London, Alpine Fine Arts Collection 1995, 310x250mm, 315pages, editor's binding with jacket. Book in good condition.
100 color and b/w plates, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal
, Davaco, Aetas Aurea, Vol. IV, 1984 , Cloth bound, 4to., 400 pp. of text, which includes a full catalogue raisonne of his paintings, collaborative works, drawings and etchings. 600 plates and illustrations of which 25 in color. ISBN 9070288133.
This is the first monograph devoted to Esaias van de Velde, even though he has long been recognized as one of the pioneers in the development of realism in Dutch landscape art. Esaias van de Velde also made significant contributions to genre and religious painting and even produced a few imaginary likenesses. Supplementing the text is an appendix by J.G.C.A. Briels in which the Flemish origins and genealogy of the Van de Velde family are established. As new.
Turnhout, Brepols, 2009 Hardback, VIII 472 p., 141 b/w ill. 40 colour ill. ills., 190 x 250 mm. ISBN 9782503515106.
This study deals with the work of the most prolific Dutch book illuminators, the so-called Masters of the Dark Eyes, named after the most conspicuous aspect of their style: the dark, heavily accentuated shadows round the eyes of the figures. With their elaborately illuminated manuscripts, these masters completely dominated book production in the County of Holland during the late fifteenth and early sixteenth centuries. Their work is characterized by an overwhelming wealth of decorative and pictorial richness, which is especially evident in the unusually ornate programmes of the Books of Hours, and a new type of border decoration derived from the Ghent-Bruges School. This style of painting was practised by many artists of differing talents, as demonstrated by the large number of surviving manuscripts. Not all of the illuminators worked in Holland. Some of them settled in the Southern Netherlands, others emigrated to England, where they illuminated manuscripts for members of the English court. This monograph seeks to order, analyze and evaluate the work of the Masters of the Dark Eyes, and to position their achievements within the context of book illumination in the Northern Netherlands during the 'Waning of the Middle Ages'. It explores a virtually uncharted territory of Dutch manuscript painting. The accompanying descriptive catalogue provides complementary information on more than 70 manuscripts, many of which have never been published at length before. The work is illustrated with a wide selection of colour and black-and-white reproductions. New book.
Turnhout, Brepols, 2009 Hardback, VIII+472 p., 141 b/w ill. + 40 colour ill. + + ills., 190 x 250 mm. ISBN 9782503515106.
This study deals with the work of the most prolific Dutch book illuminators, the so-called Masters of the Dark Eyes, named after the most conspicuous aspect of their style: the dark, heavily accentuated shadows round the eyes of the figures. With their elaborately illuminated manuscripts, these masters completely dominated book production in the County of Holland during the late fifteenth and early sixteenth centuries. Their work is characterized by an overwhelming wealth of decorative and pictorial richness, which is especially evident in the unusually ornate programmes of the Books of Hours, and a new type of border decoration derived from the Ghent-Bruges School. This style of painting was practised by many artists of differing talents, as demonstrated by the large number of surviving manuscripts. Not all of the illuminators worked in Holland. Some of them settled in the Southern Netherlands, others emigrated to England, where they illuminated manuscripts for members of the English court. This monograph seeks to order, analyze and evaluate the work of the Masters of the Dark Eyes, and to position their achievements within the context of book illumination in the Northern Netherlands during the 'Waning of the Middle Ages'. It explores a virtually uncharted territory of Dutch manuscript painting. The accompanying descriptive catalogue provides complementary information on more than 70 manuscripts, many of which have never been published at length before. The work is illustrated with a wide selection of colour and black-and-white reproductions. Languages: English.
New York, Jack Kilgore, 2001 Paperback, originale softcover editor's jacket in colours, 28.5x22.8 cm., 43 pp., illustrations in b/w and in colours.
Exhibition Jack Kilgore Gallery, New York October 18 - November 21, 2001.
, Brepols - Harvey Miller, 2022 Hardback, 307 pages, Illustrations:0 b/w, 177 col., Language: English. ISBN 9781912554034.
Summary Painted between 1508 and 1527, Raphael's Vatican Stanze are counted among the greatest masterpieces in Western art. For centuries, they have served as formative touchstones for artistic definition, debate, and theory. Over the last several decades, Raphael's legacy has enjoyed renewed interest and study. Until now, however, there have been few comprehensive accounts of the Vatican apartments and their artistic design. Spanning the papacies of Julius II, Leo X, and Clement VII, the suite of stanze is as much a witness of the Raphael's transformative methods and style as it is a magnificent testament of papal traditions, trials, and triumph. The recent quincentennial of the artist's death brings with it a fresh opportunity to reappraise these canonical works. In celebration of this occasion, this volume offers new interpretations of Raphael's Vatican paintings, addressing questions of meaning and invention, artistic process and design, patronage and ritual, and workshop collaborations. Striving to sustain the cooperative ideals famously embodied by the young artist and his circles, the volume's essays revisit these significant spaces, traversing the Stanza della Segnatura, the Stanza d'Eliodoro, the Stanza dell'Incendio, and the Sala di Costantino, as well as other related Vatican venues and influences. In so doing, they illuminate new issues regarding Raphael's praxis, experience, and critical fortune for specialists and students alike. Contributors include: Kim Butler Wingfield, Tracy Cosgriff, Paul Gwynne, Marcia Hall, Christiane Joost-Gaugier, Dana Katz, Christian Kleinbub, Elizabeth McCahill, Nelson Minnich, Lisa Pon, Patricia Reilly, Sheryl Reiss, Maria Ruvoldt, and Linda Wolk-Simon.
Penguin 1985 16 pages 23 368x1 27x30 48cm. 1985. Broché. 16 pages.
Bon Etat bonne tenue intérieur propre
, Lingen, Luca, 1998 unica luxe privat binding, Bound, couverture originale de la couleur de l'editeur relie cartonne, 28.5x24.7 cm., 439 pages , illustre en couleur et n / b. ISBN 9783923641468.
Une famille de peintre flamand vers 1600. Exposition: Villa Hugel, Essen, le 16 Aout to 16 Novembre 1997; Kunsthistorisches Museum, Vienne, 9. Decembre 1997 a 1914 Avril 1998; Musee royal des Beaux-Arts, Anvers, le 3 mai to 26 Juillet 1998. bon etat !!!
S.p., Les Libraires Associes, 1963 Relie, toile noire a l'illustration en couleur, format oblong : 235 x 200mm., 160pp. et notes, illustration profonde en couleurs et en n/b.
Portrait de l'artiste jeune - En famille - Themes - Enseignement - Pour un dossier Klee. Exemplaire numerotee dans un edition de 2500. Exemplaire n? 183.
BUDS AND BLOSSOMS. Postcard Painting Book In 16 cartonné, à l’italienne, dos toilé. 140x187mm. Couverture illustrée en chromolithographie, 16 pages, cartonnées souples. 16 cartes postales à découper. Illustrées, dont 8 en chromolithographie, par Catherine KLEIN. TUCK Raphaël & son éditeur, sans date. Chaque page de l’album à dex cartes en chromolithographie avec deux carte monochromes à peindre. La carte postale de l’artiste Catherine KLEIN et de l’artiste amateur, pouvait, ensuite, être détachée et envoyée. Peu courant complet.
Paris, Librairie Artistique Internationale 32 + 32pp. de texte + illustrations hors-texte (16 dessins sur papier mat de grand luxe, 9 illustrations teintées et 1 gravure & 6 dessins sur papier mat de luxe, 11 illustrations teintées et un planche en 4 couleurs), 37cm., br.orig., bon état, S83713
Braunschweig, Herzog Anton Ulrich-Museum, 1979 Broschiert, 200 x 270mm., 254S, illustriert.
Ausstellung : 6. September bis 11. November 1979. Guter Zustand.
Antwerpen, Koninklijk Museum voor Schone Kunsten, 1991 softcover, originele geillustreerde uitgeversomslag in kleur, 24,5x31cm, 335pp, geillustreerd in kleur en z/w. ISBN 9053490183.
Schilderijen, tekeningen. Uitgegeven bij de gelijknamige tentoonstelling. Antwerpen, KMSKA, 11 mei - 1 september 1991.
Sao Paulo (Brazil) Raizes 1980 in 4 (31x24,5) 1 volume reliure toilée blanche de l'éditeur sous jaquette illustrée en couleurs, 134 pages [1], avec des illustrations en noir et blanc et des reproductions hors-texte en couleurs, joint un feuillet volant d'errata. Imprimiu 5000 exemplares (Limited to 5,000 copies). Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Très bon Jaquette en très bon état Couverture rigide
's-Gravenhage, Staatsuitgeverij, 1986 Twee delen, paperback onder kartonomslag in kleur, 21 x 30cm., 191pagina's 495pp., zeer uitgebreide illustratie in z/w en kleur. ISBN 9012052106.
De eeuw van de beeldenstorm omvat zeven publikaties, in het najaar van 1986 verschenen naar aanleiding van tentoonstellingen over de 16e eeuw in de Noordelijke Nederlanden op zeven plaatsen in Nederland. De boeken zijn in goede staat.
's-Gravenhage, Staatsuitgeverij, 1986 paperback onder kartonomslag in kleur, 21 x 30cm., 191 pagina's zeer uitgebreide illustratie in z/w en kleur. ISBN 9012052106.
De eeuw van de beeldenstorm omvat zeven publikaties, in het najaar van 1986 verschenen naar aanleiding van tentoonstellingen over de 16e eeuw in de Noordelijke Nederlanden op zeven plaatsen in Nederland.
Kruishoutem, Pieters, 1976 Gebonden in linnen met originele geillustreerde (foto) uitgeversomslag z/w, 27x22cm, 255pp, geillustreerd z/w. en de meeste illustraties in kleur. *in cassette; ALS NIEUW!!
Monografie van deze befaamde schilder verbonden aan Sint Martens Lathem.
, Brussel, Paleis der Academien, 1986., softcover , originele uitgeversomslag, 26x18cm, 163 p., 10 pl., 45 afb, bibliografie, als nieuw!!!. ISBN 9789065693778.
Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Schone kunsten, n? 43.
, Leiden, L. Stafleu, 1949, softcover, orginele uitgeversomslag geillustreerd z/w, 17x24,5cm, 40pp, geillustreerd z/w.
Een reeks monografieen gewijd aan de schilderkunst der nederlanden. Paneel en doek. Serie I, n? 4. In goede staat.
Venezia, Alfieri/ Electa, 1979 Pictorial cardboard cover in colour, 215 x 240mm., 152pp., illustrated in b/w and sepia.
Italian text. Venezia/ Palazzo Ducale luglio/ settembre 1979. In good condition.
Antwerpen, De Sikkel 1947 187pp.geïll., in de reeks "Maerlantbibliotheek" band XIX, met geïll.stofwikkel
Paris Musée Galerie de la Seita 1994 in 4 (29x24) 1 volume broché, couverture illustrée en couleurs, 167 pages [1], avec de nombreuses reproductions en couleurs. Textes de Y Kobry, E Cohen, P Morand, Pierre Mac-Orlan, André Salmon, Georges Papasoff, I. Ehrenbourg, Ernest Hemingway, J Warnod. Jules Pascin (Julius Mordecai Pincas dit), Vidin 1885 - Paris 1930, peintre et dessinateur américain d'origine bulgare. Catalogue édité à l'occasion de l'exposition présentée du 14 décembre 1994 au 25 février 1995 au Musée Galerie de Seita, Paris. Dessins 1902-1930, 74 dessins reproduits - Peintures 1909-1930, 17 peintures reproduites. Catalogue bilingue français/anglais. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Très bon Broché
Nijmegen, Stichting Kohesie, 2012 Gebonden onder geillustreerde kartonomslag in kleur, oblongformaat : 235x 175mm., 48pp., uitgebreide kleurillustratie. ISBN 9789080490307.
Vijftig jaar lang voer de kunstschilder Frans Berntsen (Nijmegen 1903-1980) op zijn schip de St. Lucas door heel Nederland en Belgie en schilderde fascinerende waterlandschappen van de rivieren, havensteden en wadden. Zijn avontuurlijke leven en fraaie werk is nu voor het eerst gedocumenteerd. Hij verwezenlijkte zijn grote droom: varend schilderen over de rivieren. Ook de geschiedenis van het schip de St. Lucas, dat dateert uit 1883, wordt in het boek beschreven. Een fraai zomers water-boek met veel beeldmateriaal en een artistieke boekband voor iedereen die houdt van reizen en varen, en van de Waddenzee.
Amsterdam, A.J.G.Strengholt, 1969 Gebonden met harde linnen kaftlinnen, 195 pp., 32,5x24cm., 250 ills., standaardwerk met uitgebreide tekst, rijk geillustreerd;.zonder stofomslag !
Standaardwerk over belangrijke periode in de schilderkunst in Nederland. Met ongeveer 80 besproken kunstenaars, waaronder de gebr. Dooijewaard, Escher, Hynckes, Knip, Van der Leck, Mauve, Moes, Neuhuys, Poortenaar, Roland Holst, Schulman, Veth, Jozef Israels, e.a.
The university of chicago press 1997 564 pages 21 5x27 7x2 4cm. 1997. Broché. 564 pages.
Comme neuf