‎LES RÉVOLUTIONS ET LE DROIT, coll. Bibl. de philosophie du droit, t.XVIII‎

‎, Paris, L.G.D.J. 1974, in-8, br., (couv. lég. fanée, rares annotations au crayon), bon état, [cet ouvrage provient de la bibliothèque personnelle du professeur Robert-Édouard Charlier], [3ff.]-140p.‎

‎Teekens & Symbolen.‎

‎, N.V. Wed. J. Ahrend & Zoon, 1946 Gebonden, Hardcover met opdruk in prima staat, 262 pag. met z/w illustraties.‎

‎Tekens & Symbolen van André Vlaanderen is een verkennend werk over de betekenis en het gebruik van symboliek in verschillende culturen en tijdperken. Het boek behandelt hoe tekens en symbolen functioneren als communicatiemiddelen, en hoe hun interpretatie kan variëren afhankelijk van context, geschiedenis en samenleving. Aan bod komen onder meer religieuze symbolen, alledaagse tekens en visuele codes, evenals hun oorsprong en evolutie. Vlaanderen legt uit hoe symbolen niet alleen informatie overbrengen, maar ook emoties, overtuigingen en culturele waarden weerspiegelen.‎

‎Les lions d'Afrique du Nord‎

‎Au temps des pirates barbaresques, éditions Bière, 1958.‎

‎Dédicacé par l'auteur.‎

‎L'ART DES JARDINS. Traité général de la composition des parcs et jardins. [Édition originale]‎

‎ Masson 1879 Paris, G. Masson éditeur, 1879. Édition originale. Ouvrage orné de 11 planches en chromolithographie sous serpentes légendées, de 520 figures dans le texte et d'un frontispice en noir. Grand in-8, 19 x 27,5 x 6 cm., VIII - 888 pp. Reliure pleine toile bleue, pièces de titre bleu nuit contrecollées. Dos et bordure des plats insolés, des rousseurs éparses, une mouillure claire en coin des 20 derniers feuillets et en marges de 4 planches sans atteinte à l'image. Exemplaire cependant très correct, bien complet des 11 planches annoncées et dans une reliure solide. Attention ce livre est lourd et volumineux > 2 kg, frais de port pour la France 16 euros, pour l'étranger 25 à 71 euros selon les destinations. ‎

‎ assez bon ‎

‎CHANTELOUP. Le Domaine. Les Souverains‎

‎Tours, Imprimerie Mame, 1958. Couverture souple. 21 x 14 x 0,5 cm. 95 pp. Photos, plans et cartes en noir. Poids 175 g.‎

6 Images

‎Complet ( vérifié page à page ) en bon état d'occasion.‎

‎Histoire d’un interdit. Le breton à l’école‎

‎Hor Yezh, Lannion, 2000, 2e édition revue [1991], 190 p. Broché, 15,5 x 23,4 cm.‎

‎Coins légèrement frottés, pliure au coin inférieur du 4e plat de couverture, bon état intérieur.‎

‎Nooit worden wij ergens uitgenodigd. (141/175)‎

‎Antwerpen , Het Gonst, 2011 Gebrocheerd, 8 pagina's, 19.5 x 12.5 cm, gesigneerd door de auteur. *uitstekende staat.‎

‎Vorm en druk: Dick Wessel. Voorjaar 2011. Oplage: 150 à 175 exemplaren gezet uit de Gill en gedrukt op Magnani. Dit is ex. 141.‎

‎Anton Somers 22 Instruments 2012-2021 / Anton Somers vioolbouwer te Antwerpen 22 instruments of the Violin family.‎

‎, Darling publ., 2022 Hardcover, 35x33cm, 107 pages ( 200gr silky paper) with full color illustrations. NL/ENG text ISBN 9783945525814.‎

‎The sensation of turning the beautiful printed pages, sensing the smooth resistance of the 200gr silky paper as well as experiencing the today rarely seen art of bookbinding manufacture in your hands, should be understood by those genuinely interested in exquisite built violins and cellos from spruce and maple, made by talented luthier hands and played with sensitive and reactive pernambuco bows. And the ears to be touched by vibrations of beauty, created with competence and some luck of a matching player, instrument and bow. For that experience even ordering this really nice book will even not be adequate. Best suggestion is to try to get an instrument by Anton in your hands and play it! --- Anton Somers. Born in 1986, Borgerhout, Belgium. Ever since childhood he was very passionate about woodworking. At the age of 15 he made his first instrument, the next year he started studying at the violin making school of Antwerp. Directly after his studies in 2006 he worked in a local workshop in Brussels till 2011. Anton then decided to take the leap and started his own business opening his workshop in his hometown Melsele where he grew up and is strongly connected to the cultural life. From 2013 till 2015 Anton Somers and his former employer tried to work together again, but now as chef d'atelier, in the workshop premises of Anton in Melsele. where he worked meanwhile on his own account. One can see finally an output of high quality instruments under his own name, with his own models and with his own varnish, which lead to a boost in his career. In September 2016 Anton also took on the challenge to work as a teacher in the violin making school of Antwerp ILSA. Sharing his knowledge for 5 years, he stopped teaching at the end of 2021 to be able to fully focus on his career. In December 2016 Anton received a Coup du Coeur in the violin making competition ?Violoncellenseine? in Paris which was dedicated to the cello. The cello was specially awarded for his tonality qualities by renowned cellist Damian Martinez Marco. In 2020 Anton was selected by Andy Lim personally to serve as one of the five supervisors for the 3-year string sextet project, where 24 last year student/ recently graduated violinmakers will make 2 violins, 2 violas and 2 cellos. Anton has the honour and the challenge to supervice the making of 2 cellos. In 2021 Anton made a string quartet containing completely CITES certified whalebone purflings. This quartet is shown in the book published by Darling Publications "Anton Somers Vioolbouwer te Antwerpen ~ 22 instruments of the violin family 2012-2021 which was launched in Brussels, June 2021. Anton?s instruments are appreciated by the most demanding musicians as also by investors who keep them in their private collection. ‎

‎NICOLAS GILLES : LUTHIER À MONTPELLIER : 4 Quatuors‎

‎, Darling Publications, 2011 Hardcover, 60 pages, ENG / FR, 350 x 330 x 15 mm, NEW, illustrated in colour / b/w, large format , rare. ISBN 9783941765481.‎

‎Nicolas Gilles est né en 1977 à Montpellier où il installe son premier atelier après un parcours de formation découlant d?une sensibilité musicale dès son jeune âge. En 2016, Nicolas établit son atelier de lutherie dans l?ancienne manufacture Royale de Villeneuvette. Ce village du XVIIeme siècle classé monument historique est un écrin précieux où l?histoire et la nature sont préservées s?accordant avec beauté à la fabrication des instruments du quatuor. Il s?inspire principalement des grands luthiers Italiens du 18ème siècle (Crémone, Venise, Breccia) qui ont développé le violon dans sa perfection sonore et esthétique. Tout au long de la fabrication, son intuition, son expérience et l?échange avec les musiciens le guident dans ses choix sonores et esthétiques. Ses instruments sont appréciés en Europe et aux Etats Unis par des solistes et professeurs de Conservatoires.‎

‎Susanne Rottenbacher, Volume I - Beginning to see the light, Band 1 einer zweiteiligen Monografie ‎

‎, Darling Publications, 2009 Hardcover, 48 pages, ENG / GER, 330 x 330 x 15 mm, NEW / NEU, illustr. in colour / b/w.Large Format ISBN 9783941765061.‎

‎Susanne Rottenbacher studied stage design at Barnard College[1] from 1988 to 1991 in New York (B.A.) and then (1991-1992) completed a degree in light (MSc) at the Bartlett School of Architecture and Planning in London. She worked as a set designer at the Deutsche Oper Berlin and as a light designer for the "LichtKunstLicht" planning office. In this context, among other things, she designed the lighting design for the Federal Chancellery and the new government buildings. She has been working as a freelance light artist since 2007. Susanne Rottenbacher creates expansive installations from sculptural elements that can best be described as light-colored bodies. Her sculptures are characterised by great lightness and transparency and change in dialogue with the surrounding space and times of day. They penetrate the surrounding space like three-dimensional drawings and thus reinterpret it. The organically curved forms seem to be in dynamic motion and at the same time frozen in time and space‎

‎Claus Rottenbacher : Great Kids - Volume 1‎

‎, Darling Publications, 2010 Hardcover, 84 pages, ENG / GER, 330 x 330 x 20 mm, NEW, photos in b/w, . ISBN 9783941765221.‎

‎What do West Berlin's world-famous ICC, one of the most important pieces of 1970s pop and hi-tech architecture, and the nondescript garages, lounges, or bowling alley of the erstwhile motor pool of the GDR Council of Ministers in Lichtenberg, East Berlin, have in common? The first was created in order to show off West Berlin's claim to global city status. To this day it is regarded as one of the most successful conference centers, yet the ICC's future is still under dispute. The second was once used by the SED leadership to exhibit their claims to power and has been used, since the regime's collapse in 1989, by automobilefocused firms and now also as a gallery, exhibition and studio center. Berlin-based photographer Claus Rottenbacher and architecture historian Nikolaus Bernau investigate the astonishingly well-preserved state of these chronological documents, their ostentatious aesthetic orientation to the "zeitgeist" which was, after all, put to the service of completely different social and cultural systems. They discover a commonality that is located beyond the formal differences.‎

‎Kunst 80 meesterwerken uitgelegd. ‎

‎, Librero, 2025 Hardcover, 224 pagina's, 24 x 17.5 cm, NL. *Nieuw . ISBN 9789463597302.‎

‎Waarom steken sommige kunstwerken met kop en schouders uit boven de rest? Uitzonderlijke kunstwerken raken de toeschouwer dieper dan gewone schilderijen en beelden. Dit boek toont een selectie van 80 uitzonderlijke meesterwerken uit alle windstreken en tijdperken, en vertelt daarbij wat deze kunstwerken tot topstukken maakt: sommige blinken uit door compositie of kleurgebruik, andere door diep menselijk inzicht of door krachtige expressie van emoties. In kort bestek laten Andy Pankhurst en Lucinda Hawksley zien wat deze stukken tot meesterstukken maakt en hoe kunstenaars in elk tijdperk hun talenten op een andere manier inzetten. ‎

‎Warhol 80, Serie Reversal des Museums moderner Kunst /Museum des 20. Jahrhunderts in Wien, 1030‎

‎, Museum moderner Kunst, 1981 Original metal spiral, oblong; 48x15cm. 46 pages Text in German / English. In fine condition .‎

‎E. U. in Ausstellungskatalog Serie Reversal des Museums moderner Kunst.‎

‎Social Consequences of Literacy in Medieval Scandinavia‎

‎, Brepols - Harvey Miller, 2004 Hardcover. XVII 279 p., 40 b/w ill., 4 b/w line art, 160 x 240 mm, Languages: English, Fine copy. Including an index. ISBN 9782503514505.‎

‎Between 1000 and 1536 Scandinavia was transformed from a conglomerate of largely pre-state societies to societies with state governments. The state increasingly monopolised ?legitimate? violence. Church and state used literacy to strengthen social control in central and important areas: jurisdiction, religion and accounting. Written laws made social norms more precise and easier to change, a necessity in an increasingly complex society. The basic social transformations of the period cannot be attributed to increasing literacy alone, but the written word rendered them more peaceful and gradual, and strengthened social conformity and cohesion. Writing in Roman letters was introduced late to Scandinavia (ca. 1000 ad); consequently the transition from orality to literacy is better documented than in many other European societies. The rich saga literature from the twelfth and thirteenth centuries emerged at the time that administrative literacy was introduced. Until the fourteenth century, literacy was mainly promoted by church and state in their efforts to pacify and control society. Then the literate elites grew, encompassing ever larger groups of officials, clerks, merchants and artisans, many of whom were now educated in town schools. The resulting elite culture prepared the ground for the development of a proto-national identity.‎

‎THE AUSTRO-HUNGARIAN EMPIRE AND THE POLICY OF COUNT BEUST -a political sketch of men and events from 1866 to 1870 ‎

‎ 1870 -LONDON CHAPMAN and HALL 1870 -IN8 percaline bleue ed.- dos rappé avec importante rognure sur 4 cm.- xvii+331p.- 3 cartes coloriées dépliantes -texte frais envoi manuscrit auteur -Author's presentation to ? on title page. First Edition; Hard Cover‎

‎ Remise de 20% pour toutes commandes supérieures à 200 €‎

‎Undressing Rubens : Fashion and Painting in Seventeenth-Century Antwerp‎

‎, Brepols - Harvey Miller 2019, 2019 Hardcover,232 pages ., 3 b/w ill. + 136 colour ill., 220 x 280 mm , English, , . ISBN 9781912554225.‎

‎The essays collected in this volume meet at a point of convergence between costume, art, and history, and focus on the seventeenth-century Southern Netherlands. Undressing Rubens looks at the significance of costume in life and art in the age of Rubens, confirming that, as is increasingly recognised by scholars of many aspects of early modern European culture, this is hardly an insular topic. Cloth and clothing in seventeenth-century Flemish paintings lead the contributing scholars north of the border to the United Provinces, south to courts in Florence, Mantua, Madrid and elsewhere, and east to Cologne and, ultimately, to Japan. Stretching back several centuries to provide critical context and points of origin for many seventeenth-century practices and ideas, the innovative research presented here also points forward in time, dealing with implications in later centuries but also, in many cases, engaging directly with questions of historiography still quite relevant today.‎

‎La vie économique à Lausanne au Moyen Age. Bibliothèque historique vaudoise n° 62.‎

‎ Lausanne, Cahiers de la Renaissance Vaudoise 1978, 230x160mm, 134pages, broché. Bel exemplaire.‎

‎ Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Les sources du canton de Vaud, moyen âge (Xe - XVIe siècle). B, Droits seigneuriaux et franchises municipales. 1, Lausanne et les terres épiscopales.‎

‎ 1977 Verlag Sauerländer Aarau, 1977, 834 p., demi-reliure, tiré à 600 exemplaires, quelques frottements d'usage sur la reliure, bon état.‎

‎Tome seul. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

‎Le servage au Pays de Vaud (XIIIe-XVIe siècle). ‘Bibliothèque Historique Vaudoise’, 47.‎

‎Lausanne, 1973, in-8°, 409 p., brochure originale.‎

‎Le servage au Pays de Vaud. XIIIe - XVIe siècle. Coll. : “Bibliothèque historique vaudoise”, N.° 47”.‎

‎ Lausanne, 1973, 235x165mm, 409pages, broché. Bel exemplaire.‎

‎ Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎ Histoire locale, Carnet de préparation de la classe pour le département de la Drôme‎

‎ Montélimar, Le bassin du Rhône, 1912. In-8 br. x +50ff. Rare. parfait etat ‎

‎Ray K1* ‎

‎L'abbaye d'Orval‎

‎Paris, Auguste Picard 1939 x + 105 + [5] pp., avec 16 planches hors-texte et 18 figures dans le texte, reliure cart. solide, dos en toile verte avec titre doré, avec ex-lbris, texte frais, bon état, B117637‎

‎Du Palais de Venise au Lac de Garde. ‎

‎Calmann-Lévy, 1949. Premier tirage. ‎

‎Couverture défraîchie. Ce livre a été réédité en 2017 chez Perrin, avec ajout d'un sous-titre : Mémoires d'un ambassadeur fasciste. ‎

‎Sous le joug meurtrier‎

‎Michalon ,2016, in-8 de 266 pages ,broché ,Très bon état , .(1 photo sur mon site https://www.vieuxlivre.fr .Les frais de port pour la France sont offerts à partir de 25 euros d'achat (Mondial relay ). (colissimo suivi +6,90 ).‎

‎LES CITES MAGIQUES / Thèbes- Jérusalem- Rome- Prague- Machu Pichu- Bénarès- Lhassa et son double‎

‎ALBIN MICHEL. 1974. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 324 pages- quelques illustrations en noir et blanc hors texte. . . . Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE‎

‎THEBES, CITE ROYALE, JERUSALEM CITE SAINTE, ROME LA VILLE ETERNELLE, PRAGUE LA VILLE AUX CENT TOURS, MACHU-PICHU LA CITE PERDUE DES ANDES, BENARES LA VILLE SACREE, LHASSA ET SON DOUBLE : SCHAMBALLAH Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE‎