New York, Alfred A. Knopf, 1962, in-8 cartonné sous jaquette, 739 pp + 35 pp d'index. En anglais. Bon état.
1812 1812 Etymologique , comparé avec différents dialectes , par Charles Ménière. 1 volume in 8 . 1/2 chagrin rouge époque . extrait du Bulletin de la Société industrielle d ' Angers . (env. 1880 ) avec un avant propos . 369 pp avec ref. bibliographique ( de la page 193 à 562. ). ref. BNF. Notice n°: FRBNF30926292 .Exemplaire très propre . L ' Eymologie des termes angevins , organisés et présentés sous forme de dictionnaire . complet.
LA LIBRAIRIE QUAND-MEME exposera au SALON INTERNATIONAL DU LIVRE DE MONTAGNE DE PASSY Hte Savoie les 9-10 et 11 Août 2024.
Nogent-surMarne, Editions Mentor, 1956-1965. Ensemble de 5 livres 15x23 cm, illustrés par Marcel Jeanjean et Marie-Laure Herzog pour le volume M.221, br.
1960 maison Aubanel, 1960, 117 pages, in 12 broché non coupé bon état .
Librairie Artheme Fayard 2018 336 pages 10 8x17 6x2cm. 2018. pocket_book. 336 pages.
Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France
1907 . Toulouse. Imp. Lib. Eduouard Privat. Toulouse. 1907. CIXpp.+238pp.in8, , broché, bon exemplaire, non coupé, dos un peu bruni (bibliotheque méridionnale )
E P Dutton 1991 11 2x5 4x14 2cm. 1991. Relié.
Etat correct
Editions Flammarion 2007 160 pages 12 4x1x17 6cm. 2007. pocket_book. 160 pages.
Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France
, Brepols - Harvey Miller, 2006 softcover, . XII+761 p., 20 b/w ill., 165 x 240 mm, Languages: English, French, German. ISBN 9782503524207.
More than obstacles, medieval frontiers - whether geographical, political, military, intellectual or artistic - seem to have been bridges and points of contact. This volume brings together forty-four contributions by specialists of history, history of ideas, medieval philosophy, philology, linguistics, literature as well as manuscript and archival studies. The first uses of the term frontiere in thirteenth-fourteenth-century French were military, referring to the first line of troops in a battle. In architecture it meant the front of a building, and at the end of the fourteenth century it was first used as a geographical term, in Spain specifically about the divide between the Christians and the Muslims. More than obstacles, medieval frontiers - whether geographical, political, military, intellectual or artistic - seem to have been bridges and points of contact. Frontiers was the theme of the Third European Congress of Medieval Studies organised by the FIDEM in Jyvaskyla, Finland, in 2003. True to the nature of the FIDEM, it was highly interdisciplinary, bringing together scholars from all over the world, addressing problems ranging from Byzantine administration to Icelandic vernacular scribal culture, during a week of extraordinary intellectual excitement. This volume brings together forty-four contributions by specialists of history, history of ideas, medieval philosophy, philology, linguistics, literature as well as manuscript and archival studies.
Editions Denoël 2007 In-8 broché 20,8 cm sur 15. 889 pages. Très bon état d’occasion. Poids sans emballage : 921 grammes. - Préface de Claude Duneton
Très bon état d’occasion
S.l., Acteur Théâtre Compagnie, 1978. in-12,230 pp., broche, couv. RARE.
Bel exemplaire. [CA30-1]
in 12 broché,titre,182 pages,non coupé,Cahiers de la quinzaine neuvième cahier de la 23ème série en fin de volume,exemplaire n°205(sur 1000.Très bon état
Éditions Klincksieck In-8 Couverture souple Paris 1971
Très bon 246 pages. Tome 1 seulement.
Paris, Champion, Chez l'auteur, 1926. 3 volumes in-8 et atlas petit in-folio. Volumes de texte brochés, chemise à lacets pour l'atlas.
Pour l'Étude morphologique : grande carte dépliante dans le volume de texte ; l'atlas renferme 15 cartes et 15 tableaux. Cette impressionnante thèse de doctorat porte sur les trois mots : ego, tu, ille ! Ce travail et ses compléments (monographie phonétique du parler de Chaulgnes, index lexicographique) sont ici en seconde édition, tous à la même date. J.-M. Meunier, éminent linguiste, a recueilli ses données dans toute la Nièvre et dans les communes limithophes pendant de longues années. Préparateur au laboratoire de phonétique du Collège de France, il fut le concepteur d'un étrange et imposant appareil destiné à l'étude des prononciations. - Exemplaire frais, texte non coupé.
BORDAS 2008 335 pages 19 4x1 6x26 8cm. 2008. Broché. 335 pages.
Meunier André Paul Joëlle Bourkaïb Anne-Marie Dauge Benoît Dubois Patrick
Reference : 500098128
(2005)
ISBN : 9782047298541
1896 Delalain1896, 368 pages in 12 broché état d'usage (petites usures générales).
Le Livre de poche 2016 544 pages 11 2x17 6x2 8cm. 2016. pocket_book. 544 pages.
Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France
Turnhout, Brepols, 2009 Paperback, 220 pages., 20 x 25. ISBN 9788484801719.
Table of contents: I. Tintoretto and the Venetian Culture and Religious Environment Paul Hills, Tintoretto and Venetian Gothic ? Augusto Gentili, Tintoretto in contesto tra politica e religione Benjamin Paul, Archaism and Pauline Spirituality in Jacopo Tintoretto?s Crucifixion for SS. Cosma e Damiano ? Tom Nichols, False Gods: Tintoretto?s Mythologies as Anti-poesie ? Bernard Aikema, La casta Susanna II. Tintoretto and the Art of his Time Philip Cottrell, Painters in Practice: Tintoretto, Bassano and the Studio of Bonifacio de? Pitati ? Roland Krischel, Jacopo Tintoretto and Giulio Romano ? Miguel Falomir, Tintoretto y Tiziano ? David Rosand, Tintoretto and Veronese: Style, Personality, Class ? Jose Alvarez Lopera, Sobre Tintoretto y el Greco ? Stefania Mason, Domenico Tintoretto e l?eredita della bottega III. Connoisseurship Robert Echols and Frederick Ilchman, Toward a New Tintoretto Catalogue, with a Checklist of Revised Attributions and a New Chronology IV. Technique and Conservation Erasmus Weddigen, The Works of Tintoretto: Sewn, Designed, Patched and Cut. The Uncertainty of Canvas Measurements ? Ana Gonzalez Mozo, El concepto de dibujo en Jacopo Tintoretto: analisis de los recursos tecnicos utilizados en algunos cuadros del Museo Nacional del Prado ? Robert Wald, Tintoretto?s Vienna Susannah and the Elders. History, Technique and Restoration V. Theory and Collecting Maria H. Loh, Huomini della nostra eta. Tintoretto?s Preposterous Modernity ? Almuneda Perez de Tuleda, Coleccionismo de Tintoretto en Espana en torno a 1600 ? Linda Borean, Jacopo Tintoretto nelle collezioni veneziane del Sei e Settecento ? Leticia de Frutos, Tintoretto en las colecciones del marques del Carpio y del Almirante de Castilla. Languages : English.
, Brepols - Harvey Miller, 2013 Hardcover. XII 364 p., 8 b/w ill. 4 colour ill., 156 x 234 mm, Languages: English, German, French, Fine copy. Including an index. ISBN 9782503507705.
The linguistic situation of medieval Europe has sometimes been characterized as one of diglossia: one learned language, Latin, was used for religion, law, and documents, while the various vernaculars were used in other linguistic registers. Informing the relationship between Latin and the vernaculars was the choice of Latin as the language of the Western Roman Empire and the Roman Church. This choice entailed the possibility of a shared literary culture and heritage across Europe, but also had consequences for access to that heritage. Scholarship on the Romance languages has contested the relevance of the term diglossia, and the divergence between written or spoken Latin and Romance is a subject of energetic debate. In other linguistic areas, too, questions have been voiced. How can one characterize the interaction between Latin and the various vernaculars, and between the various vernaculars themselves? To what extent could speakers from separate linguistic worlds communicate? These questions are fundamental for anyone concerned with communication, the transmission of learning, literary history, and cultural interaction in the Middle Ages. This volume contains contributions by historians, cultural historians, and students of texts, language, and linguistics, addressing the subject from their various perspectives but at the same time trying to overcome familiar disciplinary divisions.
Turnhout, Brepols, 2014 Paperback, 214 p., 85 b/w ill. + 16 colour ill., 220 x 280 mm, ISBN 9782503529776.
The present volume analyzes the functions of landscape imagery within medieval Northern European manuscript illumination, and also takes into account the ideological and the economic milieus in which they were produced. This book proposes a new methodological framework for the study of medieval landscape imagery, by analyzing the functions of landscape imagery within Northern European manuscript illumination. Taking a historicist approach, this study explores landscape imagery within a broad range of specific manuscript contexts, taking into account the ideological and the economic milieus in which they were produced. Organized into three sections, this study will look at how landscape functioned as ornament, didactic tool (space) and political tool (place). The first section looks at the role that landscape imagery had in the hierarchy of book decoration, and how it responded to late medieval mnemonic systems and devotional practices. It also addresses the emergence of landscape as a form of ornamental elaboration, sometimes as a means to appeal to specific aesthetic criteria, or as a way to create extra-textual associations to augment the message of the text. The second section is concerned with landscape within encyclopedic and allegorical manuscripts, and will analyze how artists constructed space to communicate specific lessons or ideas, for example to frame debates about the role of agricultural labor or to present the dynastic ambitions of the Burgundian court. Finally, the third section explores the visualization of the political and economic landscape of late medieval Europe, particularly focusing on how landscape was structured to respond issues of status, power and identity not only in works created for the landed nobility but within manuscripts made for urban patrons as well. Concentrating on manuscripts from Paris, Northern France and Flanders from the late thirteenth to the early sixteenth centuries, this book will offer new insights as it contextualizes the emergence of landscape painting in the late middle ages. Languages : English.
Turnhout, Brepols, 2004 Paperback, 206 p., 140 x 210 mm. ISBN 9782503513003.
Le Livre IV du "De varietate fortunae" de Poggio Bracciolini rapporte le compte rendu que Niccolo de' Conti fit de ses voyages en Inde et dans le Sud-Est asiatique entre 1414 et 1439. A ce titre, il a joui d'une vaste diffusion, independamment du reste de l'ouvrage, comme l'attestent un certain nombre de manuscrits contenant le seul livre IV ainsi que la premiere edition du texte latin du "De varietate fortunae" ("India recognita", 1492), limitee elle aussi a ce dernier livre. Le succes du livre est lie aux informations nouvelles qu'il contient sur des regions jusque la mal connues (interieur de l'Inde, Birmanie, Java, Borneo, ...), qui seront exploitees par la cartographie et par les recueils de voyage, en particulier celui de Ramusio, "Delle navigazioni et viaggi". Mais le compte rendu de Conti assume aussi un interet majeur car il se situe a une periode charniere, transition entre l'epoque ou l'Asie est "decouverte" par les missionnaires et les marchands lors de la domination mongole (XIIIe et XIVe siecles: Guillaume de Rubrouck, Marco Polo, etc. ...) et celle ou les expeditions maritimes des portugais vont leur assurer la maitrise du commerce dans ces contrees. Le texte de Conti nous interessera donc aussi bien dans son contenu que dans sa forme; l'introduction ainsi que les notes s'efforceront d'etablir des comparaisons nombreuses avec d'autres recits de voyage concernant les memes contrees, tant par ceux qui ont precede Conti (Marco Polo, Ibn Battuta ...) que par ceux qui l'ont directement suivi (Duarte Brabosa, Tome Pires ...). Languages : French, Latin.
Librairie CH.Delagrave, Nouvelle collection classique d'ouvrages philosophiques, sans date, 211 pages, in 12 reliure bibliothèque toilée, bon état.
Turnhout, Brepols, 2011 Paperback, CXIX+360 p., 2 b/w ill., 16 x 25. ISBN 9782503535777.
One of the most skilful forgeries of the Middle Ages, the Cosmography of Aethicus Ister has puzzled scholars for over 150 years, not least because of its challenging Latinity. Written at a western centre in the first part of the eighth century, the work purports to be a heavily censored epitome made by St. Jerome of a 'cosmography' by an Istrian philosopher named Aethicus. This writer, who is otherwise unknown, describes a flat-earth universe resembling that of Cosmas Indicopleustes, then gives an eye-witness account of his travels to the 'isles of the gentiles' in the North and East. There he encounters not only savage races, but also monsters, Amazons, and other figures of mythology. Alexander the Great also figures prominently by immuring the 'unclean races,' who will escape to ravage the world at the coming of the Anti-Christ. Not all is fiction. The author's observations on volcanoes, earthquakes, and tsunamis will interest the scientific reader. The last part deals in coded fashion with contemporary events in the eastern Mediterranean and the Balkans, and may provide a clue to the author's origins. The present volume offers a new critical text, the first translation, and a detailed commentary covering every aspect of the work. Languages : English, Latin.