Albin michel 1999 368 pages 14 3x22 4x3 2cm. 1999. Broché. 368 pages.
Bon état tranche un peu ternie intérieur propre bonne tenue
New York, Ballantine Books, 1978 Softcover, 31pp., 19 b/w plates, 40 col. plates, 22x30cm., good cond. ISBN 0345256859.
La Haye, Neaulme, 1749 ; 2 tomes reliés en un volume in-12 ; plein veau fauve marbré, dos à faux-nerfs dorés, décoré et doré, pièce de titre grenat, roulette dorée sur les coupes, tranches rouges (reliure de l'époque) ; (8), 228, (4), pp. [229]-449, (1) pp. faute à corriger.
EDITION ORIGINALE (Tchemerzine-Scheler, II-478). Minuscule restauration à un coin, très bel exemplaire d'un des textes majeurs de la Philosophie des Lumières.
Phone number : 06 60 22 21 35
Ares 2001 488 pages 13x2x19 4cm. 2001. Broché. 488 pages.
Bon état intérieur propre bas de tranche taché au nivau du dos
Yale University Press 1976 296 pages in8. 1976. Cartonné jaquette. 296 pages.
Bon état jaquette défraîchie quelques rousseurs tampon + fiche agrafée sur la garde blanche
Spellmount Publishers Ltd 1996 160 pages in8. 1996. Cartonné jaquette. 160 pages.
Très bon état
Harvard university press 1983 492 pages 15 44x3 71x22 99cm. 1983. Broché. 492 pages.
Bon Etat couverture un peu défraîchie intérieur propre bonne tenue
, Brepols - Harvey Miller, 1996 Hardback with dusjacket, 312 p., incl. 205 ills., with 34 in colour, 210 x 280 mm, Languages: English . ISBN 9781872501581.
Conrad van Soest?s complete output is discussed, catalogued and reproduced in this book: the illustrations include striking details, infra-red photographs and comparative material. The Westphalian artist Conrad von Soest played a significant role in the development of North European art around 1400 and his elegant and luxurious altarpieces highlight a fascinating period of German social and economic history. He lived and worked in Dortmund, where he found his patronage among the well-educated and cosmopolitan merchant-princes of the Hanseatic cities whose 'Medici'-like life-style, affluence and influence permeated the cultural life of Northern Germany. In reflecting the chivalric tastes of his patrons, Conrad developed an oeuvre that established him as a major exponent of the International Courtly Style. His complete output is discussed, catalogued and reproduced in this book: the illustrations include striking details, infra-red photographs and comparative material. Dr.Corley analyses the subject, iconography, style and technique of the famous Niederwildungen and Dortmund altarpieces as well as the smaller scale panels, and she examines the artist's influence over later German masters of the School of Cologne. The book provides students of Northern European art with the first comprehensive monograph on this highly-skilled master, and should make a significant contribution to the reference literature on International Gothic. Studies in Medieval and Early Renaissance Art History (HMSAH 16)
, Gebr. Mann Verlag, 2000 Papband mit dustjacket, 312 Seiten,30 x 21.5 cm, Deutsch. *wie neu . ISBN 3786122938.
Conrad van Soest?s complete output is discussed, catalogued and reproduced in this book: the illustrations include striking details, infra-red photographs and comparative material. The Westphalian artist Conrad von Soest played a significant role in the development of North European art around 1400 and his elegant and luxurious altarpieces highlight a fascinating period of German social and economic history. He lived and worked in Dortmund, where he found his patronage among the well-educated and cosmopolitan merchant-princes of the Hanseatic cities whose 'Medici'-like life-style, affluence and influence permeated the cultural life of Northern Germany. In reflecting the chivalric tastes of his patrons, Conrad developed an oeuvre that established him as a major exponent of the International Courtly Style. His complete output is discussed, catalogued and reproduced in this book: the illustrations include striking details, infra-red photographs and comparative material. Dr.Corley analyses the subject, iconography, style and technique of the famous Niederwildungen and Dortmund altarpieces as well as the smaller scale panels, and she examines the artist's influence over later German masters of the School of Cologne. The book provides students of Northern European art with the first comprehensive monograph on this highly-skilled master, and should make a significant contribution to the reference literature on International Gothic. Studies in Medieval and Early Renaissance Art History (HMSAH 16)
, Stad Antwerpen, Hessenhuis, 1999, Softcover , cartonnage d'editeur illustre, 240 x 300mm., 335pp., copieusement illustre en couleurs et en b/n. ISBN 9058460177.
Edite a l'occasion de l'exposition du meme nom a l'Hessenhuis / Stadsbibliotheek, Nottebohmzaal / Volkskundemuseum, Antwerpen, 15 mai - 31 octobre 1999. En cette annee, Anvers se voulait le digne ambassadeur d'Antoine Van Dyck et elle fetait l'evenement aved des multiples expositions et de multiples manifestations. Etat nouveau.
CAMBRIDGE UNIV PR 2004 402 pages in4. 2004. Cartonné jaquette. 402 pages.
proche du très bon état intérieur propre bonne tenue
Couverture souple. Broché. 250 pages. Rousseurs.
Livre. Dessins de Steinlen. Editions Flammarion, 1927.
, Bath, The Pitman Press, 1975., Paperback, original wrappers, 14x21,5cm, 149pp.
NL, BAI -Museum Mayer Van Den Bergh, 2006 Hardback with dustjacket, 300x240mm, 256p, Dutch (NL) edition . ISBN 9789085860112.
Hollandse Meesters uit de Gouden Eeuw Expo: 1/6/2006 - 29/10/2006, De Hollandse schildersschool is meer dan Vermeer en Rembrandt. Dat wisten kunstliefhebbers Fritz Mayer van den Bergh en Pieter Smidt van Gelder al in de 19de eeuw. Samen verzamelden ze meer dan honderd interessante Noord-Nederlandse schilderijen. Deze heren van stand waren niets minder dan ridders. Bij leven bouwden zij een prachtig kunstpatrimonium op, waaronder vele Hollandse werken uit de 17de en 18de eeuw. Hun collecties bleven bewaard als Antwerpse musea. Deze meesters uit de Hollandse Gouden Eeuw hadden een enorm picturaal en verhalend talent. Met portretten, landschappen, stillevens en genrestukken toont de tentoonstelling Hollandse Meesters uit de Gouden Eeuw de Hollandse schildersschool in volle glorie. Het Museum Mayer van den Bergh selecteerde speciaal voor deze gelegenheid de topwerken van ondermeer Jan van Goyen, Adriaen van Ostade, Salomon van Ruysdael, Caspar Netscher en Christiaen van Couwenbergh.
Blanvalet Taschenbuch Verlag 2013 640 pages 12 7x18 5x4 8cm. 2013. Broché. 640 pages.
Etat correct
, Brepols - Harvey Miller, 2015 paperback, 160 p., 100 b/w ill. + 16 colour ill., 210 x 297 mm, Languages: English . ISBN 9782503535265.
This publication presents a collection of essays about painting in Venice from 1450 until 1750 with a central focus on the formal, stylistic, and structural aspects of the pictures. This book brings together essays about painting in Venice during three centuries of remarkable artistic production, influence, and exchange. The chronological scope of the anthology reflects the crucial interrelationship between the life of the arts and the republic, but also indicates the longevity of the distinctive, but not in the least isolated, mode of making and looking that engaged painters and viewers both inside and outside of Venice. The focused themes that emerge in the essays?the artist?s self-perception, the role of innovation and tradition in formal and material aspects of pictorial composition, the artistic exchange between Venice and other cities, both east and west, and the unique political and social pressures on artistic production and reception?reflect the Venetian engagement with many of the central concerns that preoccupied early modern artists. The dialogue established between Venetian art and society underpins all of the essays in the anthology; however, their critical focus remains on the formal, stylistic, and structural aspects of the pictures and how these visual mechanisms express meaning and shape viewer response
, Herbert F. Johnson Museum of Art 1979, 1979 Paperback, 63 pages with b/w illustrations, 280 x 215 mm, in fine order, contents Dutch masters of the 17th century, . ISBN X.
Bibliopolis 2007 478 pages 15 8x3x23cm. 2007. Broché. 478 pages.
Très bon état de conservation intérieur propre
Albin Michel, 2005 22,5 x 15 x 3,6 cm., 640 pp, Broché
- - VENTE PAR CORRESPONDANCE UNIQUEMENT
Ediciones Cátedra 1992 344 pages 11 1x17 6x1 7cm. 1992. Broché. 344 pages.
Très Bon Etat de conservation intérieur propre bonne tenue
Bloodaxe Books Ltd 1988 208 pages 13 462x1 524x21 336cm. 1988. Broché. 208 pages.
Très bon état
Paris, David Fils, 1742 ; in-8 ; plein veau marbré, dos à nerfs décoré, pièce de titre grenat, tranches rouges (reliure de l'époque) ; XVI pp., 458 pp., (5) ff. de table, (2) pp. (explication des parties de la machine pneumatique), (1) f. de privilège ; vignette de titre gravée par Duflos et 6 planches dépliantes.
Traduction de Lemonnier, ici en première édition.Mathématicien et physicien anglais, disciple de Newton, Roger Côtes (1682-1716) professait l'astronomie et la physique expérimentale à Cambridge. Newton a dit de lui que "si Côtes avait vécu, nous aurions appris bien des choses de plus". Il a laissé deux théorèmes qui portent son nom.Bel exemplaire, seuls les coins sont légèrement usés et deux traces de restauration très ancienne.
Phone number : 06 60 22 21 35
, Hannibal Books, 2022 Hardcover, 305 x 240 mm, 392 pages, Fine!, ENG edition . ISBN 9789464366389.
Awe-inspiring reference work on the Flemish and Dutch art of drawing from the sixteenth to the eighteenth century, with masterly drawings from the collection of the Royal Library of Belgium (KBR). The Royal Library of Belgium in Brussels houses the largest collection of drawings in the country. Among its highlights are works by leading artists of the Low Countries, including Pieter Bruegel I, Joris Hoefnagel, Hendrick Goltzius, Peter Paul Rubens, Anthony van Dyck, and Jacques Jordaens. As the library's collection has been little studied up to now, it is largely unknown to scholars and the general public. To acquaint a wider audience with these important works of art, this richly illustrated publication brings together for the first time over one hundred master drawings from the Royal Library's vaults. Not only new art-historical insights are presented, but also numerous rediscovered drawings and revised attributions to artists such as Maarten van Heemskerck and Karel van Mander. This carefully researched book, written by thirty specialists in the field, aims to make a significant contribution to our knowledge of the history of Netherlandish drawing from the sixteenth to the eighteenth centuries. Daan van Heesch is Head of Prints and Drawings at the Royal Library of Belgium. Sarah Van Ooteghem is an independent art historian. Between 2012 and 2018, she was Assistant Curator of Drawings at the Royal Library of Belgium. Joris Van Grieken is Curator of Prints and Drawings at the Royal Library of Belgium.
, Baltimore/ London/ Paris, Johns Hopkins Press/ Humphrey Milford/ Les Belles Lettres, 1931., Paperback, original wrappers, 16,5x25cm, 130pp.
Minor French dramatist of the early seventeenth century. Volume XIX. Reprint from the Hopkins studies in romances literature and languages.