‎SIENA, CITTA' D'ARTE, I CASTELLI DEL CHIANTI‎

‎Plurigraf. 1989. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 127 pages. Illustré de nombreuses photos en couleur. Dos légèrement insolé.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎220 foto a colori. Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎ Gina Pane‎

‎Galerie Isy Brachot, Bruxelles, 1987. In-8, agrafé, 16 pp. Liste desœuvres - D'après cette peau que la peinture ne peut donner, par Jean-Pierre Van Tieghem/According to this skin which paint cannot render/Volgens die huid zoals verf ze niet kan weergeven - Planches.‎

‎Illustrations en noir et 7 planches couleurs en hors texte.Texte en français/anglais/néerlandais. --- Plus d'informations sur le site archivesdunord.com‎

‎Il sé esposto tra desiderio e memoria teologia fenomenologia e neuroscienze in dialogo - Facolta teologica del triveneto.‎

‎Padova. 2017. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 356 pages - ouvrage en italien.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎Ouvrage en italien. Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎PROVE E DIFETTI DELLE MACCHINE ELETTRRICHE - PROVE MECCANICHE, PROVE ELECTTRICHE‎

‎EDITORE ULRICO HOEPLI. 1955. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 278 pages. Ouvrage en italien. Nombreux schémas en noir et blanc dans le texte. Jaquette abîmée.. Avec Jaquette. . . Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎ Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎LE SCARPETTE ROSSE‎

‎Arnoldo Mondadori. 1977. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 221 pages.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎'Gialli Italiani Mondadori', 5. Copertina di Oliviero Berni. Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎NATURA GIURIDICA DEL RAPPORTO DI OFFERTA E ACCETTAZIONE DI 'STIPENDIUM MISSAE'‎

‎Pontificium Institutum Utriusque Iuris, Romae. 1942. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Non coupé. 238 pages. Etiquette de code sur le dos. Tampons et annotations de bibliothèque sur le 1er plat et en page de titre. Page de titre légèrement tachée.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎Pontificium Institutum Utriusque Iuris, Theses ad Lauream, N. 35. Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎LEZIONI SUL DANTE E PROSE VARIE DI BENEDETTO VARCHI, VOL. I + II‎

‎Società Editrice delle Storie del Nardi e del Varchi, Firenze. 1841. In-8. Relié cuir dos-coins. Etat d'usage, 1er plat abîmé, Dos abîmé, Rousseurs. 548 + 398 pages. Gravure en noir et blanc en frontispice (portrait). Dos manquant. Etiquette de code sur la couverture. Quelques tampons de bibliothèque. Petits manques sur le 1er plat.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎La maggior parte inedite, Tratte ora in luce dagli originali della Biblioteca Rinucciniana, per cura e opera di Giuseppe AIAZZI e Lelio ARBIB. Vol. I: Lezioni sul Dante. Vol. II: Prose varie. Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎Les peintres toscans. Collection : Miroirs de l'art.‎

‎Paris, Hermann, 1966. 11 x 21, 223 pp., quelques illustrations, broché, bon état.‎

‎Textes réunis et présentés par André Chastel.‎

‎CAPRICCI E ANEDDOTI DI ARTISTI‎

‎G. Barbèra, Firenze. 1878. In-32. Relié demi-cuir. Bon état, Couv. convenable, Dos à nerfs, Quelques rousseurs. 471 pages. Auteur, titre, fleurons, roulettes et filets dorés sur le dos. Etiquette de code sur la couverture. Quelques tampons de bibliothèque. Dos légèrement insolé.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎Descritti da Giorgio Vasari. Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎LE VITE DE' PIU' ECCELLENTI ARCHITETTI, PITTORI, ET SCULTORI ITALIANI, DA CIMABUE INSINO A' TEMPI NOSTRI, VOLUMI I-II (Nell'edizione per i tipi di Lorenzo Torrentino, Firenze 1550)‎

‎Einaudi. 2005. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 537 + 540-1037 pages. 2 tomes.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎Einaudi Tascabili, Classici, 72*, 72**. A cura di Luciano BELLOSI e Aldo ROSSI. Pres. di Giovanni PREVITALI. ISBN tome 2: 880612787X. Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎LE VITE DE' PIU' ECCELLENTI PITTORI, SCULTORI E ARCHITETTI‎

‎Francesco Rossi-Romano, Napoli. 1859. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Quelques rousseurs. 685 pages. Gravure en noir et blanc en frontispice (portrait). Textesur 2 colonnes en italien. Etiquette de code sur la couverture. Quelques tampons de bibliothèque. Dos fendu, avec de petits manques sur le coiffes.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎1a edizione napolitana con Note per cura di G. de STEFANO. Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎Le vite de piu eccellenti pittori scultori e architetti di Giorgio Vasari - 4 tomes en 2 volumes - Seconda edizione.‎

‎Tip. dell'oratorio di S.Franc.di Sales. 1871. In-16. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 291+226 pages + 254+340 pages - tranches bordeaux - contre plats jaspés - étiquette collée sur la coiffe en pied - ouvrages en italien.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎Ouvrages en italien - Volume 1 : Tomes 1 + 2 - Volume 2 : Tomes 3 + 4. Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎OPERE DI GIORGIO VASARI, PITTORE E ARCHITETTO, 6 TOMES (COMPLET)‎

‎S. Audin e C., Firenze. 1822-1823. In-16. Relié. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 6 tomes. Plusieurs paginations. Illustrés de nombreuses gravures en noir et blanc sur planches hors texte (portraits). Titres et tomaisons dorés sur les dos. Etiquettes de code sur les couvertures. Quelques tampons de bibliothèque.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎Dell'Architettura. Della Scultura. Della Pittura. Vite degli Artefici. Ragionamenti sopra le invenzioni dipinte in firenze nel Palazzo Vecchio... Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎Ragionamenti. Sopra le inuentioni da lui dipinte in Firenze nel Palazzo di loro Altezze Serenissime. Con lo illustriss & Eccelentiss Signor Don Francesco Medici allora Principe di Firenze. Insieme con la inuentione della Pittura da lui cominciata nella Cupola.‎

‎Florenz, Filippo Giunti, 1588. Kl.-4°. (4) Bl., 186 S., (9) Bl. Mit Holzschnitt-Portrait, 2 versch. Holzschnittdruckermarken und zahlr. Holzschnitt-Initialen. Flexibler Pergamentband der Zeit mit 2 Schliessbändern (2 Seiten ausgerissen), handschr. Rückentitel und Papierrückenschild.‎

‎Brunet V, 1097. – Cicognara 225. – Erste Ausgabe. War schon 2 Jahre vor Giorgio Vasaris Tod (1511-1574) druckfertig, wurde vom gleichnamigen Neffen aus dem Nachlass herausgegeben. Die insgesamt sieben Dialoge, den einzelnen Sälen, mit Malereien von Vasari, im Palazzo Vecchio gewidmet, zwischen Vasari und Francesco Medici, dem damaligen «Principe» der Stadt Florenz.– Papier durchgehend stockfleckig. 7 Blatt stärker gebräunt. Der Einband leicht fleckig.‎

‎Les Vies des Plus Excellents Peintres, Sculpteurs et Architectes , Alias" Le Vite de' più eccellenti Pittori, Scultori e Architettori ‎

‎ PARIS, Dorbon-Ainé - 2 Volumes In-8 ° brochés, dos fatigué - Introduction VII à XI - 937 pages - Reproduction au Tome I de la couverture de l'original (1568) -- Tome II, Vue dépliante de FLORENCE au XIV e - Ex. non coupé, Très frais intérieurement.‎

‎C'est l'ouvrage que Giorgio Vasari a consacré aux artistes de son temps, paru une première fois en 1550, puis, remanié, paru en 1568 à Florence. Souvent nommé Le Vite De'piu Eccellenti Architetti, Pittori, Et Scultori Italiani voire complété par Da Cimabue, Insino A' Tempi Nostri (ces mentions ne figurent toutefois pas sur la couverture de l'ouvrage). Il est le premier, dans Le Vite, à utiliser le terme Renaissance pour qualifier son époque. Cet ouvrage apparaît, aujourd'hui, comme un des éléments fondateurs de l'Histoire de l'art. - Librairie Spécialisée en Généalogie, Bretagne et Histoire - Achat, vente et expertises de livres anciens - Conditions de vente : Les ouvrages sont payables à la commande. Nous acceptons les règlements par chèque ou virement, PAS DE PAIEMENT PAYPAL -- Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148 - Si les frais de port sont affichés, ils sont Indicatifs. Nous pouvons être amené à vous contacter pour vous signaler le prix du supplément de port en fonction du poids - Envoi rapide et soigné ‎

‎MARIA DI NAZARET, Storia ed Avvenimenti Riguardanti la Sacra Immagine della Madonna dell'Impruneta / Firenze el la Peste nell'anno 1633‎

‎Il Santuario. 2003. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 61 pages. Illustré de nombreuses photos en couleur et en noir et blanc dans et hors texte.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎Il 'Pianeta' prescelto da Dio dove Egli rivelò il Mistero taciuto per secoli. Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎"Al Fondator di Roma io leggo in volta / Quanto di grande in quella entro e raccolto" - Roma Rome Rom‎

‎Sehr seltener original Kupferstich von Guiseppe Vasi aus dem 18. Jahrhundert. -- Blattmasse: ca. 27 x 40 cm. Plattenmasse: ca. 20 x 30 cm. -- sehr gut erhalten. || Original copper engraving by Giuseppe Vasi from the 18th century. -- in very good condition. || Giuseppe Vasi (27 August 1710 – 16 April 1782) was an Italian engraver and architect. He was born in Corleone, Sicily and later, around 1736, moved to Rome. After a period of intense visits and studies, Vasi started to work as an engraver in the Calcografia Camerale, the main public institution of Rome devoted to engraving and etching. Later on Vasi started to work on his own, producing and selling series of his views to a public made principally of grand tourists. The first series of akin consists in the Vedute di Roma sul Tevere, i.e. Views of the Tiber, circa 1743 and later adapted to become part of the Magnificenze di Roma antica e moderna. In these years Vasi also hosted in his workshop for a limited period of time the young Giovanni Battista Piranesi, his major pupil, who shaped here his technique as an engraver. From 1747 to 1761 Vasi published a series of ten volumes including circa 240 engravings of vedute of Rome. Vasi was a famous man and artist up to the 1760s, when Piranesi took definitively his place, making his masters style old and outdated. For over 200 years Vasi was artistically forgotten and his views taken into account only for their topographical and documentary qualities. Things changed in 1981, thanks to the monograph by Luisa Scalabroni and even more in the nineties, mainly thanks to the contributions by Paolo Coen on his catalogue and by Allan Ceen on the maps. Today Giuseppe Vasi is no longer considered Piranesis defeated rival, but an artist with his own personality and technique. Though far from being a revolutionary, he gave a significant contribution to the Roman school of engraving applied to the "veduta", with a role quite similar to Giovanni Paninis in painting. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint!‎

‎"Avanzi del celebre Tempio della Pace, edificato dallImperator Vespasiano" - Roma Rome Rom‎

‎Sehr seltener original Kupferstich von Guiseppe Vasi aus dem 18. Jahrhundert. -- Blattmasse: ca. 27 x 40 cm. Plattenmasse: ca. 20 x 30 cm. -- etwas fleckig, sonst gut erhalten. || Original copper engraving by Giuseppe Vasi from the 18th century. -- with staining, otherwise in good condition. || Giuseppe Vasi (27 August 1710 – 16 April 1782) was an Italian engraver and architect. He was born in Corleone, Sicily and later, around 1736, moved to Rome. After a period of intense visits and studies, Vasi started to work as an engraver in the Calcografia Camerale, the main public institution of Rome devoted to engraving and etching. Later on Vasi started to work on his own, producing and selling series of his views to a public made principally of grand tourists. The first series of akin consists in the Vedute di Roma sul Tevere, i.e. Views of the Tiber, circa 1743 and later adapted to become part of the Magnificenze di Roma antica e moderna. In these years Vasi also hosted in his workshop for a limited period of time the young Giovanni Battista Piranesi, his major pupil, who shaped here his technique as an engraver. From 1747 to 1761 Vasi published a series of ten volumes including circa 240 engravings of vedute of Rome. Vasi was a famous man and artist up to the 1760s, when Piranesi took definitively his place, making his masters style old and outdated. For over 200 years Vasi was artistically forgotten and his views taken into account only for their topographical and documentary qualities. Things changed in 1981, thanks to the monograph by Luisa Scalabroni and even more in the nineties, mainly thanks to the contributions by Paolo Coen on his catalogue and by Allan Ceen on the maps. Today Giuseppe Vasi is no longer considered Piranesis defeated rival, but an artist with his own personality and technique. Though far from being a revolutionary, he gave a significant contribution to the Roman school of engraving applied to the "veduta", with a role quite similar to Giovanni Paninis in painting. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint!‎

‎"Avanzi della famosa Cella Soleare nelle Terme di Antonino Caracalla" - Roma Rome Rom‎

‎Sehr seltener original Kupferstich von Guiseppe Vasi aus dem 18. Jahrhundert. -- Blattmasse: ca. 27 x 40 cm. Plattenmasse: ca. 20 x 30 cm. -- sehr gut erhalten. || Original copper engraving by Giuseppe Vasi from the 18th century. -- in very good condition. || Giuseppe Vasi (27 August 1710 – 16 April 1782) was an Italian engraver and architect. He was born in Corleone, Sicily and later, around 1736, moved to Rome. After a period of intense visits and studies, Vasi started to work as an engraver in the Calcografia Camerale, the main public institution of Rome devoted to engraving and etching. Later on Vasi started to work on his own, producing and selling series of his views to a public made principally of grand tourists. The first series of akin consists in the Vedute di Roma sul Tevere, i.e. Views of the Tiber, circa 1743 and later adapted to become part of the Magnificenze di Roma antica e moderna. In these years Vasi also hosted in his workshop for a limited period of time the young Giovanni Battista Piranesi, his major pupil, who shaped here his technique as an engraver. From 1747 to 1761 Vasi published a series of ten volumes including circa 240 engravings of vedute of Rome. Vasi was a famous man and artist up to the 1760s, when Piranesi took definitively his place, making his masters style old and outdated. For over 200 years Vasi was artistically forgotten and his views taken into account only for their topographical and documentary qualities. Things changed in 1981, thanks to the monograph by Luisa Scalabroni and even more in the nineties, mainly thanks to the contributions by Paolo Coen on his catalogue and by Allan Ceen on the maps. Today Giuseppe Vasi is no longer considered Piranesis defeated rival, but an artist with his own personality and technique. Though far from being a revolutionary, he gave a significant contribution to the Roman school of engraving applied to the "veduta", with a role quite similar to Giovanni Paninis in painting. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint!‎

‎"Basilica di S. Pietro in Vaticano" - Roma Rome Rom‎

‎Sehr seltener original Kupferstich von Guiseppe Vasi aus dem 18. Jahrhundert. -- Blattmasse: ca. 27 x 40 cm. Plattenmasse: ca. 20 x 30 cm. -- mit kleinem hinterlegtem Randeinriss weit außerhalbs des Bildes, sonst sehr gut erhalten. || Original copper engraving by Giuseppe Vasi from the 18th century. -- with a small deposited marginal tear far removed from the picture, otherwise in very good condition. || Giuseppe Vasi (27 August 1710 – 16 April 1782) was an Italian engraver and architect. He was born in Corleone, Sicily and later, around 1736, moved to Rome. After a period of intense visits and studies, Vasi started to work as an engraver in the Calcografia Camerale, the main public institution of Rome devoted to engraving and etching. Later on Vasi started to work on his own, producing and selling series of his views to a public made principally of grand tourists. The first series of akin consists in the Vedute di Roma sul Tevere, i.e. Views of the Tiber, circa 1743 and later adapted to become part of the Magnificenze di Roma antica e moderna. In these years Vasi also hosted in his workshop for a limited period of time the young Giovanni Battista Piranesi, his major pupil, who shaped here his technique as an engraver. From 1747 to 1761 Vasi published a series of ten volumes including circa 240 engravings of vedute of Rome. Vasi was a famous man and artist up to the 1760s, when Piranesi took definitively his place, making his masters style old and outdated. For over 200 years Vasi was artistically forgotten and his views taken into account only for their topographical and documentary qualities. Things changed in 1981, thanks to the monograph by Luisa Scalabroni and even more in the nineties, mainly thanks to the contributions by Paolo Coen on his catalogue and by Allan Ceen on the maps. Today Giuseppe Vasi is no longer considered Piranesis defeated rival, but an artist with his own personality and technique. Though far from being a revolutionary, he gave a significant contribution to the Roman school of engraving applied to the "veduta", with a role quite similar to Giovanni Paninis in painting. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint!‎

‎"Basilica di S. Pietro in Vaticano" - Roma Rome Rom‎

‎Sehr seltener original Kupferstich von Guiseppe Vasi aus dem 18. Jahrhundert. -- Blattmasse: ca. 27 x 40 cm. Plattenmasse: ca. 20 x 30 cm. -- leicht fleckig, sonst sehr gut erhalten. || Original copper engraving by Giuseppe Vasi from the 18th century. -- slightly stained, otherwise in very good condition. || Giuseppe Vasi (27 August 1710 – 16 April 1782) was an Italian engraver and architect. He was born in Corleone, Sicily and later, around 1736, moved to Rome. After a period of intense visits and studies, Vasi started to work as an engraver in the Calcografia Camerale, the main public institution of Rome devoted to engraving and etching. Later on Vasi started to work on his own, producing and selling series of his views to a public made principally of grand tourists. The first series of akin consists in the Vedute di Roma sul Tevere, i.e. Views of the Tiber, circa 1743 and later adapted to become part of the Magnificenze di Roma antica e moderna. In these years Vasi also hosted in his workshop for a limited period of time the young Giovanni Battista Piranesi, his major pupil, who shaped here his technique as an engraver. From 1747 to 1761 Vasi published a series of ten volumes including circa 240 engravings of vedute of Rome. Vasi was a famous man and artist up to the 1760s, when Piranesi took definitively his place, making his masters style old and outdated. For over 200 years Vasi was artistically forgotten and his views taken into account only for their topographical and documentary qualities. Things changed in 1981, thanks to the monograph by Luisa Scalabroni and even more in the nineties, mainly thanks to the contributions by Paolo Coen on his catalogue and by Allan Ceen on the maps. Today Giuseppe Vasi is no longer considered Piranesis defeated rival, but an artist with his own personality and technique. Though far from being a revolutionary, he gave a significant contribution to the Roman school of engraving applied to the "veduta", with a role quite similar to Giovanni Paninis in painting. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint!‎

‎"Chiesa di S. Maria Liberatrice" - Santa Maria Liberatrice a Monte Testaccio Roma Rome Rom‎

‎Sehr seltener original Kupferstich von Guiseppe Vasi aus dem 18. Jahrhundert. -- Blattmasse: ca. 27 x 40 cm. Plattenmasse: ca. 20 x 30 cm. -- sehr gut erhalten. || Original copper engraving by Giuseppe Vasi from the 18th century. -- in very good condition. || Giuseppe Vasi (27 August 1710 – 16 April 1782) was an Italian engraver and architect. He was born in Corleone, Sicily and later, around 1736, moved to Rome. After a period of intense visits and studies, Vasi started to work as an engraver in the Calcografia Camerale, the main public institution of Rome devoted to engraving and etching. Later on Vasi started to work on his own, producing and selling series of his views to a public made principally of grand tourists. The first series of akin consists in the Vedute di Roma sul Tevere, i.e. Views of the Tiber, circa 1743 and later adapted to become part of the Magnificenze di Roma antica e moderna. In these years Vasi also hosted in his workshop for a limited period of time the young Giovanni Battista Piranesi, his major pupil, who shaped here his technique as an engraver. From 1747 to 1761 Vasi published a series of ten volumes including circa 240 engravings of vedute of Rome. Vasi was a famous man and artist up to the 1760s, when Piranesi took definitively his place, making his masters style old and outdated. For over 200 years Vasi was artistically forgotten and his views taken into account only for their topographical and documentary qualities. Things changed in 1981, thanks to the monograph by Luisa Scalabroni and even more in the nineties, mainly thanks to the contributions by Paolo Coen on his catalogue and by Allan Ceen on the maps. Today Giuseppe Vasi is no longer considered Piranesis defeated rival, but an artist with his own personality and technique. Though far from being a revolutionary, he gave a significant contribution to the Roman school of engraving applied to the "veduta", with a role quite similar to Giovanni Paninis in painting. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint!‎

‎"Chiesa di SS. Nereo ed Achilleo" - Santi Nereo e Achilleo Roma Rome Rom‎

‎Sehr seltener original Kupferstich von Guiseppe Vasi aus dem 18. Jahrhundert. -- Blattmasse: ca. 27 x 40 cm. Plattenmasse: ca. 20 x 30 cm. -- sehr gut erhalten. || Original copper engraving by Giuseppe Vasi from the 18th century. -- in very good condition. || Giuseppe Vasi (27 August 1710 – 16 April 1782) was an Italian engraver and architect. He was born in Corleone, Sicily and later, around 1736, moved to Rome. After a period of intense visits and studies, Vasi started to work as an engraver in the Calcografia Camerale, the main public institution of Rome devoted to engraving and etching. Later on Vasi started to work on his own, producing and selling series of his views to a public made principally of grand tourists. The first series of akin consists in the Vedute di Roma sul Tevere, i.e. Views of the Tiber, circa 1743 and later adapted to become part of the Magnificenze di Roma antica e moderna. In these years Vasi also hosted in his workshop for a limited period of time the young Giovanni Battista Piranesi, his major pupil, who shaped here his technique as an engraver. From 1747 to 1761 Vasi published a series of ten volumes including circa 240 engravings of vedute of Rome. Vasi was a famous man and artist up to the 1760s, when Piranesi took definitively his place, making his masters style old and outdated. For over 200 years Vasi was artistically forgotten and his views taken into account only for their topographical and documentary qualities. Things changed in 1981, thanks to the monograph by Luisa Scalabroni and even more in the nineties, mainly thanks to the contributions by Paolo Coen on his catalogue and by Allan Ceen on the maps. Today Giuseppe Vasi is no longer considered Piranesis defeated rival, but an artist with his own personality and technique. Though far from being a revolutionary, he gave a significant contribution to the Roman school of engraving applied to the "veduta", with a role quite similar to Giovanni Paninis in painting. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint!‎

‎"Chiesa ed Ospedala di S. Gallicano" - Roma Rome Rom‎

‎Sehr seltener original Kupferstich von Guiseppe Vasi aus dem 18. Jahrhundert. -- Blattmasse: ca. 27 x 40 cm. Plattenmasse: ca. 20 x 30 cm. -- sehr gut erhalten. || Original copper engraving by Giuseppe Vasi from the 18th century. -- in very good condition. || Giuseppe Vasi (27 August 1710 – 16 April 1782) was an Italian engraver and architect. He was born in Corleone, Sicily and later, around 1736, moved to Rome. After a period of intense visits and studies, Vasi started to work as an engraver in the Calcografia Camerale, the main public institution of Rome devoted to engraving and etching. Later on Vasi started to work on his own, producing and selling series of his views to a public made principally of grand tourists. The first series of akin consists in the Vedute di Roma sul Tevere, i.e. Views of the Tiber, circa 1743 and later adapted to become part of the Magnificenze di Roma antica e moderna. In these years Vasi also hosted in his workshop for a limited period of time the young Giovanni Battista Piranesi, his major pupil, who shaped here his technique as an engraver. From 1747 to 1761 Vasi published a series of ten volumes including circa 240 engravings of vedute of Rome. Vasi was a famous man and artist up to the 1760s, when Piranesi took definitively his place, making his masters style old and outdated. For over 200 years Vasi was artistically forgotten and his views taken into account only for their topographical and documentary qualities. Things changed in 1981, thanks to the monograph by Luisa Scalabroni and even more in the nineties, mainly thanks to the contributions by Paolo Coen on his catalogue and by Allan Ceen on the maps. Today Giuseppe Vasi is no longer considered Piranesis defeated rival, but an artist with his own personality and technique. Though far from being a revolutionary, he gave a significant contribution to the Roman school of engraving applied to the "veduta", with a role quite similar to Giovanni Paninis in painting. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint!‎

‎"Grotta di Nettuno, nella Citta di Tivoli" - Tivoli Italia Italy Italien‎

‎Sehr seltener original Kupferstich von Guiseppe Vasi aus dem 18. Jahrhundert. -- Blattmasse: ca. 27 x 40 cm. Plattenmasse: ca. 20 x 30 cm. -- sehr gut erhalten. || Original copper engraving by Giuseppe Vasi from the 18th century. -- in very good condition. || Giuseppe Vasi (27 August 1710 – 16 April 1782) was an Italian engraver and architect. He was born in Corleone, Sicily and later, around 1736, moved to Rome. After a period of intense visits and studies, Vasi started to work as an engraver in the Calcografia Camerale, the main public institution of Rome devoted to engraving and etching. Later on Vasi started to work on his own, producing and selling series of his views to a public made principally of grand tourists. The first series of akin consists in the Vedute di Roma sul Tevere, i.e. Views of the Tiber, circa 1743 and later adapted to become part of the Magnificenze di Roma antica e moderna. In these years Vasi also hosted in his workshop for a limited period of time the young Giovanni Battista Piranesi, his major pupil, who shaped here his technique as an engraver. From 1747 to 1761 Vasi published a series of ten volumes including circa 240 engravings of vedute of Rome. Vasi was a famous man and artist up to the 1760s, when Piranesi took definitively his place, making his masters style old and outdated. For over 200 years Vasi was artistically forgotten and his views taken into account only for their topographical and documentary qualities. Things changed in 1981, thanks to the monograph by Luisa Scalabroni and even more in the nineties, mainly thanks to the contributions by Paolo Coen on his catalogue and by Allan Ceen on the maps. Today Giuseppe Vasi is no longer considered Piranesis defeated rival, but an artist with his own personality and technique. Though far from being a revolutionary, he gave a significant contribution to the Roman school of engraving applied to the "veduta", with a role quite similar to Giovanni Paninis in painting. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint!‎