‎Vienne 1880-1938: L'Apocalypse Joyeuse‎

‎Centre Georges Pompidou Service Commercial 1986 768 pages 21 6x30 4x6 4cm. 1986. Relié. 768 pages.‎

6 Images

‎Bon état‎

‎L'aventure de l'art au XIXe siècle‎

‎Editions du Chêne 2001 924 pages 23 622x5 08x30 226cm. 2001. relie jaquette. 924 pages.‎

‎Très bon état‎

‎Chronique de l'Amérique‎

‎Chronique Editions 1994 23 8x5x30 2cm. 1994. Relié.‎

4 Images

‎Etat correct‎

‎LAST AND LOST: ATLAS D'UNE EUROPE FANTÔME‎

‎Noir Blanc 2007 450 pages 17 6x4x25 4cm. 2007. Broché. 450 pages.‎

‎Très bon état‎

‎Annales d'Éthiopie: Volume XX‎

‎Table ronde 2005 292 pages 15 4x2x23 8cm. 2005. Broché. 292 pages. Les Annales d'Éthiopie sont une revue académique publiée par La Table Ronde présentant des volumes collectifs consacrés à l'étude de l'Éthiopie. Les volumes mentionnés (XVIII XIX XX XXI) correspondent à des années de publication spécifiques (2002-2006) et contiennent des recherches scientifiques sur ce pays‎

‎Très bon état intérieur propre bonne tenue‎

‎Fin de siecle‎

‎ 1991 CGER Soft cover ‎

‎Langue: français. Fin de siècle catalogue de l'exposition en 1991 dessins, pastel et estampes en Belgique de 1885 à 1905 broché, 280 x 210 mm, 2 volumes dans un anti-poussière, 199 pp + 88 pp, bon état‎

‎Stoicisme Au Xvie Et Au Xviie Siecle (Le): Le Retour des philosophies antiques à l'âge classique - tome 1 (Collections Sciences - Sciences Humaines)‎

‎Albin michel 1999 368 pages 14 3x22 4x3 2cm. 1999. Broché. 368 pages.‎

4 Images

‎Bon état tranche un peu ternie intérieur propre bonne tenue‎

‎fantastic art of Vienna.‎

‎New York, Ballantine Books, 1978 Softcover, 31pp., 19 b/w plates, 40 col. plates, 22x30cm., good cond. ISBN 0345256859.‎

‎Traité des sistêmes où l'on en démêle les inconveniens et les avantages. Par l'Auteur de l'Essai sur l'origine des Connaissances Humaines.‎

‎La Haye, Neaulme, 1749 ; 2 tomes reliés en un volume in-12 ; plein veau fauve marbré, dos à faux-nerfs dorés, décoré et doré, pièce de titre grenat, roulette dorée sur les coupes, tranches rouges (reliure de l'époque) ; (8), 228, (4), pp. [229]-449, (1) pp. faute à corriger.‎

‎EDITION ORIGINALE (Tchemerzine-Scheler, II-478). Minuscule restauration à un coin, très bel exemplaire d'un des textes majeurs de la Philosophie des Lumières. ‎

‎Les papous du kaiser (Avent/Aventurie)‎

‎EDITIONS DU ROCHER 1989 406 pages 15x24x3cm. 1989. Broché. 406 pages.‎

4 Images

‎Bon état tranche un peu ternie intérieur propre bonne tenue‎

‎Le Insorgenze Popolari Nell'italia Napoleonica: Crisi Dell'antico Regime E Alternative Di Costruzione Del Nuovo Ordine Sociale: Atti Del Convegno Di Studio Milano 25-26 Novembre 1999‎

‎Ares 2001 488 pages 13x2x19 4cm. 2001. Broché. 488 pages.‎

5 Images

‎Bon état intérieur propre bas de tranche taché au nivau du dos‎

‎Romantic Will‎

‎Yale University Press 1976 296 pages in8. 1976. Cartonné jaquette. 296 pages.‎

‎Bon état jaquette défraîchie quelques rousseurs tampon + fiche agrafée sur la garde blanche‎

‎Rough Notes of Seven Campaigns in Portugal Spain France and America During the Years 1809-15 (Spellmount Library of Military History)‎

‎Spellmount Publishers Ltd 1996 160 pages in8. 1996. Cartonné jaquette. 160 pages.‎

‎Très bon état‎

‎Jewish Thought in the Sixteenth Century (Harvard Judaic Texts and Studies 2.)‎

‎Harvard university press 1983 492 pages 15 44x3 71x22 99cm. 1983. Broché. 492 pages.‎

5 Images

‎Bon Etat couverture un peu défraîchie intérieur propre bonne tenue‎

‎Conrad von Soest, Painter among Merchant Princes.‎

‎, Brepols - Harvey Miller, 1996 Hardback with dusjacket, 312 p., incl. 205 ills., with 34 in colour, 210 x 280 mm, Languages: English . ISBN 9781872501581.‎

‎Conrad van Soest?s complete output is discussed, catalogued and reproduced in this book: the illustrations include striking details, infra-red photographs and comparative material. The Westphalian artist Conrad von Soest played a significant role in the development of North European art around 1400 and his elegant and luxurious altarpieces highlight a fascinating period of German social and economic history. He lived and worked in Dortmund, where he found his patronage among the well-educated and cosmopolitan merchant-princes of the Hanseatic cities whose 'Medici'-like life-style, affluence and influence permeated the cultural life of Northern Germany. In reflecting the chivalric tastes of his patrons, Conrad developed an oeuvre that established him as a major exponent of the International Courtly Style. His complete output is discussed, catalogued and reproduced in this book: the illustrations include striking details, infra-red photographs and comparative material. Dr.Corley analyses the subject, iconography, style and technique of the famous Niederwildungen and Dortmund altarpieces as well as the smaller scale panels, and she examines the artist's influence over later German masters of the School of Cologne. The book provides students of Northern European art with the first comprehensive monograph on this highly-skilled master, and should make a significant contribution to the reference literature on International Gothic. Studies in Medieval and Early Renaissance Art History (HMSAH 16)‎

‎Conrad von Soest, maler unter f rstlichen kaufherren‎

‎, Gebr. Mann Verlag, 2000 Papband mit dustjacket, 312 Seiten,30 x 21.5 cm, Deutsch. *wie neu . ISBN 3786122938.‎

‎Conrad van Soest?s complete output is discussed, catalogued and reproduced in this book: the illustrations include striking details, infra-red photographs and comparative material. The Westphalian artist Conrad von Soest played a significant role in the development of North European art around 1400 and his elegant and luxurious altarpieces highlight a fascinating period of German social and economic history. He lived and worked in Dortmund, where he found his patronage among the well-educated and cosmopolitan merchant-princes of the Hanseatic cities whose 'Medici'-like life-style, affluence and influence permeated the cultural life of Northern Germany. In reflecting the chivalric tastes of his patrons, Conrad developed an oeuvre that established him as a major exponent of the International Courtly Style. His complete output is discussed, catalogued and reproduced in this book: the illustrations include striking details, infra-red photographs and comparative material. Dr.Corley analyses the subject, iconography, style and technique of the famous Niederwildungen and Dortmund altarpieces as well as the smaller scale panels, and she examines the artist's influence over later German masters of the School of Cologne. The book provides students of Northern European art with the first comprehensive monograph on this highly-skilled master, and should make a significant contribution to the reference literature on International Gothic. Studies in Medieval and Early Renaissance Art History (HMSAH 16)‎

‎APRES & D'APRES VAN DYCK. LA RECUPERATION ROMANTIQUE AU XIXe SIECLE,‎

‎, Stad Antwerpen, Hessenhuis, 1999, Softcover , cartonnage d'editeur illustre, 240 x 300mm., 335pp., copieusement illustre en couleurs et en b/n. ISBN 9058460177.‎

‎Edite a l'occasion de l'exposition du meme nom a l'Hessenhuis / Stadsbibliotheek, Nottebohmzaal / Volkskundemuseum, Antwerpen, 15 mai - 31 octobre 1999. En cette annee, Anvers se voulait le digne ambassadeur d'Antoine Van Dyck et elle fetait l'evenement aved des multiples expositions et de multiples manifestations. Etat nouveau.‎

‎Anne de Bretagne‎

‎GALLIMARD 2021 336 pages 15 5x22 4x2 9cm. 2021. Broché. 336 pages.‎

‎A Court in Exile: The Stuarts in France 1689-1718‎

‎CAMBRIDGE UNIV PR 2004 402 pages in4. 2004. Cartonné jaquette. 402 pages.‎

‎proche du très bon état intérieur propre bonne tenue‎

‎Les femmes d'amis.‎

‎Couverture souple. Broché. 250 pages. Rousseurs.‎

‎Livre. Dessins de Steinlen. Editions Flammarion, 1927.‎

‎POEMS OF THIS CENTURY.‎

‎, Bath, The Pitman Press, 1975., Paperback, original wrappers, 14x21,5cm, 149pp.‎

‎Hollandse Meesters uit de Gouden Eeuw, Catalogus van de schilderijen van Hollandse Meesters zeventiende en achttiende eeuw ‎

‎NL, BAI -Museum Mayer Van Den Bergh, 2006 Hardback with dustjacket, 300x240mm, 256p, Dutch (NL) edition . ISBN 9789085860112.‎

‎Hollandse Meesters uit de Gouden Eeuw Expo: 1/6/2006 - 29/10/2006, De Hollandse schildersschool is meer dan Vermeer en Rembrandt. Dat wisten kunstliefhebbers Fritz Mayer van den Bergh en Pieter Smidt van Gelder al in de 19de eeuw. Samen verzamelden ze meer dan honderd interessante Noord-Nederlandse schilderijen. Deze heren van stand waren niets minder dan ridders. Bij leven bouwden zij een prachtig kunstpatrimonium op, waaronder vele Hollandse werken uit de 17de en 18de eeuw. Hun collecties bleven bewaard als Antwerpse musea. Deze meesters uit de Hollandse Gouden Eeuw hadden een enorm picturaal en verhalend talent. Met portretten, landschappen, stillevens en genrestukken toont de tentoonstelling Hollandse Meesters uit de Gouden Eeuw de Hollandse schildersschool in volle glorie. Het Museum Mayer van den Bergh selecteerde speciaal voor deze gelegenheid de topwerken van ondermeer Jan van Goyen, Adriaen van Ostade, Salomon van Ruysdael, Caspar Netscher en Christiaen van Couwenbergh. ‎

‎HOLLANDSE MEESTERS. CATALOGUS VAN DE SCHILDERIJEN VAN HOLLANDSE MEESTERS ZEVENTIENDE EN ACHTTIENDE EEUW,‎

‎Antwerpen, Museum Mayer van den Bergh, 2006 Blauw linnen onder wit geillustreerde papieromslag, 240 x 310mm., 240pp., zeer rijke illustratie in kleur en z/w. ISBN 9789085860112.‎

‎Collectie Smidt Van Gelder. Gelijknamige tentoonstelling liep van 1 juni - 29 oktober 2006. Het boek is in perfecte staat. ‎

‎Die Perlen der Wüste: Roman (Marokko-Saga Band 2)‎

‎Blanvalet Taschenbuch Verlag 2013 640 pages 12 7x18 5x4 8cm. 2013. Broché. 640 pages.‎

‎Etat correct‎

‎Venetian Painting Matters, 1450-1750 ‎

‎, Brepols - Harvey Miller, 2015 paperback, 160 p., 100 b/w ill. + 16 colour ill., 210 x 297 mm, Languages: English . ISBN 9782503535265.‎

‎This publication presents a collection of essays about painting in Venice from 1450 until 1750 with a central focus on the formal, stylistic, and structural aspects of the pictures. This book brings together essays about painting in Venice during three centuries of remarkable artistic production, influence, and exchange. The chronological scope of the anthology reflects the crucial interrelationship between the life of the arts and the republic, but also indicates the longevity of the distinctive, but not in the least isolated, mode of making and looking that engaged painters and viewers both inside and outside of Venice. The focused themes that emerge in the essays?the artist?s self-perception, the role of innovation and tradition in formal and material aspects of pictorial composition, the artistic exchange between Venice and other cities, both east and west, and the unique political and social pressures on artistic production and reception?reflect the Venetian engagement with many of the central concerns that preoccupied early modern artists. The dialogue established between Venetian art and society underpins all of the essays in the anthology; however, their critical focus remains on the formal, stylistic, and structural aspects of the pictures and how these visual mechanisms express meaning and shape viewer response‎