.‎

‎Paris, Flammarion, 1977. 11 x 18, 312 pp., 5 figures, broché, bon état.‎

‎Roger II of Sicily. Family, Faith, and Empire in the Medieval Mediterranean World‎

‎, Brepols, 2020 Hardback, 221 pages, Size:156 x 234 mm, Illustrations:18 b/w, 4 tables b/w., 2 maps b/w, Language: English. ISBN 9782503581408.‎

‎Summary Roger II (c. 1095-1154), Sicily's first king, was an anomaly for his time. An ambitious new ruler who lacked the distinguished lineage so prized by the nobility, and a leader of an extraordinarily diverse population on the fringes of Europe, he occupied a unique space in the continent's charged political landscape. This interdisciplinary study examines the strategies that Roger used to legitimize his authority, including his relationships with contemporary rulers, the familial connections that he established through no less than three marriages, and his devotion to the Church and Saint Nicholas of Myra/Bari. Yet while Roger and his family made the most of their geographic and cultural contexts, it is convincingly argued here that they nonetheless retained a strong western focus, and that behind the diverse m lange of Norman Sicily were very occidental interests. Drawing together sources of political, social, and religious history from locations as disparate as Spain and the Byzantine Empire, as well as evidence from the magnificent churches and elaborate mosaics constructed during his reign, this volume offers a fascinating portrait of a figure whose rule was characterized both by great potential and devastating tragedy. Indeed, had Roger been able to accomplish his ambitious agenda, the history of the medieval Mediterranean world would have unfolded very differently. TABLE OF CONTENTS List of Illustrations Acknowledgements Introduction Part I. Social Strategies: The Marriage Ties of Roger II Chapter 1. The Appeal of Alfonso VI of Le n-Castile's Legacy Chapter 2. Opportunities in the Kingdom of Jerusalem and in the Principality of Antioch Part II. Spiritual Strategies: St Nicholas of Myra Chapter 3. The Saint's Cult in Norman Bari, c. 1071 - c. 1111 Chapter 4. The Devotion of Roger II Part III. Cultural Strategies: The Royal Mosaic in Santa Maria dell'Ammiraglio Chapter 5. French Connections: The Significance of the Fleurs-de-Lis Chapter 6. The Message of the Antiquated Loros Conclusion Brief Glossary Bibliography Index‎

‎ARCHITECT'S WORKING DETAILS 3.‎

‎London, EMAP Contruct, The Architects' journal, 1996, in-4 softcover, 177 pp, illustrations. In english. Few tears on cover, inside good.‎

‎ARCHITECT'S WORKING DETAILS 4.‎

‎London, EMAP Contruct, The Architects' journal, 1997, in-4 softcover, 178 pp, illustrations. In english. Cover in good condition, inside very good.‎

‎ARCHITECT'S WORKING DETAILS 6.‎

‎London, EMAP Contruct, The Architects' journal, 1999, in-4 softcover, 174 pp, illustrations. In english. Few tears on cover, inside good.‎

‎Amiens La Cathédrale . Numéro Spécial . L'art et Les Artistes‎

‎Paris Les Deux Mondes 1918 In Quarto L'art et les artistes publia pendant la 1° guerre mondiale des numéros spéciaux dont les photographies et les dessins à la plume permettaient de sauver des oeuvres d'art qui auraient pu être détruites par les bombes . On y trouve aussi de belles perspectives de la ville et des quais .- 48 p. , 350 gr.‎

‎Couverture souple Très Bon État . 1° édition‎

‎Louis Süe 1875-1968: Architecte des années folles associé d'André Mare.‎

‎Pierre Mardaga, Octobre 1986 - Janvier 1987, Institut français d Architecture, Paris. In-8 broché (21 x 18 cm), 87 pages, abondamment illustré, liste des oeuvres exposées, bibliographie sommaire, sources. Très bon état, comme neuf.‎

‎Louis Süe - Architectures.‎

‎Liège, Mardaga ("Collection Archives"), 1986. petit in-4° carre, 207 pages, nombreuses illustrations en noir et en couleurs, broche, couverture illustree‎

‎Tres bel exemplaire. [NV-19] Publication de l'Institut Français d'Architecture. Ouvrage bilingue. (francais / anglais). Text in French and English.‎

‎Schilders van Berlijn 1888-1918 : collectie Stadtmuseum Berlijn ‎

‎, TERRA 2004, 2004 Paperback, 143 pagina's, Nederlands, 280 x 230 mm, boek in prima staat, met illustraties en foto's in kleur en z/w,. ISBN 9789058972583.‎

‎. In de woelige jaren 1888-1918 verbleven vele kunstenaars in Berlijn, onder wie Ernst Ludwig Kirchner, Max Beckmann, Lovis Corinth en Max Liebermann en anderen die de kunst niet alleen in Duitsland maar ook internationaal een blijvende wending gaven. Voor het eerst verschijnt er een overzicht in het Nederlands van het Duitse aandeel in deze belangrijke periode in de kunst. De schilderijen in het boek zijn soms burgerlijk, vaak kleurrijk en expressief, soms vrolijk en ongedwongen, soms somber door de schaduw van de Eerste Wereldoorlog. Samen geven ze een prachtig beeld van de ontwikkeling van de Duitse kunst in de jaren 1888-1918.‎

‎DEGAS‎

‎ 1959 Nouvelles Editions Françaises, Paris, 1959 - 1960. Un volume in 4° en feuillets sous chemise et emboitage. Illustrations en noir et blanc dans le texte, 35, (5) pages de texte, un frontispice, 48 planches couleurs contrecollées avec légendes au dos, très bon état.‎

‎ Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.‎

‎National Gallery - Investigating Jan Van Eyck‎

‎Turnhout, Brepols, 2000 Softcover, 250 pages, 210 x 297 mm, English. *Very good condition. ISBN 9782503507323.‎

‎I. Examining Jan van Eyck: Key Works Catherine Reynolds, London: 'The King of Painters'. Lorne Campbell, The Nationale Gallery, London: The Arnolfini Double PotraitUta Neidhart and Christoph Sch lzel, Gem ldegalerie, Dresden: The Dresden TriptychRachel Billinge, H l ne Verougstraete and Roger Van Schoutte, The National Gallery, London and University of Louvain-la-Neuve: The Saint BarbaraPhilippe Lorentz, Mus e du Louvre, Paris: The Rolin Virgin and ChildMelanie Grifford, National Gallery of Art, Washington DC, Assessing the Evolution of van Eyck's Iconography through Technical Study of the Washington Annunciation ICarol Purtle, University of Memphis: Assessings the Evolution of van Eyck's Iconography through Technical Study of the Washington Annunciation II: New Light on the Development of van Eyck's Architectural Narrative II. Van Eyck's Working Methods L. Dierick, Ghent: Jan van Eyck's Handwriting Rachel Billinge, The National Gallery, London: Examining Jan van Eyck's Underdrawings. Ashok Roy The National Gallery, London: Van Eyck's Technique: The Myth and the Reality I Raymond White, The National Gallery, London: Van Eyck's Technique: The Myth and the Reality IIH l ne Verougstraete and Roger Van Schoute, University of Louvain-la-Neuve: Van Eyck's FramesIII. Jan Van Eyck: Contemporary Sources and Imagery John Steyaert, University of Minnesota, Minneapolis: The van Eyck's and Sculpture Margaret Scott, Leicester: Dress in van Eyck's Paintings IV. The Legacy of Jan van EyckNo l Geirnaert, Stadsarchief, Bruges: Anselm Adornes and his Daughters: Owners of Two Paintings of Saint Francis by Jan van Eyck?Paula Nuttall, London: Jan van Eyck's Painting in ItalyStephanie Buck, Freie Universit t Berlin: An Approach to Looking at Eyckian DrawingsSusan Jones, The Art Institute of Chicago: The Use of Workshop Drawings by Jan van Eyck.‎

‎MARIA LAACH. LANDSCHAFT, BAUKUNST, PLASTIK.‎

‎ECHTER VERLAG, WÜRZBURG. 1971. In-4. Cartonné. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 66 pages. Premier plat illustré en noir et orange. Nombreuses photos en noir et blanc hors texte. Texte en allemand.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎origini dell'Opera a Milano (1598-1649)‎

‎Turnhout, Brepols, 1998 Cloth binding with dustjacket, 644 pages, 210 x 260 mm, Italian. *very fine condition. ISBN 9782503506647.‎

‎"This volume has been very well produced, with excellent reproductions, by the publishers as part of a new series, and Daolmi's book sets a very high standard indeed for the successive volumes yet to appear." (Robert L. Kendrick, in: Il Saggiatore Musicale, VII, 2000, n 1, p.218-219) "The documentation presented by Daolmi is staggering in variety and scope and includes maps of the city, designs of the various palace theaters, paintings and engravings of apparati for civic spectacles, portraits of the famous comici, segments from contemporary treatises and seicentini, and archival documents (...)" (Christine Getz, in: Journal of Seventeenth-Century Music, Vol. 12, no. 1)‎

‎Man of Vision. Paul Coremans and the Preservation of Cultural Heritage‎

‎, Brepols Publishers, 2019 softcover, 377 pages ., 230 x 290 mm,_English. ISBN 9782930054346.‎

‎Proceedings of the International Symposium Paul Coremans Held in Brussels, 15-17 June 2015 In June 2015, the Royal Institute for Cultural Heritage (KIK-IRPA) organized an international symposium in honour of its founder and first director Paul Coremans (1908-1965). Exactly fifty years after his death, it was a unique opportunity to look back on his extraordinary career and the impact of his innovative ideas and vision on the conservation and restoration of works of art. His ground-breaking insights have been widely recognized in Belgium and all over the world. Paul Coremans? fields of interest were broad: the conservation of works of art in museums, preventive conservation and climate control, the protection of cultural heritage in times of war ? a highly topical issue -, as well as the status and role of the restorer, the importance of photographic documentation and scientific research, or the detection of art forgeries. Coremans? belief in the importance of an interdisciplinary approach to the study of works of art still inspires many art historians, conservator-restorers and scientists today. This book ? the Proceedings of the 2015 Brussels Symposium ? presents twenty original contributions that reveal Coremans? multi-faceted personality and action. It is the first monograph devoted to this visionary Belgian scientist and Monuments Man. Table of Contents Foreword Hilde De Clercq Director General a.i. of the Royal Institute for Cultural Heritage Introduction Marie-Christine Claes et Dominique Vanwijnsberghe Part 1 An Inspiring Scientist 1 Early Museum Laboratories and the Pursuit of Objectivity Geert Vanpaemel 2 Paul Coremans (1908-1965): A Pioneer Chemist in the Application of Scientific Techniques to the Visual Arts Hendrik Deelstra and Duncan Thorburn Burns 3 Vijftig jaar 14C-dateringen aan het Koninklijk Instituut voor het Kunstpatrimonium (KIK-IRPA) te Brussel Mark Van Strydonck 4 Paul Coremans et la restructuration du Laboratoire du Mus e du Louvre dans l?apr s-guerre Camille Bourdiel 5 The Royal Institute for Cultural Heritage: Design and Realisation of a Ground-Breaking Building Gertjan Madalijns Part 2 A Monuments Man 6 Paul Coremans, l?inventaire photographique du patrimoine artistique belge et ses relations avec l?occupant, 1940-1945 Christina Kott 7 Paul Coremans et ses actions en faveur de la sauvegarde des peintures murales Ilona Hans-Collas Part 3 Flanders in the Fifteenth Century 8 Construction of a Vision: Coremans? Approach to the Study of Flemish Primitives before the Restoration of the Adoration of the Mystic Lamb (The Ghent Altarpiece) H l ne Dubois and Dominique Deneffe 9 Le quotidien d?un id al : l?Agneau mystique, catalyseur de l?interdisciplinarit Marie-Christine Claes, H l ne Dubois et Jana Sanyova 10 Paul Coremans, Edgar Richardson and the 1960 Flemish Art Show: A Transatlantic Friendship Forged by a Transatlantic Exhibition Yao-Fen You Part 4 The Van Meegeren Affair 11 D.G. van Beuningen?s Crusade against Paul Coremans Arjan de Koomen 12 Expertise in the Van Meegeren Case: the Contributions by Coremans, Froentjes and De Wild Arie Wallert and Michel van de Laar 13 The Amsterdam X-Rays for Coremans and Van Schendel Rick F.E.D. Hartmann Part 5 Friendships 14 Paul Coremans and Sheldon and Caroline Keck: A Collegial Friendship that Influenced the Development of Conservation Education in North America Jean D. Portell 15 Arthur van Schendel: Friend and Companion in the World of Museums and Conservation Jan Piet Filedt Kok 16 Dear Paul | Cher Pan Paul Coremans et Erwin Panofsky : histoire d?une amiti Dominique Vanwijnsberghe Part 6 Global Activities 17 At ICCROM?s Cradle: Paul Coremans and the Beginning of the ?Rome Centre? Stefano De Caro 18 Paul Coremans, un expert de l?UNESCO au Br sil : aper u de sa contribution au d veloppement du patrimoine br silien Diogo de Souza Brito 19 Borobudur: the Alchemy of a World Heritage Site The Expert and the Student: Shared Views Nicole Gesch -Koning 20 Museum Policy Concerning the Conservation and Restoration of Artworks and the Rubens and Ensor Research Projects at the Royal Museum of Fine Arts Antwerp Karen Bonne, Elsje Janssen, Christine Van Mulders, Herwig Todts Part 7 Tributes to the ?Patron? 21 Un inoubliable meneur d?hommes Pierre Colman 22 La formation des restaurateurs Nicole Goetghebeur 23 Paul Coremans, Personal Memories Liliane Masschelein-Kleiner Bibliography Abbreviations Authors Index of Persons Photographic Credits Review "A Man of Vision: Paul Coremans and the Preservation of Cultural Heritage est un ouvrage indispensable l?histoire de la conservation-restauration ; richement illustr et document , il fournit un clairage sur une p riode charni re, en Belgique comme au niveau international. Bien au-del de l?approche biographique, il permet d?appr hender les connexions, les changes qui permettent aux disciplines de se d velopper, et au savoir de se construire." (Muriel Verbeeck-Boutin, CeROArt (Online), 11/2019, URL: http://journals.openedition.org/ceroart/6849)‎

‎ARCHITECTURE RELIGIEUSE NOTIONS ELEMENTAIRES / 3E EDITION REFONDUE.‎

‎LETOUZEY & ANE. 1950. In-8. Broché. Etat d'usage, Coins frottés, Dos abîmé, Intérieur frais. 257 pages - couverture contrepliée - nombreuses illustrations en monochrome hors texte - accroc sur le dos - quelques figures en noir et blanc dans le texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Architecture religieuse notions élémentaires - 3e édition refondue.‎

‎Letouzey & Ané. 1950. In-8. Broché. Etat d'usage, 2ème plat abîmé, Dos abîmé, Intérieur acceptable. 257 pages - nombreuses figures en noir et blanc dans le texte - nombreuses photos en noir et blanc hors texte légendées - 1er plat plat absent - rousseurs sur le 2ème plat - dos partiellement désolidarisé.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Richard Deacon: Drawings and Prints 1968-2016‎

‎, Steidl Gerhard Verlag 2016, 2016 Hardcover, 224 pages, English, 270 x 225 mm, *New ISBN 9783958292369.‎

‎Richard Deacon is one of the most important sculptors of his generation. His sculptures fascinate with their formal power and the craftsmanship with which they are made. In addition to large-scale works - not infrequently intended for public presentation - Deacon also created sculptures in a small format over the course of his four-decade career. The range of materials used is considerable: plywood and metal are used as well as plastic, leather or clay. There are usually only a few basic elements that make up the complex, intertwined structures. For the first time, one aspect of Deacon's work is at the center of an exhibition that was hardly ever seen in public before. The selection of exhibits reflects the dual function that drawing has for Deacon - showing design drawings that contributed to the mental clarification in the creation process of a particular sculpture, as well as autonomous drawings. Added to this are graphic prints - an area in Deacon's work that has become more important, especially in recent years. What repeatedly connects Deacon's work on paper with his sculptural works is the fundamental examination of the interaction between construction and free form, surface and space. Exhibition and monograph provide for the first time a representative overview of drawing and print graphics Deacons from its beginnings to the recent time on the basis of more than one hundred works. Exhibition: 26th August to 13th November 2016‎

‎VIEILLES MAISONS FRANCAISES N°31 - Editorial, par Anne de Amodio La Journée des V. M. F. 1967 Chevenon, par Jean-Paul Bardin La Chronique d’Europa Nostra, par Hubert Howard La Buzardière, par Frédéric Lemeunier‎

‎VIEILLES MAISONS FRANCAISES. JAN 1967. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 109 pages. Nombreuses photos en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎Sommaire : Editorial, par Anne de Amodio La Journée des V. M. F. 1967 Chevenon, par Jean-Paul Bardin La Chronique d’Europa Nostra, par Hubert Howard La Buzardière, par Frédéric Lemeunier L’ancienne Abbaye Bénédictine de Nan-teuil-en-Vallée, par Louis de RoulhacPrêts immobiliers .La Page de l’I. B. I.Dégâts dus aux bangs supersoniques . .Historique de VUlevieille, par D. B.Un concert d’anges musiciens au début de la Renaissance, par Michelinede Grandmaison .Une « Pieta » a été volée en Auvergne,par Louis de Villard La Vervolière, par J. du Fontenioux . .Buzet brûle-t-il ? par A. LL’Abbaye de l’Escaladieu, en Bigorre,par Henry du Villard Le château de la Barben, par X.Un trésor en Bourbonnais, par Hélènede Rougé L’hôtel de Ligniville, par M'lle Saint-Martin Une façade ressuscitée à Revel, parA. B. G.L’hôtel « Modèle » sauvé ? par G. G.Le château de Saint-Rèmy-en-l’Eau,par ZRectificatif : La création de parcs naturels en France Vieilles Maisons Alençonnaises, par Georges Bozo Quartiers sauvegardés, par O. R.Le concours « Chefs-d’œuvre en périt »Le château de Pont-de-Briques Classement et inscription au titre desM.H. et des Sites Conservateurs Régionaux des Bâtimentsde France .Liste des Délégués Régionaux au Tourisme Procédure d’obtention de la carte « Patrimoine Historique » Renseignements fiscaux Financement de la restauration des Monuments Historiques .Le droit de préemption des S.A.F.E.R. . .Activités régionales Le Carnet des V.M.F.Rubrique immobilière .Divers Ouvrages reçus et Sociétés amies Classification Dewey : 720-Architecture‎