1909 Les Mille et une Aventures. Dessins de Charousset & Clérice. Ancienne Librairie Furne. Boivin & Cie, éditeurs. Paris. [1909]. In - 4 (31 x 22 cm). (2) ff., 282 pp., (1) f.: cartonnage de l'éditeur de percaline rouge,toutes tranches dorées, plaque polychrome et dorée (Poënsin rel.). {CR} Première édition. Dernier titre des six volumes des Mille et une Aventures par Henry Leturque. Aventures du Havre à Pékin. Illustrations in texte et à pleine page en noir
1890 1890 un volume, reliure percaline verte, in-12 (19 x 12,6 cm), orné de trés nombreuses illustrations in et hors-texte en noir + 3 cartes dépliantes en couleurs, 290 pages, Paris , Maison Quantin Editeurs,
ray armo L2
, Paris, Les Editeurs d' Art Associes, 1985., Gebonden, originele uitgeversomslag geillustreerd in kleur, 21,5x27,5cm, 94pp, geillustreerd in kleur en z/w. ISBN 2871030111.
Collection " La memoire de l' art".
Editions l'Edune 2007 18 2x1x19 6cm. 2007. album.
Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France
1946 N° 17 - in-12 broché avec sa jaquette illustrée - 1946 - 192 pages - Ed. Les Publications Georges Ventillard, Editeurs - coll. Minuit
bon état
Aristide Quillet. 1927. In-4° broché. Couverture imitant une reliure ancienne. Non paginé [68 pages]. Nombreux hors-texte et fac-similés, certains sur planches dépliantes. Pages ornementées par Marcel Jeanjean.
Bel et luxueux album à la gloire des éditions Aristide Quillet. Envoi autographe de Ch. Quillet. Bel exemplaire.
Holzwarth Werner Teyras Claire Jakobs Günther
Reference : 500047589
(2020)
ISBN : 9782354135072
MINEDITION 2020 23 9x29 5x0 9cm. 2020. Relié.
Bon état - . légères marques de stockage sur couverture et coins mais du reste en bon état - envoi rapide et soigné dans enveloppe à bulles depuis france
Holzwarth Werner Teyras Claire Jakobs Günther
Reference : 500059388
(2020)
ISBN : 9782354135072
MINEDITION 2020 23 9x29 5x0 9cm. 2020. Relié.
Très bon état - livre issu de destockage - pouvant présenter d'infimes traces de stockage - Expédié soigneusement dans emballage adapté
Holzwarth Werner Teyras Claire Jakobs Günther
Reference : 500084249
(2020)
ISBN : 9782354135072
, Brepols, 2026 Hardback, 204 pages, 155 x 245 mm, Illustrations:71 tables b/w.Latin, French. *New . ISBN 9782503579399.
Transmis par quelques cinquante manuscrits, tous pris en compte dans l? dition, le Canticum pro assumptione a fait l?objet de deux recensions authentiques. D?abord mis au nombre des crits ex g tiques, ce long commentaire d?un verset du Cantique doit tre restitu , comme d?autres ?uvres du ma tre Victorin, un Corpus qu?on pourrait appeler liturgique, r v lateur d?une r ception unifi e. En se r pandant en Europe avec les f tes liturgiques dont elles faisaient partie, les compositions musicales victorines tracent au texte qui les introduisait et les accompagnait de nouveaux r seaux de diffusion. Outre une eccl siologie connotation mariale, l?opuscule offre une des premi res synth ses m di vales de la doctrine des sens spirituels.
, Brepols Publishers, 2010 hardcover, XIV 717 pages ., 43 b/w ill., 178 x 254 mm, English Hanno Wijsman is Researcher in Medieval History at Leiden University, focusing on the cultural history of the fourteenth to the sixteenth century, with special attention to books and libraries in the Low Countries and France. ISBN 9782503525587.
This interdisciplinary study presents a two-part survey of the production and ownership of luxury manuscripts in the late-medieval Netherlands. Part I analyses a corpus of 3,700 illustrated manuscripts produced between 1400 and 1550 in the Low Countries. The result is a cornucopia of information about many aspects of manuscript production: chronological, geographical and gender distribution, the genres of texts, the languages used, the dimensions of books, the number of illustrations, and the relationship between the making of hand-written and printed books. Part II examines the libraries of the pre-eminent owners of illustrated manuscripts in the Netherlands: the ducal family and the noble elite. The great bibliophile Philip the Good set an example of book collecting that was emulated by the nobles of the court, creating a typical ?Burgundian? fashion in book ownership by which a small elite demonstrated a well defined group identity. Luxury Bound charts this new vogue in books and reading, an important aspect of cultural change in the late-medieval Low Countries.
Les Éditions Sémaphore Couvertures souples Montréal 2006
Très bon 4 volumes in-8. Paginations diverses. 2006-2016. L'oeuvre multiforme de Gilles Hénault.
, Brepols, 2026 Paperback, 255 p., Illustrations:5 b/w, 50 col., Language(s):English. *New . ISBN 9788028007843.
In 1177, Pope Alexander III and Emperor Frederick Barbarossa are said to have reconciled in Venice, thanks to the mediation of Doge Sebastiano Ziani. Whether civic legend or historical truth, this episode ? the ?Peace of Venice? ? quickly became one of the city?s defining stories, woven into rituals, monuments, literature, and historiography. This book explores how this legend was retold, reimagined, and celebrated during the fourteenth century, when Venice faced new challenges at home and abroad. Chroniclers, poets, illuminators, and painters all reshaped the legend, creating a network of texts and images that reflected the city?s political ambitions. From Bonincontro dei Bovi?s Latin chronicle to its first volgarizzamento (Venezia, ASVe, Miscellanea codici I, s. v., 216), from San Nicol ?s lost fresco cycles to the richest illuminated manuscript (Venezia, Biblioteca del Museo Correr, 1497), from Castellano da Bassano?s Poema to the Doge?s Palace, the ?Peace of Venice? reveals the multilayered portrait of the Serenissima ? its artists, notaries, patrons, political figures, and diplomatic stakes. Bringing together literature, art history, and philology, this study traces how history gives rise to myth, and how myth, in turn, reinforces and reshapes history, evolving in step with the changing needs of the present.
, Brepols Publishers, 2011 hardback, 792 p., 406 colour ill., 230 x 315 mm francais. ISBN 9782930054124.
Ce sixieme volume de la serie des repertoires est consacre aux vitraux de la seconde moitie du XVIe siecle et de la premiere moitie du XVIIe siecle qui subsistent en Wallonie, dans les provinces du Brabant wallon, du Hainaut, de Liege et de Namur. L'auteur, Isabelle Lecocq, s'est attachee depuis plusieurs annees a l?etude de ces vitraux monumentaux qui ont trop peu retenu l'attention des chercheurs jusqu'a present. Ces ?uvres s?inscrivent en effet dans une periode particulierement sombre et troublee de l'histoire des anciens Pays-Bas meridionaux, qui commence avec le regne de Philippe II et qui coincide avec la ? Guerre de Quatre-Vingts Ans ? (1568-1648). Elles meritent neanmoins une attention particuliere car elles sont l?expression concrete de la mutation generalisee qui se produisit dans l?art entre la Renaissance et le Baroque. L?auteur a realise sur place un examen minutieux et une abondante documentation photographique. L?ouvrage presente pour chaque verriere une etude systematique d?authenticite completee par une recherche approfondie des archives ainsi que par toutes les autres demarches de l?histoire de l?art. Elle a pu confirmer de maniere etayee l?evidence d?une continuite de la production de vitraux dans l?espace wallon, malgre la situation tourmentee de l?epoque. Toutes les ?uvres sont replacees dans leurs contextes artistique, technique, politique, etc., ce qui eclaire aussi l?evolution de leurs concepteurs, de leurs realisateurs et de leurs commanditaires. Le volume a ete publie avec le concours de l?Institut royal du Patrimoine artistique et le soutien du Fonds Courtin-Bouche gere par la Fondation Roi Baudouin.
Berlin/ Boston, De Gruyter Saur 2011 Complete in 6 volumes: together over 6000 pp., 38th edition, 28cm., editor's illustrated hardcovers, fine condition (as new), [Detailed content: Volume I: Geographical section Albania-France, II: French Guiana-Paraguay, III: Peru-United Kingdom, IV: United States of America-Zimbabwe, V: Numerical ISBN section 978-0 to 978-3, VI: 978-4 to 978-99967], ISBN 978-3-11-023551-7, [Editor's new price is 939 euro, total weight is 15,5kg., extra shipping expenses apply: please inquire], T79233
, Brepols, 2017 Hardback, 629 pages, 156 x 234 mm, Illustrations:8 b/w, French/Latin. *NEW . ISBN 9782503575711.
La s rie des Humanistes du bassin des Carpates comptera sept volumes dans la collection Europa Humanistica . Le volume Traducteurs et diteurs de la Bible (2007) et le volume Johannes Sambucus (2015) sont d j parus. Ce volume pr sente son tour trente-sept humanistes du Royaume de Hongrie, dont certains sont tr s connus, comme Andr Dudith, Nicasius Ellebodius, ou bien Georg Henisch. la fin du XVe si cle le royaume de Hongrie avait tabli un r seau d?institutions semblables celles des tats occidentaux. Sous les r gnes de Mathias Corvin et des monarques jagelloniens, le r seau a fonctionn de mani re convenable. Dans la cour royale, dans les cours aristocratiques, piscopales et archi piscopales on a pu observer les premi res traces d?une vie culturelle la que. La r ception simultan e des id es de l?humanisme, de la Renaissance et de la R forme ont amen les nombreux humanistes italiens et germanophones pr sents dans le pays lancer un vaste programme d? ditions de textes. La plupart des ces ditions sont des traductions en hongrois, pr par es pour des fins scolaires. Seuls les rudits faisant partie des r seaux internationaux ? viennois, padouan, etc ? furent capables de productions philologiques plus importantes ; mais les philologues de Hongrie qui avaient fait leurs tudes dans les universit s trang res et taient en relation avec toute l?Europe savante, ont alors b n fici d?une aura internationale. TABLE OF CONTENTS Pr face Introduction Bibliographie des ouvrages de r f rence Liste des abr viations Transmetteurs des textes Andreas Hess Simon de Hungaria Jacobus Piso Mih ly Kesser? B lint Hadnagy Valentin Eck Bal zs V rdai Johannes Statileus Bartholomaeus Frankfurter Stephanus Taurinus Matthaeus Fortunatus Ferenc jhelyi B z s Joannes Baptista Novisoliensis Gregorius Coelius Pannonius Christoph Preyss Martin Rakovsky P ter Bornemisza Andr s Dudith Gy rgy Draskovich Nicasius Ellebodius Paulus Rosa Georg Henisch David Gutgesell Mikl s Gyarmati B r Christophorus Kirmeser Istv n Sz nt Arator Luk cs P csi J nos Cs ktornyai J nos Laskay Lucas Maurach Johann Bock Ferenc Listi Jacobus ppy Stephanus Ursinus Blagay Zsigmond Bell nyi P ter P zm ny Lorentz Brewer
Paris, Boivin & Cie éditeurs, ancienne librairie Furne, collection des Voyages excentriques., In-4 de [4]-434-[2] pages, reliure de cartonnage pleine percaline bleue, plat decoré d'un motif fleuri, feuillages, coupes et banderoles en couleurs , dos orné de même avec titres et filets dorés, second plat orné d'un filet à froid, bords biseautés. Ouvrage illustré de 84 gravures dans le texte et de 18 grandes compositions hors-texte en noir d'après les dessins de G. Conrad.
Tres bon etat
1943 N° 13 - in-12 broché avec sa jaquette illustrée - 1943 - 192 pages - Ed. Les Publications Georges Ventillard, Editeurs - coll. Minuit
bon état (légères traces de frottement sur la jaquette) Bon
, Brepols, 2026 Paperback, 430 p., 216 x 280 mm, Illustrations:426 b/w, 2 col., Language(s):English. *New . ISBN 9782503616582.
The turn of the fourteenth century was a difficult period in the history of late medieval Europe, marked by political instability, endless wars and all kinds of disasters. Yet it saw an extraordinary flourishing of Gothic architecture, marked by constant stylistic transformations that gave rise to a new phenomenon in European architecture: the late Gothic. This book is devoted to the Gothic cathedral in Cracow (1320?1364), an edifice that perfectly embodies these complex transformations. Although situated on the periphery of the Latin world at the time, it is one of the most stylistically advanced buildings that can be counted as examples of ?architecture around 1300?, featuring most of the artistic phenomena that distinguish this period in the history of medieval art. Moreover, this church served as the place of coronation and necropolis for the kings of Poland, and as a national shrine of the patron saint of the Kingdom, Saint Stanislaus, placing it on a par with sacred places such as Reims, Saint-Denis, Westminster, Aachen or Prague. This new study presents Cracow Cathedral in the broader context of the stylistic transformations that marked the Gothic architectural period between 1270 and 1350, and approaches this interregional phenomenon from a completely new angle, taking into account many buildings in Poland and Central Europe, that are generally overlooked. In addition to the history of style, the book focuses on the interface of politics, functional and liturgical considerations, and requirements of ceremony and display as determinants of the form and function of an architectural work.
, Brepols, 2018 Hardback, 239 pages, 156 x 234 mm, English, Italian. *NEW. ISBN 9782503574394.
Luigi Pulci?s rollicking, ribald account of the exploits of the paladin Orlando and his giant friend Morgante has never failed to provoke strong reactions in its readers. Pulci?s irreverent satirical wit made his Morgante an instant bestseller following its initial publication, but also drew the ire of powerful enemies like the Dominican friar Girolamo Savonarola, who called for copies to be burned in the ?bonfires of vanities? organized by his followers in Florence. The Morgante is the most important immediate precursor to the Orlando innamorato and the Orlando furioso, yet relatively little critical attention has been devoted to Pulci?s work compared to that of his successors Boiardo and Ariosto. This volume ? the first collection of critical essays dedicated to Pulci ? offers a comprehensive reassessment of Pulci?s work and legacy, shedding new light on the cultural and literary traditions that Pulci draws from and subverts, the social and political forces that shaped Pulci?s work, and the breadth of Pulci?s influence from the Renaissance to the present day. TABLE OF CONTENTS Introduction - JAMES COLEMAN AND ANDREA MOUDARRES Tra autobiografia e confessione - MARCO VILLORESI The Devil and the Mirror: Pulci?s Theology - GIUSEPPINA PALMA The Tenzone between Matteo Franco and Luigi Pulci in the Context of Renaissance Vituperium: Notes on Language and Intertextuality - MICHELANGELO ZACCARELLO Rhetoric of Insult in Luigi Pulci?s Morgante - ALESSIO DECARIA ?? e tutto il prato di pecore pieno? (Morgante XX. 37). Dalla similitudine alla metafora? - MARIA CRISTINA CABANI La morte di Orlando nel Morgante - STEFANO CARRAI Luigi Pulci and the Invention of Renaissance Irreverence - LINDA CARROLL The Ideological Battle of Roncevaux: The Critique of Political Power from Pulci?s Morgante to Sicilian Puppet Theater Today - JOANN CAVALLO Index of Names
6e éd., 1 vol. in-8 rel. demi-chagrin brun, dos à 5 nerfs, Félix Alcan éditeurs, Librairies Félix Alcan et Guillaumin réunies, Paris, 1910, XXI-496 pp.
Très bon état. Peu courant ainsi relié
, Brepols Publishers, 2007 hardcover, XXV 436 pages., 510 b/w ill. 470 colour ill., 230 x 315 mm, english. ISBN 9781905375257.
This checklist is the first in a series of volumes describing the silver-stained glass roundels and unipartite panels from the 15th to the 18th centuries to be found in public buildings, museums and private collections in the present five provinces of Flanders (Belgium); as well as documented roundels and unipartite panels whose whereabouts are presently unknown or which have been moved to other locations or collections in the past. The checklist also mentions all known related material, and where possible, photographs of this material have been added. As far as the related material is concerned, the relevant publications are also mentioned. The related material includes direct designs, like drawings or engravings, and drawings and roundels which belong to either the same series or which are copies of these series.The present volume covers the Province of Antwerp. The publication of the checklists for the provinces of West Flanders, East Flanders (Vol. 2) and Limburg and Flemish Brabant (Vol.3) are planned for the near future. An inventory of the roundels in The Netherlands is also foreseen. "This handsomely produced and expensively illustrated volume is proof of the fact that Flemish roundels and unipartite panels have now regained the place of honour that they have always deserved." (Penny Hebgin-Barnes, Journal of the British Society of Master Glass Painters and The Journal of Stained Glass, vol. XXXII, 2008, p. 193-194)
, Brepols Publishers, 2011 hardcover, Corpus Vitrearum, Belgium, Checklists (CVBC 2) 631 pages C.J. Berserik, J. Caen Silver-Stained Roundels and Unipartite Panels before the French Revolution Flanders, Vol. 2: The Provinces of East and West Flanders XIV+631 p., 300 b/w ill. + 900 colour ill., 230 x 315 mm, 2011 ISBN: 978-1-905375-31-8 Languages: English ISBN 9781905375318.
This checklist is the second in a series of volumes describing the silver-stained glass roundels and unipartite panels from the Middle Ages to the 18th century found in public buildings, museums and private collections in the present five provinces of Flanders (Belgium). It also includes documented roundels and unipartite panels whose whereabouts are presently unknown and those which have been removed to other locations or collections in the past. The checklist also mentions all known related material. Where possible, photographs of this material have been added. As far as the related material is concerned, the relevant publications are also mentioned. This material includes models, drawings, engravings, and roundels which belong either to the same series or to those which are copies of these series. The present volume covers the Provinces of East and West Flanders (more or less the former County of Flanders). The first checklist, concerning the Province of Antwerp, was published in 2007. Additional volumes for the Provinces of Flemish Brabant and Limburg (Vol. 3), and the one with Addenda (Vol. 4) are in the planning stage. The former County of Flanders, with the cities of Bruges and Ghent, must once have displayed huge quantities of stained glass, which for the most part have been lost or relocated. The causes and reasons for this loss include natural calamities, fires, deliberate destruction and neglect. Most of the surviving roundels are now in foreign collections: on the continent; in Great Britain; or in the United States of America. It is worthy of note that great efforts have been made in the USA and Great Britain to compile and publish checklists of silver-stained roundels and other small panels, originating from the Low Countries, whilst here, where they were produced, this series is the first genuine overview that has ever been published. During the 15th and 16th centuries roundels and small panels played an important role as 'public relations' gifts among the upper classes, the church and its associated religious orders. As these gifts played a very significant role in social life, demand for these items was very high. It is clear that the manufacture of roundels and small panels was a substantial part of the earnings of these glass workshops, which also produced monumental windows. The most popular themes were predominantly religious, but also included heraldic, secular, mythological and allegorical subjects. The seasons and months and labours of the year were also commonly found. In the late 16th and the 17th centuries the range of iconographical subjects became more secular with, among other themes, representations of professions. Heraldry also remained very important, and in the second half of the 17th and the beginning of the 18th centuries nearly all roundels and panels depicted armorials and included the name of their donors.
, Brepols Publishers, 2014 hardcover, Corpus Vitrearum, Belgium, Checklists (CVBC 2)XIV+548 pages., 230 x 315 mm; English ISBN 9789079528240.
This book gives an extensive description of the silver-stained glass roundels and unipartite panels from the 15th to the 18th century to be found in public buildings, museums and private collections in the Flemish Provinces Limburg and Flemish Brabant. This checklist is the first in a series of volumes describing the silver-stained glass roundels and unipartite panels from the 15th to the 18th centuries to be found in public buildings, museums and private collections in the present five provinces of Flanders (Belgium); as well as documented roundels and unipartite panels whose whereabouts are presently unknown or which have been moved to other locations or collections in the past. The checklist also mentions all known related material, and where possible, photographs of this material have been added. As far as the related material is concerned, the relevant publications are also mentioned. The related material includes direct designs, like drawings or engravings, and drawings and roundels which belong to either the same series or which are copies of these series. The present volume covers the Provinces Limburg and Flemish Brabant. An inventory of the roundels in The Netherlands is also foreseen.