‎Opera di frate Vespasiano Amphiareo da Ferrara dell’ordine minore conventuale. Nella quale s’insegna a scrivere varie sorti di lettere, & massime una lettera bastarda da lui nuouamente con sua industria ritrouata, la quale serue al Cancellaresco, & Mercantesco. Poi insegna a far l’inchiostro negrissimo con tanta facilità, che ciascuno per semplice che sia, lo saprà far da se. Anchora a macinar l’oro, & scriuere con esso come si farà con l’inchiostro : parimente a scriuere con l’azurro, & col cenaprio : opera ultissima, e molto necessaria all’uso humano. Aggiuntovi di nuovo due bellissimi alphabeti di maiuscole, che nell’altre impressioni non si sono piu stampati. Con privilegio.‎

‎In Venetia, , 1572. In-12 oblong (15 x 20,6 cm) de (4) ff. de texte (43) ff., modèles de calligraphie, titre avec vignette gravée sur bois, veau brun, dos orné à nerfs (reliure du XVIIe siècle).Manque 8 feuillets (signatures D 6 à E 5). ‎

‎Édition de 1572 de l'abécédaire du calligraphe et religieux franciscain Vespasiano Amphiareo (1501-1563) dont dix-neuf éditions furent publiées entre 1548 date de l'originale vénitienne et 1620, toutes très rares. Titre traduit : Dans lequel on apprend à écrire diverses sortes de lettres, et surtout une lettre bâtarde trouvée par lui avec son industrie, qui sert le Cancellaresco, & Mercantesco. Puis il enseigne comment faire de l’encre noire avec une telle facilité, que tout le monde, aussi simple soit-il, saura le faire lui-même. Encore moudre de l’or, & écrire avec lui comme on le ferait avec de l’encre : de même pour écrire avec de l’azur, & avec du cinabre : tout dernier ouvrage, et bien nécessaire à l’usage humain. [Sont] Ajoutés à nouveau deux beaux alphabets de lettres majuscules, qui dans les autres impressions n’ont pas été imprimés.Manque 8 feuillets (signatures D 6 à E 5). Bonacini 50-63 ; Marzoli 4-5 ; Hofer collection 22. ‎

‎ Titus et sa dynastie. ‎

‎ Paris, Michel Lévy, 1870. In-8, VII, 325 pp., demi chagrin prune, dos à nerfs.‎

‎Trois aventuriers : Galba, Othon, Vitellius ; La jeunesse de Titus ; Le Gouvernement de Vespasien ; L'association à l'empire ; Le Règne ; La jeunesse de Domitien ; La maladie de Domitien. ‎

‎Bulletin de l'Association Guillaume Budé - Supplément Lettres d'Humanité XXPlaton et ma médecine - Présence d'Empédocle dans la collection hippocratique par J. Jouanna - Le Pirée dans l'histoire d'Athènes à l'époque classique par M. Amit - Remarques sur la cruauté à Rome pendant les guerres civiles ( de Sylla à Vespasien ) par J. Jal - Correspondance inédites de G. Sand avec le docteur Pierre-Paul Darchy par P. Letessier - La poésie latine en Pologne à l'époque de la Renaissance ( 1460 - 1620 ) par K. Kumaniecki‎

‎ 1 vol in-8 broché - Nouvelle Série - N° 4 de décembre 1961‎

‎ bon état ‎

‎ Histoire des Hébreux rapprochée des Contemporains.‎

‎RABELLEAU M. Ecuyer. Histoire des Hébreux rapprochée des Contemporains. De la création du monde au dernier sac de Jérusalem, sous Vespasien, dédiée à Monseigneur le Duc de Bordeaux. Deuxième édition, revue, corrigée et augmentée. Deux tomes en un volume in 12 pleine toile violine de l’éditeur, titre et fers dorés eau dos, plaque dorées avec encadrement de filets à froid, sur les plats. Tome 1 : faux-titre, titre, XVI, 466 pages. Tome2 : faux-titre, titre, VIII, 468 pages, A La librairie de Parent- Desbarres 1825. Couverture modeste, insolée, intérieur en assez bon état. ‎

7 Images

‎Strozii Poetae Pater et Filius.‎

‎Parisiis, Ex officina Simonis Colinaei, 1530. 8vo. Bound in a very fine later full calf (around 1700), profusely gilt spine, titlelabel in leather with gilt lettering, broad gilt borders on covers, edges of covers gilt, edges of leaves gilt. A very small nick to top of spine. (8) lvs. + (1-)256,(3) lvs. + 1 blank. A small and very faint dampstain to upper inner margins of the first 8 lvs. Otherwise very clean throughout. A beautifull printed and wide-margined copy (17x11,5 cm).‎

‎Scarce second edition of the ""opera"" of the poetical works of both father and son. Their collected opere were first published by Aldus Manutius in 1513, together with works of his son, under the title Strozii poëtae pater et filius. The offered edition is copied from this Aldus-edition. They were both members of the famous Strozzi-family exiled from Florence.Adams S 1957. - Graesse VI: 512.‎

‎Vie des douze Césars.‎

‎Texte établi et traduit par Henri Ailloud. Paris. Les belles lettres. 1931-1932. Trois volumes in-8 (20x13). L-156-215-141 pages chiffrées double. (texte latin et traduction en regard). Brochés.‎

‎Biographie de Suétone en introduction. Très bon état, 2 volumes non massicotés. (Auréole claire sur le dos d'un tome).‎

‎Roman coin. Denarius. - [THE ALDUS-COIN]‎

‎[Rome, AD 79-81]. 18 mm. diameter. Dolphin entwined around anchor on one side, and Draped bust of Tutus, turning right on the other side. Very nice condition with sharp and clear imprint . 3,4 g. Obverse: IMP TITVS CAES VESPASIAN AVG P M, laureate head rightReverse: TR P IX IMP XV COS VIII P P, dolphin coiled around an anchor.RIC 112, RSC 309.‎

‎Excellent specimen of the beautiful and rare coin that inspired Aldus Manutius' famous printer's device, the dolphin-and-anchor, the most famous logo in the history of book printing and the trademark of the Renaissance. The Aldus coin is the only printing-related ancient coin in existence.Aldus Manutius, the most famous printer of all times, had been given a copy of the Titus coin, with the dolphin-and-anchor logo on the verso, as a gift by Pietro Bembo. He was extremely taken by the magnificent logo, that in Roman times, by Titus Vespasian, had been used to illustrate the proverb ""Festina lente"" (""make haste slowly""), and was so inspired by it that he began using it as his printer's device at the very beginning of the 16th century. Before it appears as his printer's device for the first time, he used it as an illustration in one of his most magnificent books, Colonna's ""Hypnerotomachia Poliphili"", 1499.In his ""Adagiorum Collectanea"", the collection of classical proverbs that he kept revising throughout his life, Erasmus Roterodamus had composed a lengthy essay on the ""festina lente"" proverb, which intrigued him immensely. Erasmus traced the motto back to the emperor Titus Vespasian, who had minted a coin with the emblem (i.e. the present coin), and had the rare opportunity to inspect that very coin - namely that which belonged to his printer, Aldus Manutius, who had been given it by the great Italian scholar Pietro Bembo. The second edition of Erasmus' ""Adagiorum Collectanea"" was published by Aldus in Venice in 1508, and Erasmus subsequently praises his printer to the skies in the course of explaining ""festina lente"". Erasmus explains the motto as such: ""the circle as having neither beginning nor end represents eternity. The anchor, which holds back and ties down the ship and binds it fast, indicates slowness. The dolphin, as the fastest and in its motions most agile of living creatures, expresses speed. If then you skillfully connect these three, they will make up some such principle as ""Ever hasten slowly"", and adds that by claiming it as his own (recognizable and marketable) emblem, Aldus gave ""fresh celebrity to the same device that was once approved by Vespasian"". Not only is it ""most familiar, it is highly popular among all those everywhere in the world to whom sound learning is either familiar or dear."" Erasmus seems to also suggest that the device had perhaps become too popular: ""the city of Venice, with its many claims to distinction, has none the less become distinguished through the Aldine press, so much so that any books shipped from Venice to foreign countries immediately find a readier market merely because they bear that city's imprint.""And he might have been right. In fact, the Aldine press was so successful and renowned, and Aldus' printer's device as taken from the Titus Vespatian coin, so incorporated a symbol of elegant, correct printing and higher learning, that it was imitated by printers all over Europe. By using the dolphin-and-anchor device, other printers, although much inferior, would benefit from the authority and prestige of the Aldine press. In spite of Erasmus' attempts to make the public aware of this by praising the efforts of Aldus and opposing them to ""those common printers who reckon one pitiful gold coin in the way of profit worth more than the whole realm of letters"", publishers kept using the Aldus device for centuries. Aldus Manutius, Grolier Club: no 129RIC 26a, RSC 309.‎

‎Je teste mon espagnol aux toilettes: 80 jeux pour revoir son espagnol‎

‎LEDUC HUMOUR 2017 191 pages 11x15x2cm. 2017. Poche. 191 pages.‎

‎Bon état - . quelques marques de lecture et/ou de stodckage sur couverture et coins mais du reste en bon état - envoi rapide et soigné dans enveloppe à bulles depuis france‎

‎Vespasien, l'Empereur du bon sens (69-79 ap. J.-C.).‎

‎ Paris, Albin Michel, 1949, in 8° broché, 400 pages ; illustrations ; petit manque angulaire en tête de la première garde blanche ; couverture légèrement fanée. ‎

‎ ...................... Photos sur demande ..........................‎