Piemme. 2002. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 399 pages. Illustré de nombreux dessins et de nombreuses photos en noir et blanc dans le texte.. Avec Jaquette. . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Dal Mesoamerica alla Grande Piramide, fino a Stonehenge e all'Isola di Pasqua, decine di antichissime sfere segnano le rotte di una misteriosa civiltà di navigatori. Classification Dewey : 450-Italien, roumain, rhéto-romain
Couverture souple Roma , Tipografia poliglotta vaticana , 1920 , grand in8 broché , 101 pp Langue: Italiano
CENTRO DI CULUTRA MARIANA. 1986. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 79 pages. Texte en italien.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Classification Dewey : 450-Italien, roumain, rhéto-romain
, Brepols, 2023 Paperback, 637 pages, Size:210 x 270 mm, Language: Italian. ISBN 9782503584058.
Summary This catalogue collects Italian biblical works issued from the beginning of print to the middle of the 17th century. The abundant literature had multiple uses: the transmission of the sacred text, its interpretation, preaching, religious education, and devotional uses (meditation and prayer). It was also used as a foundation of learning and general knowledge, ethics, professional practices (i.e. in medecine and politics), domestic piety and everyday life, as well as literary and theatrical entertainment. This catalogue will help to reconstruct the access to the Bible by Italian lay people. It contributes to the historiographical debate on how Italians could read the Bible after the ban of biblical translations. It represents an extremely rich source of information for future research about authorship, readership and the very nature and use of this production, shedding light on forgotten bestsellers of Italian Renaissance.
Unione Cooperativa Editrice, Roma. 1903. In-8. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Quelques rousseurs. 145 pages. Etiquette de code sur la couverture. Quelques tampons de bibliothèque. Manques sur le dos. Plats détachés. Traces de colle sur la couverture. Cahiers se détachant.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Studi sulla Letteratura latina del Medio Evo. Classification Dewey : 450-Italien, roumain, rhéto-romain
Licinio Cappelli. 1934. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos fané, Intérieur acceptable. 123 pages. Etiquette de code sur le dos. Tampon de bibliothèque en page de titre.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
(Raro) 'Istituto di Studi Romani'. Classification Dewey : 450-Italien, roumain, rhéto-romain
Le Livre de Poche, 1965, 273 pages, in 12 broché, format poche, bon état, papier légèrement jauni, quelques rousseurs.
ERNEST (Max) - Dominique Stella, Alain Jouffroy, Arturo Schwartz, Nicolas Cendo, Véronique Serrano
Reference : 30107
(1996)
ISBN : 8881181525
Milan, Skira editore, 1996. In-4 broché (28 x 21 cm), 152p., Illustrations en noir et en couleurs. Texte en italien de Dominique Stella, Alain Jouffroy, Arturo Schwartz, Nicolas Cendo, Véronique Serrano. Edition originale.- 720g.- Etat neuf.
Pontificia Universitas Lateranensis, Roma. 1960. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 137 pages. Etiquette de code sur le dos. Tampons et annotations de bibliothèque sur le 1er plat et en page de titre. Dos muet.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Pontificia Universitas Lateranensis, Theses ad Lauream. Classification Dewey : 450-Italien, roumain, rhéto-romain
, Canaletto, 2004 3 vols. Original publisher's blue cloth hardback, gilt title spine and frontcover, pictorial dustjacket, thick large 8vo: 768pp. 752pp. 772pp. Alphabetical indexes on Authors - Book titles - Vieuws of Towns & Cities - Artists - Engravers - Publishers.. Very fine complete set - New. Still shrink-wrapped., A bibliography of Nineteenth century illustrated works [from c. 1820 onward] containing views of towns and cities in England, Europe and America. ISBN 9789064697630.
Comprehensive bibliographical lexicon of steel engraved panorama's. Illustrated. With alphabetical indexes of book-titles, authors, views of towns and cities, artists and engravers as well as publishers. Texts in English, German and French.; a monumental work !
Selezione Agricola. Non daté. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 102 pages. Illustré de photos en noir et blanc dans le texte. Annotations sur le 1er plat et en page de titre (ex-libris).. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Selezione Agricola, n° 1. Classification Dewey : 450-Italien, roumain, rhéto-romain
, , 1975 Linnen band met stofomslag , 111 pag. 320 x 265 mm, goed, illustr. in kleur / z/w. ISBN 9789060175019.
Pontificia Università Lateranense, Roma. 2001. In-8. Broché. Très bon état, Couv. fraîche, Dos impeccable, Intérieur frais. 131 pages. Dos muet.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Pontificia Universitas Lateranensis, Pontificium Institutum Utriusque Iuris. Theses ad Doctoratum in Utroque Iure. Classification Dewey : 450-Italien, roumain, rhéto-romain
Pontificia Università Lateranense, Roma. 1966. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Plaquette de 52 pages. Etiquette de code sur le 1er plat. Tampons et annotations de bibliothèque sur le 1er plat et en page de titre.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Pontificia Universitas Lateranensis, Theses ad Lauream in Jure Canonico. Excerpta ex Dissertatione. Classification Dewey : 450-Italien, roumain, rhéto-romain
Pontificia Facultas Theologica S. Aloisii ad Pausilypum, Neapoli. 1958. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 58 pages. Etiquettes de code sur le dos et le 1er plat. Tampons et annotation de bibliothèque sur le 1er plat et en page de titre. Trace de colle sur le 1er plat.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Excerpta ex Dissertatione ad Lauream. Classification Dewey : 450-Italien, roumain, rhéto-romain
1) Ca. 20 S. Photographien, 2) 192 Photographien, 3) 140 S. + Anhang, 4) 78 S., 5) 210 S., 6) 18 S., 7) 7 S., 8) 48 S., 9) 64 S. + 16 Faksimilebeilagen, 10) 67 S. + 16 Faksimilebeilagen, 11) 51 S., 12) 35 S.
Phone number : 41 (0)26 3223808
Cologne, Könemann, 1998. 28 x 32, 140 pp., 138 illustrations en couleurs, reliure d'édition pleine toile + jaquette, état neuf.
vers1870, 18.6 x 26.8 cm lithographie originale finement coloriée à la main, tirée de: Régiments Suisses au service étranger, costumes militaires, avec légendes imprimées, 1 feuille.
Image disp.
Phone number : 41 (0)26 3223808
vers 1893 18.5 x 26.7 cm lithographie originale finement coloriée à la main, tirée de: Régiments Suisses au service étranger, costumes militaires, avec légendes imprimées, 1 feuille.
Image disp.
Phone number : 41 (0)26 3223808
vers 1893, 18.4 x 26.4 cm lithographie originale finement coloriée à la main, tirée de: Régiments Suisses au service étranger, costumes militaires, avec légendes imprimées, 1 feuille.
Image disp.
Phone number : 41 (0)26 3223808
vers 1893, 18.3 x 26.2 cm lithographie originale finement coloriée à la main, tirée de: Régiments Suisses au service étranger, costumes militaires, avec légendes imprimées, Einzelblatt
Image disp.
Phone number : 41 (0)26 3223808
Milano, Batezzatti, 1879. fascicule in-8, 64 pages. Broché.
- Bon état.
Pontificia Università Lateranense, Roma. 1966. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 184 pages. Etiquette de code sur le dos. Tampons et annotations de bibliothèque sur le 1er plat et en page de titre.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Pontificia Universitas Lateranensis, Theses ad Lauream in S. Theologia. natura dell'amore coniugale cristiano. La gerarchia dell'amore... Classification Dewey : 450-Italien, roumain, rhéto-romain
Barbèra, Bianchi e Comp., Firenze. 1859. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Quelques rousseurs. 408 + 23 pages (catalogue). Etiquette de code sur le dos. Tampons de bibliothèque sur le 1er plat et en page de titre.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Volume unico. Il pittore Francesco Squarcione. Del purismo nella pittura. Prelezione al corso di storia architettonica. Sui vantaggi che la fotografia puo portare all'arte... Classification Dewey : 450-Italien, roumain, rhéto-romain
, Brepols, 2023 Hardback, 336 pages, Size:220 x 280 mm, Illustrations:6 b/w, 146 col., Language: English. ISBN 9782503590837.
Summary Significant innovations in portraiture occurred during the transitional period from the end of the sixteenth-century to the early seventeenth-century in Rome. Portraits by Annibale Carracci, Valentin de Boulogne, Anthony van Dyck, Simon Vouet and Gianlorenzo Bernini display a loosening of formality and a trend towards movement. These artists produced a portrait type that was more inclusive of the viewer, more communicative, more revealing of a private face. The portraits in this study were less likely to celebrate achievements, family or social standing, titles, rank or station. Instead they portray individuals who exist apart from their professional personae. They reveal unique and characteristic traits of their subjects captured at a particular moment in time. They used subtle affetti, painting technique and colour to express mood and atmosphere and evoke the presence of the sitter. The sitters include poets, courtiers, buffoons and the artists themselves, and each composition is attentive to the thoughts, emotions and imaginative life of the individuals. TABLE OF CONTENTS Acknowledgements List of Illustrations Introduction The image breathes Rhetorical devices in portraiture The ?motions of the mind?: painting the soul From the Renaissance to the Baroque Chapter One A portrait ?most rarely done full face? of a learned prelate Early seicento portraiture in Rome Venice and colorito Caravaggio and Annibale: ?the new baroque illusionism? The ?proximity and close association of the Monsignore and Annibale? Domenichino and Agucchi Agucchi's imprese: textual expressions of identity Erminia and the Shepherds Venere Dormiente - The Sleeping Venus The portrait of Giovanni Battista Agucchi Annibale Carracci as portraitist Annibale's illness Domenichino and portrait painting Del Mezzo: yearning for the middle Il Trattato della Pittura A portrait by Annibale Carracci or Domenichino? Chapter Two Painting as silent poetry: portraits of Giambattista Marino From decorum to modernit Ut pictura poesis Dicerie Sacre La Galeria Rome: ?with trembling feet, I leave behind myself? Early Roman portraits Caravaggio's portrait: ?another me . . . in two divided? Paris: the portrait by Frans Pourbus ?is very dear to me? Marino's triumphant return to Rome: ?music always, and always poetry, morning and evening? Ottavio Leoni's portraits of writers Maffeo Barberini's circle of poets portraits of the soul ?There are thousands of portraits of me in Rome?: Simon Vouet's lost portrait The ?speaking portrait? in Rome Virginio Cesarini: Fenice degl'ingegni Portrait of a buffoon Chapter Three The upside-down world The parasite The buffoon portrait in the Renaissance: the ?good-natured fool? The sixteenth century: ?the princely tables are cluttered with buffoons? Gabriele Paleotti: ?deformity not deformedly rendered? The seventeenth century: the individual in buffoon portraits Hairy Harry, Mad Peter, and Tiny Amon: court mascots and servants in an urban Arcadia Giangiovetta and the dwarf of the duke of Cr qui Raffaello Menicucci: the buffoon count of Monte San Savino Celeberrimus in utroque Orbe Terrarum: the printed portraits of Raffaello Menicucci Valentin de Boulogne Il Cassero: Rocca del Conte Valentin, il Babuino and Menicucci Tristano Martinelli: from buffoon to actor Bernardino Ricci: Il Tedeschino The ?self? portrait: the life makes the age Chapter Four Artist as virtuoso ?Done with the aid of a mirror? Narcissus: ?as he drank, he chanced to spy the image of his face? The reflection of the Creator Why paint self-portraits? Annibale Carracci's Self-portrait on an Easel Artemisia Gentileschi: ?the soul of this woman? Simon Vouet: absolute absorption Gian Lorenzo Bernini: showing that which does not exist Vel zquez in Rome: brushwork and the blur The expressive power of the brush Conclusion ?Here I am? Appendix I Appendix II Appendix II Bibliography Abbreviations Primary and Secondary Sources Photographic Credits Notes Index Key Subjects and Concepts