‎Verdwenen gezichten uit het Antwerpse. Tekeningen van Franck Mortelmans.‎

‎, Antwerpen, Museum Plantin-Moretus, 1987., softcover , originele geillustreerde uitgeversomslag z/w., 29x21cm, 67pp, geillustreerd z/w.‎

‎Publicaties van het Museum Plantin-Moretus en het Stedelijk Prentenkabinet ; vol. 5‎

‎JACOB JORDAENS. DESIGN FOR TAPESTRY.‎

‎, Brepols, 1998., Hardcover, cloth with golden imprint and illustrated jacket, 19x25,5cm., 376 pp., 66 figures in black and white. ISBN 9782503505787.‎

‎Pictura Nova. Studies in 16th - and 17th- Century Flemish Painting and Drawing‎

‎GUSTAV KLIMT 1862 - 1918,‎

‎Koln, Taschen/ Librero, 2007 Gebonden onder geillustreerde kartonomslag in kleur, 180 x 235mm., 96pp., uitgebreide illustratie in kleur en z/w. ISBN 9789077686218.‎

‎In goede staat.‎

‎MICHEL-ANGE 1475-1564‎

‎LE MONDE, 2005. In-8, broché couverture illustrée, 96 pp. Nombreuses illustrations ‎

‎Excellent exemplaire, comme neuf‎

‎PAUL JOOSTENS, monografie‎

‎Bruxelles, Elsevier, 1961 Gebonden, bruin geillustreerd linnen, frontispice in kleur, 16pp. 24 z/w platen. Nederlands‎

‎vertaling August Corbert‎

‎VINCENT VAN GOGH. AQUARELLES, GOUACHES ET DESSINS,‎

‎, Paris, Editions Cercle d'Art, 1987,, Relie en toile grise, jacquette d?? editeur, frontispice, 240 x 310mm., 201pp., illustrations en b/n et en couleur, ISBN 9782869010284.‎

‎Bon etat.Traduction du tcheque par Francoise Tabery avec la collaboration de Hannelore Louis.Collection Ars Mundi.,‎

‎BEELDEN VAN VROEGER.‎

‎Velp (Nl.)., Van Dobbenburgh, 1981 Gebonden, kartonnen hardcover met zilveropdruk, originele uitgeversomslag met flappen in kleur, 16.8x21.7 cm., pagina's niet genummerd, geillustreerd in kleur. ISBN 9065770054.‎

‎LOOK AT ME. ARTY GRIMM,‎

‎Onbekend, QuA Book, 1996 Illustrated cardboard cover : silver with print, 240 x 330mm., 80pp., profound colour illustration. ISBN 9789074145077.‎

‎In good condition.‎

‎LA PEINTURE DES VASES GRECS,‎

‎Paris/ Bruxelles, Vanoest, 1926 Broche, couverture carton et page de titre aux vignettes, 190 x 250mm., 48pp. et LXIII planches sepia.‎

‎Bibliotheque de l'Histoire de l'Art. Formes des vases - Epoque prehellenique - La ceramique a l'age du fer - Style orientalisant - Style attique - Vases attiques - Vases de l'Italie meridionale. Table des planches. Etat satisfaisant.‎

‎La merveille de l'art religieux, ou Tableau original, inconnu, de Raphaël annoncé dans le no.119 de l'Osservatore Romano‎

‎Paris, Paul Dupont 1862 20pp., 4e édition, 21cm., br.orig. (dos peu restauré), bon état, S93755‎

‎GEORGES DE LA TOUR,‎

‎, Brussel, Arcade, 1976, Gebonden, oranjebruin linnen onder geillustreerde stofomslag, frontispice in kleur, 260 x 300mm., 387pp., meer dan uitvoerig geillustreerd aan de hand van z/w- en ( ingekleefde ) kleurillustraties. ISBN 9782800501062.‎

‎Het boek poogt, enerzijds, een duidelijk chronologisch overzicht van de kunstenaar 's werken vast te stellen en, anderzijds, diens geheimzinnige persoonlijkheid te benaderten en te belichten. Boek is in prima staat.‎

‎Study Heads. Corpus Rubenianum Ludwig Burchard PART XX.2 in 2 volumes / Study Heads Part XX, 2‎

‎, Brepols - Harvey Miller, 2020 Hardcover with dusjacket, 2 volumes ., 680 pages ., 340 b/w ill. + 150 colour ill., 180 x 265 mm,. ISBN 9781912554652.‎

‎This book is devoted to a remarkable aspect of Rubens painted production. It investigates and catalogues not only works that Ludwig Burchard (1886?1960) gathered into the category of Study Heads, but also head studies by artists closely connected to Rubens's workshop which were demonstrably used in his paintings. The existence of a stock of study heads or tronies allowed Rubens and his collaborators to exploit the same figures in many different contexts and create satisfying variety among the numerous characters involved in mythological, biblical or historical scenes. In Rubens?s work, study heads constitute an exceptional type of painting in that they were created not as autonomous works of art, but as a means to an end, an indispensable part of his artistic practice. Yet, even in this marginal category of work, Rubens achieves maximum artistic expression with an economy of means, as for example in the iconic Four Studies of the Head of an African Man in the Brussels Museum. The originals of the study heads remained together until the sale of Rubens?s possessions at his death in 1640. Over the centuries, many of Rubens?s tronies have undergone transformation. Panels featuring several heads were cut up quite early on to be sold as separate pictures on the art market, and some tronies were converted by later artists into specific characters or even genre scenes by adding extra planks of wood and giving the heads distinctive clothes and attributes. This book aims to reconstruct as far as possible the original appearance of Rubens?s tronies, aided by the evidence of copiesand technical research on the works themselves.‎

‎Die Madonna in der Malerei‎

‎München, Algemeinen Vereinigung für Christlichen Kunst 1926 44pp.with 63 ills., re-edition of the 1912-edition, 29cm., spine bit repaired, G‎

‎Déco jungle à l'aquarelle : 20 projets faciles en pas à pas‎

‎RUSTICA 2019 160 pages 20 2x25 2x1 4cm. 2019. Broché. 160 pages.‎

‎Très bon état‎

‎FRAGMENTS OF SOME HERMITAGE PAINTINGS.‎

‎, Leningrad, Aurora Art Publishers, 1971., Bound, cloth, original dust-jacket illustrated in color, 24x28,5cm, n.p. (+/- 240pp), illustrated richly full - page plates in color and b/w, 1 plate dammaged.‎

‎15th - 16th centuries.‎

‎German and Austrian Painting in the Hermitage. ‎

‎Leningrad, Aurora Art Publishers, 1986 Bound in red cloth with gilt lettering and ornamentation, orig. pict. dustjacket, 423pp., 26x33.5cm., 316 plates in col. and b/w., good cond.‎

‎Medici Series Corpus Rubenianum Ludwig Burchard XIV.1 The Medici Series 14.1‎

‎, Brepols - Harvey Miller, 2024 Hardcover with dusjacket, 2 vols Pages: 802 pages, Size:180 x 265 mm Illustrations:158 b/w, 110 col., 1 tables b/w. Language(s):English. ISBN 9781915487278.‎

‎The decoration of the Luxembourg Palace galleries was the largest commission Rubens ever received. On Saturday 26 February 1622, the artist signed two contracts at the Louvre with the agreement ?to make and paint with his own hand each and every one of the figures? of the paintings which would decorate the two parallel galleries of the palace that the Queen Mother, Maria de? Medici (1573?1642), had begun to have built on the left bank of the Seine. According to the first contract, the western gallery was now ready and Rubens ?will be bound and obliged to design and to paint with his own hand twenty-four paintings depicting the history of the very illustrious life and heroic exploits? of the Queen Mother, conforming to an incomplete memoir, of which he had received a copy. Rubens arrived in Paris to put the final touches to the finished canvases celebrating the life of Maria de? Medici at the beginning of February 1625. But at this time the eastern gallery, planned to display the ?battles? and triumphs? of King Henri IV (1553?1610), Maria?s late husband, was still under construction. The Henri IV Gallery was to be an unfinished masterpiece: after a temporary suspension of the work in 1630, the project was definitively abandoned in 1631. Alexis Merle du Bourg?s in-depth study of the Henri IV Series was published as Part XIV.2 of the Corpus Rubenianum Ludwig Burchard in 2017. The present volume charts the earlier part of the Medici commission, which happily survives, splendidly completed. It presents Maria in her relationship with Henri, her public role after her husband?s death and, not least, her difficulties and then reconciliation with Louis XIII, her son. Here Rubens invoked the gods of ancient myth and a whole company of personified abstractions to help mask problematic episodes, dignify banal events and create a glorious commemoration of the life and aims of the Queen Mother.‎

‎Ma petite déco‎

‎MANGO 2019 96 pages 15x18 6x1 2cm. 2019. Broché. 96 pages.‎

‎Très bon état‎

‎Early Gothic Manuscripts (2)‎

‎, Brepols - Harvey Miller, 1988 Hardcover. 374 p., incl. 472 ills., with 8 in colour, 235 x 335 mm, languages: English, Including an index. Fine copy. ISBN 9780905203539.‎

‎This is a survey of early Gothic manuscripts illuminated in the British Isles, setting them in a historical framework, describing the influences at work, defining the types of books and their decoration, and discussing evidence for dating and localization. In England the art of illumination flourished widely in the second half of the 13th century - a time in which the connections with the continent, particularly France, where strong. Artists moved away from the monastic scriptorium to professional workshops in urban centres, and the rise of the Universities resulted in the production of new types of illustrated text. As with cross-fertilization of ideas from Paris to London, Oxford, and Cambridge, so with the styles and techniques of illumination. The magnificent examples catalogued here include the Lambeth, Metz, Douce and Trinity Apocalypses; their relationships are examined and detailed iconography is described. Many of the Bibles and - notably - the Amesbury, Oscott and Rutland Psalters are some of the greatest works of the period, and among surviving religious manuscripts the earliest examples of Books of Hours reveal the increasing range of devotional interests of lay people. Astrological, legal, medical, topographical and historical works are also included, and the volume ends with the remarkable Hereford Mad which summarizes many of the ideas of Earth and Heaven prevailing at the time. The Introduction sets the manuscripts in a historical framework, describes the influences at work, defines the types of books and their decoration, and discusses evidence for dating and localization.‎

‎A loan exhibition of works by Peter Paul Rubens, Kt. Held under the auspices of the Royal Empire Society, Oct. 4th - November 11th, 1950‎

‎London, Wildenstein & co. 1950 xvi + 63pp., with some bl/w ills., 25cm., softcover, good condition, S108246‎

‎Dipinti Fiamminghi di collezioni Romane (Roma, Palazzo Barberini 26 marzo - 30 aprile 1966)‎

‎Roma, 1966 47pp.texte + 42pp.planches, [texte en italien], bel état‎

‎Fresco's uit Florence‎

‎Amsterdam, 1969 219pp.geïllustreerd met 119 afbeeldingen, 24cm., Catalogus van tentoonstelling (Amsterdam, Rijksmuseum, 19 dec.1968-9 maart 1969)‎

‎Historische levensbeschryving van P.P. Rubens, ridder, heer van Steen, enz. benevens eene nauwkeurige opgave zyner schilderyen, berustende in hoven, kerken, en verdere openbare gebouwen van Europa, met aenwyzing welke van de zelve in het koper zyn gebracht.‎

‎Antwerpen, L.J.De Cort 1840 xix + 514 (ii) pp.+ uitvouwbare genalogische tabel, gecart. (linnen band met goudopdruk), 22cm., goede staat, S60127‎

‎In memoriam Broeder Max‎

‎Hasselt, Provinciaal Begijnhof 1973 20pp.met zw/w ills., 25cm., gebroch., Catalogus van tentoonstelling (Hasselt, 23.9 - 14.10 1973), S85467‎

‎José Luis Lasala - schilderijen 1976-1996 [Exhibition catalogue]‎

‎, Hasselt [Belgium], Cultureel Centrum 28 sept.-3 nov.1996, 46pp.with ills.in colour, VG‎