, Brepols - Harvey Miller, 2013 Hardcover. XII 364 p., 8 b/w ill. 4 colour ill., 156 x 234 mm, Languages: English, German, French, Fine copy. Including an index. ISBN 9782503507705.
The linguistic situation of medieval Europe has sometimes been characterized as one of diglossia: one learned language, Latin, was used for religion, law, and documents, while the various vernaculars were used in other linguistic registers. Informing the relationship between Latin and the vernaculars was the choice of Latin as the language of the Western Roman Empire and the Roman Church. This choice entailed the possibility of a shared literary culture and heritage across Europe, but also had consequences for access to that heritage. Scholarship on the Romance languages has contested the relevance of the term diglossia, and the divergence between written or spoken Latin and Romance is a subject of energetic debate. In other linguistic areas, too, questions have been voiced. How can one characterize the interaction between Latin and the various vernaculars, and between the various vernaculars themselves? To what extent could speakers from separate linguistic worlds communicate? These questions are fundamental for anyone concerned with communication, the transmission of learning, literary history, and cultural interaction in the Middle Ages. This volume contains contributions by historians, cultural historians, and students of texts, language, and linguistics, addressing the subject from their various perspectives but at the same time trying to overcome familiar disciplinary divisions.
ROBERT LAFFONT 1989 612 pages 15 4x4x24 2cm. 1989. Broché. 612 pages.
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ROBERT LAFFONT 1989 612 pages 15 4x4x24 2cm. 1989. Broché. 612 pages.
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HARLEQUIN 2018 256 pages 13x20 5x2cm. 2018. Broché. 256 pages.
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Harlequin 2016 2016. Raul séparé de Charley lui propose de financer le centre d'accueil pour enfants dont elle rêve en échange de la reprise de leur vie conjugale. Charley doit accepter cette offre troublante pour protéger les enfants
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HARLEQUIN 2019 160 pages 1x18x11cm. 2019. mass_market. 160 pages.
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HARLEQUIN 2023 160 pages 1x17x11cm. 2023. pocket_book. 160 pages.
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HARLEQUIN 2021 160 pages 10 6x16 8x1 3cm. 2021. pocket_book. 160 pages.
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Harlequin 2015 160 pages 10 6x1 2x17 6cm. 2015. Broché. 160 pages.
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Harlequin 2015 160 pages 10 6x1 2x17 6cm. 2015. Broché. 160 pages.
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Milburne Melanie Gianna Robin Blattmann Geneviève Lecoeur Michelle
Reference : 500193210
(2015)
ISBN : 9782280328746
Harlequin 2015 10 6x2x17 6cm. 2015. mass_market.
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Harlequin 2012 collection azur. 10 6x1 2x17 4cm. 2012. Broché. Pour hériter de son grand-père Jade doit épouser Nic Sabbatini l'homme qu'elle déteste et rester mariée avec lui pendant un an
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Milburne Melanie MacKay Sue Szczeciner Philippe Jung Caroline
Reference : 500193205
(2012)
ISBN : 9782280245678
Harlequin 2012 10 6x1 8x17 6cm. 2012. Broché.
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Milburne Melanie Mather Anne Marinelli Carol
Reference : 500209017
(2019)
ISBN : 9782280418911
HARLEQUIN 2019 416 pages 2x18x11cm. 2019. Broché. 416 pages.
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Milburne Melanie McIntosh Ann Roberts Alison
Reference : 500193211
(2019)
ISBN : 9782280414425
HARLEQUIN 2019 416 pages 10 6x17 6x2 8cm. 2019. mass_market. 416 pages.
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Import 2001 421 pages 14x2x20 4cm. 2001. Broché. 421 pages.
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HARLEQUIN Sans date. Le roman 'Partenaires ou amants ?' de Miranda Lee publié par Harlequin explore les relations amoureuses et les dynamiques de pouvoir notamment à travers le personnage d'une femme puissante dont les liaisons avec des hommes plus jeunes sont critiquées et qualifiées de 'jouets sexuels'
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Harlequin Sans date. Jessie une mère célibataire décroche un poste de rêve dans une agence de publicité mais son bonheur est de courte durée lorsqu'elle découvre que son nouveau patron est Kane Marshall un homme avec qui elle a un passé compliqué. Le livre explore les tensions et les malentendus qui surgissent entre eux
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, Brepols - Harvey Miller, 2008 Hardcover. XXII 202 p., 30 b/w ill. 1 colour ill., 8 b/w tables, with CD in envelope on inside cover, 160 x 240 mm, Languages: English, French, Including an index. Fine copy. ISBN 9782503520704.
This study of Charles d'Orleans's personal manuscript of his poetry ? the first in nearly a century ? paves the way not only for a new edition of the duke's ?uvre (by Mary-Jo Arn, John Fox, and R. Barton Palmer) but for a new view of it. Following the first complete modern description of the manuscript, this study reconstructs the history of the manuscript, copying layer by copying layer. Codicological observations supplemented with palaeographical, historical, art-historical, and textual information reveal the approximate sequence of the manuscript?s composition, which in turn allows a re-dating of the manuscript and some of the poems in it. Charles saw lyric form differently than did his predecessors and contemporaries, a view made manifest in the poet?s own numbering of his poems. He mixed his complaintes with ballades and his rondels with chansons, each pair of forms in a numbered series, but never presenting the longer alongside the shorter forms. The analysis of the manuscript?s construction corrects the current physical disorder of the later chansons and rondels, as well as that of the ?En la forest de longue actente? series (including the lyric omitted from the standard edition) and re-evaluates the handful of English poems in the manuscript. In the end, we come to understand the relationship between the visual ?messiness? of the manuscript and the poet?s strong concept of lyric order. The technical aspects of the study are clarified by many tables and fascimile pages; the interactive CD contains an index of first lines that can be sorted in various ways to reveal a variety of kinds of manuscript relationships.