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Nils-Udo, Bob Verschueren : Avec arbres et feuilles, Mit Baumen und Blattern, Met bomen en bladeren, With trees and leaves
, Brussel, 340 Telier, 1992., Softcover with Original wrappers in kleur, oblong formaat, 29,5x24cm, 177pp, rijkelijk geillustreerd in kleur. ISBN 9071386201.
Avec arbres et feuilles/ met bomen en bladeren/ with trees and leaves. Tekst Nederlands/ franacis/ English. Bibliographie, , in good condition !!
Egyptenaren in het leger van de Lagiden.
, Brussel, Paleis der Academien, 1951., Gebrocheerd, originele uitgeversomslag, 26x18cm, 18pp.
Mededelingen van de koninklijke vlaamse academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Letteren. Academiae Analecta, Klasse Menswetenschappen, Jaargang XIII, 3.
Over de buitenlandse bezittingen van de Lagiden (Polubios V, 34).
, Brussel, Paleis der Academien, 1956., Gebrocheerd, originele uitgeversomslag, 26x18cm, 18pp.
Mededelingen van de koninklijke vlaamse academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Letteren. Academiae Analecta, Klasse Menswetenschappen, Jaargang XVIII, 5.
LITERAIRE GIDS VOOR LIMBURG.
, Schoten, Hadewijch, 1985., Gebrocheerd, originele geillustreerde (foto's) uitgeversomslag in kleur, 15x20,5cm, 143pp, geillustreerd z/w.
Literaire gidsen voor Vlaanderen, vol. 2.
Duffel nu : 1900 - 1985
, Duffel, K.W.B.-Oost, 1986., originele geillustreerde uitgeversomslag z/w, 28x23cm, 112pp, geillustreerd in kleur en z/w, bibliografie.
Geografische schets, historische schets, de Heren van Duffel, beroemde Duffelaars, wonen in het Duffel van toen, waar komen onze straatnamen vandaan.
Duffel toen: tot 1900.
, Duffel, K.W.B.-Oost, 1986., originele geillustreerde uitgeversomslag z/w, 28x23cm, 120pp, geillustreerd in kleur en z/w, bibliografie.
Geografische schets, historische schets, de Heren van Duffel, beroemde Duffelaars, wonen in het Duffel van toen, waar komen onze straatnamen vandaan.
Splendeurs du kilim
, Flammarion 1992, 1992 Hardcover, 184 pages, Texte en Francais, 350 x 220 mm, tres bon etat, beaucoup info, illustrations en couleur et n/b, . ISBN 9782082019279.
Le tapis kilim est un tapis nomade. Id ale sur une terrasse, dans une entr e ou un s jour, sa forme et son authenticit donnent imm diatement le ton de la maison. Une belle composition de couleurs et de motifs.
Yasmil Raymond, Philippe Vergne, Phyllis Tuchman, Brooke Holmes, Arnauld Pierre
Reference : 59204
Carl Andre. Sculpture as Place 1958 - 2010: Hamburger Bahnhof - Museum f r Gegenwart, Berlin
, K nig, Walther, 2016, 2016 Hardcover, 400 seiten , Deutsch, 285 x 225 mm, Neu, Schutzumschlag, mit abbildungen in Farbe und s/w. ISBN 3863359291.
Carl Andre born 1935 American Minimal sculptor and poet. Born in Quincy, Massachusetts. In 1954 worked for Boston Gear Works and travelled to England and France. Served in the US Army 1955-6. In 1957 moved to New York and worked for a publisher. Wrote poetry and made drawings and some abstract sculptures in perspex and wood, with geometric forms. Influenced by Brancusi and by Stella, his close friend. 1960-4 worked as railroad freight brakesman and conductor on the Pennsylvania Railroad; made few sculptures, but these show move away from carving to works constructed out of simple blocks of material. His sculpture first exhibited in a group show in 1964, followed by his first one-man exhibition at the Tibor de Nagy Gallery, New York, 1965; major retrospective exhibition at the Guggenheim Museum, New York, 1970. Made floor sculptures out of standard industrial units such as bricks or metal plates in simple arithmetic combinations; also experimented with scattered blocks and pieces of bent pipe, etc. Lives in New York.
Bruce Nauman: Prints 1970-89
, Castelli Graphics/Donald Young Gallery, 1989 Softcover, 136 pages, ENG, 300 x 230 mm, in good condition, illustrations in colour and b/w. ISBN 9780962524004.
catalogue raisonn was published in conjunction with the exhibitions at Castelli-Graphics and the Lorence-Monk Gallery in New York, 16 September through 14 October 1989, and at the Donald Young Gallery in Chicago, 29 September through 21 October 1989
Grammaire générale raisonnée hollandoise. A l'usage des étrangers et principalement des François qui veulent apprendre cette langue. Par Ernst Zeydelaar, maître de la pension françoise à Thiel, en Gueldre.
1781 Couverture rigide À Utrecht, chez Wild, 1781. Un volume in-8 (20 x 12cm), reliure pleine basane, dos à 5 nerfs ornés de fleurons dorés, titre doré, roulette dorée sur les coupes, plats légèrement frottés, quelques épidermures, coiffe inférieure arasée, manques aux charnières, trous de vers. Faux-titre, titre, dédicace, préface, 350 pages, quelques renfoncements. Ouvrage en français. Très bon état intérieur et, malgré les défauts de la reliure, bon exemplaire de cet ouvrage de grammaire. Rare.
Assez bon
DE DAG VAN MORGEN.
Amsterdam, Elsevier., 1943 Gebonden, harde omslag, originele uitgeversomslag, 240pp., 14.5x22cm., goede staat
Tweede druk.
MENSCHEN ALS WIJ.
Brussel/Amsterdam, Elsevier, Gebonden, vergulde titel op de voorkant en op de rug, 15x24.3 cm., 451 pp., met nawoord door F.V. Toussaint Van Boelaere.
OPSOMER.
Antwerpen, De Nederlandsche Boekhandel, 1942 Gebonden, beige halflinnen met titelvignet op rug, originele uitgeversomslag met flappen in kleur, titelpagina, 21x27 cm., 83pp., verschillende z/w buitentekstplaten.
Beperkte oplage van 800 genummerde exemplaren, . stofomslag beduimeld /beschadigd
Brazil Built : The Architecture of the Modern Movement in Brazil
, Spon Press, 2001 Paperback, 253 pages, ENG, 245 x 190 mm, in good condition, with illustrations in colour and b/w. ISBN 9780415231787.
Brazil Built is an examination of the architecture of the Modern Movement in Brazil. In the 1940s and 1950s, Brazil acquired unprecedented prestige in the world of Modern architecture. Brazil was regarded as the country which had inherited the progressive Modernism of the pre-war period in Europe, and which, furthermore, had initiated a new phase of the assimilation of cultural and environmental considerations. This book constitutes a unique presentation of the major Modern buildings in Brazil in a historical context. Prompted by the contemporary re-evaluation of Modernism, and renewed interest in Brazil, this book examines how these Modern buildings came into being, how they came to be so highly regarded and the changing reactions to them in Brazil and abroad.
