CHEZ L AUTEUR.. 20 AVRIL 1935. In-8. Broché. Etat d'usage, Couv. partiel. décollorée, Dos abîmé, Intérieur acceptable. 39 pages. Quelques illustrations en noir et blanc et en couleurs dans le texte.. . . . Classification Dewey : 700-LES ARTS
Précédéd'une lettre de PAUL VALERY. Gravures sur bois par JC DARAGNES. Classification Dewey : 700-LES ARTS
GRANGE BATELIERE. 1973. In-4. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 136 pages. Nombreuses photos en couleurs hors texte. Ouvrage de bibliothèque avec une couverture plastique transparente sur la couverture originale.Tampons de bibliothèque sur la page de titre. Une étiquette de code en pied du dos.. Avec Jaquette. . . Classification Dewey : 700-LES ARTS
Classification Dewey : 700-LES ARTS
Dessain et Tolra. 1972. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 71 pages. Nombreuses photos et illsutrations en couleur et noir et blanc, dans et hors texte.. . . . Classification Dewey : 700-LES ARTS
Traduction de Sylvie Girard. Classification Dewey : 700-LES ARTS
1987 Autoédition - 1987 - petit In-8 broché recouvert par une jaquette illustrée de l'éditeur - 215 pages - nombreuses reproductions photographiques - texte en japonais, en anglais et en français
Bon état
Denoël/Gonthier. 1978. In-12. Broché. Etat d'usage, Couv. convenable, Dos plié, Papier jauni. XX+240 pages - nombreuses figures en noir et blanc dans le texte.. . . . Classification Dewey : 700-LES ARTS
Collection médiations n°174 - Préface de Philippe Sers. Classification Dewey : 700-LES ARTS
Caucase, Ukraine, Bielorussie, Moldavie, Pays Baltes, Asie Centrale. P. Ed. du Chêne, 1990. Fort in-4, 459 pages. Relié pleine toile rouge de l'éditeur sous jaquette illustrée.
Environ 400 documents en noir ou en couleurs dans le texte ou à pleine page. Superbe ouvrage. Etat neuf.
Paris, Payot 1971 In-8. Reliure pleine toile bleue, 322 pp., 316 figures. Ancien exemplaire de bibliothèque en bon état et bien relié.
Bon état d’occasion
Gondrom. Non daté. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 96 pages. Nombreuses illustrations en couleurs et noir et blanc .. . . . Classification Dewey : 700-LES ARTS
Classification Dewey : 700-LES ARTS
Antwerpen/Amsterdam, Houtekiet, 2005 Hardcover, 198pp., 16x24cm., ills. z/w., zeer goede staat. ISBN 9789052408217.
Rik Coppens is de beste Belgische voetballer ooit. Zelfs Pele kon, na een match van Santos op Beerschot, zijn lof niet op. Het publiek kwam speciaal voor hem naar het stadion, zelfs als hij bij de reserveploeg speelde. Omdat hij herstelde van een kwetsuur, voor alle duidelijkheid. Niemand zou Rik Coppens om een andere reden naar het tweede elftal hebben durven verwijzen. Zijn naam is onvermijdelijk verbonden aan de Gouden Schoen, die hij in 1954 als eerste won. Af en toe verschijnt hij nog op tv, dat is altijd lachen geblazen. Maar wie kent zijn prachtige verhaal nog? Zijn leven in de Antwerpse Seefhoek voor en tijdens de Tweede Wereldoorlog? De man die het in de jaren vijftig bracht tot 'Koning van het Kiel', een andere Antwerpse volkswijk. Met de nationale ploeg nam hij deel aan de wereldbeker, met Beerschot trok hij naar Congo. Coppens was een balvirtuoos, een artiest, een superspits. In 2005 wordt hij 75.
H. LAURENS. NON DATE. In-8. Broché. Etat passable, Couv. convenable, Dos satisfaisant, Intérieur frais. 102 pages, avec gravurs explicatives dans le texte. Manque le premier plat de couverture.. . . . Classification Dewey : 700-LES ARTS
Nouvelle édition. Classification Dewey : 700-LES ARTS
, TASCHEN , 2021 Hardcover, 15.6 x 21.7 cm, 1.07 kg, 434 pages. ISBN 9783836587921.
Discover one of the most admired artists in history: Johannes Vermeer. With crisp, detailed reproductions and insightful essays, this volume spans his entire repertoire, showing Vermeer?s talent, his key place in the Dutch Golden Age, and his ability to tell a complete story in just one momentary gesture or expression.
EKDOTIKE ATHENON S.A. 1977. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Mouillures. 172 pages. Nombreuses photos en couleurs hors texte. Couverture rempliée.. . . . Classification Dewey : 700-LES ARTS
Classification Dewey : 700-LES ARTS
Paris, Grasset, 1985. 14 x 22, 479 pp., 510 figures, broché, bon état.
Paris, Jules et Alphonse Taride 1858 In-16 demi-chagrin rouge à coins, dos à nerfs orné, tête dorée, 296-16 pp. Menus frottements. Infimes rousseurs.
Edition originale rare de cet ouvrage de référence. Très bon état d’occasion
Parenthèses / A.D.C.K.. 1993. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 77 pages - nombreuses illustrations en couleurs et en noir et blanc dans et hors texte - exemplaire de bibliothèque, couverture plastifiée, étiquettes, tampons.. . . . Classification Dewey : 700-LES ARTS
"Collection "" arts témoins "". Classification Dewey : 700-LES ARTS"
, Parragon, 2010 Hardcover, 320 pagina's, NL, 250 x 200 mm, stofomslag, bomvol info en foto's/ illustraties in mooie kleuren ! Dit boek is in Nieuwstaat !, geen krassen, geen aantekeningen, een compact boek voor een mooie prijs!. ISBN 9781445415628.
Het boek behandelt de geschiedenis van de mensheid van de oorsprong tot nu. Groot in inhoud maar niet van formaat; dat is wat deze compacte atlas van de wereldgeschiedenis zo goed maakt. Zoals je mag verwachten geeft de atlas een overzicht van de geschiedenis, te beginnen bij de oorsprong van de mensheid en eindigend met de 21ste eeuw. Niet alleen zijn de teksten erg informatief en toegankelijk, ook staat dit naslagwerk bol van de educatieve illustraties, kaarten en prachtige foto?s. Daarnaast wordt speciale aandacht gegeven aan bijzondere bouwwerken, zoals de Hagia Sophia en de Chinese Muur. Kortom een heel geschikt en handzaam naslagwerk voor elke geschiedenisliefhebber!
, Lannoo, 2019 Hardcover, 224 pages, ENG / FR, 285 x 235 mm, NEW / NOUVEAU, illustrations in colour b/w. ISBN 9789401457927.
- One hundred drawings and a selection of sculpture by emerging French artist Fabien M relle, whose work has been exhibited worldwide to international acclaim- Winner of the 2010 Prix Canson, awarded annually for outstanding work on paper"Drawing is a line of life that I cling to in order not to fail" - Fabien M relle "A free spirit capable of creating and imposing both his highly-personal imaginary world and a similarity of meaning" - Artillery Magazine Fabien M relle is a French artist whose delicate and intricate drawings look realistic but on closer examination convey otherworldly and often disquieting subjects. Stuck to the pregnant belly of his wife, an elephant clinging on his back, or in close embrace with his father, Fabien M relle portrays himself as the protagonist in his drawings in an absurd and surrealistic play. He is known for the anatomical precision of his figures, the sea of white that surrounds them, and the dreamlike quality of his work. This book combines the highlights from his oeuvre to date, with a hundred drawings and a selection of sculptures. M relle has exhibited at The Armory Show in New York, at Art Paris, and was one of the most prominent artists in Jan Fabre's recently curated show, The Raft (Mu.Zee Oostende). In 2010, he was the first winner of the Prix Canson, awarded annually for outstanding work on paper. Text in English and French.
Fischbacher.. Non daté.. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Non coupé. 54 pages. Pages non coupées. Quelques illustrations en noir et blanc, hors texte.. . . . Classification Dewey : 700-LES ARTS
Nouvelle conception spatiale du tableau. Classification Dewey : 700-LES ARTS
, Tim Van Laere Books, 2023 92 pagina's, 25,5 x 20,5 cm, hardcover, Nederlands/Frans/Engels. ISBN 9789464004205.
Tim Van Laere Gallery is pleased to present Let?s Go! a group exhibition presenting works by Bram Demunter, Jean Dubuffet, Kati Heck, Leiko Ikemura, Stanislava Kovalcikova, Friedrich Kunath, Jonathan Meese, Albert Oehlen, Tobias Pils, Tal R, Ben Sledsens, Ettore Spaletti, Dennis Tyfus, Rinus Van de Velde, In s Van den Kieboom, Henk Visch, and Franz West. While solo exhibitions allow you to fully enter the world of one artist and give you a glimpse of what the world looks like according to that artist, a group show offers different windows and pathways to various points of view and ways of seeing. It?s for this reason group shows are a vital part of the gallery?s program. By combining works from different artists in all kinds of media, the inner dialogue between the artist and his/her work is brought to a larger table, where its meaning gets challenged and debated by the surrounding works. It makes for an open dialogue where universal truths rise to the front and are brought to the surface of each one of the works presented in the exhibition space. The decision of the gallery to curate the show not only with contemporary artists but to also include modern artists, testifies to the determination the gallery has to pave new pathways to foster new dialogues and share these dialogues with the public. Choosing to curate group shows with cross-pollination in media, genres, and generations, can create new ways in art and expand the existing dialogue of the works which inspires new styles, and different ways of creating and rethinking our ways of seeing. On the one hand, the title of the show, Let?s Go!, reflects on the gallery?s belief in art and its strength to overcome almost everything. It?s a phrase that leaves no room for doubt and proclaims its strong faith in art to the public, inviting them to join the party. On the other hand, the phrase also refers to the process of the artist. Each one of these artists knows how to surrender to their work. They have allowed art to fully consume their life and take a vital part in their existence. They allow the work to speak for itself. Therefore the gallery chose to respect this inner attitude of the works and place them in dialogue as such. They don?t need a thematic alibi to start up new conversations, they just need to be presented as intended by the artist to enter the public?s consciousness.
, Tim Van Laere Books , 2021 Hardcover, 180 pages / pagina's, ENG / NL / FR, 255 x 205 mm, NEW, illustraties / illustrations in bright colours. ISBN 9789464004120.
Rinus Van de Velde wordt wel eens beschreven als de James Dean van de Belgische kunstwereld, gekend als workaholic en steevast met sigaret in de mond. Fotomateriaal vormt de basis voor zijn monumentale houtskooltekeningen. Vaak worden de foto?s door hemzelf in zijn studio in sc ne gezet. Zowel hijzelf als zijn kennissen komen daardoor geregeld in zijn doeken voor. Aan de hand van zijn werk cre ert Van de Velde een fictieve autobiografie: een verhaal waarvan hij zowel regisseur als hoofdrolspeler is. We zien de kunstenaar dan ook als een kameleon telkens opnieuw opduiken in zijn eigen verhalen. //// With his drawings, installations, ceramics and film, Rinus Van de Velde pulls at the threads of our cultural and intellectual history. What makes the work in this publication extraordinary however, is not the introduction of a new medium to his oevre. This is also the first time that Van de Velde presents his works without an overarching theme or storyline. He presents his works for what they are: fragments of himself. ? -Katrien Loret
, Tim Van Laere Books , 2022 Hardcover, 146 pages, ENG / NL / FR, 255 x 205 mm, NEW, catalogue of different artists in bright colours. ISBN 9789464004144.
This catalog was published on the occasion of Swim the Mountain Climb the Sea, a group exhibition showcasing new work by Bram Demunter, Isabella Ducrot, Adrian Ghenie, Anton Henning, Ben Sledsens, Ed Templeton, Dennis Tyfus and Rose Wylie alongside works by Jean-Michel Basquiat, James Ensor, Cameron Jamie, Pablo Picasso, Ceija Stojka and Franz West. This exhibition thus includes a selection of contemporary and modern artists who share the same pioneering spirit. The concept of a group exhibition, where the general public is invited to view new work by a collection of artists, is relatively recent in art history: it all started with the Paris Salon, first held in 1737. Those jury salons with pre-established rules lasted for about 130 years until the art world revolted. Since The Salon des R fuses in 1863, a showcase of artworks rejected by the Paris Salon, a series of groundbreaking group exhibitions have followed, presenting works that changed not only art, but Western culture itself. Most of these pre-1960 group exhibitions, from the Impressionists? first exhibition in 1874 to the Gutai Art Association shows in Japan and London?s Independent Group in the late 1950s, were all organized by artists. In contrast, from roughly the 1960s onward, the groundbreaking group exhibitions were curated by professional exhibition makers, from galleries to biennials. This shift brought about a change in the dialogue, where previously only artists and the public came together, there is now also a third player present. This is also the case with this group exhibition. Curated by Tim Van Laere Gallery, this exhibition includes a selection of artists whose most pronounced characteristic is their idiosyncrasy. Each of these artists has idiosyncratically constructed their own universe with their own visual language, with which they started new conversations in art history by questioning and examining its foundations. Showing both works by modern and contemporary artists, this exhibition not only reveals the individual profiles of the artists, but also allows us to re-evaluate their unique position and concept. Pablo Picasso, James Ensor, Jean-Michel Basquiat, Franz West and Ceija Stojka have left behind a body of work that continues to inspire new generations of artists to this day. Placing their work in dialogue with contemporary works not only reveals the influence of the modern artists on this generation, but also shows how their work has remained current over the years. In the opposite direction, this combination also illustrates the strength of the individual voices of this selection of contemporary artists, who can engage in conversation both with the work of each other and with the work of generations before them.
in-12 broché en bon état couverture un peu frottée de 294 pages Adaptation et dessins de Jean Gailhat
[ Jack Cario Imprimeur] - KAWAISHI SHI-HAN, Mikinosuke . ; GAILHAT, Jean (adapt. et dessins)
Reference : 60908
(1957)
Adaptation et dessins de Jean Gailhat, 1 vol. in-12 br., Jack Cario Imprimeur, 1957, 293 pp.
Etat très satisfaisant (petites taches sur couv., bon état par ailleurs)
[ Impression par les soins de M. Cario] - KAWAISHI SHI-HAN, Mikinosuke . ; GAILHAT, Jean (adapt. et dessins)
Reference : 61208
(1951)
Adaptation et dessins de Jean Gailhat, 1 vol. in-12 br., Impression par les soins de M. Cario, le 8 mai 1951, non paginé
Etat très satisfaisant (petits frott. sur couv., bon état par ailleurs)
Hermann et Cie Actualités scientifiques et industrielles Broché 1947 In-8, (25.5x16.5 cm), broché, 264 pages, collection 'Actualités scientifiques et industrielles 1030' ; note au stylo sur la page de titre, traces dans le texte, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.