‎Gedichte und Sprüche. - [FRIEDRICH JODL'S COPY]‎

‎Leipzig, Naumann, 1898. Small 8vo. Uncut in the original green printed wrappers. Spine with a bit of wear and minor wear to extremities. A very fine and clean copy in the scarce original wrappers. A 4-line presentation-inscription by Friedrich Jodl to front free end-paper, dated ""23.8.98"".‎

‎The rare first edition of Nietzsche's poems and maxims, the first complete collection of his poetry, which furthermore constitutes the first appearance of all nine, properly corrected, ""Dionysian Dithyrambs"" in one volume.This one of 1.000 copies printed of the first run, without ""Second Edition"" on the title-page, as the other 1.000 copies of the first edition had. According to Elizabeth Förster-Nietzsche, Nietzsche's sister who has assembled the present collection ""[t]his collection of poems and maxims shows the entire poetic development of my brother over a period of 30 years. It begins at a time when the earliest stuttering poetical expression has been overcome and ends with the highest rising of the poetic spirit, who in order to find words can now only speak in dithyrambs."" (own translation, from the Introduction, p. [XIII]). Numerous of the poems have never been printed before, and many are printed from the original manuscripts, which Elizabeth had in her possession.Though Nietzsche is primarily understood and remembered as one of the greatest philosophers of all times, his poems occupy a central place in his literary production and many of them (e.g. the Dithyrambs) are intimately linked with the philosophy for which he is so famous today. Furthermore, the present volume underlines the popular modern view of Nietzsche as the not only philosophical, but also literary and artistic genious. The first edition of the work is difficult to find and is rarely seen for sale.THE PRESENT COPY HAS BELONGED TO FREIDRICH JODL (1849-1914), the famous German philosopher and contemporary of Nietzsche, and bears his signature as well as a 4-line dated presentation-inscription to front free end-paper. Jodl ranks as one of the most significant representatives of German expressionism and is still remembered for his original ontological works with their constant focus on empiricism as the only true strand of philosophy. He has also written a number of important works within the history of philosophy and ethics, psychology and aesthetics, which for decades counted as standard works, and he is among the first to develop the intellectual environment that ultimately led to, among many other things, the founding of the Vienna Circle. His main task was to develop and spread a purely naturalistic ethics free of any religious or metaphysical elements, and he is considered a modern ""Enlightenment philosopher"", whose consistent empiricism, well-founded philosophical ideas, optimistic theories of culture, ethics, the value of life & the progress of man inspired many later thinkers and furthermore helped promote important political and social ideas, such as free popular education, etc. His main works, which are now standard works within ethics and psychology, and which were printed over and over again, are ""Geschichte der Ethik als philosophischer Wissenschaft"", in which he presents man's cultural development as the process of liberation from religious and metaphysical ideas and the change from a theocentric to an anthropocentric foundation of ethics. This work is followed up by his purely epirically founded ""Lehrbuch der Psychologie"", which grounds the same ideas psychologically. After having been Privatdzent in Munich, he was named professor of philosophy at the German University in Prague, and in 1896 he accepted a professorship of philosophy at the University of Vienna. He was greatly successful in Vienna and was considered the most prominent liberal professor here, whose numerous lectures and articles against the reigning ""Ultramintanismus"" and the clerical influence in schools and universities found great resonance with scholars and students. He had a huge number of followers, not only at the university, but also in the public, as a political figure as well. He is partly to thank for the emergence of an intellectual climate in Vienna in the 20th century, which later led to Neopositivism and the founding of the Vienna Circle.""We need no other mediator between us and nature except our understanding and a courageous will, nor any mystery behind nature to console us for her"" we are alone with nature, and we feel secure because we possess intellect and she behaves according to laws"" (Jodl, Vom wahren und vom falschen Idealismus, p. 40). ‎

‎GESAMMELTE WERKE, BAND XV‎

‎Musarion verlag. 1925. In-12. Relié. Etat d'usage, Couv. convenable, Dos abîmé, Quelques rousseurs. 465 pages. Feuillets détachés. Dernier plat de couverture détaché.. . . . Classification Dewey : 430-Langues germaniques. Allemand‎

‎Jenseits von gut und böse. Classification Dewey : 430-Langues germaniques. Allemand‎

‎GESAMMELTE WERKE, BAND XXII‎

‎Musarion verlag. 1928. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 317 pages. Ouvrage en allemand.. . . . Classification Dewey : 430-Langues germaniques. Allemand‎

‎Sachregister A-L. Classification Dewey : 430-Langues germaniques. Allemand‎

‎Götzen-Dämmerung oder Wie man mit dem Hammer philosophiert. [Le crépuscule des idoles - Twilight of the Idols].‎

‎ In-8, demi-percaline rouge à coins à la Bradel, dos lisse orné de doubles filets dorés en tête et pied et d'un fleuron central, titre doré, contre plat et gardes de soie fleurie (reliure de l'époque Charles Muller Genève), (8), 144 p., page de titre et texte encadrés d'un filet noir. Leipzig, C.G. Naumann, 1889.‎

‎Edition originale de premier tirage de cet ouvrage que Nietzsche composa en quelques semaines durant l'été 1888. Le manuscrit, sous le premier titre de Flâneries dun psychologue (Mussinggang eines Psychologen), fut expédié à son imprimeur C. G. Naumann le 7 septembre 1888. Le chapitre "Ce que les Allemands sont en train de perdre" fut intercalé en septembre, les aphorismes 32 à 43 des Flâneries inactuelles, ajoutés au commencement doctobre et Nietzsche se rangea à l'avis de son ami Peter Gast (Heinrich Köselitz) en donnant au livre son titre définitif, tout en continuant à introduire des modifications alors même que l'ouvrage était à l'impression.Quelques exemplaires furent rapidement distribués aux amis de lauteur mais la mise en vente officielle du livre nintervint quaprès que Nietzsche ne sombra dans la démence, le 3 janvier 1889 à Turin.(Schaberg, 'The Nietzsche Canon', n°56 p. 224).Coiffes frottées, petites traces grises sur les mors.Très bon exemplaire. ‎

‎Götzen-Dämmerung oder Wie man mit dem Hammer philosophiert. + Dionysos-Dithyramben. - [WHAT DOES NOT KILL ME ONLY MAKES ME STRONGER]‎

‎Leipzig, C.G. Naumann, 1889 + (1890 - released 1892). 8vo. Very nice contemporary half calf with five raised bands, gilt ornamentations, and gilt lettered title to spine. Double gilt lines to boards. A bit of wear to capitals and corners. A nice, clean, and tight copy. Internally fresh and clean, uncut. (8), 144 pp. + 21, (1) pp., 1 f. (contents).‎

‎The scarce first edition of the epitome of Nietzsche's final project -a re-valuation of all values (""Eine Umwerthung aller Werthe""), -his hugely interesting ""declaration of war"" (preface p. (4): ""Diese Schrift ist eine grosse Kriegserklärung""), which was written during his last productive year, just before his big breakdown in Turin. - Bound together with the first printing of the ""Dionysian Dithyrambs"", which appeared as a separate appendix to the fourth part of ""Also sprach Zarathustra"".""Götzen-Dämmerung"" (""The Twilight of the Idols"") must be said to constitute the culmination of the production of this giant of philosophy, who turned mad after having finished it.Early in 1889 Nietzsche began to exhibit signs of serious mental illness, and in Turin he finally broke down, and was brought back to Basel by his friends. ""The Twilight of the Idols"" was released merely a few weeks after this collapse, and Nietzsche never wrote again.Nietzsche had 1.000 copies of the work privately printed. The work is considered one of his most popular, and it is here that we find some of the most frequently quoted passages from the works of Nietzsche, e.g. ""What does not kill me, only makes me stronger"" (p.2.: ""Was mich nicht umbringt, macht mich stärker"").The Twilight was meant as an introduction to, or summary of, Nietzshe's philosophy, and as such it is one of his most interesting works. It is written almost as in a rage of fever -in only about a week-, and as he himself states at the end of the preface: ""Turin, am 30. September 1888, am Tage, da das erste Buch der Umwerthung aller Werthe zu ende kam."" (i.e. ""Turin, on September 30. 1888, on the day that the first book on the re-valuation of all value came to an end.""). This highly polemical work makes clear reference to Wagner's opera ""Götterdämmerung"", and it presents us with a sharp critique of the most influential philosophers in history, e.g. Kant, Plato, Socrates, and of Christianity in general, but also the likes of Rousseau, Hugo, Renan, Mill, Darwin, Dante etc. are attacked as the causes of cultural decadence in Europe, and only the likes of Caesar, Napoleon, Dostojevski, Goethe and Thukydides represent the opposite -healthy and strong- strand.Nobody who had read this work could have been surprised with the mental collapse of the author.Of the 1.000 copies, 659 still remained unsold by October 1893.Though Nietzsche is primarily understood and remembered as one of the greatest philosophers of all times, his poems occupy a central place in his literary production and many of them (e.g. the Dithyrambs) are intimately linked with the philosophy, for which he is so famous today. The first printing of the ""Dionysian Dithyrambs"" furthermore occupies a central place in the legendary feud over the rights to his works that emerged after his break-down. Nietzshe no longer had any say in the matter of which or where his remaining works were to be printed, and a complicated struggle over the right to decide over these works begins to unfold with the printing of these first six ""Dionysian Dithyrambs"".""The first of the ""books"" to be published without his editorial corrections was actually a collection of nine poems, entitled ""Dionysian Dithyrambs"", which Nietzsche had gathered together during the last few months of 1888. One of them, ""Last Will"" (""Letzter Wille""), had originally been composed in 1883... The remaining five poems [being the five that are present here, together with ""Last Will""] also saw their first drafts during the ""Zarathustra"" period but did not receive their final revisions until 1888... He prepared the manuscript for printing and composed a dedication on 1 January 1889, but then decided to withhold it temporarily for future publication. Shortly thereafter he was insane. One year later, Gast and Naumann decided to publish the poems in same volume as the first public edition ""Zarathustra IV"" and because three of the poems already appeared in the text - albeit in a slightly revised format - they elected to print the other six poems in an addendum entitled ""Dionysian Dithyrambs"". But what started out as a simple publishing venture soon became the focal point of a complicated struggle to decide who would control the contents and the timing of the publication of Nietzshe's literary estate... Naumann had finished the printing of ""Zarathustra IV"" - which included the addendum of six ""Dinysian Dithyrambs""...on 23 November 1890, with every intention of introducing the work at the Easter Book Fair of 1891. But on 24 March and again on 29 March, Franziska wrote to Overbeck pleading that the work not be published. On 1 April, Gast received a similar letter. Naumann was sent a telegram demanding that he withhold ""Zarathustra IV"" until the issues of blasphemey and liability could be settled. On 13 April, the publisher reluctantly agreed to postpone publication until these issues were resolved.Elisabeth took this opportunity to begin searching for a new publisher who would assume responsibility for all of her brother's works, including the remaining copies that he had paid to have self-published. Negotiations dragged on for months as Elisabeth continued to browbeat Naumann on a number of issues. Finally, on 9 February 1892, a contract was signed in which C.G. Naumann gained control of all of Nietzsche's previously published works... The ""Dionysian Dithyrambs"" appeared as an addendum to the fourth part of ""Zarathustra IV"", which had been printed in late 1890, and were finally released to the public in March of 1892...Publication of all nine poems - with the proper revisions - had to wait another six years..."" (Schaberg: pp. 173-177).As mentioned, the ""Dionysian Dithyrambs"" were published as an appendix (with its own title-page) to ""Also sprach Zarathustra IV"". The work was published in 1.000 copies (printed in late 1890)" by October 1893, 171 copies still remained unsold.Twilight of the Idols: Schaberg: 56Dionysian Dithyrambs: Schaberg: 58‎

‎Götzen-Dämmerung oder Wie man mit dem Hammer philosophiert. - [WHAT DOES NOT KILL ME ONLY MAKES ME STRONGER]‎

‎Leipzig, C.G. Naumann, 1889. 8vo. Bound with the original printed wrappers in a nice near contemporary brown half cloth with gilt lettering to spine. Lovely marbled end-papers. A bit of light soiling and brownspotting to wrappers, which are otherwise very well preserved. A few leaves with some very light brownspotting and a couple of leaves with small closed tears to blank inner margin, far from affecting text. Overall very nice. With the engraved book plate of Adolf Fischer to inside of front board. (8), 144 pp. ‎

‎First edition - with the scarce original wrappers - of the epitome of Nietzsche's final project -a re-valuation of all values (""Eine Umwerthung aller Werthe""), -his hugely interesting ""declaration of war"" (preface p. (4): ""Diese Schrift ist eine grosse Kriegserklärung""), which was written during his last productive year, just before his big breakdown in Turin. ""Götzen-Dämmerung"" (""The Twilight of the Idols"") arguably constitutes the culmination of the production of this giant of philosophy, who turned mad after having finished it.Early in 1889, Nietzsche began to exhibit signs of serious mental illness"" in Turin, he finally broke down and was brought back to Basel by his friends. ""The Twilight of the Idols"" was released merely a few weeks after this collapse, and Nietzsche never wrote again.Nietzsche had 1.000 copies of the work privately printed. The work is considered one of his most popular, and it is here that we find some of the most frequently quoted passages from the works of Nietzsche, e.g. ""What does not kill me, only makes me stronger"" (p.2.: ""Was mich nicht umbringt, macht mich stärker"").The Twilight was meant as an introduction to, or summary of, Nietzshe's philosophy, and as such it is one of his most interesting works. It is written almost as in a rage of fever - it took him no more than a week to write it -, and he regarded it a world-changing magnum opus. As he states at the end of the preface: ""Turin, am 30. September 1888, am Tage, da das erste Buch der Umwerthung aller Werthe zu ende kam."" (i.e. ""Turin, on September 30. 1888, on the day that the first book on the re-valuation of all value came to an end.""). This highly polemical work makes clear reference to Wagner's opera ""Götterdämmerung"", and it presents us with a sharp critique of the most influential philosophers in history, e.g. Kant and Plato, and of Christianity in general, but also the likes of Rousseau, Hugo, Renan, Mill, Darwin, Dante etc. are attacked as the causes of cultural decadence in Europe. Giants like Caesar, Napoleon, Dostojevski, Goethe, and Thukydides are considered representatives of the opposite.The mental collapse of the author may not come as a surprise to anyone reading the work.Of the 1.000 copies, 659 still remained unsold by October 1893.Twilight of the Idols: Schaberg: 56a‎

‎Humain, trop humain - 1‎

‎Folio 2010, format poche n° 77; collection essais - bon état‎

‎Humain trop Humain. Un Livre pour Esprit Libre - Fragments Posthumes (1876-1879). Textes et variantes établis par G. Colli et M. Montinari‎

‎Paris, Gallimard, 1968, in-8, 575 & 482pp, broché, Très bel exemplaire! 575 & 482pp ‎

‎HUMAIN, TROP HUMAIN. " Un livre pour esprits libres ".‎

‎N.R.F. 1968. 2 tomes en 2 volumes. Grand in-8° broché. 574 & 482 pages.‎

‎Bon état.‎

‎Humain, trop humain : Un livre pour esprits libres. Fragments posthumes, 1876-1878 et 1878-1879 (2 volumes)‎

‎Gallimard Broché 1968 Deux volumes in-8 (14 x 22,5 cm), brochés, 575 et 482 pages ; dos un peu brunis, pliure au premier plat du tome 2, par ailleurs bel exemplaire. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Humain, trop humain. Un livre pour les esprits libres. Textes et variantes établis par G. Colli et M. Montinari. Traduits de l'allemand par Robert Rovini.‎

‎Paris : Gallimard, Nrf, 1968 Deux volumes in-8, 575-(4)-482-(3) pages. Broché, couverture imprimée de l'éditeur.‎

‎Bel exemplaire. I: Fragments posthumes (1876-1878). II: Fragments posthumes (1878-1879). ‎

‎Introduction aux leçons sur l'OEdipe-Roi de Sophocle - Introduction aux études de philologie classique‎

‎Encre Marine. 1994. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Non coupé. 133 pages.. . . . Classification Dewey : 190-Philosophie occidentale moderne‎

‎Traduit par Françoise Dastur et Michel Haar. Classification Dewey : 190-Philosophie occidentale moderne‎

‎Introduction aux leçons sur l'Oedipe-Roi de Sophocle été 1870 trois heures par semaine - Introduction aux études de philologie classique été 1871 trois heures par semaine.‎

‎Encre Marine. 1994. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 133 pages - étiquette collée sur le 2ème plat.. . . . Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES‎

‎Traduit par Françoise Dastur et Michel Haar, présenté par Michel Haar. Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES‎

‎Introduction aux leçons sur l’Oedipe-Roi de Sophocle été 1870 trois heures par semaine. Introduction aux études de philologie classique été 1871 trois heures par semaine. Traduit par Françoise Dastur et Michel Haar présenté par Michel Haar.‎

‎ La Versanne, Encre Marine 1994, 225x150mm, 133pages, broché. Couverture à rabats, pages non coupées. Bel exemplaire.‎

‎"Introduction à la lecture des dialogues de Platon (Collection ""Polemos"")"‎

‎L'Eclat. 1991. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. XIX + 88 pages.. . . . Classification Dewey : 190-Philosophie occidentale moderne‎

‎"Collection ""Polemos"". Traduit de l'allemand et présenté par Olivier Berrichon-Sedeyn. Classification Dewey : 190-Philosophie occidentale moderne"‎

‎Introduction à la lecture des dialogues de Platon. Collection : Polemos.‎

‎Combas (France), Editions de l'Eclat, 1991. 15 x 22, 88 pp., broché, très bon état.‎

‎Traduit de l'allemand et présenté par Olivier Berrichon-Sedeyn.‎

‎Introduction à la lecture des dialogues de Platon‎

‎ L'Eclat L'Eclat 1991. In-8 broché, 88 pages. Très bon état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎Introduction à la lecture des dialogues de Platon. Traduit de l’allemand et présenté par Olivier Berrichon-Sedeyn. Collection Polemos.‎

‎ Combas, Editions de l’Eclat 1991, 220x150mm, XIX - 88pages, broché. Cachet de possesseur sur le haut de la page de garde supérieure, autrement très bel exemplaire. ‎

‎Introduction à la lecture des dialogues de Platon‎

‎ L'Eclat, Combas, 1991. 1 volume in-8 broché, 88 pages. Bel état malgré crayon.‎

‎ La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné. La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné. ‎

‎Jenseits von gut und bose‎

‎Wilhelm goldmann verlag in12. Sans date. Broché.‎

‎Bon état. sans date vers 1990‎

‎"Jenseits von Gut und Böse - Vorspiel einer Philosophie der Zukunft - ""Goldmann Klassiker"""‎

‎Wilhelm Goldmann. Non daté. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 186 pages. Livre en allemand. Non daté.. . . . Classification Dewey : 430-Langues germaniques. Allemand‎

‎ Classification Dewey : 430-Langues germaniques. Allemand‎

‎Jeuseits Von Gut Und Bose / Zur Genealogie der Moral - Kritich Studienausgabe‎

‎de Gruyter. 1999. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 424 pages. Texte en allemand.. . . . Classification Dewey : 430-Langues germaniques. Allemand‎

‎ Classification Dewey : 430-Langues germaniques. Allemand‎

‎Kommentar zu Band 1-13‎

‎de Gruyter. 1999. In-12. Broché. Bon état, Couv. convenable, Dos fané, Intérieur frais. 778 pages. Texte en allemand. Trois photos disponibles.. . . . Classification Dewey : 430-Langues germaniques. Allemand‎

‎ Classification Dewey : 430-Langues germaniques. Allemand‎

‎La Généalogie de la morale‎

‎Nathan 1990 1990.‎

‎LA NAISSANCE DE LA TRAGEDIE / COLLECTION IDEES N°210.‎

‎GALLIMARD. 1983. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 307 pages.. . . . Classification Dewey : 792-Théâtre‎

‎COLLECTION IDEES N°210 - Traduit de l'allemand par Geneviève Bianquis . Classification Dewey : 792-Théâtre‎