Paris, Grasset, 1985. 14 x 22, 479 pp., 510 figures, broché, bon état.
Paris, Jules et Alphonse Taride 1858 In-16 demi-chagrin rouge à coins, dos à nerfs orné, tête dorée, 296-16 pp. Menus frottements. Infimes rousseurs.
Edition originale rare de cet ouvrage de référence. Très bon état d’occasion
Parenthèses / A.D.C.K.. 1993. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 77 pages - nombreuses illustrations en couleurs et en noir et blanc dans et hors texte - exemplaire de bibliothèque, couverture plastifiée, étiquettes, tampons.. . . . Classification Dewey : 700-LES ARTS
"Collection "" arts témoins "". Classification Dewey : 700-LES ARTS"
, Parragon, 2010 Hardcover, 320 pagina's, NL, 250 x 200 mm, stofomslag, bomvol info en foto's/ illustraties in mooie kleuren ! Dit boek is in Nieuwstaat !, geen krassen, geen aantekeningen, een compact boek voor een mooie prijs!. ISBN 9781445415628.
Het boek behandelt de geschiedenis van de mensheid van de oorsprong tot nu. Groot in inhoud maar niet van formaat; dat is wat deze compacte atlas van de wereldgeschiedenis zo goed maakt. Zoals je mag verwachten geeft de atlas een overzicht van de geschiedenis, te beginnen bij de oorsprong van de mensheid en eindigend met de 21ste eeuw. Niet alleen zijn de teksten erg informatief en toegankelijk, ook staat dit naslagwerk bol van de educatieve illustraties, kaarten en prachtige foto?s. Daarnaast wordt speciale aandacht gegeven aan bijzondere bouwwerken, zoals de Hagia Sophia en de Chinese Muur. Kortom een heel geschikt en handzaam naslagwerk voor elke geschiedenisliefhebber!
, Lannoo, 2019 Hardcover, 224 pages, ENG / FR, 285 x 235 mm, NEW / NOUVEAU, illustrations in colour b/w. ISBN 9789401457927.
- One hundred drawings and a selection of sculpture by emerging French artist Fabien M relle, whose work has been exhibited worldwide to international acclaim- Winner of the 2010 Prix Canson, awarded annually for outstanding work on paper"Drawing is a line of life that I cling to in order not to fail" - Fabien M relle "A free spirit capable of creating and imposing both his highly-personal imaginary world and a similarity of meaning" - Artillery Magazine Fabien M relle is a French artist whose delicate and intricate drawings look realistic but on closer examination convey otherworldly and often disquieting subjects. Stuck to the pregnant belly of his wife, an elephant clinging on his back, or in close embrace with his father, Fabien M relle portrays himself as the protagonist in his drawings in an absurd and surrealistic play. He is known for the anatomical precision of his figures, the sea of white that surrounds them, and the dreamlike quality of his work. This book combines the highlights from his oeuvre to date, with a hundred drawings and a selection of sculptures. M relle has exhibited at The Armory Show in New York, at Art Paris, and was one of the most prominent artists in Jan Fabre's recently curated show, The Raft (Mu.Zee Oostende). In 2010, he was the first winner of the Prix Canson, awarded annually for outstanding work on paper. Text in English and French.
Fischbacher.. Non daté.. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Non coupé. 54 pages. Pages non coupées. Quelques illustrations en noir et blanc, hors texte.. . . . Classification Dewey : 700-LES ARTS
Nouvelle conception spatiale du tableau. Classification Dewey : 700-LES ARTS
, Tim Van Laere Books, 2023 92 pagina's, 25,5 x 20,5 cm, hardcover, Nederlands/Frans/Engels. ISBN 9789464004205.
Tim Van Laere Gallery is pleased to present Let?s Go! a group exhibition presenting works by Bram Demunter, Jean Dubuffet, Kati Heck, Leiko Ikemura, Stanislava Kovalcikova, Friedrich Kunath, Jonathan Meese, Albert Oehlen, Tobias Pils, Tal R, Ben Sledsens, Ettore Spaletti, Dennis Tyfus, Rinus Van de Velde, In s Van den Kieboom, Henk Visch, and Franz West. While solo exhibitions allow you to fully enter the world of one artist and give you a glimpse of what the world looks like according to that artist, a group show offers different windows and pathways to various points of view and ways of seeing. It?s for this reason group shows are a vital part of the gallery?s program. By combining works from different artists in all kinds of media, the inner dialogue between the artist and his/her work is brought to a larger table, where its meaning gets challenged and debated by the surrounding works. It makes for an open dialogue where universal truths rise to the front and are brought to the surface of each one of the works presented in the exhibition space. The decision of the gallery to curate the show not only with contemporary artists but to also include modern artists, testifies to the determination the gallery has to pave new pathways to foster new dialogues and share these dialogues with the public. Choosing to curate group shows with cross-pollination in media, genres, and generations, can create new ways in art and expand the existing dialogue of the works which inspires new styles, and different ways of creating and rethinking our ways of seeing. On the one hand, the title of the show, Let?s Go!, reflects on the gallery?s belief in art and its strength to overcome almost everything. It?s a phrase that leaves no room for doubt and proclaims its strong faith in art to the public, inviting them to join the party. On the other hand, the phrase also refers to the process of the artist. Each one of these artists knows how to surrender to their work. They have allowed art to fully consume their life and take a vital part in their existence. They allow the work to speak for itself. Therefore the gallery chose to respect this inner attitude of the works and place them in dialogue as such. They don?t need a thematic alibi to start up new conversations, they just need to be presented as intended by the artist to enter the public?s consciousness.
, Tim Van Laere Books , 2022 Hardcover, 146 pages, ENG / NL / FR, 255 x 205 mm, NEW, catalogue of different artists in bright colours. *new ISBN 9789464004144.
This catalog was published on the occasion of Swim the Mountain Climb the Sea, a group exhibition showcasing new work by Bram Demunter, Isabella Ducrot, Adrian Ghenie, Anton Henning, Ben Sledsens, Ed Templeton, Dennis Tyfus and Rose Wylie alongside works by Jean-Michel Basquiat, James Ensor, Cameron Jamie, Pablo Picasso, Ceija Stojka and Franz West. This exhibition thus includes a selection of contemporary and modern artists who share the same pioneering spirit. The concept of a group exhibition, where the general public is invited to view new work by a collection of artists, is relatively recent in art history: it all started with the Paris Salon, first held in 1737. Those jury salons with pre-established rules lasted for about 130 years until the art world revolted. Since The Salon des R fuses in 1863, a showcase of artworks rejected by the Paris Salon, a series of groundbreaking group exhibitions have followed, presenting works that changed not only art, but Western culture itself. Most of these pre-1960 group exhibitions, from the Impressionists? first exhibition in 1874 to the Gutai Art Association shows in Japan and London?s Independent Group in the late 1950s, were all organized by artists. In contrast, from roughly the 1960s onward, the groundbreaking group exhibitions were curated by professional exhibition makers, from galleries to biennials. This shift brought about a change in the dialogue, where previously only artists and the public came together, there is now also a third player present. This is also the case with this group exhibition. Curated by Tim Van Laere Gallery, this exhibition includes a selection of artists whose most pronounced characteristic is their idiosyncrasy. Each of these artists has idiosyncratically constructed their own universe with their own visual language, with which they started new conversations in art history by questioning and examining its foundations. Showing both works by modern and contemporary artists, this exhibition not only reveals the individual profiles of the artists, but also allows us to re-evaluate their unique position and concept. Pablo Picasso, James Ensor, Jean-Michel Basquiat, Franz West and Ceija Stojka have left behind a body of work that continues to inspire new generations of artists to this day. Placing their work in dialogue with contemporary works not only reveals the influence of the modern artists on this generation, but also shows how their work has remained current over the years. In the opposite direction, this combination also illustrates the strength of the individual voices of this selection of contemporary artists, who can engage in conversation both with the work of each other and with the work of generations before them.
Hermann et Cie Actualités scientifiques et industrielles Broché 1947 In-8, (25.5x16.5 cm), broché, 264 pages, collection 'Actualités scientifiques et industrielles 1030' ; note au stylo sur la page de titre, traces dans le texte, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
FERNAND HAZAN. 1961. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 10 pages environ + 15 planches en couleurs hors texte.. . . . Classification Dewey : 700-LES ARTS
Classification Dewey : 700-LES ARTS
FERNAND HAZAN. 1961. In-16. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur frais. 10 pages environ + 15 planches en couleurs hors texte.. . . . Classification Dewey : 700-LES ARTS
Classification Dewey : 700-LES ARTS
FERNAND HAZAN. 1961. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 10 pages environ + 15 planches en couleurs hors texte.. . . . Classification Dewey : 700-LES ARTS
Classification Dewey : 700-LES ARTS
HAZAN Fernand.. 1961. In-18. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Environ 30 pages. Quelques illustrations en noir et blanc dans le texte et en couleurs, hors-texte.. . . . Classification Dewey : 700-LES ARTS
Petite Encyclopédie de l'Art. Classification Dewey : 700-LES ARTS
MANGO. 1991. In-8. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 46 pages. Nombreuses illustrations en couleurs dans le texte. Ouvrage de bibliothèque avec une couverture plastique transparente sur la couverture originale.Tampons de bibliothèque sur la page de titre. Une étiquette de code en pied du dos et en pied de la première de couverture. Légères mouillures sans taches en pied des pages.. . . . Classification Dewey : 700-LES ARTS
Classification Dewey : 700-LES ARTS
, Antwerpen, De Sikkel 1945, 150pp. met 1800 afbeeldingen, 2e uitgave, wat roest, gecart.band, goede staat, Z22177
, Antwerpen, De Sikkel 1948, 200pp. met 2500 afbeeldingen, gecart.band, wat roest, goede staat, Z22178
, Thames and Hudson , 2022 Hardcover, 256 pages, ENG, 305 x 245 mm, NEW, dustjacket, 200 illustrations. ISBN 9780500025581.
The definitive, full-career retrospective of the life and work of Chris Killip (1946-2020), one of the UK's most important and influential post-war documentary photographers. 'I didn't set out to be the photographer of the English de-Industrial Revolution. It happened all around me during the time I was photographing' Chris Killip, 2019. Grounded in sustained immersion and participation in the communities he photographed, Chris Killip's keenly observed work chronicled ordinary people's lives in stark, yet sympathetic, detail. His photographs are recognized as some of the most important visual records of 1980s Britain; as editor of this book Ken Grant reflects, they tell the story of those who 'had history "done to them", who felt its malicious disregard and yet, like the photographer with whom they shared so much of their lives, refused to yield or look away.' Published to coincide with the first full retrospective of Killip's life and work at the Photographers' Gallery, London, this book, designed by Niall Sweeney & Nigel Truswell at Pony Ltd, presents photographs from each of his major series alongside lesser-known works. It includes a foreword by Brett Rogers, in-depth texts by Ken Grant tracing Killip's life and career, and essays by Gregory Halpern, Amanda Maddox and Lynsey Hanley.
LA CONNAISSANCE. NON DATE. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 189 pages. Nombreuses photos et illustrations en noir et blanc, dans et hors texte. Quelques déchirures sur la jaquette.. Avec Jaquette. . . Classification Dewey : 700-LES ARTS
TABLE : Atomisme, structure et forme - L'architecture évolue-t-elle vers des formes immuables ? - Sur le design - Structure et communication - Peinture abstraite - Peinture structurale,etc. Classification Dewey : 700-LES ARTS
2001 Safari Press Inc. - 2001 - Fort in-4, cartonnage sous jaquette illustrée - 400 pages - Nombreuses reproductions photographiques in et hors-texte en N&B et en couleurs - Texte en anglais
Bon état - Intérieur propre Bon
Kerstin Bartels Gerd Hurm, Julia Niewind, Malgorzata Nowara, Michel Polfer, Fran oise Poos, Gilles Zeimet
Reference : 59527
, Silvana Editoriale, 2022 Hardcover, 464 pages, ENG, 300 x 240 mm, NEW, more than 250 illustrations in colour / b/w. ISBN 9788836651559.
In March 1985, the National Museum of Luxembourg unexpectedly received a generous bequest from the estate of Edward Steichen, the Luxembourg-born and world-renowned American photographer. The bequest comprises a total of 178 prints, including 175 photographs by Steichen himself that cover almost all aspects of his photographic oeuvre - from the pictorialist images of his early years to portraiture, fashion, advertising, landscapes, and family photographs. For the first time, this extraordinary collection is presented in a comprehensive scholarly manner, with full-page illustrations of all 178 photographs. In addition, the publication includes six new essays by five authors that deal with questions of identification, techniques, and dating of the prints as well as their conservation and preservation. They examine the provenance and impact history of the collection and compare the significance of the Luxembourg donation with other bequests made at the same time to institutions in the United States and overseas. The significance of the astonishingly large number of family photographs in the Luxembourg bequest and Steichen's special role as a mediator of Modernism between Europe and the New World are also explored.
Editions Joël Cuénot 1983, in-4 cartonnage avec jaquette illustrée, 95 pp., nombreuses photos noir et blanc et couleurs, croquis, photos de Joël Cuénot, dessins d'Augustin Lys, état neuf.
La pratique du jeu de quilles dans les différentes régions de france et du monde.
Editiosn Joel Cuénot Editions Joel Cuénot, 1983. In-4 relié toile sous jaquette de 95 pages, photos en noir et en couleurs. Avec envoi de l'auteur. Bon état
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
"Bureaux du ""Gymnaste""" Broché 1906 In-8 (14,3 x 23 cm), broché, 105 pages, figures en noir dans le texte ; dos fendu et recollé, quelques traces sur les plats, quelques pliures et petites déchirures sur les bords des plats, par ailleurs assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
EDITIONS D'ART ALBERT SKIRA. 1965. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 212 pages - nombreuses photos et illustrations en noir et blanc et en couleurs contre-collées dans et hors texte dont certaines illustrations en noir et blanc sont depliantes.. Avec Jaquette. . . Classification Dewey : 700-LES ARTS
Classification Dewey : 700-LES ARTS
Acla 1979 In-4 cartonné. 160 pages. Très bon état d’occasion.
Très bon état d’occasion