, Tim Van Laere Books, 2023 92 pagina's, 25,5 x 20,5 cm, hardcover, Nederlands/Frans/Engels. ISBN 9789464004205.
Tim Van Laere Gallery is pleased to present Let?s Go! a group exhibition presenting works by Bram Demunter, Jean Dubuffet, Kati Heck, Leiko Ikemura, Stanislava Kovalcikova, Friedrich Kunath, Jonathan Meese, Albert Oehlen, Tobias Pils, Tal R, Ben Sledsens, Ettore Spaletti, Dennis Tyfus, Rinus Van de Velde, In s Van den Kieboom, Henk Visch, and Franz West. While solo exhibitions allow you to fully enter the world of one artist and give you a glimpse of what the world looks like according to that artist, a group show offers different windows and pathways to various points of view and ways of seeing. It?s for this reason group shows are a vital part of the gallery?s program. By combining works from different artists in all kinds of media, the inner dialogue between the artist and his/her work is brought to a larger table, where its meaning gets challenged and debated by the surrounding works. It makes for an open dialogue where universal truths rise to the front and are brought to the surface of each one of the works presented in the exhibition space. The decision of the gallery to curate the show not only with contemporary artists but to also include modern artists, testifies to the determination the gallery has to pave new pathways to foster new dialogues and share these dialogues with the public. Choosing to curate group shows with cross-pollination in media, genres, and generations, can create new ways in art and expand the existing dialogue of the works which inspires new styles, and different ways of creating and rethinking our ways of seeing. On the one hand, the title of the show, Let?s Go!, reflects on the gallery?s belief in art and its strength to overcome almost everything. It?s a phrase that leaves no room for doubt and proclaims its strong faith in art to the public, inviting them to join the party. On the other hand, the phrase also refers to the process of the artist. Each one of these artists knows how to surrender to their work. They have allowed art to fully consume their life and take a vital part in their existence. They allow the work to speak for itself. Therefore the gallery chose to respect this inner attitude of the works and place them in dialogue as such. They don?t need a thematic alibi to start up new conversations, they just need to be presented as intended by the artist to enter the public?s consciousness.
, Tim Van Laere Books , 2022 Hardcover, 146 pages, ENG / NL / FR, 255 x 205 mm, NEW, catalogue of different artists in bright colours. *new ISBN 9789464004144.
This catalog was published on the occasion of Swim the Mountain Climb the Sea, a group exhibition showcasing new work by Bram Demunter, Isabella Ducrot, Adrian Ghenie, Anton Henning, Ben Sledsens, Ed Templeton, Dennis Tyfus and Rose Wylie alongside works by Jean-Michel Basquiat, James Ensor, Cameron Jamie, Pablo Picasso, Ceija Stojka and Franz West. This exhibition thus includes a selection of contemporary and modern artists who share the same pioneering spirit. The concept of a group exhibition, where the general public is invited to view new work by a collection of artists, is relatively recent in art history: it all started with the Paris Salon, first held in 1737. Those jury salons with pre-established rules lasted for about 130 years until the art world revolted. Since The Salon des R fuses in 1863, a showcase of artworks rejected by the Paris Salon, a series of groundbreaking group exhibitions have followed, presenting works that changed not only art, but Western culture itself. Most of these pre-1960 group exhibitions, from the Impressionists? first exhibition in 1874 to the Gutai Art Association shows in Japan and London?s Independent Group in the late 1950s, were all organized by artists. In contrast, from roughly the 1960s onward, the groundbreaking group exhibitions were curated by professional exhibition makers, from galleries to biennials. This shift brought about a change in the dialogue, where previously only artists and the public came together, there is now also a third player present. This is also the case with this group exhibition. Curated by Tim Van Laere Gallery, this exhibition includes a selection of artists whose most pronounced characteristic is their idiosyncrasy. Each of these artists has idiosyncratically constructed their own universe with their own visual language, with which they started new conversations in art history by questioning and examining its foundations. Showing both works by modern and contemporary artists, this exhibition not only reveals the individual profiles of the artists, but also allows us to re-evaluate their unique position and concept. Pablo Picasso, James Ensor, Jean-Michel Basquiat, Franz West and Ceija Stojka have left behind a body of work that continues to inspire new generations of artists to this day. Placing their work in dialogue with contemporary works not only reveals the influence of the modern artists on this generation, but also shows how their work has remained current over the years. In the opposite direction, this combination also illustrates the strength of the individual voices of this selection of contemporary artists, who can engage in conversation both with the work of each other and with the work of generations before them.
Hermann et Cie Actualités scientifiques et industrielles Broché 1947 In-8, (25.5x16.5 cm), broché, 264 pages, collection 'Actualités scientifiques et industrielles 1030' ; note au stylo sur la page de titre, traces dans le texte, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
FERNAND HAZAN. 1961. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 10 pages environ + 15 planches en couleurs hors texte.. . . . Classification Dewey : 700-LES ARTS
Classification Dewey : 700-LES ARTS
FERNAND HAZAN. 1961. In-16. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur frais. 10 pages environ + 15 planches en couleurs hors texte.. . . . Classification Dewey : 700-LES ARTS
Classification Dewey : 700-LES ARTS
FERNAND HAZAN. 1961. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 10 pages environ + 15 planches en couleurs hors texte.. . . . Classification Dewey : 700-LES ARTS
Classification Dewey : 700-LES ARTS
HAZAN Fernand.. 1961. In-18. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Environ 30 pages. Quelques illustrations en noir et blanc dans le texte et en couleurs, hors-texte.. . . . Classification Dewey : 700-LES ARTS
Petite Encyclopédie de l'Art. Classification Dewey : 700-LES ARTS
MANGO. 1991. In-8. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 46 pages. Nombreuses illustrations en couleurs dans le texte. Ouvrage de bibliothèque avec une couverture plastique transparente sur la couverture originale.Tampons de bibliothèque sur la page de titre. Une étiquette de code en pied du dos et en pied de la première de couverture. Légères mouillures sans taches en pied des pages.. . . . Classification Dewey : 700-LES ARTS
Classification Dewey : 700-LES ARTS
, Antwerpen, De Sikkel 1945, 150pp. met 1800 afbeeldingen, 2e uitgave, wat roest, gecart.band, goede staat, Z22177
, Antwerpen, De Sikkel 1948, 200pp. met 2500 afbeeldingen, gecart.band, wat roest, goede staat, Z22178
, Thames and Hudson , 2022 Hardcover, 256 pages, ENG, 305 x 245 mm, NEW, dustjacket, 200 illustrations. ISBN 9780500025581.
The definitive, full-career retrospective of the life and work of Chris Killip (1946-2020), one of the UK's most important and influential post-war documentary photographers. 'I didn't set out to be the photographer of the English de-Industrial Revolution. It happened all around me during the time I was photographing' Chris Killip, 2019. Grounded in sustained immersion and participation in the communities he photographed, Chris Killip's keenly observed work chronicled ordinary people's lives in stark, yet sympathetic, detail. His photographs are recognized as some of the most important visual records of 1980s Britain; as editor of this book Ken Grant reflects, they tell the story of those who 'had history "done to them", who felt its malicious disregard and yet, like the photographer with whom they shared so much of their lives, refused to yield or look away.' Published to coincide with the first full retrospective of Killip's life and work at the Photographers' Gallery, London, this book, designed by Niall Sweeney & Nigel Truswell at Pony Ltd, presents photographs from each of his major series alongside lesser-known works. It includes a foreword by Brett Rogers, in-depth texts by Ken Grant tracing Killip's life and career, and essays by Gregory Halpern, Amanda Maddox and Lynsey Hanley.
LA CONNAISSANCE. NON DATE. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 189 pages. Nombreuses photos et illustrations en noir et blanc, dans et hors texte. Quelques déchirures sur la jaquette.. Avec Jaquette. . . Classification Dewey : 700-LES ARTS
TABLE : Atomisme, structure et forme - L'architecture évolue-t-elle vers des formes immuables ? - Sur le design - Structure et communication - Peinture abstraite - Peinture structurale,etc. Classification Dewey : 700-LES ARTS
Kerstin Bartels Gerd Hurm, Julia Niewind, Malgorzata Nowara, Michel Polfer, Fran oise Poos, Gilles Zeimet
Reference : 59527
, Silvana Editoriale, 2022 Hardcover, 464 pages, ENG, 300 x 240 mm, NEW, more than 250 illustrations in colour / b/w. ISBN 9788836651559.
In March 1985, the National Museum of Luxembourg unexpectedly received a generous bequest from the estate of Edward Steichen, the Luxembourg-born and world-renowned American photographer. The bequest comprises a total of 178 prints, including 175 photographs by Steichen himself that cover almost all aspects of his photographic oeuvre - from the pictorialist images of his early years to portraiture, fashion, advertising, landscapes, and family photographs. For the first time, this extraordinary collection is presented in a comprehensive scholarly manner, with full-page illustrations of all 178 photographs. In addition, the publication includes six new essays by five authors that deal with questions of identification, techniques, and dating of the prints as well as their conservation and preservation. They examine the provenance and impact history of the collection and compare the significance of the Luxembourg donation with other bequests made at the same time to institutions in the United States and overseas. The significance of the astonishingly large number of family photographs in the Luxembourg bequest and Steichen's special role as a mediator of Modernism between Europe and the New World are also explored.
Editions Joël Cuénot 1983, in-4 cartonnage avec jaquette illustrée, 95 pp., nombreuses photos noir et blanc et couleurs, croquis, photos de Joël Cuénot, dessins d'Augustin Lys, état neuf.
La pratique du jeu de quilles dans les différentes régions de france et du monde.
Editiosn Joel Cuénot Editions Joel Cuénot, 1983. In-4 relié toile sous jaquette de 95 pages, photos en noir et en couleurs. Avec envoi de l'auteur. Bon état
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
"Bureaux du ""Gymnaste""" Broché 1906 In-8 (14,3 x 23 cm), broché, 105 pages, figures en noir dans le texte ; dos fendu et recollé, quelques traces sur les plats, quelques pliures et petites déchirures sur les bords des plats, par ailleurs assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
EDITIONS D'ART ALBERT SKIRA. 1965. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 212 pages - nombreuses photos et illustrations en noir et blanc et en couleurs contre-collées dans et hors texte dont certaines illustrations en noir et blanc sont depliantes.. Avec Jaquette. . . Classification Dewey : 700-LES ARTS
Classification Dewey : 700-LES ARTS
Acla 1979 In-4 cartonné. 160 pages. Très bon état d’occasion.
Très bon état d’occasion
BILLAUDOT.. 1954. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 48 pages environ. Non paginé. Nombreuses illustrations en noir et blanc hors texte. Tampon sur le premier plat de couverture.. . . . Classification Dewey : 700-LES ARTS
Classification Dewey : 700-LES ARTS
BORDAS. 1972. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 127 pages. Nombreuses illustrations en noir et blanc et en couleurs dans le texte et hors texte.. . . . Classification Dewey : 700-LES ARTS
Classification Dewey : 700-LES ARTS
Lausanne, Éditions Vitas, (impr. des ‘Dernières Nouvelles de Strasbourg), s.d. (1933), gr. in-8°, 861 p., illustré + 11 planches h.-t. en noir et en couleurs, reliure en toile originale illustrée.
Image disp.
Phone number : 41 (0)26 3223808
DE L'ECOLE MODERNE FRANCAISE. Non daté. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Mouillures. 24 pages. Quelques illustrations et photos en noir et blanc dans le texte et hors-texte.. . . . Classification Dewey : 700-LES ARTS
Supplémùent à la Bibliothèque de Travail. Classification Dewey : 700-LES ARTS
Traduit de l'anglais par Divina Cabo. St. Léger. Ed. Zodiaque, 1997. Grand in-4, 398 pages. Relié toile éditeur bleue sous jaquette illustrée. Etui simple.
1ère édition. Environ 300 documents en noir ou en couleurs la plupart à pleine page.
Kiso Kurokawa ; Sawako Takeuchi ; Toshiko Isa ; translation : Jeffrey Hunter
Reference : 60938
, Academy Editions/St. Martin's Press, 1992 Hardcover , 311 pages, ENG, 340 x 265 x 30 mm, dustjacket, Perfect condition, illustrated in colour / b/w., **with signature and dedication of Kiso Kurokawa to Raymond Georis 1935-2007. ISBN 9781854901194.
Focuses on the life and work of Kiso Kurokawa, one of the world's most active architects both in Japan and internationally. His recent work includes: Hiroshima City Museum of Contemporary Art; Victoria Central, Australia and the Japanese-Chinese Youth Centre, Peking.
Cnrs éditions. 1992. In-Folio. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 222 pages - jaquette en bon état - nombreuses illustrations en couleurs et en noir et blanc dans et hors texte.. Avec Jaquette. . . Classification Dewey : 700-LES ARTS
Préface de Rene Desbrosse. Classification Dewey : 700-LES ARTS