Extrait de La Revue des deux mondes | s. l. [Paris] 1888 | 15.50 x 25 cm | agrafé
Edition originale. Sous couverture muette. Rare. - Photographies et détails sur www.Edition-Originale.com -
Phone number : 01 56 08 08 85
Extrait de La Revue des deux mondes | s. l. [Paris] 1878 | 15.50 x 25 cm | agrafé
Edition originale. Sous couverture muette. Rare. - Photographies et détails sur www.Edition-Originale.com -
Phone number : 01 56 08 08 85
Extrait de La Revue des deux mondes | s. l. [Paris] 1890 | 15.50 x 25 cm | agrafé
Edition originale. Sous couverture muette. Rare. - Photographies et détails sur www.Edition-Originale.com -
Phone number : 01 56 08 08 85
BLOUD ET BARRAL. NON DATE. In-8. Broché. Etat d'usage, Couv. défraîchie, Coiffe en tête abîmée, Intérieur frais. 488 pages. Quelques portraits gravés en noir et blanc hors texte. Tampons de bibliothèque. Partie des pages non coupées.. . . . Classification Dewey : 944-Histoire de France varia
Classification Dewey : 944-Histoire de France varia
Perrin et cie 1889 in4. 1889. relié. illustrations en noir et blanc
bords et dos frottés intérieur globalement frais jauni étiquettes dans le premier plat intérieur faux titre taché coins émoussés
A. Sauton | Paris 1885 | 16.50 x 25.50 cm | broché
Edition originale. Ouvrage orné de nombreuses planches. Dos du premier volume fendu en pied avec également un petit manque en tête, léger accroc sur le dos du second volume qui comporte aussi un tout petit manque en pied, intérieur frais. - Photographies et détails sur www.Edition-Originale.com -
Phone number : 01 56 08 08 85
DEMOCRATIC BOOK. 2011. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. pages augmentées de nombreuses illustrations en couleurs et en noir et blanc dans et / ou hors texte. texte sur deux colonnes.. . . . Classification Dewey : 809-Histoire, littérature
texte ecrit en français et en anglais. Classification Dewey : 809-Histoire, littérature
Livre Club du Libraire 1959 in8. 1959. Relié jaquette.
Très bon état jaquette rhodoïd en bon état rousseurs sur tranche supérieure intérieur propre
1926 Picard, A. Picard, 1926 - T./ II seul - in-8° - Illustrations Nb en texte - Pagibation continue pour les 2 tomes, 481 à 946 - Propre
- Livraison a domicile (La Poste) ou sur simple demande en Mondial Relay.- ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le surcoût du au nopmbre de livres achetés ou du poids de ceux-ci. - Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148
Ernest flammarion 1937 in12. 1937. Broché.
Bon état pages non-coupées intérieur propre
, Renaissance Du Livre La 2001, 2001 Hardcover, 224 pagina's, Nederlands, 305 x 250 mm, boek in goede staat, met talloze foto's en illustraties in kleur ISBN 9782804604493.
Met de publicatie van dit boek wil Dexia Bank de inspanningen voortzetten die het tussen 1985 en 1995 heeft geleverd met de reeks Musea Nostra, door een nieuwe verzameling albums over de musea van onze gewesten op stapel te zetten.
Savy et Dunod, Paris, 1868. Un volume in 8 relié demi-basane verte, plats papier moucheté, coins légèrement usagés. XVI, 554 pages, un tableau dépliant.
Ouvrage rédigé d'après la classification, les manuscrits inédits et les leçons publiques de P.-L.-A. Cordier, avec indication des diverses applications des roches aux arts et à l'industrie. Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.
Desclée de brouwer 1938 78 pages in8. 1938. Cartonné. 78 pages.
couverture défraîchie intérieur propre bords frottés qques notes au crayon à papier dernier plat intérieurentièrement annoté au crayon à papier
Crapelet Crapelet Gravure sur acier, coloriée et gommée à l'époque. Format 17x27cm. Bon état.
13,6 cm X 20,7 cm, 435 pp + 16 planches d'illustrations N&B, reliure plein skyvertex blanc, Signet.
Plats un tout petit peu salis. 1 petite tâche sur la 1er page de garde. Très bon état par ailleurs. Intérieur frais.
Revue encyclopédique | Paris 1823 | 12.50 x 18.50 cm | relié
Tiré à part de la Revue encyclopédique (octobre et novembre 1823). Rare. Reliure en plein cartonnage à la Bradel XXe. Papier à la cuve. Charles Dupin fut tout d'abord un brillant géomètre et un habile ingénieur naval, ses recherches en mathématique furent importantes (théorème de Dupin). Il fit ses débuts politiques sous la Restauration et fut envoyé en Angleterre (il y fit plusieurs voyages) dans un but d'espionnage de l'arsenal naval anglais. Il fit paraître une étude intitulée Forces militaires de la Grande Bretagne et connaissait fort bien l'Angleterre. Dominique de Pradt fut un écrivain politique, outre sa réflexion sur les puissances de l'Angleterre et de la Russie, il a publié un parallèle entre l'Amérique et l'Europe. Le texte est un important témoignage, éclairé, sur la situation de l'Europe en 1823. - Photographies et détails sur www.Edition-Originale.com -
Phone number : 01 56 08 08 85
, Brepols, 2024 Hardback, 435 pages, Size:156 x 234 mm, Illustrations:8 tables b/w., Language: English. ISBN 9782503603278.
Summary Who was not born, was buried in his mother's womb, and was baptized after death? Who first spoke with a dog? Why don't stones bear fruit? Who first said the word 'God'? Why is the sea salty? Who built the first monastery? Who was the first doctor? How many species of fish are there? What is the heaviest thing to bear on earth? What creatures are sometimes male and sometimes female? The Old English dialogues The Prose Solomon and Saturn and Adrian and Ritheus, critically edited in 1982 by J. E. Cross and Thomas D. Hill, provide the answers to a trove of curious medieval 'wisdom questions' such as these, drawing on a remarkable range of biblical, apocryphal, patristic, and encyclopaedic lore. This volume (which reprints the texts and translations of the two dialogues from Cross and Hill's edition) both updates and massively supplements the commentary by Cross and Hill, contributing extensive new sources and analogues (many from unpublished medieval Latin question-and-answer texts) and comprehensively reviews the secondary scholarship on the ancient and medieval texts and traditions that inform these Old English sapiential dialogues. It also provides an extended survey of the late antique and early medieval genres of 'curiosity' and 'wisdom' dialogues and florilegia, including their dissemination and influence as well as their social and educational functions. TABLE OF CONTENTS Introduction Sourcing Wisdom: Commentary as Dialogue Organizing Wisdom: The Compilatory Structure of the Prose Solomon and Saturn (SS) and Adrian and Ritheus (AR) Transmitting Wisdom: Encyclopaedic Notes, Dialogues, and Florilegia Disputing Wisdom: Medieval Lore Masters and Modern Scholars List of Texts I. Latin Curiosity Dialogues II. Latin Wisdom Dialogues III. Latin Commonplace Dialogues ad Florilegia IV. Latin Hybrid Dialogues and Florilegia V. Vernacular Dialogues VI. Greek Dialogues VII. Slavonic Dialogues VIII. Encyclopaedic Notes Commentary I. The Prose Solomon and Saturn including Items Shared with Adrian and Ritheus II. Items Unique to Adrian and Ritheus Works Cited Indices I. Biblical and Apocryphal Citations II. Manuscripts III. Primary Sources IV. Subjects
Flammarion 1939 in12. 1939. Broché.
couverture tachée d'une mouillure intérieur propre
Flammarion 1939 in12. 1939. Broché.
Etat correct bords frottés dos un peu creusé intérieur propre
Flammarion 1939 in12. 1939. Broché.
Bon état sous papier de soie notes sur la page titre intérieur propre
, Ammo Books, 2012 Hardcover, 410 pages, ENG, 430 x 310 x 55 mm, NEW !, Full Page illustrations in colour / b/w, XX Large Edition, for protection in a strong wooden case ! . ISBN 9781934429747.
"Eames: Beautiful Details" celebrates the seamlessness and fluidity in which Charles and Ray Eames operated as both a husband-and-wife team and as designers unrestricted by traditionally profesionally boundaries. Select details of their life and work, from their refined designs to to their innovative experiments, and even including images depicting the everyday poetic moments of their lives, and are shared here in this exhibit within a book. Inspired by Charles's immersive and original slideshows, in which he expertly selected and grouped images together that communicated information in an aesthetic, direct, and accessible way, this book strives to visually created the Eameses' life and work by taking the viewer through a delightful joruney, focusing on their "beautiful details." The packaging design of the "Eames: Beautiful Details" slipcase is a pattern inspired by the triangles and colors of one of their most inventive, if lesser-known, designs for children, simply called, "the toy." It also pays homage to the patterns they used on their well-loved House of Cards. The Eameses brought a sense of humor and joy to everything they created, and the design and layout of the book aims to convey that spirit in a visual feast for the eyes. It is a testament to the Eameses and the lasting value of good design that their Eames lounge chair, created in 1956, endures today as perhaps the most recognizable and coveted piece of mid-century furniture design. Their experiments in technological innovations, like molded plywood and fiberglass, resulted in such classic pieces as the bent plywood LCW and DCM Chairs, the Molded Plastic Chairs, and the Aluminum Group; all of which are still in production by Herman Miller. Likewise, Charles and Ray designed and built their own home in 1949 in Pacific Palisades, and it is still revered as a landmark of modern architecture. Built as part of the Case Study program in California, sponsored by Arts & Architecture magazine, it was one of the earliest experiments in pre-fab construction, using off-the-shelf industrial parts. But unlike the austerity of much of modern architectural design, their factory-like shell was lovingly lived in along with their personal collections of folk art, treasures from their travels, and everyday objects refreshingly displayed with affection and without pretense.
E.J. Brill 1976 17x23x3cm. 1976. Cartonné.
Bon état intérieur propre couverture un peu frottée
, Brepols - Harvey Miller, 2025 hardcover Pages: xii + 412 pages, Size:210 x 270 mm, Illustrations:45 b/w, 12 tables b/w., 12 musical examples, Language(s):English, French, *new. ISBN 9782503618616.
As music moved from the church and court into the public sphere, competitions ? as loci of taste, judgements of one performer?s excellence over another, or as a way to improve the musical abilities of a nation ? became increasingly important throughout Europe. Such competitions had multivalent meanings: in some cases, they became a way to achieve public fame and have a lucrative career in an era when individual patronage was on the wane. In others, they encouraged new national schools of performance, attempted to resurrect a historical tradition, or placed an official imprimatur on an existing one. European Musical Competitions, 1700-1940: History, Contexts and Meanings is the first volume to investigate the rise and preponderance of such contests throughout the continent. The fourteen essays in this volume address competitions by individuals from Johann Sebastian Bach to Josefa Bustamante in locations across Europe from Dublin to St. Petersburg and Osijetk to Paris. It further illumines how government-sponsored institutions in such diverse places tried to both foster musical abilities and foment taste. TABLE OF CONTENTS Charles Edward McGuire, Preface Part I: Musicians and Competition Markus Rathey, Bach?s Contests against Marchand and Pan: Facts and Fiction in Johann Sebastian Bach?s Musical Competitions Helena Mart nez D az, Prestige and Promotion of Women in Music at the Beginning of the Twentieth Century in Spain: Josefa Bustamante and the Premio Barranco Martin Barr , Comparer pour mieux chanter: les motions suscit es par les rivalit s entre artistes lyriques en France au XIXe si cle Viktoria Grynenko, An Italian, Ukrainian, and Frenchman in Performance: Competing Colleagues in Eighteenth-Century St. Petersburg Joe Lockwood, Who Should Have Won the Prize Musick? Part II: Competitions in French Institutions Fr deric de la Grandville, Le concours des prix du Conservatoire de musique de Paris, 1795-1900 Anne Pustlauk, Competition in Jean-Louis Tulou?s Flute Class at the Paris Conservatoire, 1829-1859 Apolline Gouzi, Arthur Mac , Yanna l Pasquier, Travaillez jeunes gens : description du concours du Conservatoire de Paris, 1896-1920 Laure Schnapper, Les concours de musique l?Exposition universelle de 1867 Peter Asimov, Arbitrating ?Authenticity?: The Schola Cantorum?s Concours de Chants Populares (1903-1904) and ts Losers Part III: Competitions and Nation Building Jan Dewilde, Transporting Culture: The Train and the Origin of Choral Competitions in Flemish Belgium Vjera Katalini?, Musical Competitions in the Shade of Politics: Three Case Studies from Croatia in the Second Half of the Nineteenth Century Helen Doyle, Will the Feis project ever come to anything ? and if so, to what? : Establishing the Operational and Choral Network of the Dublin Feis Ceoil Charles Edward McGuire, Musical Contests and Asserting Control: British Competition Festivals, 1880-1930 Abstracts and Biographies Index of Names
1770, Nella Stamperia Reale, in-4 plein cuir havane, dos à 5 nerfs, titrage doré, tranches oranges, texte sur deux colonnes, en italien et en français, lois promulgués par Charles Emanuel III de Sardaigne | Etat : état correct, couverture frottée avec petits accrocs, coins abimés, charnières usées, manque la moitié de la page de titre, petits trous sur la dernière page et la dernière garde, quelques rousseurs. Tome 1 uniquement (Ref.: G4692)
Nella Stamperia Reale
In-8, demi-basane bleue nuit de l'époque, dos lisse orné d'un décor de filets d'encadrement et fleurons dorés, plats estampés d'une grande plaque à froid, tranches dorées (accrocs aux coiffes, un mors fendu), xv, 416 p. Paris, L. Hachette, 1861.
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