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L'évolution Créatrice.
Presses Universitaires de France, - Bibliothèque de Philosophie Contemporaine, 1969. In-8, broché, 372 pages. Très propre.
Franco de port France jusqu'à 29 euros iclus. MONDIAL RELAY pour : FRANCE, Portugal, Pologne, Espagne, Allemagne, Autriche, Pays Bas, Luxembourg, Italie, Belgique. Toutes les étapes sont accompagnées. Achat, estimations et listages France / Suisse (sur rdv).
L'évolution créatrice.
Paris Alcan 1918 1 vol. relié in-8, demi-basane fauve, dos à nerfs, pièce de tire de basane brique, VIII + 399 pp. Dos légèrement décoloré sinon très bon état.
L'évolution créatrice.
Paris Félix Alcan, "Bibliothèque de philosophie contemporaine" 1924 1 vol. relié in-8, demi-basane tabac, dos à nerfs orné de fleurons dorés, tête rouge, couvertures conservées, VIII-403 pp. 28e édition (1924). Dos légèrement insolé sinon très bon état.
L'évolution créatrice
1927 Editions Albert Skira, Genève - 1945 - In-8, broché - 370 pages - L'un des 4900 exemplaires sur vergé fin à la forme, numéroté 1806
Bon état Bon
L'évolution créatrice
Paris, PUF 1966 1 in -8 Broché 369
Bon état de conservation , exemplaire agréable, une annotation Disponibilité sous réserve de vente en boutique, prix valable frais de port inclus pour commande > 90 € et poids < 1 Kg
L'évolution créatrice.
Genève, Skira, 1945. In-8°, 370p. Broché, couverture rempliée.
Edition numérotée sur vergé. Exemplaire à l'état de neuf, non coupé.
L'évolution créatrice. 5e éd.
Paris, Félix Alcan, 1909, in-8vo, VIII + 403 p., reliure en toile originale. Pièce de titre au dos. Bel exemplaire.
(SLACES, NVVA)
Phone number : 41 (0)26 3223808
L'évolution créatrice. 77e édition.
1939 P., Alcan, 1939, in 8° broché,XI-372 pages
...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
L'évolution créatrice. Cinquième édition.
Paris, Félix Alcan, 1909. In-8 reliure 1/2 chagrin brun, dos à 5 nerfs (reliure légèrement frottée), VIII-403 pp.
L'évolution créatrice. - [CREATIVE EVOLUTION - PRESENTATION-COPY]
Paris, 1907. 8vo. Bound uncut in a later brown half calf with gilt title-label and gilt lines to spine. Neat marginal repairs to a few leaves and first two leaveas trimmed at lower margin. Signed author's presentation-inscription to half-title. (4), VIII, 403 pp. + 31 pp. of advertisements from Félix Alcan.
![L'évolution créatrice. - [CREATIVE EVOLUTION - PRESENTATION-COPY]. "BERGSON, HENRI.](https://static.livre-rare-book.com/pictures/LLX/50364_1_thumb.jpg)
![L'évolution créatrice. - [CREATIVE EVOLUTION - PRESENTATION-COPY]. "BERGSON, HENRI.](https://static.livre-rare-book.com/pictures/LLX/50364_2_thumb.jpg)
![L'évolution créatrice. - [CREATIVE EVOLUTION - PRESENTATION-COPY]. "BERGSON, HENRI.](https://static.livre-rare-book.com/pictures/LLX/50364_3_thumb.jpg)
Rare first edition, presentation-copy for Jean Baruzi, of Bergson's seminal main work, the ""Creative Evolution"", his most famous and influential book, which constitutes the great philosopher's cult-like showdown with Darwinian mechanism, which resulted in a theory of cosmic evolution that covered everything from biology and other sciences to metaphysics and religion.Jean Baruzi (1881-1953), an important French philosopher and historian of religion, specialized in Leibnitz and William James, was a student of Bergson. He was the author of a controversial dissertation, ""St. John of the Cross and the Problem of Mystical Experience"", which gave an existential-phenomenological description of religious andguish and the ""lived experience"" of the mystic. He was a professor at the Collège de Frace and held the Histoy of Religion chair after Alfred Loisy. In 1907, when Henri Bergson's third book, ""Creative Evolution"", was published, the seminal French philosopher, who had studied both mathematics and philosophy, possessed the professor chair of modern philosophy at the Collège de France. Though the book was the result of several years of extremely thorough research, Bergson himself could have hardly foreseen the effect that this book was going to have throughout the 19th century with an amazing revival in the 20th century, making him one of the most important philosophers of his time.Always committed to the reality of time as the basis and as a source of creative change, Bergson, in his magnum opus, sets out to free the sciences of psychology and biology from the materialism and mechanism that had dominated them in the late nineteenth century and due to which they had been made unable to explain creativity, growth and change. He makes an amazing new contribution to the theory of knowledge by providing an account of creative evolution and the creative mind, thereby freeing psychology and biology from a number of problems otherwise unsolvable through philosophical and scientific explanations. Bergson accepts the historical facts of evolution but rejects all the mechanistic and materialistic explanations of the evolutionary process. Like Darwin, he accepts natural selection as an explanation of extinction, but he does not accept it as an explanation of evolutionary change, and likewise with Lamarck, Spencer, and the orthogenesists, he accepts the foundational theories of evolution but only to the point at which mechanism or materialism sets in, instead of which, he basically explains further change and growth with a basic vital principle that accounts for creative changes.As such, ""Creative Evolution"" sets out to found a philosophy that can account for the continuity of all living things, for both the creation of life and the diversity that results from creation, and Bergson does this with his idea of an original vital principle, a governing immaterial force of life, a sort of natural creative impulse, that embraces the whole of life in one. The book was hugely popular when it appeared, and its immediate immense influence lasted a couple of decades, making Bergson an internationally acknowledged cult-like hero of a French intellectual. After the Second World War, though, the interest in Bergson decreased, only to be reawakened in the late 1960'ies where a growing interest in his works re-emerged, making him to this day one of the most read philosophers of the early 20th century. There can be no doubt as to the continued influence of his works.
Materie und Gedächtnis. Eine Abhandlung über die Beziehung zwischen Körper und Geist
1919 Jena, 1919, verlegt bei Eugen Diederichs, 8°, 250 (2) S., 7. Auflage, neu übersetzt von Julius Frankenberg mit einem Vorwort des Verfassers, VIII, brauner OHLn. Goldpr., gutes Expl.
Matière et Mémoire
Paris PUF 1939 In-8 broché,couverture verte, 280 pp. De la Bibliothèque de Philosophie Contemporraine, fondée par Félix Alcan. Mention de 31è édition.
Matière et Mémoire, 46e édition - Bibliothèque de philosophie contemporaine - Paris - PUF, 1946.
1 volume in-8° broché, 281 p., très bon état.
Phone number : 06.31.29.75.65
Matière et mémoire.Essais et conférences.
P.P.U.F., 1965. In-8, 280 pages. Broché.
72°Ed.Etat neuf.
Matière et mémoire . Essai sur la relation du corps à l'esprit . Trente-sixième édition .
,Paris, Presses Universitaires de France Bibliothèque de philosophie contemporaine 1941, 281 pp., 1 vol. in 8 br. Bon etat.
Matière et mémoire.. Essai sur la relation du corps à l'esprit
Paris, Félix Alcan, 1896 petit in-8, [2] ff. n. ch., III pp., 280 pp., demi-chagrin bouteille, dos à nerfs orné de filets et caissons à froid, tranches mouchetées (reliure de l'époque). Charnière supérieure frottée, petite tache d'encre sur les derniers ff., sans atteinte.
Édition originale du deuxième ouvrage majeur du philosophe : s'emparant du problème classique de l’union de l’âme et du corps, et de leurs rapports respectifs, le jeune docteur eut l'audace, en plein triomphe du positivisme à courte vue du monde scientifique et philosophique, de refuser la réduction de l’esprit à la matière, à la mode de Ribot et de ses épigones. Il considère particulièrement dans cet essai que la mémoire est profondément spirituelle, le cerveau, pur instrument, se contentant d’orienter la mémoire vers l’action présente. - - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.
Phone number : 06 46 54 64 48
Matière et Mémoire - Essai sur la relation du corps à l'esprit
Paris, Félix Alcan, 1934. Coll. "Bibliothèque de Philosophie contemporaine". In-8 broché, XII + 280 p. bon état, dos insolé, pages non coupées, intérieur impeccable
Matière et mémoire : essai sur la relation du corps à l'esprit,
Presses Universitaires de France, Bibliothèque de philosophie contemporaine, 1965, 280 p., broché, plis de lecture sur le dos, état correct.
Phone number : 0033 (0)1 42 23 30 39
Matière et Mémoire, Essai sur la relation du corps à l'esprit
Genève Editions Albert Skira 1945 in 8 (21x14) 1 volume broché, couverture rempliée imprimée, 257 pages. Tirage limité numeroté, celui-ci un des exemplaires numérotés sur vergé fin a la forme. Très bel exemplaire
Très bon Ed. numérotée
Matière et mémoire. Essai sur la relation du corps à l'esprit.
Genève Albert Skira 1946 Un volume in-8 broché, couverture à rabats, exemplaire sur vergé fin à la forme numéroté 3822, 255 pages, partiellement non coupé, bon état.
La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné.
Matière et Mémoire. Essai sur la Relation du Corps a L'Esprit. Dix-huitieme Édition.
Paris, Felix Alcan, 1921. Uncut in orig. printed wrappers. XII,280 PP.
oeuvre complète
7 volumes in 12 brochés, couverture rempliée, éditions Albert SKIRA, Genève 1945 1946 , édition numérotée sur vergé fin à la forme, non coupé ; 1) la pensée et le mouvant faux-titre, titre, 270 pages, 1 page de table, non coupé 30 mars 1946 2) l’énergie spirituelle.. Essais et conférences faux-titre, titre, 198 pages, 1 page de table, non coupé 1er mars 1946 .3) Matière et mémoires essai sur la relation du corps à l’esprit faux-titre, titre, 254 pages, 1 page de table, non coupé 15 février 1946. 4) l’évolution créatrice faux-titre, titre, 370 pages, 1 page de table, non coupé 2 octobre 1945. 5) essai sur les données immédiates de la conscience faux-titre, titre, 183 pages, 1 page de table, non coupé 15 novembre 1945 6) les deux sources de la morale et de la religion. faux-titre, titre pages, 2 pages de table, non coupé 15 novembre 1945. 7) le rire essai sur la signification du comique, faux-titre, titre, 126pages, 1 page de table, non coupé 2 octobre 1945. Proche de l’état de neuf
Rire (Le). Essai sur la signification du comique.
Paris, Presses Universitaires de France, 1964 ; in-12, broché ; VIII, 157, (2) pp. , couverture beige imprimée vert sapin et noir.
Exemplaire en bon état malgré une très légère tâche jaune sur le premier plat.
Phone number : 06 60 22 21 35
Schöpferische Entwicklung [Translated by Dr. Gertrud Kantorowicz].
Jena, Eugen Diederichs, 1912. 8vo. Orig. brown full cloth with gilt lettering and publisher's symbol to front board, gilt lettering to spine. Spine a bit soiled and darkened. Internally very nice and clean. (2), 371, (3) pp. + 2 pp. advertisements.
First German edition, first issue (Erstes bis drittes Tausend) of Bergson's seminal main work, the ""Creative Evolution"", his most famous and influential book, which constitutes the great philosopher's cult-like showdown with Darwinian mechanism, which resulted in a theory of cosmic evolution that covered everything from biology and other sciences to metaphysics and religion.In 1907, when Henri Bergson's third book, ""Creative Evolution"", was originally published in French, the seminal French philosopher, who had studied both mathematics and philosophy, possessed the professor chair of modern philosophy at the Collège de France. Though the book was the result of several years of extremely thorough research, Bergson himself could have hardly foreseen the effect that this book was going to have throughout the 19th century with an amazing revival in the 20th century, making him one of the most important philosophers of his time.Always committed to the reality of time as the basis and as a source of creative change, Bergson, in his magnum opus, sets out to free the sciences of psychology and biology from the materialism and mechanism that had dominated them in the late nineteenth century and due to which they had been made unable to explain creativity, growth and change. He makes an amazing new contribution to the theory of knowledge by providing an account of creative evolution and the creative mind, thereby freeing psychology and biology from a number of problems otherwise unsolvable through philosophical and scientific explanations. Bergson accepts the historical facts of evolution but rejects all the mechanistic and materialistic explanations of the evolutionary process. Like Darwin, he accepts natural selection as an explanation of extinction, but he does not accept it as an explanation of evolutionary change, and likewise with Lamarck, Spencer, and the orthogenesists, he accepts the foundational theories of evolution but only to the point at which mechanism or materialism sets in, instead of which, he basically explains further change and growth with a basic vital principle that accounts for creative changes.As such, ""Creative Evolution"" sets out to found a philosophy that can account for the continuity of all living things, for both the creation of life and the diversity that results from creation, and Bergson does this with his idea of an original vital principle, a governing immaterial force of life, a sort of natural creative impulse, that embraces the whole of life in one. The book was hugely popular when it appeared, and its immediate immense influence throughout Europe, also mediated throgh the main translations of it (German, English) lasted a couple of decades, making Bergson an internationally acknowledged cult-like hero of a French intellectual. After the Second World War, though, the interest in Bergson decreased, only to be reawakened in the late 1960'ies where a growing interest in his works re-emerged, making him to this day one of the most read philosophers of the early 20th century. There can be no doubt as to the continued influence of his works.
