Chez l'auteur. 1976. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 251 pages.. . . . Classification Dewey : 270-Histoire et géographie de l'Eglise
Histoire de l'Eglise au XIXe siècle. Classification Dewey : 270-Histoire et géographie de l'Eglise
Lille, Chez l'Auteur, 1975. 2 volumes in-8°, 231-251 pages, -, biblio, broche, couv.
Tres bel ensemble, très frais. [PH-5] Travail très documenté. Importante bibliographie.
Format moyen, couverture souple. 251 pages. Bon état. 1976 chez l'auteur
Lille, LAuteur, 1975, in 8° broché, 232 pages.
...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.
Photo. Né en Russie en 1888. Félix Potin, Début XXe. Vers 1900.
- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.
Photo. Né en Russie en 1888. Félix Potin, Début XXe. Vers 1900.
- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.
Photo. Né en Russie en 1888. Félix Potin, Début XXe. Vers 1900.
Paris, Perrin, Présence de l'histoire, 1970. In-8 (205x135mm) relié en skivertex d'éditeur sous rhodoid ; 469 p. Très bon état général.
Paris, Plon, 1965. in-12, 291 pages, broche, couverture illustree plast. à rabats.
Bel exemplaire. [CA28-7]
J.-C. Lattès 2000 22 4x15 2x2 8cm. 2000. Broché. 350 pages. Bon Etat
, Phaidon Press Ltd, 1982 Hardcover, 240 pages, English, 315 x 250 mm, in fine state. ISBN 9780714822112.
Fernand Nathan. Non daté. In-4. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 144 pages. Jaquette illustrée en couleurs. Nombreuses illustrations en noir et blanc, dans le texte et hors texte. Nombreuses illustrations en couleurs, dans le texte et hors texte. Jaquette abîmée.. Avec Jaquette. . . Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE
"Traduction de Jacques Sorbets. Histoire de l""essor de l""avion militaire. Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE"
LIBRAIRIE ACADEMIQUE PERRIN. 1969. In-8. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 434 pages. Jaquette illustrée en couleurs, légèrement passée. Nombreuses illustrations en noir et blanc hors texte.. Avec Jaquette. . . Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE
Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE
, Brepols, 2022 Hardback, 186 pages, Size:156 x 234 mm, Language: English. ISBN 9782503592671.
Summary Orthodox Christian theology is based on a living tradition that is deeply rooted in Greek Patristic thought. However, few systematic proposals about how this theology can respond to questions that arise from modern science have yet appeared. This volume, consisting of eleven essays by different authors about how this response should be formulated, therefore represents a significant contribution to Orthodox thinking as well as to the broader science-theology dialogue among Christians. The variety of approaches in the essays indicates that there does not yet exist among Orthodox a consensus about the methodology that is appropriate to this dialogue or about how the questions that arise from specific scientific insights should be answered. Nevertheless, they indicate the ways in which Orthodox approaches to science differ significantly from most of those to be found among Western Christian scholars, and in this way they point to an underlying unity of perspective that is rooted in the Orthodox tradition. TABLE OF CONTENTS Preface General Aspects of the Dialogue between Orthodox Theology and Natural Sciences Christopher C. Knight, Tradition Seeking Understanding Doru Costache, One Description, Multiple Interpretations Sergey S. Horujy, Cosmic Liturgy, Orthodox Theology, and Integral Ecological Expertise Philosophical Aspects of the Dialogue between Orthodox Theology and Science Alexei V. Nesteruk, The Dialogue between Theology and Science in View of an Irreducible Ambiguity in Hermeneutics of the Subject Tatiana Litvin, Knowledge of God and Phenomenological Foundations of Religious Experience Orthodox Theology of Nature, Ecological Insights and Bioethics Elizabeth Theokritoff, Orthodox Theology, Ecology and Science Bruce Foltz, 'The Lord Is in this Place, Yet I Did Not See It' Gayle E. Woloschak, Reflections on Gene Editing Technology Historical Aspects of the Relationship between Orthodox Theology and Science Adrian Lemeni, References of Father Dumitru Staniloae's Thought in the Dialogue between Theology and Science Kirill Kopeikin, Contemporary Russian Orthodoxy Gheorghe Stratan, Orthodoxy and Future Science
France-Empire. 1971. In-8. Broché. Etat d'usage, Livré sans Couverture, Dos satisfaisant, Intérieur frais. Paris, France-Empire,1971, in 8, broché, photos, 472 pp.. . . . Classification Dewey : 940-Histoire générale de l'Europe
HM-022 - Lieu d'édition : Paris Classification Dewey : 940-Histoire générale de l'Europe
, Steidl Dap 2006, 2006 Hardcover, 144 pages, ENG, 350 x 285 mm, book is in good condition, with photo's in clear colours, . ISBN 9783865212740.
Since 2002, Sze Tsung Leong has been photographing the dramatic changes that are transforming the cities of China, revealing a process that begins with the destruction of traditional neighborhoods and ends in the mass construction of new urban environments. He travels with a large-format view camera, visiting cities including Beijing, Shanghai, Chongqing, Nanjing, Pingyao and Xiamen, and the resulting highly detailed images portray the immense scale of the upheaval and of the contradictions created by its uncertain and fluctuating environment. Traditional buildings in the process of being demolished are juxtaposed against the glass walls that are about to replace them; seemingly abandoned buildings on the verge of destruction, or in the midst of construction, reveal clues of habitation; historic areas survive as a result of neglect and isolation rather than intent; and obscured in the midst of expansive, culturally ambivalent spaces, small Chinese script on indistinct signs serves as the only hint that these environments are in China. Collectively, the photographs in History Images capture the erasure and subsequent absence of history, and the moment of anticipation for the new future to unfold; it is an urban reality caught in the tenuous period after the end of one history and at the beginning of another.
, Brepols, 2023 Hardback, xxii + 324 pages, Size:216 x 280 mm, Illustrations:300 col., Language: English. ISBN 9780897223898.
Summary This book is a companion to C. Wyllys Betts's masterpiece, American Colonial History Illustrated by Contemporary Medals, and should be used in conjunction with Betts's book and not as a substitute. Betts' Contemporary Medals is the definitive work in the area of American colonial medals and has been for over 100 years. It is far from perfect and includes medals that, upon reflection, have little or nothing to do with America, while at the same time ignoring others closely associated with the American colonial experience. Betts also included some medals that do not exist. The present book does not take on the daunting?if not quixotic?task of including all the medals associated with the Americas that Betts failed to describe. Rather, it follows the course set out by him?right, wrong, or indifferent. If Betts included a medal in his book, it is discussed and illustrated here. The only medals added are those closely associated with variants already included or those indispensable to an understanding of a medallic series. This volume updates and illustrates each listing in the first two chapters of Betts. With only a few exceptions, every Betts medal described in Chapters I and II of Betts's book is illustrated here, many for the first time. These medallic images, along with the historical narrative, bring the story of America's discovery and colonization to life. In instances where additional images are included, they are used to explain some aspect of the medal and not the historical account. This was C. Wyllys Betts's vision: history told only through contemporary medals. TABLE OF CONTENTS Introduction Chapter 1. The Period of Discovery Chapter 2. The Period of Colonization Index
, Crescent Books 1989, 1989 Hardcover, 192 pages, ENG, 305 x 235 mm, book itself is in good condition, illustrations in colours and b/w. ISBN 045863690951.
Presents the creations of the most successful glassmaker of the 20th century, with details on the origin, value and techniques used in many of Lalique's finest bottles, ashtrays and clocks
, Royal Collection Enterprises Limited, 2007 Hardcover, 421 pages, English, 310 x 255 x 40 mm, 240 colour illustrations, Condition as New. ISBN 9781902163635.
The Royal Collection contains one of the finest and most varied collections of Old Master paintings in the world. The 147 works catalogued in the present volume are by Flemish artists who were active principally in the seventeenth century; they include a large and outstandingly good group of genre paintings by David Teniers the Younger, and other paintings by such diverse artists as Jan Brueghel, Gonzalez Coques, Frans Francken, Frans Snyders, Karl Philips Spierincks and Jan Wildens. The most important group of works, however, are those by Rubens. The full range of the artist's practice is represented in the collection. There are works that are entirely by his hand, and others that were carried out either with known collaborators or with the help of his studio. The introduction to the catalogue gives a fully documented history of the growth of the collection from the early Stuarts to the reign of Queen Victoria. The close relations Charles I enjoyed with Rubens are discussed in detail, and there is a full account of the important acquisitions made by later members of the royal family, notably Frederick, Prince of Wales and George IV.
McCorquodale & Co 1952 in8. 1952. Cartonné.
bon état couverture défraîchie intérieur propre sans jaquette
, Brepols - Harvey Miller , 2018 Hardcover, 256 pages., 4 b/w ills, 61 col. ills, 220 x 280 mm, English, . ISBN 9781909400030.
Eye and Art in Ancient Greece examines the art of ancient Greece through reconstructions of how the Greeks saw and understood the products of their own visual culture. The material is approached using a newly developed methodology of archaeoaesthetics by which past modes of vision and perception are examined in conjunction with prevailing notions of pleasure and judgement with the purpose of identifying the visual and psychological contexts within which the aesthetics of a culture emerge. Through a wide-ranging examination of ideas found in early written sources, the book examines various key aspects of Greek visual culture, such as continuity and change, nudity, identity, lifelikeness, mimesis, personation and enactment, symmetria, dance, harmony, and the modal representation of emotions, with the aim of comprehending how and why choices were made in the conception and making of artifacts. Special attention is given to factors contributing to the formation of taste and the emergence and transmission over time of concepts of art and beauty and the means by which they were identified and judged. The approach facilitates encounters with the material in ways that give rise to new insights into how the ancient Greeks experienced their own visual culture and how Greek art may be understood by us today. Christopher L.C.E. Witcombe, a British citizen born in Oxford, studied painting at the Accademia di Belle Arti in Florence, Italy, before moving to the United States to undertake undergraduate and graduate studies in art history. He subsequently received a Ph.D. in art history from Bryn Mawr College and is currently the Eleanor Barton and Aileen ?Ninie? Laing ?57 Endowed Professor in Art History at Sweet Briar College. He has held visiting scholar positions at Oxford University in England and the American Academy in Rome. He lives in Virginia.
L. Curmer | Paris 1841 | 18.30 x 28.50 cm | relié
Edition originale française illustrée de 366 figures sur bois in-texte. Cartonnage de l'éditeur en pleine percaline noire dorée. Dos lisse orné de compositions décoratives. Plat supérieur frappé d'une grande plaque avec une urne centrale. Sur le second plat une rosace surchargée d'ornements. Rousseurs sur les premiers feuillets et les derniers, cahiers brunis de la p. 165 à 216, sinon ensemble plutôt blanc et propre avec quelques rares rousseurs. - Photographies et détails sur www.Edition-Originale.com -
Phone number : 01 56 08 08 85
Boston, Little Brown & Company, 1988, 1988 Hardcover, 288 pages, English, 388 ills.in colour and b/w, 300 x 230 mm, book in fine state,. ISBN 9780821216118.
Traces the development of painting in France during the 1600s and profiles the careers of the major French painters of the period
, Citadelles & Mazenod, 2000 Relié avec jaquette d'éditeur + slipcase, 359 pages, Texte en Francais, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte. *TRES bon etat! . ISBN 9782850881039.
Rembrandt n'a cessé de susciter des interrogations et des recherches de par le monde. Beaucoup ont voulu trouver dans sa vie la clef de son génie, et dans son ?uvre, d'une grande complexité affective et spirituelle, un reflet de sa vie. Mais la définition même de cet ?uvre pose problème, car au fil du temps, les attributions ont constamment varié. Le nombre de tableaux qui, à un moment ou à un autre, ont été associés au nom de Rembrandt, dépasse le chiffre ahurissant de mille ! Aujourd'hui, il a été ramené autour de trois cents. Face à ces aléas, Christopher Wright s'est livré à une étude très rigoureuse de la vaste documentation existant sur l'artiste et s'est attaché à un examen minutieux de sa production : il a vu personnellement la quasi-totalité des peintures reproduites dans ce livre. Rembrandt, ici redécouvert, apparaît ainsi débarrassé des interprétations psychologiques, romantiques ou dramatiques qui troublent la perception que l'on peut avoir de son art. L'originalité du présent ouvrage réside dans l'approche adoptée par l'auteur : les ?uvres sont réparties en fonction de leur thème, et traitées selon un ordre chronologique. Le lecteur peut ainsi s'imprégner pleinement du mystère des peintures religieuses, de la magie des paysages, de la virtuosité des portraits de la bourgeoisie néerlandaise, ou de la profonde humanité qui se dégage des autoportraits. A travers l'abondante sélection des illustrations en couleurs, chefs-d'?uvre et tableaux méconnus s'équilibrent harmonieusement. Le livre s'achève avec une partie documentaire - notamment une liste chronologique des peintures, ainsi qu'un florilège de critiques parues dans le passé - pour mieux entrer dans l'univers pictural du maître.