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En literair Anmeldelse. To Tidsaldre, Novelle af Forfatteren til ""En Hverdagshistorie"", udgiven af J.L.Heiberg. Kbhv. Reitzel, 1845, anmeldt af S.Kierkegaard.
K., 1846. Ubeskåret i senere blankt omsl. Første og sidste blade noget brunplettet. 114pp.
Originaludgave. Himmelstrup 100.
Enten-teller, bind 1.
Gyldendals Bogklub. 1982. In-8. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 437 pages.. . . . Classification Dewey : 490-Autres langues
Bind 1. Classification Dewey : 490-Autres langues
Forførerens Dagbog. Med et indledende Forord af Hans Brix.
København, Christians=Pressens Forlag, 1919. Ubeskåret i orig. helldrbd. med blindtryk på ryg og permer. 163 pp. Kobberstukket titelvignet of kobberstukket portræt af Søren Kierkegaard, stukket af Knud Hendriksen, trykt af kobbertrykker Johan Beck. Trykt på Van Gelder Zonen papir.Nr. 71 af 325 eksemplarer.
Forførerens Dagbog. Med et indledende Forord af Hans Brix.
København, Christians=Pressens Forlag, 1919. Ubeskåret i orig. helldrbd. med blindtryk på ryg og permer. 163 pp. Kobberstukket titelvignet of kobberstukket portræt af Søren Kierkegaard, stukket af Knud Hendriksen, trykt af kobbertrykker Johan Beck. Trykt på Van Gelder Zonen papir.Nr. 67 af 325 eksemplarer.
Forord. Morskabslæsning for enkelte Stænder efter Tid og Leilighed af Nicolaus Notabene. K., 1844. 110pp.
Ubeskåret i orig. hollanderet bd. m. den bogtrykte titeletiket. Forperm lidt løs. Sidste 30 sider m. skjold. Noget brunplettet.
Originaludgave. Himmelstrup 70. Har tilhørt Vilhelm Grønbeck.
Forord. Morskabslæsning for enkelte Stænder efter Tid og Leilighed af Nicolaus Notabene. - [KIERKEGAARD'S MOST HUMOROUS WORK - A FORERUNNER OF POSTMODERNISM]
Kjøbenhavn, C.A. Reitzel, 1844. 8vo. A splendid copy in contemporary full cloth with blindstamped decorations to boards and gothic gilt lettering to spine. Light damp stains to back board and a bit of wear to capitals. Internally unusually nice and clean. 110, (1) pp. With an inscription for Josephine Bidoulac (later married to Welhaven), from Emil Wedel, to front fly-leaf. Pencil annotations by Jonas Skovgaard to front free end-paper.
The uncommon first edition, in a lovely copy, of Kierkegaard's most humorous work. Published simultaneously with The Concept of Anxiety, Prefaces can be viewed as its companion piece. It represents an altogether different genre, but the two fictional authors of the works interestingly contrast each other. Although having been eclipsed by the now notoriously famous Concept of Anxiety, Prefaces was in fact more popular when it appeared and sold many more copies. Written under the pseudonym of Nicolaus Notabene, the “author” name indicates that despite its humorous approach, Prefaces is still something serious – something to be noted. And it certainly is. It is here that we find Kierkegaard’s sarcastic roasting of the Hegelian system and of the Danish Hegelians with Johan Ludvig Heiberg as the main representant. Through Notabene, he makes fun of Heiberg and Hegel, who both want to explain everything and want to be mediators of understanding. Just as Hafniensis in The Concept on Anxiety poses that “how sin came into the world each man understands solely by himself. If he would learn it from another, he would misunderstand it” (p. 51), so Notabene in Prefaces states that “My frame, my health, my entire constitution do not lend themselves to mediation” (p. 45). In Prefaces we also find Kierkegaard’s thoughts about the relationship between the reading public and the author and his fierce criticism of literary critics and reviewers. And in the very amusing preface to the Prefaces, we are given another glimpse into Kierkegaard’s thoughts on marriage and the dilemma he found himself in with Regine – the inner struggle between he, who is the husband and he, who is the author can one be both? With its challenging notions on the idea of the book and the interaction of the book with its readers, his little ironic masterpiece is a clear forerunner of Postmodernism Himmelstrup 7.
Frygt og Bæven. Dialektisk Lyrik af Johannes de Silentio. - [FEAR AND TREMBLING - INTRODUCING THE LEAP OF FAITH]
Kjøbenhavn, 1843. 8vo. Contemporary dark brown half cloth with gilt lettering to spine. Capitals and a bit of the front hinge worn, but overall very nice and tight. Internally a bit of brownspotting (as always due to the quality of the paper), but less than usual. Old owner's signature to title-page. VIII, 135 pp.
![Frygt og Bæven. Dialektisk Lyrik af Johannes de Silentio. - [FEAR AND TREMBLING - INTRODUCING THE LEAP OF FAITH]. KIERKEGAARD, SØREN.](https://static.livre-rare-book.com/pictures/LLX/62092_1_thumb.jpg)
![Frygt og Bæven. Dialektisk Lyrik af Johannes de Silentio. - [FEAR AND TREMBLING - INTRODUCING THE LEAP OF FAITH]. KIERKEGAARD, SØREN.](https://static.livre-rare-book.com/pictures/LLX/62092_2_thumb.jpg)
![Frygt og Bæven. Dialektisk Lyrik af Johannes de Silentio. - [FEAR AND TREMBLING - INTRODUCING THE LEAP OF FAITH]. KIERKEGAARD, SØREN.](https://static.livre-rare-book.com/pictures/LLX/62092_3_thumb.jpg)
First edition of one of Kierkegaard's most important and sought-after works, Fear and Trembling, which is rather more difficult to find than most of his other works. Fear and Trembling is one of Kierkegaard’s most important works. And it is also one of his most difficult. It deals – in forceful brevity – with the relationship between reason and faith and provides us with Kierkegaard’s most thorough exposition of the religious stage, which he considered the most meaningful form of existence. It is here that Kierkegaard introduces the “tragic hero” and contrasts it to the “Knight of Faith”, who both ignore their own wishes for a higher good. These two essential figures epitomize the ethical and the religious and pave the way for the understanding of these stages in Kierkegaard’s philosophy. It is arguably also here that the idea of the essential leap of faith is introduced for the first time. The Knight of Faith sacrifices his son at the command of God and thus sets aside an ethical demand in in order to attain a higher goal that exists beyond the ethical. This teleological suspension of the ethical requires a leap of faith that is only possible through faith in virtue of the absurd. Himmelstrup 48.
Gjentagelsen. Et Forsøg i den experimenterende Psychologi af Constantin Constantius.
K., 1843. Lidt senere simpelt hshirtbd. Rent ekspl. 157 pp.
Originaludgave. Himmelstrup 53.
Gjentagelsen. Et Forsøg i den experimenterende Psychologi af Constantin Constantius.
K., 1843. Ubeskåret i et nydeligt senere mønstret mørkegrønt papirsbindd. Mangler 1/3 af skindtitlen på ryggen. Hér og dér noget plettet, revne på titelbl. restaureret.
Originaludgave. Himmelstrup 53.
Gjentagelsen. Et Forsøg i den experimenterende Psychologi af Constantin Constantius.
Kjøbenhavn, C.A. Reitzel, 1843. Samtidigt pænt hldrbd. med enkel rygforgyldning. De første ca 30 blade med en del brunplatter i marginer, senere med svagere brunpletter. 157 pp.
Originaludgave. First edition. - Himmelstrup 53.
Indøvelse i Christendom. Af Anti-Climacus. Nr.I.II.III. Udgivet af S.Kierkegaard. K., 1850. (4)+277pp.
Nyere blåt blankt omsl. Lidt brunplettet.
Originaludgave. Himmelstrup 121.
Kjerlighedens Gjerninger. Nogle Christelige Overveielser i Talers Form. Første + Anden Følge (alt).
Kbh., 1847. Ét samt. helhirtbd. m. rygforgyldn. Ene fals, kapitæler samt hjørner lettere slidte. Første og sidste blade en del brunplettede. 224, 203 pp.
Originaludgave. Himmelstrup 105.
Kjerlighedens Gjerninger. Nogle Christelige Overveielser i Talers Form. Første-Anden Følge. K., 1847. 224+204pp.
Indb. m. den orig. hollanderede forperm i et blåt papbd. m. rygtiteletiket. hér og dér lidt plettet. ""Slutningen"" (fra s.190) lidt løsgået indvendig, dog uden fare for at ryge ud.
Originaludgave. Himmelstrup 105.
Kjerlighedens Gjerninger. Nogle christelige Overveielser i Talers Form. Første-Anden Følge.
Kbh., 1847. Noget brunplettet ekspl. i helbd. af nyere immiteret læder m. rygtitelfelter af rød og grøn immiteret læder. 224, 203 pp.
Originaludgave. Himmelstrup 105.
Kjerlighedens Gjerninger. Nogle Christelige Overveielser i Talers Form. Første + Anden Følge (alt).
Kjøbenhavn, 1847. 8vo. One nice contemporary black/brown full cloth with gilt title to spine. A bit of wear to capitals and corners. Internally a very fresh and bright copy. 224, 203 pp.
First edition. Himmelstrup 105.
Le Concept de l'angoisse. Traduit du Danois par Knud Ferlov et Jean J. Gateau.
Paris, Gallimard, 1935. Orig. printed wrappers. 236 pp. Name on half title.
First French edition of ""Begrebet Angest"".(1844).
Les Miettes philosophiques. Trad. nouvelle de Paul Petit.
Paris, Le Cailllou Blance, 1947. 237 pp. Name on title.
Enclosed a handwriitten letter from the translator (2 pp.), dated 5 November 1948.
Om min Forfatter=Virksomhed. K., 1851. 20pp.
Orig. bogtrykt omsl. Gennemgående skjold i nederste venstre hjørne.
Originaludgave. Himmelstrup 132.
Om min Forfatter=Virksomhed. K., 1851. 20pp.
Blåt blankt papiromsl. Plettet ekspl.
Originaludgave. Himmelstrup 132.
Om min Forfatter=Virksomhed. K., 1851. 20pp.
Orig. for- og bagomsl. opklæbet på pap fungerende som permer for dette hshirtbd. Lidt løs, m. stort gennemgående vandskjold.
Originaludgave. Himmelstrup 132.
Opbyggelige Taler i forskjellig Aand.(3 Afdelinger). K., 1847.
Samt. hshirtbd. m. rygforgyldn. Øvre false lidt revnede. Øvre kapitæl lidt slidt. Bortset fra skjold i sidste halvdel, pæn. (IV)+155+64+140pp.
Originaludgave. Himmelstrup 101.
Opbyggelige Taler i forskjellig Aand.(3 Afdelinger). K., 1847. (IV)+155+64+140pp.
Indb. i et lidt senere beskedent hshirtbd. Bortset fra skjold øverst på de første 60 sider, rent ekspl.
Originaludgave. Himmelstrup 101.
Opbyggelige Taler i forskjellig Aand.(3 Afdelinger).
K., 1847. Senere blåt blankt omsl. Svagt gennemgående skjold. Lettere brunplettet indimellem. (IV)+155+64+140pp.
Originaludgave. Himmelstrup 101.
Papirer. Anden forøgede udg. ved Niels Thulstrup. 16 Bd. (i 25).
K., 1968-78. 25 org. helshirtbd.
