‎Dunkerque, port du salut‎

‎Editions France-Empire, Paris, 1975. In-12, pleine toile éditeur sous jaquette illustrée en couleurs, 482 pp. Première Partie : Vocation amphibie - Deuxième Partie : Enjeu international - Troisième Partie : Base géostratégique.‎

‎Avec deux cahiers d'illustrations en noir et blanc en hors-texte. --- Plus d'informations sur le site archivesdunord.com‎

‎Souvenirs de la Vie Maritime 1878 - 1914‎

‎A L'ETOILE. 1933. In-12. Relié demi-cuir. Etat d'usage, Couv. convenable, Dos frotté, Intérieur acceptable. 188 pages. 1er plat de couverture brochée, conservé. Ouvrage de bibliothèque : étiquette de code sur la coiffe en-tête et tampons sur la page de titre.. . . . Classification Dewey : 940-Histoire générale de l'Europe‎

‎Préface de Charles Maurras. Classification Dewey : 940-Histoire générale de l'Europe‎

‎Des bancs de Flandre aux Dardanelles‎

‎Nouvelle revue critique 1936 in8. 1936. Broché.‎

‎Bon état cependant couverture défraîchie ternissures intérieur propre‎

‎CHRONIQUE D'INDOCHINE 1945-1947‎

‎ALBIN MICHEL. DECEMBRE 1985. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 467 pages. Quelques photos en noir et blanc hors texte.. . . . Classification Dewey : 950-Histoire générale de l'Asie‎

‎ Classification Dewey : 950-Histoire générale de l'Asie‎

‎CHRONIQUE D'INDOCHINE. 1945 -1947‎

‎Format moyen, couverture souple.467 pages. Photos n/b. Bon etat. Une expedition par Mondial Realy pourra vous etre proposee. 1985 Albin Michel‎

‎Aventures et combats des trois Belle Poule‎

‎1954, éditions maritimes et coloniales, in-8 broché de 214 pages, livres à témoins, 3 compositions de Gustave Alaux, peintre de la marine, avant-propos du Duc de Broglie, exemplaire sur papier vélin pur fil Lafuma n°28/40. | Etat : Bon état général, couverture un peu défraichie (Ref.: ref12543)‎

‎éditions maritimes et coloniales‎

‎Quand David retrouve Goliath‎

‎Editions S.I.P.E.P. Broché 1957 In-12 (12 x 18,7 cm), broché, 372 pages, envoi de l'auteur ; légères pliures au dos, coiffes et mors un peu frottés, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Quand David retrouve Goliath‎

‎Editions S.I.P.E.P. Broché 1957 In-8 (12 x 19 cm), broché, 372 pages, envoi de l'auteur ; pliures au dos, marques d'usage sur les plats, papier bruni, assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎LES FOUS DE LA LANGUE. Langue, littérature & idéologies occitanes au XIXe siècle ‎

‎La Calade, Aix-en-Provence Edisud 1986 in 8 (24x15,5) 1 volume broché, couverture illustrée, 141 pages [1]. Très bel exemplaire ‎

‎Très bon ‎

‎Histoire secrète des Frères Musulmans.‎

‎Ellipses Paris 2015 In-8 ( 240 X 165 mm ) de 352 pages, broché sous couverture illustrée en couleurs. Bel exemplaire.‎

‎Du Luberon a la montagne de Lure - 4 saisons de nature: Du Luberon à la montagne de Lure‎

‎PLUME CAROTTE 2021 272 pages 26 7x27x2 4cm. 2021. Relié. 272 pages.‎

‎Bon état‎

‎Lieux D'islam - Cultes Et Cultures De L'afrique À Java ‎

‎Autrement, coll. Mémoires/Histoire 2005 In-8, broché, 351 pp.‎

‎ Bon état d’occasion ‎

‎Mécanique des fluides. ‎

‎Paris Dunod 2017 Un volume in-8 dos collé, couverture blanche illustrée, 361 pages. Bon état. ‎

‎ La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné. ‎

‎Lessay‎

‎ZODIAQUE. 2ème édition. 1974. In-16. Broché. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 63 pages illustrées de photos en héliogravure. Couvertures rempliées.. . . . Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE‎

‎"Collection ""La Carte du Ciel"" n°18 Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE"‎

‎La montagne Sainte-Geneviève à travers les âges. Catalogue de l'exposition du 22 mai au 22 juin 1924 à la bibliothèque Sainte-Geneviève.‎

‎Couverture souple. Broché. 68 pages.‎

‎Livre. Editions Albert Morancé, 1924.‎

‎Saint-Amand de Coly en Périgord. Histoire d'une Abbaye et d'un Village [ Livre dédicacé par l'auteur ]‎

‎1 vol. in-4 cartonnage éditeur, Amis de Saint-Amand de Coly, 2007, 110 pp.‎

12 Images

‎Bon exemplaire (très bon état) dédicacé.‎

‎La Révocation de l'Edit de Nantes en Pays Foyen‎

‎IMP. BARAT. 1985. In-4. Broché. Bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 84 pages. Une partie du texte est dactylographiée. Quelques polycopiés en fin d'ouvrage.. . . . Classification Dewey : 944-Histoire de France varia‎

‎ Classification Dewey : 944-Histoire de France varia‎

‎HOMMAGE A JEAN COCTEAU, Nantes 21 Mai au 15 Juin 1964 - Exposition organisée par la société des amis du musée des beaux arts de Nantes.‎

‎Nantes Musée des beaux-arts 1964 -in-8 broché un catalogue d'Exposition, broché bordeaux in-octavo Editeur(paperback in-8 Editor)(24,5 x 16,2 cm), dos imprimé en noir, 1ère de couverture cartonnée souple illustrée d'un dessin de Cocteau, toutes tranches lisses, orné d'une photographie de jean Cocteau en noir en frontispice + 6 Photographies hors-texte en noir sur papier couché, 61 pages, 1964 à Nantes Musée des beaux-arts Editeur,‎

‎RARE CATALOGUE......en trés bon état (very good condition). en trés bon état ‎

‎L'univers de la science-fiction‎

‎Payot. 1962. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Papier jauni. 187 pages. Tarces d'édhésifs sur les contreplats.. . . . Classification Dewey : 809-Histoire, littérature‎

‎"Préface de Jean-Louis Curtis. Collection"" Science de l'homm"". Petite bibliothèque Payot n°32. Classification Dewey : 809-Histoire, littérature"‎

‎Great and Small Poleis. A study in the relations between the great powers and the small cities in Ancient Greece.‎

‎ Bruxelles, Latomus, 1973. In-8 br., 194 pp., bibliogr., index. ‎

‎ Couv. en partie insolée, dos défraîchi, bon ex. néanmoins. - Frais de port : -France 6,9 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €) ‎

‎Histoire de l'Eglise - TOME I - l'antiquité chrétienne‎

‎Brouwer et cie 1929 in8. 1929. Broché.‎

‎bon état général rousseurs sur tranche et couverture intérieur propre pages non coupées‎

‎Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590-1608) 2 VOLS.‎

‎, Brepols 2021, 2021 2 vols., 536 pages ., 216 x 280 mm , 260 colour ill., English, Hardcover, . FINE ISBN 9782503595702.‎

‎This is Volume I of the three-volume catalogue raisonn of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609?20 and 1621?40. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens?s copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. Anne-Marie Logan is a specialist in Rubens?s drawings and in those of his Flemish contemporaries, especially Van Dyck's. Kristin Lohse Belkin is a Rubens specialist who has carried out extensive research on the artist.‎

‎Drawings of Peter Paul Rubens, A Critical Catalogue vols; 1-6, - 6-volumes catalogue raisonn of all drawings. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590?1608) 2 vols. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) 2 vols. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621?1640) 2 vols Part One: Text and Part Two: Plates‎

‎, Brepols - Harvey Miller, 2021-2023-2025 6 vols., 536 pages + 732 + 555 pages, 216 x 280 mm , 260 + 291 colour ill., English, Hardcovers, **NEW. ISBN 9782503595702.‎

‎This is the 6 -volume catalogue raisonn of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609-20 and 1621- 40 and * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590?1608) * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621?1640 It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens's copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. This is Volume II in the three-volume catalogue raisonn of the drawings by Rubens covering the years 1609?20. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement offers the user a quick visual impression of the variety of techniques, media, subject matter and functions of Rubens?s drawings at any one time. Accordingly, Volume II consists of the drawings from the time of Rubens?s return from Italy and the establishment of his workshop in Antwerp to the completion of his contribution to the furnishing and decoration of the city?s new Jesuit church, today?s St. Charles Borromeo. The decade is characterized by a broad range of genres and iconography: large altarpieces stand next to cabinet-size pictures, book illustrations next to designs for tapestry, sculpture and architectural reliefs; religious, mythological and historical subjects alternate with allegories, portraits, exotic hunts and scenes from country life. Copies after other artists? works that constitute such a large part of Rubens's early years discussed in Volume I have given way to original inventions in pen and ink and, above all, by life studies in chalk of the human body, naked or dressed. The whole spectrum of Rubens's extraordinary creativity, nowhere presented as directly and immediately as in his drawings, is there to be contemplated in all its astonishing diversity. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color.‎

‎Maisons de campage genevoises du XVIIIe siècle. Avant-propos de Pierre Keller et Thierry Lombard. Préface d’Olivier Fatio. Tome I et tome II.‎

‎ Genève, Domus Antiqua Helvetica 1999- 2001, 250x310mm, 348 + 319pages, reliure d'éditeur sous jaquette. Format oblong, “à l’italienne”. Très bel exemplaire, comme neuf. ‎

‎ photos couleurs et n/b, avec le plan dépliant et le tiré à part “Landey”, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Nouvelles Tables de Concordance par années, mois et jours, des Calendriers français et grégorien, depuis le 1er Vendémiaire an Ier (22 septembre 1792) jusqu'au 10 Nivôse an XIV (31 décembre 1805) ‎

‎1 vol. in-8 cartonnage bradel moucheté, couv. cons., Imp. des Ouvriers-Associés, Bordeaux, 1851, 189 pp.‎

8 Images

‎Bon état (qq. très petit mq. en dos)‎