‎R flexions d'un vieux veneur sur la chasse du cerf.‎

‎Paris, Bibliotheqe des Introuvables, 2008 Relie, toile verte au vignette et a l'impression dore, 135 x 230mm., 218pp., illustration abondante en couleurs et en n/b. ISBN 9782845752016.‎

‎Cette ?uvre a t s lectionn e par les chercheurs comme tant culturellement importante et fait partie de la base de connaissances de la civilisation telle que nous la connaissons. Cette ?uvre a t reproduite partir de l?artefact original et reste aussi fid le que possible l??uvre originale. Par cons quent, vous verrez les r f rences originales du droit d'auteur, les cachets de la biblioth que (car la plupart de ces ?uvres ont t h berg es dans nos biblioth ques les plus importantes travers le monde) et d'autres annotations dans l'?uvre. Cette ?uvre est dans le domaine public aux tats-Unis d?Am rique et ventuellement dans d?autres pays. Aux tats-Unis, vous pouvez librement copier et distribuer cette ?uvre, car aucune entit (individu ou entreprise) ne d tient de droit d'auteur sur le corps de l'?uvre. En tant que reproduction d'un artefact historique, cette ?uvre peut contenir des pages manquantes ou floues, des images de mauvaise qualit , des marques errantes, etc. Les chercheurs estiment, et nous sommes d'accord, que cette ?uvre est suffisamment importante pour tre pr serv e, reproduite et mise la disposition du public. publique. Nous appr cions votre soutien au processus de pr servation et vous remercions de jouer un r le important dans le maintien de ces connaissances vivantes et pertinentes.‎

‎Sebastiano del Piombo and the Sacred Image. Mediating the Divine in the Age of Reform‎

‎, Brepols, 2022 Hardback, 270 pages, Size:220 x 280 mm, Illustrations:121 col., Language: English. ISBN 9782503594750.‎

‎Summary On account of the artists' collaborative practice, Sebastiano del Piombo's oeuvre is often misconstrued as a coloristic supplement to Michelangelo's disegno or as a mere extension of the older master's drawings and ideas. Marsha Libina's book complicates this narrative by offering a critical reevaluation of the devotional art of Sebastiano del Piombo (1485-1547), an important Venetian artist whose Roman work stands at the nexus of questions regarding art, religious reform and the largely unexplored history of artistic collaboration. Investigating new ways of understanding Sebastiano's interest in soliciting Michelangelo's drawings as catalysts of invention, Libina tells the story of a collaboration driven neither by a compliant imitation of Michelangelo nor the reconciliation of opposing regional styles but, rather, by an interest in hermeneutically productive difference - generating complementary yet divergent approaches to art as a vehicle of reform. This volume presents an in-depth exploration of how Sebastiano's experiments with the sacred image - like Michelangelo's - were formulated in response to the early years of Catholic reform. The years preceding the Council of Trent saw the rise of divisive investigations into the repercussions of an increasingly mediated knowledge of the divine. Libina reveals how these concerns converge in Sebastiano's new language of devotional painting, which embraces an aesthetic of figural stillness, isolation and psychological detachment. At a moment when religious debates and questions about the role of image-based devotion took center stage, Sebastiano's work offered a reflection on what it meant to view and meditate on the body of Christ in the Renaissance altarpiece. TABLE OF CONTENTS Introduction. Sebastiano del Piombo and Michelangelo. A Collaboration in Art and Reform Chapter I. Picturing Time and Eternity Chapter II. Mediation and Scripture's Interpreters Chapter III. Imitatio Christi and the Internal Image Chapter IV. The Holy Face and the Face of Art Conclusion. Mediated Truths after the Council of Trent Bibliography Index‎

‎Andrea Mantegna‎

‎, Olivetti/ Electa 1992 xi + 499pp.with numerous illustrations, text in English, hardcover (editor's grey cloth binding), illustrated dustwrapper, Exhibition catalogue (The Metropolitan Museum of Art New York & Royal Academy of Arts London, 1992), very good, S85339‎

‎MEDARD VERBURGH 1886-1957‎

‎, Centre cultural de la misericordia sala guillem mesquida 1990 ( dub), softcover jacquette d' editeur illustre en couleur, 28x23cm, 151pp. text French- SP. ISBN 9788486527327.‎

‎illustre monographie ‎

‎Discursos practicables del nobilismo Arte de la Pintura (Edicion, prologo y notas por Julian Gallego)‎

‎Barcelona, Selecciones Bibliofilas 1950 303 [9] pp., Edition limité et numéroté: exemplaire no.250/300 sur papier "La Gelidense", très belle reliure demi-cuir (plats marbrés, titre doré au dos), 21cm., texte en espagnol‎

‎LA MALADIE DE VAN GOGH. Le mystère d'une fin tragique ‎

‎Paris Buchet / Chastel 1994 in 8 (24x16,5) 1 volume broché, couverture à rabats illustrée en couleurs, 159 pages [2], avec des illustrations en noir et blanc. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Broché ‎

‎The ceiling paintings for the Jesuit church in Antwerp [Corpus Rubenianum Ludwig Burchard, part 1]‎

‎Brussels, Arcade 1968 241pp.(text) 203 bl/w illustrations out of text, 27cm., hardcover (editor's cloth), dustwrapper, in slipcase, text in English, in the series "Corpus Rubenianum Ludwig Burchard. An illustrated catalogue raisonné of the work of Peter Paul Rubens" volume I, very good condition, S84320‎

‎Ceiling Paintings for the Jesuit Church in Antwerp. PART I : Rubens Corpus Rubenianum by Ludwig Burchard Part I‎

‎Brussels, Arcade Press, 1968 Hardcover with print on back and illustrated dustjacket, + slipcase, 265 x 185 mm., 241 pp. and 203 illustrations in b/w. Neuf/ fine condition !! ISBN 9780714813424.‎

‎Definitive Raisonnated Catalogue of teh work of Rubens in 27 parts. Based on the material assembled by Ludwig Burchard. Each part written by a well - known scholar. In very good condition.‎

‎La découverte de la lumière des Primitifs aux Impressionnistes ‎

‎Bordeaux, Delmas Éd., 1959, br, 204 pp. 15,4 X 21 cm; catalogue ill. ; avant-propos de M. Jacques Chaban-Delmas, préface de M. René Huygue Conservateur en chef honorairedu Musée du Louvre, professeur au Collége de France. ‎

‎Catalogue de l'expo. de Bordeaux placée sous le haut patronage de M. le Ministre d'État chargé des Affaires culturelles, et de M. le Ministre des Affaires étrangères. Le Conseil international des Musées (I.C.O.M) a patroné cette manifestation. Bel ex.‎

‎Jan van Eyck's Crucifixion and Last Judgment: Solving a Conundrum‎

‎, , Hardcover Pages: 195 pages, Size:225 x 300 mm Illustrations:170 col. Language(s):English. ISBN 9782503596907.‎

‎R p tons-le: Maryan W. Ainsworth propose un ouvrage la pointe de l? rudition et du savoir; f licitons-la aussi pour l'iconographie tr s riche, n'obligeant pas le lecteur rechercher les figures travers le livre. Regrettons cependant l?absence d?index, des personnes, des lieux et des ?uvres. (Jacques Paviot, dans Francia-Recensio, 4, 2023) BIO Maryan Ainsworth is Curator Emerita in the Department of European Paintings, The Metropolitan Museum of Art, New York Sophie Scully is Assistant Conservator in the Department of Paintings Conservation, The Metropolitan Museum of Art, New York Silvia Centeno is Research Scientist in the Department of Scientific Research, The Metropolitan Museum of Art, New York Marc Smith is Professor of Paleography at the cole des Chartes in Paris, France Christina Meckelnborg is Professor Emerita of Classical and Medieval Studies at the University of Osnabr ck, Germany SUMMARY Among the most intriguing and confounding works of Jan van Eyck?s oeuvre are the Crucifixion and Last Judgment in New York?s Metropolitan Museum of Art. Although acquired in 1933 as a diptych, questions have remained about their initial configuration, and how these paintings functioned. The recent technical investigations of the paintings and their original frames added further complexities to these inquiries when a fragmentary text in Middle Dutch was discovered through X-radiography on the frames surrounding the two paintings. The many facets of the ensuing investigation necessitated an interdisciplinary collaboration of researchers involving an art historian, paintings conservator, and museum scientist ? namely, Maryan Ainsworth, Sophie Scully, and Silvia Centeno. Moreover, the new discovery of the formerly hidden text called for the enrichment of the interdisciplinary team by a paleographer and a classical philologist, Marc Smith and Christina Meckelnborg. This book relates the unfolding story of the investigations from in-depth technical research, facilitating the conservation treatment of the frames, to the art historical study that connected these findings to the religious, political, and social contexts of the times. Through considerable interdisciplinary detective work, it was possible to reach a new understanding about the original form and function of the Crucifixion and Last Judgment and their pivotal role concerning devotions to a cherished relic, the Miraculous Bleeding Host, housed in the then collegiate church of Saint Michael and Saint Gudula in Brussels. The implications of these discoveries also shed new light on the relationship between The Met Crucifixion and Van Eyck?s metalpoint drawing of the same theme in the Museum Boijmans Van Beuningen, Rotterdam. Finally, the study of the Crucifixion and the Last Judgment draws attention to commissions Van Eyck received that are somewhat outside of the canon of works usually associated with this esteemed artist. TABLE OF CONTENTS Introduction Maryan W. Ainsworth The Technical Examination and Restoration of the Frames Sophie Scully and Silvia A. Centeno In Search of the Original Form and Function of the Crucifixion and Last Judgment Maryan W. Ainsworth Investigating Van Eyck?s Working Technique Sophie Scully and Silvia A. Centeno Attribution and Dating Questions in Historical Context Maryan W. Ainsworth Reconsidering the Relationship Between The Met Painting and the Rotterdam Crucifixion Drawing Maryan W. Ainsworth Appendix A. Deciphering the Middle Dutch Text on the Crucifixion and Last Judgment Frames Marc Smith ? Appendix B. Transcriptions of the Texts within the Crucifixion and Last Judgment Christina Meckelnborg Bibliography‎

‎Les secrets de la nature morte‎

‎Fleurus Idées, 1988. In-4. Broché. 143 pages. Premier plat illustré en couleurs. Nombreuses illustrations en couleurs et noir et blanc. dans et hors texte.‎

‎Très bon état général. Intérieur frais et agréable. ‎

‎De albums van Anselmus de Boodt (1550-1632) Geschilderde natuurobservatie aan het Hof van Rudolf II te Praag‎

‎Tielt, Lannoo 1989 213pp.rijkelijk geïllustreerd (vnl. in kleur), 34cm., linnen band, geïll.stofwikkel, goede staat, S84541‎

‎Retrospectieve Frans Masereel‎

‎, 48pp.geïll., Catalogus van tentoonstelling: Stad Antwerpen, Koninklijke Academie voor Schone Kunsten 21 juni-31 juli 1958‎

‎SFAX ‎

‎Tunis Sud Editions 1980 in 4 (30,5x23,5) 1 volume reliure toilée de l'éditeur sous jaquette illustrée en couleurs, 157 pages [1], avec de nombreuses photographies en couleurs. Collection ''Villes du Monde Araabe''. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Jaquette en bon état Reliure ‎

‎Donation Masurel‎

‎Paris, Editions de la Réunion des musées nationaux, 1980, 19,5 x 21, 136 pages cousues sous couverture souple illustrée. Iconographie noir & blanc. Catalogue de l'exposition au Musée du Luxembourg du 14 mars au 25 mai 1980, suite à la Donation Geneviève et Jean Masurel à la Communauté urbaine de Lille. ‎

‎Couverture un peu frottée. Choc angulaire.‎

‎VINCENT BIOULÈS. ESPACE ET PAYSAGE 1966-2006. UN VOYAGE A CÉRET ‎

‎Paris Somogy, éditions d'Art - Musée d'Art Moderne, Céret 2006 in 4 (24,5x28,5) 1 volume reliure cartonnée illustrée en couleurs de l'éditeur, 149 pages [1], avec de nombreuses reproductions en couleurs. Etat neuf ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Neuf Couverture rigide ‎

‎siglo de Rubens en el Museo del Prado cat logo razonado de pintura flamenca del siglo XVII Luxe Edition / Cloth with Slipcased - 3 vols.‎

‎, Editorial Prensa Iberica, Madrid,, 1995 Hardcover, 1758 paginas, 3 volumias, Spanish, Casete ! Perfect Condition. Cloth with Slipcased - 3 vols. ISBN 9788487657887.‎

‎En este cat logo razonado "hay m s de 60 pinturas que cambian de autor, entre ellas cuatro o cinco de Rubens". El siglo de Rubens en el Museo del Prado (editorial Prensa Ib rica, tres vol menes) contiene la biograf a de 150 pintores flamencos del siglo XVII, como Rubens, Van Dyck, Jordaens, Brueghel, Boel, Fyt, Snyders, Francken, y el an lisis de los 627 cuadros conservados en el museo, reproducidos en 600 ilustraciones, adem s -de otras 2.000 que documentan los procesos de las pinturas. La investigaci n recorre el mecenazgo de la Corona espa ola y su afici n a la pintura flamenca, sobre todo en los reinados de Carlos V y Felipe II. La intenci n era "conseguir la independencia cultural" con el conocimiento de las colecciones del museo. Cat logo razonado de pintura flamenca del s. XVII - 2 vol menes de 830 p ginas + un tercero de ndices, bibliograf a y exposiciones. - En estuche conjunto - 627 cuadros flamencos del s. XVII - Un riguroso an lisis - 2.000 ilustraciones de dibujos, bocetos, grabados, copias... - 20 a os de investigaci n dentro y fuera de Espa aPleine toile avec jaquettes et embo tage. Notes en lettres dor es sur l' tui. Tr s nombreuses ills. Le 3 me volume est un Index et une Bibliographie. Texte en Espagnol. Etat neuf. Poids de plus de 12 kilos. As New. Dust Jacket Matias Diaz Padron,El Siglo de Rubens en el Museo del Prado.Madrid 1995 Editorial Prensa Iberica Pagine 1.760 ills.3.500 in bianco/nero e 2.500 tavole a colori Quarto 250 x 320 mm.tre volumi rilegati con cofanetto ( Technical data - : 1.760 pages 250 x 320 mm. 5 -color printing de Luxe Edition.Two 830 pages plus a third including bibliography,Indexes,and Exhibitions,all three presented as a boxed set. 9788487657894 ‎

‎LA PEINTURE GOTHIQUE TCHÈQUE 1350-1450 ‎

‎Prague Artia 1955 in 4 (34x25,5) 1 volume reliure toilée noire de l'éditeur sous jaquette illustrée en couleurs, 106 pages, suivie de 279 planches hors texte de reproductions en noir et blanc et en couleurs, étui. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Jaquette en très bon état Reliure ‎

‎impressionnistes et leur temps,‎

‎, Paris, France Loisirs, 1992.**, Relie, toile d' editeur, sous jacquette illustre en couleur, 37,5x27,5cm, 175pp(16), illustre en couleur, bibliographie.‎

‎bon etat,‎

‎HUNDERTWASSER ‎

‎Paris Flammarion 1986 in 4 (28,5x21,5) Un volume reliure cartonnée de l'éditeur, la jaquette illustrée en couleurs manque, 96 pages. Nombreuse reproductions en couleurs, et en noir et blanc. Collection "Les Maîtres de la Peinture Moderne". Bel exemplaire ‎

‎Très bon Pas de jaquette Reliure ‎

‎OLYMPIA. MANET ‎

‎Paris Le Musée des chefs-d'oeuvre. Vendôme 1948 in 8 (27x21) 1 volume broché, couverture rempliée, plat supérieur titré et illustée d'une vignette en couleurs contrecollée, non paginé, avec des reproductions tirées en héliogravure. Biographie sommaire, description et histoire du tableau, bibliographie sommaire. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon ‎

‎HUNDERTWASSER.‎

‎, Naefels, Bonifi Press, 1985., Bound,cloth, originale dust - jacket illustratedin color, 21,5x28,5cm, 96pp, illustrated in color and b/w. ISBN 9783811209534.‎

‎LES IMPRESSIONNISTES EN PRIVÉ. Cent chefs-d'oeuvre de collections particulières. Impressionist works from private collections. 100 masterpieces ‎

‎Paris Editions Hazan 2014 in 4 (28,5x22,5) 1 volume broché, couverture à rabats illustrée en couleurs, 231 pages, avec de nombreuses illustrations en couleurs. Envoi autographe signé Claire [ Durand-Ruel Snollaerts ]. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Broché ‎

‎Jacob Jordaens and Spain‎

‎, Brepols, 2019 Hardback, 648 pages, Size:240 x 280 mm, Illustrations:550 col., Language: English.* new ISBN 9788494858536.‎

‎Summary This monograph is dedicated to the painter Jacob Jordaens (Antwerp,1593-1678) and his relationship with Spain. This book is a catalogue raisonn of the painter's preserved works that have had a long and close link with the Court and Spanish patrons, both inside and outside of Spain. His paintings and designs are contemplated in this book in a deep and detailed way. In these pages the reader will find out about Jordaens work method, his sources of inspiration and the solutions he chose for the commissions that he carried out. TABLE OF CONTENTS Jacob Jordaens and Spain The triumphal arch of the Cardinal-Infante in Antwerp Torre de la Parada Alcazar of Madrid Works by Jordaens in the Bourbon era Nobles and clergymen with works by Jordaens in the 17th and 18th centuries Jordaens and the 19th century Jordaens in the 20th century Tapestries and nobility in Spain The themes of Jordaens's works linked to Spain Clarifications and conjecture Influence of Jordaens on Spanish painting Jordaens, criticism and Spanish historical sources Jacob Jordaens and Spain: Catalogue of Paintings List of Works by Jacob Jordaens Linked to Spain Religion (1-18) Mythology and History (19-53) Portraits (54-56) Genre (57-61) Tapestries (T. l-T.48) The Life of Achilles: Jordaens's Tapestry Designs (T.1-T.3) Series: History of Alexander the Great (T.4-T.15) Series: The Riding School (T.16-T.27) Scenes from Country Life or The Art of Hunting as Entertainment for the Game of Love (T.28-T.30) Jordaens and the Proverbs Series (T.31-T.48) A. Copies (A.1-A.10) B. Documented Original Paintings by Jordaens (B.l-B.19) C. Documented Copies of Paintings by Jordaens (C.1-C.2) D. Works Erroneously Attributed to Jacob Jordaens (D.l-D.18) Addenda (1-4) Brief Chronology of Jordaens's Life Documentary Appendices Bibliography Index of Names Rights and Photographic Credits‎

‎NEUCHATEL VU PAR LES PEINTRES,‎

‎Lausanne, Edita, 1993 Relie, veau a l'impression dore, jaquette illustree, 260 x 305mm., 139pp., illustration abondante en couleurs. ISBN 2880012805.‎

‎Bon etat.‎