‎Magyar Festészet a XIX. Szazadban.‎

‎ Budapest, Corvina 1970 280x320mm, 42pages, + 48 szines reprodukcioval, 48 pages of illustrations in colours, cloth binding dust jacket. ‎

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‎Himmelsboten Teufelskerle. Die Erzengel Michael und Gabriel in der osterrechische Malerei des 18. Jahrhunderts.‎

‎Salzburg, Residenzgalerie Salzburg, 1997 Pictorial softcover, 142pp., 20.5x20.5cm., ills. in col. and b/w., fine condition. ISBN 3901443053165.‎

‎Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918,‎

‎Brussels, Fonds Mercator, 2010 Hardcover with dust-jacket, 25,1 x 30,1 cm, 224pp., 226 colour illustrations, of which 90 full pages. ISBN 9789061539414.‎

‎Capturing realistic images on canvas has been a staple of western art since the renaissance development of scientific perspective. At the end of the nineteenth century, however, artists attempted not only to paint realistically, but also to create images that reflected the reality of the world around them. Naturalist painters portrayed life as they observed it, utilizing their academic artistic training to illustrate the existence of everyday people. Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918, published in association with an eponymous exhibition developed by the Van Gogh Museum in Amsterdam, traces the relationship between several art forms that utilize the Naturalist aesthetic. Painting, literature, theatre, photography and film, and the important relationship between these art forms, are examined within the context of Naturalism as a vehicle for understanding the lives of ordinary people at a time of great social, economic and cultural transformation. The cultural and technological threads that wove these diverse art forms together emerged earlier in the nineteenth century with the development of photography. In the 1840, painters began to experiment with the use of the camera as a tool for composition, and by the 1870s, Naturalists novelists, such as Emile Zola, recognized that the camera could supplement their written notes in documenting scenes from daily life. Likewise, the theatre became more receptive to producing plays about social and cultural concerns, broadening the repertoire to include dramas based on contemporary issues. The advent of film in the late nineteenth century added yet another dimension to the Naturalist aesthetic, basing this new art form on the models provided by large-scale narrative painting, Naturalist photography, and contemporary, socially conscious theatre productions. In a series of essays, the authors of Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918 explore the international scope of Naturalism through a number of interwoven themes. The livres of ordinary people are at the heart of Naturalist art in any medium, and so the themes of these works reflect the common concerns shared by urban an rural populations in both Europe and North America. The social ills created by industrialization are frequent themes, as are the social responses to these problems in the form of public education and newly energized religious faith. Likewise, the transformation brought about by industrialization led many artists to focus on the loss of traditional agrarian culture as well as the political upheaval caused by working conditions in the factories. In short, Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918 offers a fresh interpretation of how Naturalist artists, and the aesthetic the espoused, attempted to understand and explain the rapid and profound changes of their own time. Accompanies the exhibitions in the Van Gogh Museum Amsterdam, 8 October 2010 - 16 January 2011, and in the Ateneum Art Museum, Helsinki, February - June 2011.‎

‎Een Kempisch schildersgeslacht : De Francken's. Bijdrage tot de studie van het Nederlandsch romanisme‎

‎Hoogstraten, J.Haseldonckx 1930 139pp.+ 12 platen buiten tekst, 24cm., gebroch., in de reeks "Studiën over Herenthals" nr.2, goede staat, S85056‎

‎Een Kempisch schildersgeslacht : De Francken's. Bijdrage tot de studie van het Nederlandsch romanisme‎

‎Hoogstraten, J. Haseldonckx 1930 139pp. + 12 platen buiten tekst, 24cm., in de reeks "Studiën over Herenthals" nr.2, moderne gecart. band met titel in goudopdruk op rug, originele omslag mee ingebonden, goede staat, S108479‎

‎Beschreibender Werkkatalog der ölbilder von Ernst Thoms‎

‎Hamburg, 1981 194pp. + 9 bl/w plates out of text, 29cm., text in German, Doctoral Dissertation (Dissertation zur Erlangung der Würde des Doktors der Philosophie der Universität Hamburg), softcover, stamp at verso of title page, text is clean and bright, good condition, weight: 1.1kg., S113165‎

‎Hans Memling und dessen Altarschrein im Dom zu Lübeck‎

‎Leipzig, Wilhelm Engelmann 1883 50pp.+ 1 folding plate, 24cm., front cover is missing, text in German, text and interior in good condition, rare, added: handwritten letter by the author adressed to Julius Sabbe, S92385‎

‎VERSAILLES. DE LA RÉSIDENCE ROYALE AU MUSÉE HISTORIQUE. La galerie des batailles dans le musée historique de Louis-Philippe ‎

‎Paris Albin Michel 1984 in folio (34x26) 1 volume reliure toilée de l'éditeur sous jaquette rempliée illustrée en couleurs, 407 pages, étui cartonnée noir. Nombreuses illustrations en noir et hors-texte en couleurs. Préface par Pierre Lemoine. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Jaquette en très bon état Reliure ‎

‎EMILE VAN DOREN. MACLOT. W.A.E. MINDERS,‎

‎Genk, Werkgroep Kunstuitgave, 1982 Gebonden, zandkleurig linnen, geillustreerde stofomslag, 2580 x 330mm., 311pp., zeer uitgebreide illustratie in kleur en z/w.‎

‎Drietalige uitgave Nl/Fr/Eng. Levensschetsen. Genk, vroeger en nu. Boek is in goede staat.‎

‎ROGER DE LA FRESNAYE.‎

‎, Bruxelles, Editions des artistes, 1956., Broche, couverture d' editeur illustre n/b, couverture sali, 18x24cm, 27pp., illustre n/b‎

‎Dix - sept reproductions.‎

‎Taddeo di Bartolo, Siena's Painter in the Early Quattrocento, A new history of Sienese painting from 1380 to 1420.. 2 vols.‎

‎, brepo, 2025 Hardcover, Pages:2 vols, 1686 pages, Size:225 x 300 mm, Illustrations:107 b/w, 674 col., Language(s):English, Italian, Latin. *new. ISBN 9781909400818.‎

‎Taddeo di Bartolo, Siena?s premier painter in the years around 1400, is the focus of a cultural history of a great Italian school in an understudied period. His patrons commissioned important fresco cycles and the most impressive polyptychs of the age. In part a travelogue, the text follows Taddeo (ca 1362-1422) from training in straitened times at Siena across central and northern Italy. Ten years of itinerancy drew him to various Tuscan centers, along the Ligurian coast from Genoa to Provence, probably to Padua, and into Umbria. About 1399 he resettled at Siena to rapidly become the preferred painter of his commune. His mural cycles made a greater imprint on Siena?s civic iconography than has been acknowledged while his efficient Sienese shop produced outstanding panel paintings for, among others, the most dynamic religious orders. Until his last years he received grand commissions in and from beyond Siena. He drew a pope?s portrait and was employed by a cardinal at Rome. Attention to his production methods shows how his busy shop ensured variety in numerous paintings for mid-level clients by a flexible design system. Taddeo?s works, including rediscovered and reconstructed paintings, come alive in beautiful illustrations. This chronicle of an indefatigable and successful late medieval career positions the painter, his colleagues, and his patrons in their political, economic, and social circumstances. It provides new insights on Siena?s artistic culture at the start of the Renaissance. TABLE OF CONTENTS Volume 1 Foreword Introduction A Timeline of Taddeo di Bartolo?s Life and Contemporary Events Part I: Emergence Chapter 1: Taddeo?s Early Life and Late Trecento Painting in Siena Chapter 2: The First Altarpieces Part II: Itinerance Chapter 3: Florence, Lucca, Pisa, and Padua Chapter 4: Genoa and Liguria Chapter 5: Pisa Again Chapter 6: Genoa and Liguria Again Part III: Siena: Dipentore Nostro Chapter 7: The Cathedral Chapter 8: The Palazzo Pubblico: The Priors? Chapel and Related Works Chapter 9: The Palazzo Pubblico: The Antechapel Chapter 10: The Late Civic Commissions and Taddeo?s Associates Part IV: Acclamation: Three Grand High Altarpieces Chapter 11: The Assumption Triptych for the Aragazzi at Montepulciano Chapter 12: The Double-Sided Heptaptych for the Franciscans at Perugia Chapter 13: The Heptaptych for the Dominicans at Gubbio Part V: Variety: Panel Paintings of the First Decade of the Fifteenth Century Chapter 14: Madonna and Child Paintings, Predellas, and Other Polyptych Elements Chapter 15: Narrative Altarpieces Chapter 16: From Monumental Crucifixes to Panels for Personal Devotion Part VI: Culmination Chapter 17: Volterra and San Gimignano Chapter 18: Last Works: Siena, Outside Siena, Orte, and Rome Chapter 19: Aftermath Chapter 20: Taddeo?s Legacy Volume 2 Appendix I: Fortuna Critica Appendix II: Documents Appendix III: Problematic Attributions List of Illustrations Illustrations Bibliography General Index Index of Works by Taddeo di Bartolo‎

‎Giorgio Morandi‎

‎Tate 2001 144 pages 23 4x1 2x23 4cm. 2001. Broché. 144 pages.‎

6 Images

‎Très bon état de conservation intérieur propre bonne tenue‎

‎ANCIENNE COLLECTION LEONCE ROSENBERG ET A DIVERS AMATEURS. IMPORTANTS TABLEAUX DES GRANDS MAITRES DES XIXE ET XXE SIECLES. [CAMPIGLI. ERNST. GLEIZES. HERBIN. RIVERA. METZINGER. LEGER. SURVAGE. VALMIER. PICABIA. VIOLLIER. DUFY. PICASSO. ETC.].16/06/1959.‎

‎ 1959 ME RHEIMS, PARIS] PEINTURE MODERNE MODERN PAINTING ‎

‎Avec un additif a la vente . Reliure toilée et illustrée. Catalogue illustré de 60 planches Size: 4to - over 9" - 12" tall Remise de 20% pour toutes commandes supérieures à 200 €‎

‎René Magritte : Magritte (1898 - 1967). Bâle 13 - 19 juin 1989; Paris septembre - novembre 1989.‎

‎Galerie Isy Brachot, Paris 1989. In-4°, 72 pp. Nombreuses illustrations en couleurs et N/B.‎

‎Un excellent exemplaire, intérieur frais et complet. Un très légère décoloration sinon un excellent ouvrage.‎

‎Vision et symboles dans la peinture espagnole du siècle d'or‎

‎Paris, Klincksieck 1968 289pp.+ 48 planches en n/bl hors-texte, 22cm., br.orig., dans la collection "Le signe de l'art", très bon état, S88016‎

‎PICASSO LAUREATUS. Son oeuvre depuis 1945. Avec un essai de José Bergamin. Version française d'Elisabeth Servan-Schreiber ‎

‎Lausanne - Paris La Bibliothèque des Arts 1971 grand in 4 (34x26) 1 volume reliure toilée de l'éditeur, 221 pages, avec de nombreuses illustrations en noir et blanc, et des planches en couleurs contrecollées, la jaquette illustrée manque. Bel exemplaire ‎

‎Très bon Pas de jaquette Couverture rigide ‎

‎Franz Anton Maulbertsch 1724-1796‎

‎Budapest, Verlag der Ungarischen Akademie der Wissenschaften 1960 334pp. + 16 coloure plates out-of-text & 315 bl/w illustrations out-of-text, 30cm., publisher's hardcover in grey cloth, text in German, good condition, weight: 2.8kg., S102106‎

‎TOUT L'OEUVRE PEINT DE MANTEGNA ‎

‎Paris Flammarion 1978 in 4 (24x31,5) 1 volume reliure cartonnée de l'éditeur sous jaquette en couleurs, 128 pages, 64 planches en couleurs, 126 illustrations en noir et blanc. Introduction par Yves Bonnefoy. Documentation par Niny Garavaglia. Collection: ''Les Classiques de l'Art''. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Jaquette en très bon état Couverture rigide ‎

‎ILS SE NOURRISSENT DE LUMIÈRE ‎

‎Sète Editions Midi Le Juste 1989 grand in 4 (29,5x21) 1 volume broché, couverture illustrée à rabats, non paginé. Nombreuses illustrations en couleurs. Agel Geneviève, Audibert Ernest, Baboulène, Balp Mireille, Battista Eric, Bonfils Louise, Boyé Jean, Cayol Pierre, Cornu Pierre, Dupuy Gilles Marie, Dongier Jack, Doumergue René, Grac Yvon, Lassale Gilbert, Loth Marcel, Victoire de la Messardière, Persia Alfred, Peyré Louis, Sauze Jacques, Seguin Adrien, Serra Antoine, Soulier Marc, Puyuelo, Robinson Barbara, Routier Claude, Rutvanowska Yovhanna, Tournié Jean-Pierre, Trinquier Michel, Verchuren Gustave, Pierre André de Wisches. Etat de neuf ‎

‎Neuf ‎

‎Alain Lestié‎

‎Bordeaux, 2000, William Blake & Co édit., édition originale, 87 p, br., 15,5 X 24 cm, titre offset noir, couv. ill. quadri à rabats ; ISBN : 2-84103-099-7‎

‎ex. neuf, remise de 5% sur le prix neuf pour toute commande de ce titre auprès de la librairie Art & Arts.‎

‎A catalogue of pictures at Althorp [in; The Walpole Society, 45th volume, 1974-1976]‎

‎, Walpole Society 1976 xv + 128pp., with frontispiece + 32 plates out of text in bl/w, 28cm., editor's hardcover (spine in blue cloth with gilt lettering, lower corners bit bumped), "issued only to subscribers", good condition, S84190‎

‎Impressionnisme : Les origines 1859-1869?‎

‎, Paris, Reunion des Musees Nationaux, 1994 Hardcover, 479 pages, FR.edition, 320 x 240 x 40 mm, Tres Bien Condition !, illustree de jaquette, beaucoup illustrations en couleur / n/b. ISBN 9782711828203.‎

‎Le salon de 1859. La peinture d' histoire. Le paysage realiste. Le nu. Figures dans un paysage. La nature morte. Portraits et figures. Le paysage impressionniste. La vie moderne.‎

‎Recommencer. Commencer de nouveau la peinture ‎

‎ 2010 - cartonné - Hatje Cantz / Edition du Carré d'Art, Nîmes - 2010 - In-4 (28,5 x 24 cm) cartonné - 192 pages - 235 illustrations, 194 en couleurs - ISBN : 9783775726702 - Ce livre est publié à l'occasion de l'exposition "Gérard Gasiorowski, Recommencer. Commencer de nouveau la peinture" au Carré d'Art-Musée d'Art Contemporain du 19 mai au 19 septembre 2010 - Frédéric BONNET et Eric MANGION (Commissaires de l'exposition) ‎

4 Images

‎Assez bon état - Anciennes traces d'humidité sur le bas de l'ouvrage ‎

‎GOYA ‎

‎Genève Skira 1955 in 12 carré (18,5x16,5) 1 volume reliure toilée de l'éditeur, la jaquette illustrée manque, 139 pages, étui. Nombreuses illustrations en couleurs contrecollées. Etudes biographique et critique par Pierre Gassier. Collection ''Le Goût de notre temps'', 13. Bel exemplaire ‎

‎Bon Pas de jaquette Reliure ‎

‎GOYA ‎

‎Genève Skira 1955 in 12 carré (18,5x16,5) 1 volume reliure toilée de l'éditeur sous jaquette illustrée, 138 pages [1], avec de nombreuses illustrations en couleurs contrecollées, étui. Etudes biographique et critique par Pierre Gassier. Collection ''Le Goût de notre temps'', 13. Très bel exemplaire ‎

‎Très bon Jaquette en très bon état Reliure ‎