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WHISTLER. L'EXPOSITION DU MUSEE D'ORSAY,
Paris, Beaux Arts Magazine , 1995 Broche, couverture carton illustree en couleurs, 215 x 285mm., 57pp., illustration profonde en couleurs et en n/b.
Bon etat.
WILLOW GALLERY, FINE OIL PAINTINGS,
Surrey, Willow Gallery, w.d. Pictorial softcover, 205 x 260mm., 88pp., very beautiful and profound colour illustration.
In good condition.
ÉCOLE DE PARIS. Son histoire son époque
Paris Editions Seghers 1960 in 4 (31x23,5) 1 volume reliure toilée bleu de l'éditeur sous jaquette illustrée en couleurs, 366 pages, avec de nombreuses illustrations en noir et blanc et planches hors texte en couleurs. Bel envoi autographe signé par l'auteur. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Bon Jaquette en bon état Couverture rigide Signé par l'auteur
CHARLES BAUDELAIRE INTIME. Le poète vierge. Déposition - Documents - Notes - Anecdotes - Correspondances - Autographes et Dessins - Le Cénalce - La Fin
Neuchatel Editions Ides et Calendes 1994 in 12 (17x12) 1 volume broché, couverture illustrée à rabats, 143 pages [1]. Collection ''Pergamine''. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Très bon Broché
JOS HENDRICKX.
, oostende 1977, expo catalogus met z/w illustraties. 64pp 22x20cm
expo museum voor moderne religieuze kunst
MARAM NAJD. PHANTASMAGORIA.
BE, VdH Books, 2010 Hardback, 240 x 340mm., 80 pp., profoundly colour illustrated. . ISBN 9789088810244.
De Iranese schilderes Maryam Najd (? 1965) volgde een artistieke opleiding in haar geboortestad Teheran, en kwam in 1992 naar Antwerpen om haar opleiding te vervolmaken. Maryam Najd ontpopte zich sindsdien als een schilderes die emoties en ervaringen verwerkt en sublimeert in autonome doeken, dat het onderscheid tussen figuratie en abstractie overstijgen. Ze gebruikt daarbij vooral beelden uit de digitale media (tv, video, dvd, internet) die gaan over de machts(on)evenwichten tussen Oost en West, de culturele verschillen, de glamour
Illustrated Summary Catalogue of Paintings
Gill & Macmillan Ltd 1982 412 pages in4. 1982. Broché. 412 pages.
Très Bon Etat de conservation intérieur propre bonne tenue
ANGELIKA KAUFFMANN,
Ostfildern, Hatje Cantz, 2007 Paperback, 245 x 300mm., 288S., illustriert. ISBN 3901802282.
Angelika Kauffmann (1741?1807) war zu ihrer Zeit eine in ganz Europa gefeierte Kunstlerin. Wer sein Bild verewigt haben wollte, seien es gekronte Haupter oder beruhmte Dichter und Denker, liess sich von ihr portratieren. Johann Wolfgang von Goethe nannte sie ein ? Weib von ungeheurem Talent? ; die Bezeichnung Genie aber behielt er Mannern vor ? eine Einstellung, gegen die die Kunstlerin ein Leben lang kampfte. Selbstbewusst setzte sie sich dennoch erfolgreich in der Mannerwelt durch und schuf ihre eigene Marke.
Verdwenen gezichten uit het Antwerpse. Tekeningen van Franck Mortelmans.
, Antwerpen, Museum Plantin-Moretus, 1987., softcover , originele geillustreerde uitgeversomslag z/w., 29x21cm, 67pp, geillustreerd z/w.
Publicaties van het Museum Plantin-Moretus en het Stedelijk Prentenkabinet ; vol. 5
JACOB JORDAENS. DESIGN FOR TAPESTRY.
, Brepols, 1998., Hardcover, cloth with golden imprint and illustrated jacket, 19x25,5cm., 376 pp., 66 figures in black and white. ISBN 9782503505787.
Pictura Nova. Studies in 16th - and 17th- Century Flemish Painting and Drawing
GUSTAV KLIMT 1862 - 1918,
Koln, Taschen/ Librero, 2007 Gebonden onder geillustreerde kartonomslag in kleur, 180 x 235mm., 96pp., uitgebreide illustratie in kleur en z/w. ISBN 9789077686218.
In goede staat.
MICHEL-ANGE 1475-1564
LE MONDE, 2005. In-8, broché couverture illustrée, 96 pp. Nombreuses illustrations
Excellent exemplaire, comme neuf
VINCENT VAN GOGH. AQUARELLES, GOUACHES ET DESSINS,
, Paris, Editions Cercle d'Art, 1987,, Relie en toile grise, jacquette d?? editeur, frontispice, 240 x 310mm., 201pp., illustrations en b/n et en couleur, ISBN 9782869010284.
Bon etat.Traduction du tcheque par Francoise Tabery avec la collaboration de Hannelore Louis.Collection Ars Mundi.,
BEELDEN VAN VROEGER.
Velp (Nl.)., Van Dobbenburgh, 1981 Gebonden, kartonnen hardcover met zilveropdruk, originele uitgeversomslag met flappen in kleur, 16.8x21.7 cm., pagina's niet genummerd, geillustreerd in kleur. ISBN 9065770054.
LOOK AT ME. ARTY GRIMM,
Onbekend, QuA Book, 1996 Illustrated cardboard cover : silver with print, 240 x 330mm., 80pp., profound colour illustration. ISBN 9789074145077.
In good condition.
LA PEINTURE DES VASES GRECS,
Paris/ Bruxelles, Vanoest, 1926 Broche, couverture carton et page de titre aux vignettes, 190 x 250mm., 48pp. et LXIII planches sepia.
Bibliotheque de l'Histoire de l'Art. Formes des vases - Epoque prehellenique - La ceramique a l'age du fer - Style orientalisant - Style attique - Vases attiques - Vases de l'Italie meridionale. Table des planches. Etat satisfaisant.
La merveille de l'art religieux, ou Tableau original, inconnu, de Raphaël annoncé dans le no.119 de l'Osservatore Romano
Paris, Paul Dupont 1862 20pp., 4e édition, 21cm., br.orig. (dos peu restauré), bon état, S93755
GEORGES DE LA TOUR,
, Brussel, Arcade, 1976, Gebonden, oranjebruin linnen onder geillustreerde stofomslag, frontispice in kleur, 260 x 300mm., 387pp., meer dan uitvoerig geillustreerd aan de hand van z/w- en ( ingekleefde ) kleurillustraties. ISBN 9782800501062.
Het boek poogt, enerzijds, een duidelijk chronologisch overzicht van de kunstenaar 's werken vast te stellen en, anderzijds, diens geheimzinnige persoonlijkheid te benaderten en te belichten. Boek is in prima staat.
Study Heads. Corpus Rubenianum Ludwig Burchard PART XX.2 in 2 volumes / Study Heads Part XX, 2
, Brepols - Harvey Miller, 2020 Hardcover with dusjacket, 2 volumes ., 680 pages ., 340 b/w ill. + 150 colour ill., 180 x 265 mm,. ISBN 9781912554652.
This book is devoted to a remarkable aspect of Rubens painted production. It investigates and catalogues not only works that Ludwig Burchard (1886?1960) gathered into the category of Study Heads, but also head studies by artists closely connected to Rubens's workshop which were demonstrably used in his paintings. The existence of a stock of study heads or tronies allowed Rubens and his collaborators to exploit the same figures in many different contexts and create satisfying variety among the numerous characters involved in mythological, biblical or historical scenes. In Rubens?s work, study heads constitute an exceptional type of painting in that they were created not as autonomous works of art, but as a means to an end, an indispensable part of his artistic practice. Yet, even in this marginal category of work, Rubens achieves maximum artistic expression with an economy of means, as for example in the iconic Four Studies of the Head of an African Man in the Brussels Museum. The originals of the study heads remained together until the sale of Rubens?s possessions at his death in 1640. Over the centuries, many of Rubens?s tronies have undergone transformation. Panels featuring several heads were cut up quite early on to be sold as separate pictures on the art market, and some tronies were converted by later artists into specific characters or even genre scenes by adding extra planks of wood and giving the heads distinctive clothes and attributes. This book aims to reconstruct as far as possible the original appearance of Rubens?s tronies, aided by the evidence of copiesand technical research on the works themselves.
Die Madonna in der Malerei
München, Algemeinen Vereinigung für Christlichen Kunst 1926 44pp.with 63 ills., re-edition of the 1912-edition, 29cm., spine bit repaired, G
Déco jungle à l'aquarelle : 20 projets faciles en pas à pas
RUSTICA 2019 160 pages 20 2x25 2x1 4cm. 2019. Broché. 160 pages.
Très bon état
FRAGMENTS OF SOME HERMITAGE PAINTINGS.
, Leningrad, Aurora Art Publishers, 1971., Bound, cloth, original dust-jacket illustrated in color, 24x28,5cm, n.p. (+/- 240pp), illustrated richly full - page plates in color and b/w, 1 plate dammaged.
15th - 16th centuries.
German and Austrian Painting in the Hermitage.
Leningrad, Aurora Art Publishers, 1986 Bound in red cloth with gilt lettering and ornamentation, orig. pict. dustjacket, 423pp., 26x33.5cm., 316 plates in col. and b/w., good cond.
Medici Series Corpus Rubenianum Ludwig Burchard XIV.1 The Medici Series 14.1
, Brepols - Harvey Miller, 2024 Hardcover with dusjacket, 2 vols Pages: 802 pages, Size:180 x 265 mm Illustrations:158 b/w, 110 col., 1 tables b/w. Language(s):English. ISBN 9781915487278.
The decoration of the Luxembourg Palace galleries was the largest commission Rubens ever received. On Saturday 26 February 1622, the artist signed two contracts at the Louvre with the agreement ?to make and paint with his own hand each and every one of the figures? of the paintings which would decorate the two parallel galleries of the palace that the Queen Mother, Maria de? Medici (1573?1642), had begun to have built on the left bank of the Seine. According to the first contract, the western gallery was now ready and Rubens ?will be bound and obliged to design and to paint with his own hand twenty-four paintings depicting the history of the very illustrious life and heroic exploits? of the Queen Mother, conforming to an incomplete memoir, of which he had received a copy. Rubens arrived in Paris to put the final touches to the finished canvases celebrating the life of Maria de? Medici at the beginning of February 1625. But at this time the eastern gallery, planned to display the ?battles? and triumphs? of King Henri IV (1553?1610), Maria?s late husband, was still under construction. The Henri IV Gallery was to be an unfinished masterpiece: after a temporary suspension of the work in 1630, the project was definitively abandoned in 1631. Alexis Merle du Bourg?s in-depth study of the Henri IV Series was published as Part XIV.2 of the Corpus Rubenianum Ludwig Burchard in 2017. The present volume charts the earlier part of the Medici commission, which happily survives, splendidly completed. It presents Maria in her relationship with Henri, her public role after her husband?s death and, not least, her difficulties and then reconciliation with Louis XIII, her son. Here Rubens invoked the gods of ancient myth and a whole company of personified abstractions to help mask problematic episodes, dignify banal events and create a glorious commemoration of the life and aims of the Queen Mother.
