London, no Printer, 1770 and A geneve, J.P. Costard, 1773 (Vol. 5). Small 8vo. Bound in 5 contemporary full calf with richly gilt backs. Light wear to one spine end. A fine copy, printed on good paper. Bookplate from ""Nörager Bibliothek"". With 1 page of manuscript criticism in vol. 5 by Count d'Angivillier.
Barbier III:617.
Cologne, Pierre Marteau, 1707. Small 8vo. Contemp. full blindtooled calf, Cambridge-binding style with ""mirror"". Light wear to top of spine. A paperlabel pasted on Spine. Spine with gilt lettering. Stamp on title-page. Engraved portrait. 535 pp., 2 folded engraved plans.
Paris, Anselin, 1835. Cont. hcalf. Gilt back. Stamp on halftitle and title. Clean and fine. (4),324,(2) pp. and 1 large folded engraved map: ""Carte Routiere D'Italie...depuis 1792, jusqu'en 1815 dessinée par A.R. Fremin"".
Paris, Florentin Delaulne, 1709. 8vo. Bound in one contemporary full calf binding with four raised bands and richly gilt spine. Small paper-label pasted on to top of spine. Previous owner's name to front free end-paper in contemporary hand. Light wear to extremities, but overall a nice and clean copy. XXI, (3), 454, (2), 563 pp.
Rare first edition of Dubos’ history on The War of the League of Cambrai also known as the War of the Holy League, fought from February 1508 to December 1516 as part of the Italian Wars of 1494–1559. The main participants of the war were France, the Papal States, and the Republic of Venice, they were joined at various times by nearly every significant power in Western Europe. “(The present work) was a clear and engaging history of the alliance, including France, assembled by Pope Julius II to wage war against the Venetian Republic between 1508 and 1516. The book was praised by, among others, Voltaire.” (Stanford Encyclopedia of Philosophy). Jean-Baptiste Du Bos (b. 1670, d. 1742) was a French antiquarian, historian, diplomat, polymath, and aesthetician. He participated in the Quarrel of the Ancients and Moderns, wrote on numismatics, delved into a variety of historical questions, and had an enduring love of the fine arts. Barbier II, 700.
Leide, Pierre van de Aa, 1706. 8vo. Uniformly bound in three contemporary full calf bindings with five raised bands and richly gilt spines. Edges of boards gilt. Small paper-label pasted on to top of spines. Wear to extremities, boards with scratches with some loss of leather. Internally with a few small worm-tracts but generally a good copy.Vol. 1: (16), 275 pp. + Engraved half-title, engraved half-title and 43 plates (out of 45)Vol. 2: 277-554 pp. + Engraved half-title, engraved title-page and 49 plates (out of 55).Vol. 3: 555-718, (62), 9, (1) pp. + Engraved half-title, engraved title-page and 46 plates (out of 50).
First edition of this rare and important travel guide to Italy - the first in what became a travel guide series in small format. Despite its popularity and the numerous editions in which the work was published not much is know about Alexandre de Rogissart Pieter van der Aa was a Dutch publisher, cartographer, and bookseller. Van der Aa is best known for his cartographic works and atlases, which were highly regarded for their accuracy and detail. Brunet IV, 1354Graesse VI, 147.
Lyon, Antoine Cellier, 1678. 8vo. Uniformly bound in three contemporary full calf bindings with five raised bands and richly gilt spines. Edges of boards gilt. Small paper-labels pasted on to top of spines. Light wear to extremities, particularly to head and foot of spines, vol. 2. with some loss of leather. Vol. 1 with dampstain to upper outer margin, otherwise internally nice and clean. (24), 405 pp." 417, (13) pp. 204, 226 pp. + frontispiece and 32 plates and maps.
Rare first edition of Spon’s famous travel account" “one of the most important accounts of travels in the Levant, and the first description of Athens which was systematic, detailed and trustworthy"" (Blackmer) – it remained an important reference up until the 19th century. “The three-volume account of Spon's voyage was first published in Lyon in 1678. It constituted a major literary event, and became a landmark in travel literature. It is the product of first-hand investigation, free of plagiarism and also touches on contemporary issues in the Greek territories which he visited. The second volume includes an important glossary of modern Greek words, for travellers' use, while the third volume is dedicated exclusively to the inscriptions and coins collected by Spon during his journey. Spon's travel account was republished in French and was translated into English. Four years later, George Wheler published his own account of their journey, which is in fact but a mediocre copy of Spon's work. In 1680, Spon published his “History of Geneva” and in 1685 an catalogue of ancient Greek inscriptions.” (Vingopoulou, Aikaterini Laskarids Foundartion).
Paris, Ballaine, 1671. 8vo. Two part bound in one contemporary full calf binding with five raised bandes. Wear to extremities. Upper capital chipped, with a bit of loss of leather, showing endbands. Inner front hinge split. Previous owner's name to front free end-paper. Small worm-tract to inner margin, not affecting text. (36), 436, 341 pp.
The exceedingly rare first French translation of Lassels‘ travel-guide, considered the first comprehensive guide to Italy it quickly became the most influential English guidebook of its day. The concept of the “Grand Tour” was also first introduced here. Lassels’ asserts that any truly serious student of architecture, antiquity, and the arts must travel through France and Italy, and suggested that all ""young lords"" make what he referred to as the Grand Tour in order to understand and learn about the political, social and economic realities of the world. “The idea of tourism as self-enriching rather than soul-preserving come truly into vogue between 16th and 18th centuries. The Grand Tour, a term first used in the French translation of a ‘Voyage or a Compleat Journey through Italy’ by Richard Lassels published in 1670, encompassed experience (including sexual), education and exchange of ideas, creating the largest and most independent wandering “academy” – a sort of finishing school – that Western civilization had ever known”. (White, Museum and Heritage Tourism). “The term ‘Grand Tour’ itself first appeared in the French translation of Richard Lassels’ Voyage or a Complete Journey Through Italy, which was published in 1670. This was one of a number of accounts of travel on the Continent, most of which were written by Englishmen, and by the early eighteenth century, there was a steady stream of such publications. The eighteenth century then saw a massive growth in the production of books, newspapers, and other printed material, and this encouraged the development of different types of writing and publishing, including travel accounts. There also emerged travel guides, the most useful of which was probably The Grand Tour containing an Exact Description of most of the Cities, Towns and Remarkable Places of Europe by Mr [Thomas] Nugent, first published in four volumes in 1743, and repeatedly republished. An alternative was The Gentleman’s Pocket Companion for Travelling into Foreign Parts, first published in 1722, which contained a list of useful phrases at the end, but not, perhaps, those which the wellbred young man should employ.” (Kathleen Burk, The Grand Tour of Europe) The most influential English guidebook of the period, conditioning the first impressions of many a tourist to that country. It also provided the basis for subsequent guidebooks . . . The unprecedented attention it paid to art and architecture encouraged the phenomenon of the eighteenth-century style 'grand tour' (a term coined by Lassels) according to which art prevailed over all other subjects, religious or secular"" (ODNB). The original English edition was published in 1670. French translations were published it 1671 and 1682. A German translation titled 'Ausführliche Reise-Beschreibung durch Italien' appeared in Frankfurt editions in 1673 and 1696. It was reprinted well into the 1700ies. Provenance: A large Danish estate.
Haye, Foulque & Honoré, 1699. Large12mo. 4 part uniformly bound in 2 full calf bindings with four raised bands and richly gilt spines. Extremities with wear, boards with several worm holes, upper capitals with wear, corners bumped and missing small parts. Internally with light occassional brownspots and a few worm tract and marginal dampstaining.Title-page to vol 4 closely trimmed with lower of text to lower margin. (10), 336, (24) (2), 337, (21) (2), 281, (23) (2), 356, (45) pp. + 7 folded plates and 1 frontispiece.
Second enlarged edition of Dumont's account of his voyages which became highly popular - party because of this work he was named official historiographer to king Charles VI. “Born in Rouen in 1667, Jean Dumont, a French Protestant, was enrolled in the army of which he became captain after taking part in campaigns in the Palatinate and Schwabia. He left the army after he was arrested, falsely suspected of espionage. After his release, he left for Italy and then for Turkey on 26 May 1690. In August 1692, after travelling across Germany on his was back he went to the Hague, where he published his ‘Nouveau voyage du Levant’ in 1694. He dedicated it to William of Schuylenburg, Lord of Dukenburg, “counsellor and clerk to the council to his Britannic Majesty”, who was “ the support of so many illustrious exiles, whom the tempest of the age has cast upon the shores of Holland…”. An enlarged edition was published in 1699 (The present work). He later studied and taught law. He also became historiographer to the Holy Roman Emperor Charles VI and was made Baron of Carlscroon. He died in Vienna on 13th May 1727. (Christians under the Ottoman Turks) Cox I, 217Brunet VI, 20058
Utrech, Guillaume van Water & Jacques van Poolsum, 1722. 8vo. Uniformly bound in 4 magnificent contemporary full calf Cambridge-style bindings with five raised bands and richly gilt spines. Gilt frames to boards and blind-tooled ornamentation to edges of boards. Boards with wormtracts, primarily affecting vol. IV. Small wormtract effecting frist half of vol. III. An overall nice set. (46), 339, (20) pp. + 32 folded plates (including frontispiece) 356, (24) + 39 engraved plates 414, (19) pp. + 7 plates. (6), 347, (7) pp. + 1
Fourth edition of this important and influential travel-guide to Italy. Misson travelled through Italy during 1687 and 1688, and in 1691 published the Nouveau voyage d'ltalie, which was to be the standard travel guide to Italy for the following fifty years. Provenance: From a large Danish estate.
Paris, M. Bonnemaison, 1812. 8vo. Cont. hcalf. XVI,132 pp. First leaves with brownspots and lightly dampstained. Some scattred brownspots.
Paris, J. Rouam, 1884. Large 4to. Cont. hcalf. Gilt back. (1),289 pp., 3 engraved plates and many textillustrations in woodcut.
Bruxelles, Charles Muquardt, 1860. Contemporary hcalf. Gilt back. XXIII,319 pp., 7 large folded maps (1 in xerox-copy).
Paris, Barrois l'ainé, 1817. Later cloth-backed boards with printed titlelabel on frontcover. Stamp on titlepage. (4),IV,199,(1) pp. and 1 engraved folded map. A few brownspots, orherwise clean and fine, printed on good paper.
Paris, Ch. Tanera, 1868 Royal8vo. 2 contemp. hcalf, gilt spines. Some wear to spines. Stamp on titlepages. (4),474(4),397,73 pp. and 13 folded lithographed maps. Some tears to maps, no loss. Internally clean.
Geneve, Barde, Manget, 1787. Bound in 3 contemp. full calf. Spines gilt and with tome-and title-labels with gilt lettering. A paper-label pasted on lower part of spine on volume one. A stamp on title-pages. Engraved frontispiece. (1), XVI, 308 (2), 244" 290 pp., 1 large folded engraved map (gravée par C.G. Geisler) and 13 engraved plates (incl. frontispiece, numb. I-XIII, all). A few scattered brownspots. A fine, wide-margined copy.
A fine copy of this scarce classical work on the Alps and its glaciers, written by the famous Swiss traveler and writer Marc Theodore Bourrit (1739-1819), a great and enduring traveler of the Alps who pioneered in making them known to the rest of the world. He was furthermore the first to ascent the Buet and the first traveler (and second person in all) to attempt to climb Mont Blanc.Originally, Bourrit, actually born in France, was an artist, etcher, and pastor famous for his wonderful singing voice and love of music. When he was given the job as choirmaster of the Church of St Peter in Geneva, he finally had time to devote himself to the exploration of the Alps, for which he possessed a great passion. Saussure, who had initially come up with the idea of someone climbing the tallest mountain, the Mont Blanc, and had offered a reward for doing this, usually brought Bourrit with him on his mountain-ascents, both due to his abilities in this field, but also due to his excellent artistic skills with which he would be able to document the excursions. But Bourrit's greatest merit lies in making the Alps know to the rest of the world, and in this he was a pioneer. From 1769 he had toured the Alpine country year after year, and he kept doing this until 1802 (he stopped aged 63). Perhaps his greatest work is the present ""Nouvelle description des glaciers""... which constitutes one of the first attempts to spread public knowledge about the Alps and the glaciers.Due to his important work within the field, he was named ""historiographe des Alpes"" by Emperor Joseph II.
Paris, no publisher, 1817. Small 8vo. Bound in 2 contemp. full cloth. Light wear to top of spines. 336370,(2)381,(2) pp. Internally with some browning to leaves.
Paris, Pagnerre, 1850. Contemp. hcalf. Spine gilt. Spine a bit rubbed. Stamp on titlepage. VIII,412 pp. First and last leaves with some brownspots.
Berlin, Charles Heymann (u. Theobald Grieben), (1846) -1853. Large folio. Bound in one contemp. half calf. Gilt spine with gilt lettering. A paperlabel pasted on upper part of spine. Stamps on title-pages. 20,(20) pp. and 72 lithographed folioplates (48+24). Scattered brownspots, mainly to textleaves. Text in German a. French.
Both parts in first edition. The ""Neue Folge"" is bound first.
Saint-Malo, L.H. Hovius, 1785. Small 4to. Near contemp. hcalf. Richly gilt spine, raised bands. Titlelabel with gilt lettering. Stamps on title-page. (4),385 pp., profusely textillustrated in woodcut with coastal profiles, harbours, maps etc. The first and last leaves with some brown-toning, otherwise clean with a few scattered brownspots.
Marseille, Trabaud, Buisson, 1793. Contemp. full calf. Richly gilt spine. Titlelabel with gilt lettering. A small repair to top of spine. Stamp on title-page. 420 pp.
A later edition of his famous mediterranean-pilot. Henry Michelot is well known of his several influential cartographic works devoted to the Mediterranean.
(Genoa), No printer, AN IX (1801). Later hcalf. Gilt spine. Gilt lettering. A paperlabel pasted on spine. Stamps on title-page. 110,(2) pp., 3 large folded engraved maps and plans. Wide-margined, clean and fine, printed on thick heavy paper.
Amsterdam, Francois L'Honoré, 1736-37. Small 8vo. Bound in 5 contemp. full calf. Raised bands. Richly gilt spines. Tome-and titlelabels with gilt lettering. One tomelabel gone. 2 spine-ends with wear and a nick to one compartment on one volume. Paperlabels pasted to lower part of spines. Stamp on title-pages. 3 engraved frontispieces, 5 engraved titlevignettes. Title-pages in red/black. (2),447,(23)XXXVI,355(2),555,(21) pp., 12 large folded engraved maps/plans. Internally clean and fine.
Florence, Juntine, 1914. Royal8vo. Bound with the original stiff wrappers in a nice contemp. hcalf. Raised bands. Titlelabel with gilt lettering. Gilt borders on covers. XVI,51,(1) pp., 86 plates (a few in colour).
Paris, De Bure, 1830. Contemp. hcalf. Richly gilt spine. Light wear to top of spine. Stamp on title-page. XXXIV,504 pp. The Atlas missing.
Paris, Hachette, 1883. Royal8vo. Contemp. hcalf. Gilt spine. Spine a bit rubbed. (4),IV,1007, pp., Profusely illustrated, maps, plates, textillustr. Internally clean and fine.