Barcelona, Balmesiana (Biblioteca Balmes) 1952 pp.217-412, in the series "Analecta Sacra Tarraconensia, revista de ciencias historico-eclesiasticas" vol.XXXII fasc.2 (1959), pages uncut, stamp on cover, VG
Barcelona, Balmesiana (Biblioteca Balmes) 1954 pp.225-459, in the series "Analecta Sacra Tarraconensia, revista de ciencias historico-eclesiasticas" vol.XXIV fasc.2 (1951), pages uncut, stamp on cover, VG
Barcelona, Balmesiana (Biblioteca Balmes) 1955 422pp., in the series "Analecta Sacra Tarraconensia, revista de ciencias historico-eclesiasticas" vol.XXVII (1954), pages uncut, stamp on cover, VG
Barcelona, Balmesiana (Biblioteca Balmes) 1932 2 fasc.together 312pp., in the series "Analecta Sacra Tarraconensia, Anuari de la Biblioteca Balmes" vol.8 (1932), stamp on cover, some rust, VG
Barcelona, Balmesiana (Biblioteca Balmes) 1936 pp.433-608, in the series "Analecta Sacra Tarraconensia, revista historico-eclesiasticas" vol.XI (1935), stamp on cover, VG
Barcelona, Balmesiana (Biblioteca Balmes) 1947 222pp., in the series "Analecta Sacra Tarraconensia, revista historico-eclesiasticas" vol.XVIII-1945, pages partly uncut, stamp on cover, VG
Barcelona, Balmesiana (Biblioteca Balmes) 1950 244pp., in the series "Analecta Sacra Tarraconensia, revista historico-eclesiasticas" vol.XXI fasc.2 (1948), partly uncut, stamp on cover, VG
Librairie Tross | Paris 1861 | 14.50 x 23 cm | relié
Edition originale imprimée sur vergé et illustréede 2 planches dépliantes en fac-similé in-fine. Reliure de l'éditeur en pleine percaline noire, dos lisse, premier plat frappé d'un médaillon central doré, éraflures sur le dos et les plats, gardes ombrées. Envoi autographe signé de l'éditeur à monsieur Salmon. - Photographies et détails sur www.Edition-Originale.com -
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ANAWATI G.C. (& Mohi El Din Saber, avant-propos & MADKOUR Ibraham, pref.)
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(1978)
Alger, Organisation arabe pour l'éducation, la culture et les sciences 1978 xix + 430pp. + 2 tableaux dépliants, 24cm., brochure originale (peu tahcée), text et intérieur sont frais, bon état, peu commun, texte pour la plupart en arabe, F105636
1906 br. 2 vol. in-8, 443pp., Paris, aide-mémoire du libraire et de l'amateur de livres : 1906
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PARIS 1906 REPERTOIRE D' OUVRAGES RARES OU CURIEUX.EN TOUS GENRES , ANCIENS ET MODERNES : EDITIONS ORIGINALES , LIVRES A GRAVURES DES XVIe , XVIIe , XVIIIe ET XIXe SIECLES , IMPRESSIONS RARES , ETC. , AVEC INDICATION DE LEUR VALEUR DANS LE COMMERCE , TOME 1 ( SUR 2 ) PREMIERE PARTIE A - LAL. ; 1 volume in-8 broché de 240 pages , rousseurs sur les pages de garde , bon exemplaire . Bon Couverture souple
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Leuven, Bibliotheek van de faculteit godgeleerdheid K.U. Leuven 1995 ix + 164pp., 24cm., softcover, in the series "Instrumenta Theologica" volume 14, fine condition, [A bibliography with 1350 references], ISBN 90-73683-14-9, R97964
Bern, Wyss, 1912, gr. in-8°, reliure demi-toile
Assistance et bienfaisance, Armenwesen und Wohltätigkeit. Cahier 4. Kranke und andere Schutzbedürftige; Korrektionswesen. (Abgeschlossen auf Ende 1900). XII + p. 1518-2010. Cahier 5. Heft 5: Liebesgabenwesen. Nebst Vorwort und Registern zum Fasc. V10 f. (Abgeschlossen auf Ende 1900). 1912, XII + p. 2011-2300.
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Bern, Wyss, 1910, gr. in-8°, VIII + 386 p., brochure originale.
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Bern, Wyss, 1894, gr. in-8°, X + p. 247-460, brochure originale.
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Belgium, Hopper & Fuchs, 2026 Paperback, 212 colour illustrations and 8 black-and-white illustrations, English, Spanish, . ISBN 9789464002683.
NUEVA VISION: Graphic Design for the Arts in Argentina 1940-1976' presents a comprehensive study of Argentina?s dynamic visual culture during a period of transformation in the arts. Through meticulous documentation and high-quality reproductions, authors Jelle Jespers, Andrea Gergich, and Rub n Fontana explore how graphic design shaped cultural institutions, printed matter and other ephemera, and exhibitions? communication in the visual arts. The book highlights the creativity and innovation of designers who, in a first period until the late 1940s, fused European avant-garde influences with local artistic traditions, producing visually striking, socially engaged and culturally resonant works. As from the 1950s Argentine graphic designers developed their own visual language that even inspired and stimulated cross-continent colleagues and the arts scene. With over 200 images, including posters, exhibition catalogues and ephemeral graphics, this book offers a nuanced understanding of the intersection between design, performance and institutional identity. Featuring contextual essays by academic Andrea Gergich and designer Rub n Fontana, NUEVA VISION offers a critical examination and testimonial of mid-20th-century Argentine design within its social, political, and artistic context. It is an essential resource for anyone interested in Latin American modernism and the history of graphic arts.