1988 / 470 pages. Broché. Editions Steiner
Gure Zustand
, Brepols, 2021 Hardback, lxviii + 355 pages, Size:155 x 245 mm, Language: Latin. ISBN 9782503589831.
Summary Andrew of Saint Victor was one of the most prominent biblical scholars of the twelfth century. He was a regular canon of the Parisian abbey of St Victor, which in the twelfth century had developed into a prestigious center of spiritual learning, closely connected to the nascent university in Paris. Because of his frequent use of Jewish exegetical materials, Andrew's commentaries are a rich source for the history both of biblical hermeneutics and of inter-religious dialogue during the Middle Ages. His Isaiah commentary caused outrage among medieval Christian scholars because it eschewed traditional christological interpretations, and instead offered a reading "secundum Hebraeos." Scholars have seen Andrew of St Victor as standing at the cradle of a scholarly interest in the Biblical text, which influenced scholars such as the fourteenth-century Franciscan Nicholas of Lyra, and, in the long run, reformers such as John Wycliff, Martin Luther, and John Calvin.
P., Flammarion, 1966, in 8° broché, 299 pages.
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Georg. D.W. Callwey 1965 in4. 1965. Cartonné jaquette. illustrations en noir et blanc et en couleurs
jaquette abîmée déchirée à plusieurs endroits bords frottés livre en bon état général intérieur jauni marges ternies
, Vandenhoeck & Ruprecht, 2017 Hardcover, 229 pages, text in English. New= fine condition. ISBN 9783525593745.
The present volume contains the proceedings of the fourth symposium of the Novum Testamentum Patristicum project (NTP), an international re-search project on the reception history of the New Testament in the early Church. The symposium was held in October 2012 at the University of Leuven. It was organised by Joseph Verheyden, Tobias Nicklas, and An-dreas Merkt, the coordinators of NTP. The topic of the meeting was the reception of the resurrection and empty tomb stories and the development of the belief in resurrection in the early Church.The belief in the resurrection constitutes the core issue of Christianity and of Christian tradition. The earliest references to the resurrection and witnesses to such a belief are found in the canonical gospels and in the letters of Paul, but the topic obviously remained of the utmost importance all through the early Church. Contributions to this volume offer studies on reception of the resurrection and empty tomb stories and the development of the belief in resurrection in the early Church by examining the most important early references on this topic.
, Brepols, 2019 Paperback, vii + 413 pages, Size:156 x 234 mm, Illustrations:1 b/w, Language: English. ISBN 9782503578866.
Summary It is only in recent years that Byzantine poetry - a long-neglected aspect of Byzantine literature - has attracted the attention of philologists, literary and cultural historians. This holds true especially for the poetry written in middle and late Byzantium.Though many collections of poems are available in modern critical editions, a considerable amount of texts still remains completely unedited or accessible only in outdated and unreliable editions. Moreover, many works of this period have never been studied thoroughly with regard to their cultural impact on society. Issues of authorship and patronage, function, literary motives, generic qualities, and manuscripts still await further study. This volume aims to take a step to fill this gap. Although it includes studies on poetry from the early tenth to the fifteenth centuries, the main focus is placed on the Komnenian and Palaeologan times. It presents editions of completely unknown texts, such as a twelfth-century cycle of epigrams on John Klimax. It includes studies on various types of poetry, including didactic, occasional, and even poetry written for liturgical purposes. By analysing these works and placing them within their literary and socio-cultural context, we can draw conclusions about the cultural tastes of the Byzantines and acquire a more nuanced picture of middle and late Byzantine poetry. TABLE OF CONTENTS Nikos Zagklas & Andreas Rhoby, Introduction Part I: Studies in the Poetry of the Middle and Late Byzantine Period Section I: Forms, Perceptions & Functions Floris Bernard, Rhythm in the Byzantine Dodecasyllable: Practices and Perceptions Nikos Zagklas, Metrical Polyeideia and Generic Innovation in the Twelfth Century: The Multimetric Cycles of Occasional Poetry Section II: Authors & Texts Maria Tomadaki, The Reception of Ancient Greek Literature in the Iambic Poems of John Geometres Przemys?aw Marciniak & Katia Warcaba, Theodore Prodromos' Katomyomachia as a Byzantine Version of Mock-Heroic Epic Andreas Rhoby, The Poetry of Theodore Balsamon: Form and Function Krystina Kubina, Manuel Philes - A Begging Poet? Requests, Letters and Problems of Genre Definition Marina Bazzani, The Art of Requesting in the Poetry of Manuel Philes Section III: Hymnography & Its Contexts Theodora Antonopoulou, Imperial Hymnography? The Canons Attributed to Emperor Constantine VII Porphyrogenitus. With the critical edition of the First Canon on St John Chrysostom Dimitrios Skrekas, Translations and Paraphrases of Liturgical Poetry in Late Byzantine Thessalonica Part II: The Editio princeps of a Completely Unknown Text Renaat Meesters and Rachele Ricceri, A Twelfth-Century Cycle of Four Poems on John Klimax: Editio princeps, Translation and Commentary Renaat Meesters, A Twelfth-Century Cycle of Four Poems on John Klimax: A Brief Analysis
Presses universitaires de France, ,2015, in-12 de 320 pages ,broché ,Très bon état , .Isbn : 2130394221.(2 photos du livre sur mon site https://www.vieuxlivre.fr) .Les frais de port pour la France sont offerts à partir de 25 euros d'achat (Mondial relay ). (colissimo suivi +6,90 ).
, Arnoldsche, 2021 Paperback, 96 pages, GER, 240 x 170 mm, NEU, ca 50 ill. in farbe. ISBN 9783897906389.
Heidi Kippenberg studied ceramics under Walter Popp, the legendary teacher at the Kassel Art Academy whose avant-garde work opened up new dimensions of form and expression for ceramic vessels. She internalized the aesthetic of Popp?s vessels and simultaneously gave them her own distinctive touch. Strongly twisted, thick-walled, sometimes mounted stoneware vessels, further enlivened by thick monochrome glazes and augmented with sign-like contrasting glazed accents, characterize her oeuvre. Later she was inspired by East Asian ceramics and began to build her vessels, assembling them from slabs, giving their surfaces a lively structure, and transforming them into decorative landscapes. An oeuvre spanning more than half a century can be admired!
, Biblioth que Royale Albert Ier 1993, 1993 Softcover, 178 pages, Texte en Francais, 255 x 190 mm, bon etat, ill. de couleur et n/b. ISBN 9782870930793.
London, Reaktion Books, 2024 Hardcover, 224 pages, 22 x 14.5 cm, Illustrated. *Fine. ISBN 9781789148527.
A revisionist biography of Andreas Vesalius - the father of modern anatomy - as deeply shaped by Renaissance culture. In 1543 the young and ambitious physician Andreas Vesalius published one of the most famous books in the history of medicine, On the Fabric of the Human Body. While we often think of dissection as destroying the body, Vesalius believed that it helped him understand how to construct the human body. In this book, Sachiko Kusukawa shows how Vesalius's publication emerged from the interplay of Renaissance art, printing technology, and classical tradition. She challenges the conventional view of Vesalius as a proto-modern, anti-authoritarian father of anatomy through a more nuanced account of how Vesalius exploited cultural and technological developments to create a big and beautiful book that propelled him into imperial circles and secured his enduring fame.'Kusukawa's vivid reconstruction of the making of Vesalius's Fabrica takes us deep inside the world of anatomical demonstrations, hospital postmortems, criminal executions, university lecture halls, humanist libraries and artistic and printing workshops. She explains how Vesalius thought about books, images and bodies, and his skill at instructing Renaissance readers how to look, touch, dissect and model the human body in order to learn from it. There is no better introduction to Vesalius.' - Paula Findlen, Stanford University'In this brilliant digestion of her earlier work, Kusukawa not only reconstructs 'the making' of Andreas Vesalius's masterpiece, Fabrica (and the book's reception and afterlife), but the making of the man himself. The 'founder' of modern anatomy we see in full context, reliant on his peers, his readers and his students in the production of his masterpiece. He is also shown to be a canny negotiator with artists and printers in the making of the book's famous images. Ultimately Andreas Vesalius: Anatomy and the World of Books compels engagement with the construction of the 'truthfulness' of all scientific images, then and now. This is historical anatomy and provocation at its arresting best.' - Claudia Stein, University of Warwick
Istanbul, Edebiyat Fakultesi Matbaasi 1974 vii + 116pp., original 1974-edition, 24cm., softcover, text in Turkish, in the series "Istanbul Universiteti Edebiyat Fakultesi Yayainlari" no.1900, good condition, X114344
Ankara, Turk Tarih Kurumu Basimevi 1962 xxv + 411pp., text in Turkish, original 1962-edition, in the series "Türk Tarih Kurumu Yayinlarindan" II.Series no.21, bound in hardcover, spine in blue leather with gilt title, good condition, weight: 1kg., X114340
Rome, E. F. R., 1987 Fort in-8, cartonnage ill. d'édition, 790 pp., bibliographie, index rerum et nominum, index des sources antiques.
Très bonne cond. - Frais de port : -France 8,4 € -U.E. 10 € -Monde (z B : 15 €) (z C : 33 €)
Format moyen, couverture souple. 281 pages. Très bon état. Une expédition par Mondial Relay vous sera proposée 2018 ellipses
Paris, Rouff 1917. In Paris, Rouff 1917. In-8 agrafé de 24 pages. Couverture illustrée. Collection Patrie N° 18.
Bon état Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
1521 Broché - 15 x 21 - 228 pp - année 1996 - imprimer sur les presses de Caracter's Besançon - illustrations
ANTHROLOGIE HISTOIR PHILOSOPHIE LITTERATURE PARADES
1422 broché - 11,5 x 18- 219 pp - année 1979 - éditions NEL (Nouvelles éditions Latines ) -
ANTHROLOGIE HISTOIR PHILOSOPHIE LITTERATURE PARADES
Gap Imprimerie Louis Jean 1935 Plaquette In-8 123 pp signé de l'auteur, dédicataire effacé, rousseurs sur la couverture illustrée, illustrations in-texte
Acceptable Brochée
PML EDITIONS. 1995. In-4. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 94 pages. Nombreuses illustrations en noir et blanc, dans le texte et hors texte.. . . . Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE
Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE
Paris, Les ditions du Sagittaire, 1953 broch , sous jaquette illustr par Miro, 286 pages, 23 x 14.5 cm, FR. *en bon tat.
illustr e de nombreuses planches hors texte. Bon exemplaire
Paris, Gallimard - le point du jour, 1952 Softcover, 317 pages, 19.5 x 14.5 cm, FR. *en bon tat.
Andre Breton - Entretiens : 1913-1952
PLON. 1968. In-8. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 437 pages.. Avec Jaquette. . . Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE
Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE
Broché - 14 x 20 - 255 pp - année 1970 - éditions Seghers - illustrations
Le ttres arts sciences avec un choix de textes et quatre vingts illustrations ANTHROLOGIE HISTOIR PHILOSOPHIE LITTERATURE PARADES
ARLAUD. 1931. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 66 pages. Nombreuses illustrations en noir et blanc, hors texte.. . . . Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE
Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE
GALLIMARD. 1965. In-4. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 384 pages. Toile rouge, titres dorés. Jaquette illustrée en couleurs. Frontispice et nombreuses photos et illustrations en couleurs (certaines dépliantes) et noir et blanc, dans et hors texte. Quelques cartes en couleurs.. Avec Jaquette. . . Classification Dewey : 709-Histoire des arts
'L'Univers des formes', XII, Collection dirigée par André Malraux et Georges Salles. Classification Dewey : 709-Histoire des arts