‎Handschr. Dokument mit eigh. Unterschrift, dat. 25. Januar 1799.‎

‎Ernennung des Pächters der fürstlichen Weinkellerei zu Jena Friedrich Anton ? zum Hoflieferanten. – In schlichtem Holzrahmen.‎

‎Scottish Portraiture 1644-1714. David and John Scougall and Their Contemporaries‎

‎, Brepols, 2021 Hardback, 2 vols, 756 pages, Size:225 x 300 mm, Illustrations:1265 col., Language: English. ISBN 9782503597270.‎

‎Summary This book is the first comprehensive publication on Scottish portraiture from the period 1644 to 1714, with an emphasis on the painters David Scougall (1625-1685), and his son John Scougall (1657-1737). It is based on in-depth art historical and archival research. As such, it is an important academic contribution to this thus far little-researched field. Virtually nothing was known about the Scougall portraitists, who also include the somewhat obscure George Scougall (active c. 1690-1737). Thorough archival research has provided substantial biographical information. It has yielded life dates and data on family relations and, also, it has become clear that David Scougall had two parallel careers, as a portrait painter and as a writer (solicitor). The legal community in which the Scougalls were embedded has been defined, as well as an extended group of sitters and their social, economic, and family networks. The book includes a catalogue raisonn of the oeuvre of David Scougall. The most important contemporaries of the Scougalls were the portraitist L. Sch neman (active c. 1655/60-1667 or slightly later), his successor James Carrudus (active c. 1668-1683 or later), whose work is identified for the first time in this book, David Paton (c. 1650-in or after 1708), Jacob Jacobsz. de Wet (1641/42-1697) and Sir John Baptist Medina (1659-1710). Their lives and work are discussed. An extensive survey of Scottish portraits, with an emphasis on the work of the Scougall painters, is presented for the period 1644 to 1714. Numerous attributions to various artists and sitter identifications have been established or revised. An overview of the next generation is provided, in which the oeuvres and biographical details are highlighted of the principal portrait painters, such as William Aikman (1682-1731), Richard Waitt (1684-1733) and John Alexander (1686-1767). Countless paintings have been photographed anew or for the first time, and have been compared in detail, which had hardly been done before, while information is also included on technical aspects and (original) frames. The resulting data have been complemented by analysing the social and (art-) historical context in which the portraits were made. The works of the portrait painters in Scotland from this period, as this book shows, now form a solid bridge between the portraits painted prior to George Jamesone's death in 1644, and those by the renowned Scottish painters of the eighteenth century. TABLE OF CONTENTS VOLUME I Abbreviations - Foreword - Acknowledgements Introduction Current State of Published Research on the Scougalls and Their Circle and the Appreciation of Their Work Through the Centuries The Elder Scougall/Old Scougall and the Younger Scougall Dates and Scarcity of Known Archival Material Artistic Context: Painting in Scotland, the Start of a Portrait Tradition, c. 1575-1660 David Scougall (Edinburgh, 1625-1685), His Life and Career Emerging from the Shadows Father and Son, John (d. after 13 October 1627) and David (1625-1685) Writer and Painter Family Patrons The Outset of a Career Father and Son, David (1625-1685) and John (1657-1737) The Advocate's Close The Profession of a Writer or Clerk in the Time of David Scougall The Profession of a Painter in the Time of David Scougall Possible Teachers and Family Creativity Decline and Death Skougall or Scougall Personal Network, Legal Community and Further Family Relations John Scougall (Edinburgh, 1657-1737), His Life and Career A Long and Prosperous Life Becoming a Limner Family Patrons Increased Prosperity Lack of Competition 1694: A Year of Important Changes Decline in Skill and Death David Scougall: The Oeuvre, Characteristics, Development and Sources of Inspiration The Outset of a Career Core Works, the Basis for a Compilation of the Oeuvre Associated Works Miniatures or Pocket Pictures Stylistic Features and Motifs Consistency in Style Late Works, 1675-1685 Technical Aspects of David Scougall's Paintings Technical Research and Painting Technique Painting Materials David Scougall as a Copyist Costumes and Jewellery Use of Motifs from Portraits by Other Painters No Inventor, but Painting Real People Production Studio Practice and Legal Community John Scougall: The Oeuvre, Characteristics, Development and Sources of Inspiration The Early Years Indisputable Works Associated Works Use of Motifs from Portraits by Other Painters Stylistic Features and Motifs Technical Aspects of John Scougall's Paintings Technical Research and Painting Technique John Scougall as a Copyist Production Mending and Washing Studio Practice and Apprentices George Scougall (b. 1670?, active c. 1690- c. 1737) Lack of Biographical Data In the Studio of John Scougall Inadequate Traces of Work Clients/Sitters Nobility and Clergy Clients and Religious Beliefs Loyal Patrons Bonding Portraits Competition from Abroad Ladies and Gentlemen Portraying Children Problems in Sitter Identification Known Sitter, but Problem in Period and Handling Portraits Telling the Truth? Scougall's Clients, Where Were They Based, and the Painter's Studio Backs and Frames The Back of the Painting Period Frames Prices for Portraits and Frames Prices for Portraits by David Scougall 1664-1683 Prices for Portraits by John Scougall 1674-1728 Prices for Frames The Contemporaries of the Scougalls John Michael Wright (1617-1694) L. Sch neman (active c. 1655/60-1667 or shorty after) James Carrudus (active 1671 or earlier-1683 or later) David Paton (c. 1650-in or after 1708) Thomas Murray (1663-1735) Jacob Jacobsz. de Wet (1641/42-1697) Portraits, Painters Unknown Painters, Portraits Unknown Sir John Baptist Medina (1659-1710) The Next Generation William Aikman (1682-1731) Richard Waitt (1684-1733) John Alexander (1686-1767) John Smibert (1688-1751) And Beyond Summary and Conclusion Appendices Appendix I The Scougall Family, Reconstruction of the Family Tree Appendix II Transcriptions of Various Archival Documents Concerning the Scougall Painters Appendix III The Mysterious Portrait of 'John Scougall' Appendix IV Transcription of the Memoir by Sir John Clerk of Penicuik, 1st Baronet (1649-1722) of His Wife Elizabeth Henderson, Lady Clerk (1658-1683) ? VOLUME II Catalogue Raisonn of the Paintings by David Scougall (1625-1685) Introduction Glossary Catalogue A Authentic Works Catalogue AW Works Known Only from Written Sources Catalogue B Copies by David Scougall After Works by Others Catalogue C Doubtful Works Catalogue D Works Known Only Through Copies and Prints Catalogue E Rejected Works Concordance Notes Bibliography Websites Guides to Houses and Other Venues Exhibitions Inserted Details Index‎

‎Loci Sepulcrales. Places of memory and burial in the Middle Ages‎

‎, Brepols, 2024 Paperback, xvii + 594 pages, Size:165 x 240 mm, Illustrations:12 b/w, 115 col., 9 maps b/w, Language(s):English, French, Spanish. ISBN 9782503606583.‎

‎Throughout the Middle Ages, the choice of a particular burial place remains a fundamental question in someone's life. Summary Assembling the contributions of twenty-two authors, this volume aims at revisiting the question of the choice of burial sites throughout the Middle Ages, in their political, emotional, and devotional dimensions, across a wide chronology and in a vast palette of different social statuses. The choice of a burial site inevitably reflets very important statements, made by the living persons, not only regarding what they wished the memory of their passage on Earth to be, but equally enlightening us on what their concern for the future of their souls was and how it should be cared for, in the afterlife. The first part of this volume is devoted to royal pantheons, considering their development and relevance in the construction of royal legitimacy. Kings and Queens were not the only ones considering their lineage and personal memory: noblemen, ecclesiastics, rich tradesmen, and their wives and daughters, were also involved in a world of changing tendencies, which are dealt with in the second part of the book. The third and last part looks at the strategies and interconnection between building a burial site and constructing collective memories, whether in stone or in writing through the performing influence of rituals, images, or symbols. This book proposes, therefore a whole new set of approaches on the subject, addressed either in interdisciplinary and all-around syntheses or via analysis of specific case-studies, looking at panteons and other burial sites as the important witnesses of the lives, emotions, and devotions of the medieval society they served. Contributors to this volume are Xavier Barral i Altet, Catarina Fernandes Barreira, Thiago Jos Borges, Maria Helena Cruz Coelho, Frederica Cosenza, Antonio Pio de Cosmo, Lorenzo Curatella, M rio Farelo, Jos Rom n Gonz lez de la Cal, Linsy Grant, Laurent Hablot, Orlindo Jorge, Emma Lano Mart nez, Christian de M rindol, Sonia Morales Cano, Jorge Mor n Pablos, Pedro Redol, Martina Saltamacchia, Isabel S nchez Ramos, Lydwine Scordia, Rosa Smurra and Christian Steer. TABLE OF CONTENTS Preface I - Royal Pantheons (5th-15th century) - Emma Lia o Martinez (Profesora Catedr tica de Historia del Arte. Universidad de Tarragona), El Pante n Real de Poblet. Afirmaci n de la monarquia e innovaci n art stica - Sonia Morales Cano (Profesora Universidad de Castilla-La Mancha), Discursos de la memoria: la catedral primada de Espa a como pante n real en la Baja Edad Media y su repercusi n en los mausoleos de prelados y nobles - Pedro Redol (Senior Official Monastery of Batalha), Orlindo Jorge (Independent researcher), The royal funerary chapels of Batalha: prestige, innovation, and identity (1415-1515) - Christian de M rindol (Ancien Conservateur au Mus e des monuments fran ais), La Necropole de Saint-Denis de Louis VII Saint Louis. Nouvelle synth se. - Lindy Grant (Professor of Medieval History, University of Reading), Blanche of Castile, St Louis and the concept of the family mausoleum in Capetian France: Saint-Denis, Royaumont and Maubuisson. - Lydwine Scordia (Ma tre de conf rences HDR, Universit de Rouen), Le tombeau de Louis XI Notre-Dame de Cl ry: un unicum dans l?histoire de l?art fun raire royal II. Burial strategies: from rural to urban contexts - Isabel S nchez Ramos (University College London, Institute of Archaeology), Jorge Mor n Pablos (AUDEMA. Auditores de Energ a y Medio Ambiente, Madrid) and Jos Ram n Gonz lez de la Cal (Escuela de Arquitectura de Toledo, UCLM), El edificio funerario tardoantiguo de Los Hitos en Arisgotas (Toledo, Espa a). Un pante n de poca visigoda - M rio Farelo (Assistant Researcher, NOVA FCSH), Une cit de Saints. La ville de Lisbonne comme lieu de sacralisation de la guerre, XIIe-XVe si cles - Federica Cosenza (Postgraduate, Universit degli Studi La Sapienza), Sepolture di Prestigio a Roma nel Medioevo: La Media Elite - Lorenzo Curatella (PhD, Universit degli Studi La Sapienza), Sepolture di prestigio a Roma nel Basso Medioevo: Gli Ecclesiastici - Rosa Smurra (Associate Professor, University of Bologna), Social mobility and funerary monuments in the first half of the fourteenth-century in Santa Chiara, Naples - Martina Saltamacchia (Associate Professor, Charles & Mary Caldwell Martin Professor of History), Snakes, Razas, and the Prince?s Tomb: Gian Galeazzo Visconti and the Cathedral of Milan - Christian Steer (Visiting Fellow, University of York), Bones of Benefactors: Burying the Dead in Grey Friars Church London III ? Memory, Representations and Texts - Maria Helena da Cruz Coelho (Professora Catedr tica, Universidade de Coimbra), A morte e a ltima morada dos reis: paradigma e mem ria - Xavier Barral i Altet (Professeur des Universit s, Universit Rennes 2), Le r le m morial et fun raire de la broderie de Bayeux : propos du tombeau-mausol e de la sc ne d?Aelfgyva et le clerc. - Laurent Hablot (Directeur d' tudes, EPHE), L?h raldique et la mort. Formes et fonctions de l?h raldique dans le contexte fun raire - Catarina Fernandes Barreira (Research Fellow, NOVA FCSH), Requiescant in pace. Death and memory in the Monastery of Alcoba a based on its liturgical codices - Antonio Pio de Cosmo (Universit di Modena e Reggio Emilia, Italia / ISACCL, Bucarest, Romania), I riti in limine vitae degli Augusti. 'Manipolazione rituale' e partecipazione corale nelle cerimonie del trapasso dell?imperatore celebrate fra IV e VI secc. - Thiago Jos Borges (Doutor em Hist ria, docente do Instituto Federal de Bras lia), De Locis Sanctis: textualidade, tradi o e formas de representa o.‎

‎I Castelli di Federico II nell'Italia meridionale‎

‎Società editrice napoletana 1979 in8. 1979. Broché.‎

5 Images

‎Bon état intérieur propre bonne tenue‎

‎"Introduction à l'archéologie"‎

‎"1980. Paris Éditions Maspéro 1980 - Broché couv. à rabat 13 5 cm x 22 cm 260 pages 46 figures (plans dessins photos ...) in et hors-texte - Texte de Carl-Axel Moberg adaptation du suédois par l'auteur avec la collaboration de Serge Cleuzion Annie et Alain Schnapp bibliographie index des noms et des idées- Très bon état" ‎

‎ALBUM 14-18, Carl De Keyzer / David Van Reybrouck‎

‎, Uitgeverij Hannibal, 2014 Hardcover.239 pages, Illustrated. Nederlandstalig. 30x333x248 mm ISBN 9789492081063.‎

‎Carl De Keyzer & David Van Reybrouck. Het fotoboek van de Eerste Wereldoorlog: Magnum fotograaf Carl De Keyzer selecteerde en bewerkte honderd originele glasplaten uit de Eerste Wereldoorlog uit diverse archieven in binnen- en buitenland. ‎

‎Moments Before the Flood. Carl De Keyzer, **LUXE edition + PHOTO / signed.‎

‎, , 2012 Hardcover in slipcase, + original Photo signed 1/40 copies.; 'forty copies of this edition have been signed by Carl De Keyzer and numberd 1/40. Each book is accompanied by an original copy of a photograph, wich bears the sam number as the book'. 320 mm x 320 mm, 250 illustrations colour. ISBN 9789401400251.‎

‎**LUXE edition + PHOTO / signed. Een visueel monument, dat op indringende wijze vastlegt hoe Europa omgaat met de dreiging van de klimaatopwarming. Vier jaar lang heeft Carl De Keyzer vier maanden per jaar de kusten van Europa afgereisd, van het hoge noorden tot het zuiden. Hij fotografeerde vervreemdende landschappen, desolate stranden, verlaten hotels, winterse pieren en dramatische wolkenpartijen: prachtige maar onheilspellende beelden met een hoog David Lynchgehalte. Moments before the Flood is bij uitstek een fotografie van het wachten. Carl De Keyzer portretteert de unheimlichkeit van het onbestemde en het onzekere, met een meesterlijk oog voor de schoonheid ervan en met een weergaloos gevoel voor ironie. --- A visual monument that poignantly records how Europe deals with the threat of global warming. For four years, Carl De Keyzer traveled the coasts of Europe for four months a year, from the far north to the south. He photographed alienating landscapes, desolate beaches, deserted hotels, wintry piers and dramatic clouds: beautiful but ominous images with a high David Lynch content. Moments before the Flood is pre-eminently a photography of waiting. Carl De Keyzer portrays the uncannyness of the indefinable and the uncertain, with a masterly eye for its beauty and an unparalleled sense of irony.‎

‎Actus Publicus oder Offentliche Ubungen, aus denen Militarischen Wissenschaften, welche den 30sten Septembris 1739. als an dem Vor=Abend Ihro Röm. Cayserl.... Majestät Carl des Sechsten, glorwürdigsten Kaysers höchst=feyerlichsten Geburts=Tags, in Weg...‎

‎(Wien, Joh. Peter v. Gehlen, 1739). Folio. (45,5 x 28,5 cm.). Contemp. full speckled calf. A bit rubbed. Lower spine-end worn. (26) pp. One leaf with some stains, otherwise fine, printed on good paper.‎

‎La Place du Carrousel de Carl de Vinck ( Table des Matières de cet ouvrage : Préface - Saint-Thomas-du-Louvre, Saint-Nicolas-du-Louvre, Saint-Louis-du-Louvre - Les Quinze-Vingts - L'hôtel de Schomberg - Le parterre de Henri IV - L'hôtel de Longueville - L'hôtel de Rambouillet - Le logis de Molière - l'hôtel Matignon - L'hôtel Varin - L'hôtel de Marigny - Le Magasin de l'Opéra - La machine infernale - Le cénacle du Doyenné - Le déblayement du Carrousel).JOINT: Lettre du Secrétaire Général de la Société d'Iconographie Parisienne, P. Jarry‎

‎ 1931 A Paris - Société d'Iconographie Parisienne / Chez Maurice Rousseau - Première édition 1931 - In-4 (25,5 x 33 cm) - Poids : 1560 gr. - (viii) 83 pages + 72 Planches en Héliogravure, hors texte en fin de volume & 8 Figures dans le texte + 1 Frontispice et quelques Culs-de-Lampe - Broché - Couverture cartonnée verte - Très bon état - envoi rapide et soigné‎

‎Créée en 1908, la Société d'Iconographie Parisienne avait pour objet de rechercher, répertorier et publier les représentations figurées de Paris et de ses habitants aux diverses époques de lhistoire, et de contribuer à létablissement dune méthode critique qui permette de déterminer dans quelle mesure ces représentations répondent à la réalité des choses ‎

‎Tourisme d'Eté.‎

‎ 1936 albums du crocodile,Revue LE CROCODILE;1936. in-8 br. ‎

‎bon état,cachet medecin sur la couverture, Remise de 20% pour toutes commandes supérieures à 200 €‎

‎C'est un oiseau qui vient de France ‎

‎ Se trouve à Paris Se trouve à Paris, à la Société Littéraire de France, 1916. In-8 oblong, relié pleine toile prune, vignette illustrée en couleurs contrecollée sur le plat. 56 pages. Texte et dessins de Carlegle. Avis aux jeunes coloristes : Le papier sur lequel cet album est imprimé supporte les couleurs à l'aquarelle. Il est recommandé aux jeunes amateurs qui voudraient s'amuser à colorier ce livre, de n'employer que des teintes franches et vives ainsi qu'on l'a fait pour le dessin de la couverture. Non colorié, Très bon état. ‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎Un voyage à Paris sous Louis XVI. Illustrations de CARLEGLE.‎

‎ 1934 Paris, Calmann-Lévy (Collection "Pour Nos Enfants"), 1934, petit in 4°, cartonnage illustré de l'éditeur, 32 pages ; petits frottis aux coins. ‎

‎Charmantes illustrations de CARLEGLE, reproduites en lithographie par Mourlot Frères ...................... Photos sur demande .......................... ‎

‎Theater-Geschichte des deutschen Wallis. Hrsg. in Zus. mit der schweiz. Ges. für Volksk. in Basel.‎

‎Brig, Rotten-Verlag, 1982, gr. in-4to, 340 p. reich ill., + 3 Tafeln, Original-Leinenband mit OU.‎

‎Zwischen zwei Brücken. Die Pfarrgemeinde Ernen, ihre alten Häuser und ihre einstigen Bewohner.‎

‎Blätter aus der Walliser Geschichte, 1963, gr. in-8vo, 264 S., reich ill. mit s./w. Fotogr, ex libris récent, Original-Broschüre.‎

‎Essais sur l’histoire des belles lettres, des sciences et des arts. Nouvelle édition augmentée. Tomes I, II, III et IV.‎

‎ Lyon, Frères Duplain 1749, 185x120mm, Cartonnage muet, en attente de reliure. Anciennes etiquettes de titres manuscrits sur le haut des dos. Nom du possesseur sur le haut des pages de garde supérieures. Intérieur propre. ‎

‎ XVI - 3 ff. - 379 pages - 1ff. + 1 ff. - 372 pages + 2ff. - 368 pages + 1ff. - 268 pages - XC (table des matieres) - 2 ff., 4 frontispices, 4 titres gravés, lettrines, bandeaux, culs-de-lampe, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Walliser in Europa.‎

‎Visp, Rotten Verlag, 2002, in-8vo, 134 S., Original-Broschüre.‎

‎Le sacrifice de la Nouvelle Alliance. Consubstantiel et transsubstantiation (De l'Incarnation à l'Eucharistie)‎

‎Bordeaux, Imp. Taffard 1981 417pp., br.orig., 24cm., 2e édition considérablement augmentée, bon état, R78748‎

‎Histoire de Fra Hieronimo SAVONAROLA.‎

‎Herman Frères, Editeurs Paris S.D. (1842) In-8 ( 220 X 135 mm ) de 369 pages, demi-veau fauve, dos lisse orné de filets et palettes dorés, pièce de titre de maroquin olive ( Reliure de l'époque ). Portrait de SAVONAROLE lithographié par Maurin Aîné EN FRONTISPICE. Edition originale rare. Bel exemplaire, pur.‎

‎Ausgewählte Schriften 1-7. Hrsg. im Auftrage seiner Söhne Albrecht und Wilhelm.‎

‎Wien & Leipzig, Wilhelm Braumüller, 1893-94. Bound in 7 contemporary half calf bindings, all with slight shelfwear and library labels on spines. Volume 7 (maps) lacks front cover. With numerous frontisp., maps, plans, and illlustrations. Library stamps.‎

‎Archduke Carl Ludwig Johann Joseph Lawrence of Austria, Duke of Teschen (September 5, 1771 in Florence, - 30 April 1847 in Vienna) was a general and a member of the House of Habsburg-Lorraine. He is remembered for the fact that he was the first to inflict defeat on Napoleon at the Battle of Aspern, 21/22. May 1809.‎

‎VIENNE FIN DE SIECLE : POLOTIQUE ET CULTURE‎

‎SEUIL. 1983. In-8. Broché. Bon état, Couv. convenable, Dos plié, Intérieur frais. 378 pages avec de nombreux dessins en noir et blanc.. . . . Classification Dewey : 940-Histoire générale de l'Europe‎

‎ Classification Dewey : 940-Histoire générale de l'Europe‎

‎Vers la conquête de la vie.‎

‎HACHETTE. 1958. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Non coupé. 220 pages. Quelques planches d'illustrations et de photos en noir et blanc, hors-texte.. . . . Classification Dewey : 508-Histoire naturelle‎

‎ Classification Dewey : 508-Histoire naturelle‎

‎Agents pathogènes du climat. Les éléments contre l'homme‎

‎ 1945 Editions Masson & Cie - 1945 - Petit in-8, broché - 338 pages‎

‎Bon état - Menus frottements sur la couverture - Petit départ de fente en bas du premier "mors" - Plis au dos avec petite déchirure sans manque en bas du dos - Feuillets non coupés (ouvrage jamais lu) ‎

‎LE MILDEW ET LES TRAITEMENTS CUPRIQUES DE LA VIGNE. ‎

‎Montpellier Imprimerie du ''Petit Méridional'' 1906 in 8 (21,5x13,5) 1 fascicule broché, 42 pages. Bouillies bordelaises, bourguignonnee, à la colophane, au sel marin, etc. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Bon Broché ‎

‎Consubstantiel et transsubstantiation ‎

‎Bordeaux, Taffard, 1974. In-8 (250x165mm) broché, 104 p. Quelques petites marques au crayon de papier (très facilement effaçables). Très bon état général. Dédicace de l'auteur.‎

‎LE VIGNERON D'AUJOURD'HUI ‎

‎Montpellier Causse, Graille & Castelnau, Imprimeurs-Editeurs 1955 in 8 (24x15,5) 1 volume broché, couverture imprimée, 284 pages [1], avec des dessins de Maurice Carles. Préface de M. Gabriel Buchet. 15ème édition. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon ‎