5478 books for « la sculpture »Edit

‎Greek Sculpture. An Exploration. 2 volumes‎

‎Stewart, Andrew: Greek Sculpture. An Exploration. 2 volumes. Yale University Press, 1990. Together, 800 pages with 900 illustrations. Wrappers. 27.9x21.9cms. Copiously illustrated, scholarly study of large scale Greek sculpture from the Dark Ages to Augustus (c.1200-30 B.C). With an introduction to Greek art and culture, a chronological history of Greek sculpture and an analysis of primary evidence for the lives and chievements of some 100 sculptors. With glossary of Greek and Latin terms and translations of ancient literary and epigraphical testimonia.‎

‎Copiously illustrated, scholarly study of large scale Greek sculpture from the Dark Ages to Augustus (c.1200-30 B.C). With an introduction to Greek art and culture, a chronological history of Greek sculpture and an analysis of primary evidence for the lives and chievements of some 100 sculptors. With glossary of Greek and Latin terms and translations of ancient literary and epigraphical testimonia.‎

‎Baroque to Neo-Classical Sculpture in Quebec.‎

‎Villeneuve, Rene: Baroque to Neo-Classical Sculpture in Quebec. Exhibition: Ottawa, National Gallery of Canada, 1997. 264pp with 32 colour and 150 monochrome illustrations. Wrappers, Fully illustrated catalogue of sculpture in the National Gallery of Canada, recording the stylistic evolution of Quebec sculpture between 1650 and 1850.‎

‎Fully illustrated catalogue of sculpture in the National Gallery of Canada, recording the stylistic evolution of Quebec sculpture between 1650 and 1850. Text in English‎

‎Emerging Naturalism: Contexts and Narratives in European Sculpture 1140-1220‎

‎, Brepols - Harvey Miller, 2020 Hardcover, 436 pages, 156 b/w ill. + 18 colour ill., 220 x 280 mm, Languages: English. ISBN 9782503574486.‎

‎For many decades, specialists in Romanesque and Early Gothic art and architecture have questioned the usefulness of traditional stylistic terminology. It is regarded as having limited relevance insofar as it fails to reflect the complexity and plurality of the period under discussion. Nor does it embrace functional, formal or iconographic specificities. Despite these deficiencies, we still have no better way of referring to the art of the period than Romanesque, Late Romanesque or Early Gothic which we make yet more cumbersome by adding a geographical or political term. Of the various media which were affected by artistic innovation in Europe during the second half of the 12th century, particular attention has been paid to stained glass, manuscript illumination, metalwork and enamel. Monumental sculpture was equally subject to profound change during the period, in addition to developing in directions that were largely independent of other media. As a result, late Romanesque sculpture extends across the period from 1140 to 1220, from Saxony to Galicia, though it is still impossible to encapsulate in a single statement what this complex network represented. However, the attainment of a compelling naturalism does seem to have been a shared aspiration among Latin European sculptors. Emerging Naturalism: Contexts and Narratives in European Sculpture 1140?1220 offers a panoramic analysis of this artistic landscape, focused on a central issue in medieval European artistic production. To narrow this field of study, the book concentrates on the innovations and solutions adopted in the great church workshops of western Europe. Gerardo Boto Varela teaches art history at the Universitat de Girona (Spain), is leader of the international research group Templa, and scientific editor of the journal Codex Aquilarensis. Revista de Arte Medieval. His research concentrates on spatial, pictorial, and liturgical aspects of Spanish ecclesiastical architecture from the tenth to thirteenth centuries, as well as on dynastic tombs and memorial culture in Medieval Iberia. Marta Serrano Coll teaches art history at the Universitat Rovira i Virgili in Tarragona (Spain) and specializes in Medieval architecture and sculpture, particularly in Catalonia. Her research interests include the display of power through artworks and royal patronage in the Iberian Peninsula during the Middle Ages. In addition, she has published in the field of Romanesque sculpture and hagiographical studies. John McNeill teaches at Oxford University?s Department of Continuing Education, and is Honorary Secretary of the British Archaeological Association, for whom he has edited and contributed to volumes on Anjou, King?s Lynn and the Fens, the medieval cloister, and English medieval chantries. He was instrumental in establishing a biennial International Romanesque Conference Series and has a particular interest in the design of medieval monastic precincts. Table of Contents Emerging Naturalism and a New Medieval Morphology ? Herbert L. Kessler I.Shaping Late Romanesque Sculpture. Balance and Perspective The Attainment of a Compelling Naturalism in Sculpture c. 1200 ? Gerardo Boto Varela What is So-Called Late Romanesque Sculpture? ? Xavier Barral i Altet II. Late Romanesque / Early Gothic Sculpture in European Cathedrals (1140?1220) The Role of Burgundy in the Development of the First Column-Statues ? Marcello Angheben Late Romanesque Sculpture and the Cathedrals of South-Western France ? Quitterie Cazes An Enigma Put Aside. The Origin and Interpretation of a Decontextualized Capital from Saint Trophime at Arles ? Juan Antonio Ola eta Around and After 1200. Old and New Concepts of Monumental Sculpture in the German Territories of the Holy Roman Empire ? Claudia R ckert Sculpture and Liturgy: Monuments and Art Histories of Southern Italy (c. 1150?1250 and Beyond) ? Elisabetta Scirocco Old Testament Sacrifice and Thirteenth-Century Tithe: Cain and Abel in the Architectural Sculpture of the Holy Roman Empire ? Stephanie Luther Late Romanesque Sculpture in England. How Far Can the Evidence Take Us? ? John McNeill The Gothic Last Judgment Portal c. 1210. Visual Strategies and Communicative Function ? Bruno Boerner Aesthetics and the Imitation of Antiquity in Early Gothic Sculpture ? Laurence Terrier Aliferis III. Sculptural Visualisations in the Cathedrals of the Iberian Kingdoms (1160?1220) The Reception of Burgundian Models in the Second Half of the Twelfth Century and the Naturalist Redefinition of Romanesque Sculpture in Castile ? Marta Poza Yag e Master Mateo and the Cathedral of Santiago at the End of the Twelfth Century ? Ram n Yzquierdo Peir Late Romanesque Sculpture in the Kingdoms of Leon and Castile: Continuity or Change? ? Jos Luis Hernando Garrido & Antonio Ledesma Romanesque Sculpture in Portuguese Cathedrals: Models, Continuity and Adaptation ? Carla Varela Fernandes & Paulo Almeida Fernandes The Meaning of the Romanesque Sculpture in the C mara Santa at the Cathedral of Oviedo ? C sar Garc a de Castro Vald s Images and Stories: The Transformation of Space in the Cathedrals of the Ebro Valley ? Esther Lozano L pez The Vault Corbels in the Cloister of Tarragona Cathedral: Shaping a New Pictorial Corporeality that Goes Beyond the Late Romanesque ? Gerardo Boto Varela & Marta Serrano Coll‎

‎Drill in Sculpture From Ancient Egypt to Modernism‎

‎, Brepols - Harvey Miller, 2025 Hardback, Pages: 341 pages, Size:180 x 265 mm, Illustrations:5 b/w, 233 col. , Language(s):English, Italian. ISBN 9782503600253.‎

‎Summary ?The story of the use of the drill in European sculpture has not yet been written, although it should be fascinating.? So argued Rudolf Wittkower in one of the lectures on the processes and principles of sculpture that he gave as Slade Professor of Fine Arts at Cambridge in 1970. In agreement with Wittkower?s view, this volume presents a series of case studies on the use of the drill ranging from ancient Egypt to the beginning of the twentieth century. Conceived as a catalogue for an ideal exhibition, the book illustrates, in chronological order, various works of art whose creation significantly depended on this tool: not only statues and bas-reliefs, but also architectural decoration, vases in precious stone and utilitarian objects, made in a range of materials including marble, wood, clay, ivory and more. This variety highlights the extraordinary challenge faced over millennia by the drill in its numerous forms (bow drills, gimlets, pump drills, to name but a few), which did not undergo significant technological transformation until the advent of electricity. This tool directly confronted, to a greater extent than others, the hardness of the sculptural materials, piercing them, splitting them and manipulating them beyond any apparent limitation set by nature. In its tussle with the drill, the very affordance of the material was threatened, defeated by the expressive will of the sculptors, their visual cultures, their frames of reference and their notions of nature and art. This volume is devoted to the exploration and understanding of this challenge. Published with the support of the Henry Moore Foundation. TABLE OF CONTENTS Editors? Preface Introductory Essays Nicholas Penny, Traces of the Drill in Ancient and Modern Sculpture: A Survey Lucia Simonato, The Ill-famed Drill. The Anti-Hero of Sculpture from Winckelmann to Modernism Atlas Sante Guido and Lucia Simonato, Rotational Drilling Instruments Works and Tools Enrico Ferraris, Notes on the Drill and Perforation in Ancient Egypt Enrico Ferraris, In the Workshops of Egyptian Carpenters Rapha l Jacob, The Drill in Archaic and Classical Marble Sculptures of the Acropolis Carmela Capaldi, The Running Drill as a Signature Motif in Roman Art Fabio Guidetti, Between Nature and Artifice: The Portraits of the Roman Imperial Period Sarah Gu rin and Francesca Pistone, A Late Antique Inheritance and Carolingian Taste Martina Rugiadi, Notes on Absences: Towards Charting the Use of the Drill in Medieval Islamic Stonework and its Modern Investigation Julien Chapuis, Expediency and Effect: The Drill in Medieval Sculpture North of the Alps Laura Cavazzini, Tuscan Sculpture in the Mid-Thirteenth Century, Between East and West Marco Collareta, The Drill Serving the Chisel in a Fourteenth-Century Monumental Sculpture Group in Pisa Luca Palozzi, The Pump Drill in Late Medieval and Early Modern Tuscany: Metal Bits and Deer Leather Straps Marco Scansani, The ?fictitious Drill? in Fictile Renaissance Sculpture Francesca Maria Bacci, The Ornament Technique in Florentine Workshops of the Fifteenth Century Matteo Ceriana, The ?rosicante trepano? of the Venetian Renaissance Luca Annibali, Drilling Marble to Restore the Antique Gr goire Extermann, Porphyry in Cosimo I?s Florence: Carving Versus Abrading Riccardo Gennaioli, The Secrets of Mannerist Wheels for Engraving Fine Semi-Precious Stones Sante Guido, From Father to Son: Pietro Bermini in Early Seventeenth-Century Rome Lucia Simonato, Gian Lorenzo Bermini and his Masters in the Art of Drilling Jennifer Montagu, Of Grooves and Holes: Drilled Outlines in Roman Baroque Sculpture Vittoria Brunetti, Late Seventeenth-Century Sculptural Practice Between Style and Fascination with the Antique Milena Maria Dean, Boxwood and Stone Pine in the Venetian Baroque Valeria Rotili, Traces of Pointing and of Other Drill Uses in Eighteenth-Century Sculpture, Between Rome, Paris and Turin Elena Catra, Canova?s ?finishing touches? Omar Cucciniello, The Bravura of the Milan School in the Nineteenth Century Margherita d?Ayala Valva, Wildt?s ?great virtue of shadow? Giovanni Casini, ?My great adventure?: Epstein?s The Rock Drill Bibliography Index of Names and Places compiled by Chiara Pazzaglia‎

‎Taking Shape. Sculpture of the Low Countries, c. 1400-1600‎

‎, Brepols, 2024 Hardback, 350 pages, Size:216 x 280 mm, Illustrations:5 b/w, 139 col., Language: English.* NEW ISBN 9782503611235.‎

‎Summary This book examines the production, patronage, and use of sculptures made in the Low Countries between 1400 and 1600. Two questions frame the book: 'Why did Sculpture from the Low countries matter' and 'Why will Sculpture from the Low Countries matter for future research'. Answers to these questions will be offered in a coherent and richly illustrated study which considers Sculpture as a pivotal subject field within Art Historical discourse. TABLE OF CONTENTS Preface Julie Beckers and Hannah De Moor Introduction Ethan Matt Kavaler Chapter 1: Use and Function of Sculpture Accommodating Altarpieces: The Impact of Circumstantial Factors on the Design of Altar Decorations in Medieval Churches Justin Kroesen Working Sculpture: The Forms and Functions of Netherlandish Brass Lecterns Douglas Brine The Church's a Stage: Late Medieval Altarpieces as Part of an Ever-Changing Environment Wendy Wauters The Stem of a Once Ornate Fountain: The Use of a Table Fountain Fragment at Museum Mayer Van den Bergh in Antwerp Julie Beckers Chapter 2: Patronage of Sculpture Patronage Jeffrey Chipps Smith Noble Expectations of Memorial Sculpture: Commissioning the Jauche Monuments in Brugelette (c. 1527-1573) Ruben Suykerbuyk The Chapel Space and Interiority in the Ringsaker Altarpiece Lynn F. Jacobs Prestige and Display: Noble Patronage of Sculpture in the Low Countries Elizabeth Rice Mattison Chapter 3: Production and Workshop Continuity and Discontinuity in the Sculpture Workshop Practice Aleksandra Lipi?ska The Leuven Connection: A New Look at the Social and Artisanal Network of Leuven Late Gothic Sculptors (c. 1475-1525) Marjan Debaene Te maken ende te leveren: The Transport of Netherlandish Carved Altarpieces Hannah De Moor Epilogue: Seeing Sculpture Stephanie Porras‎

‎Current Directions in Eleventh- and Twelfth-Century Sculpture Studies.‎

‎, Brepols, 2011 XII 212 pages., 114 b/w ill., 220 x 280 mm, Languages: English,Paperback,. ISBN 9782503531656.‎

‎Robert A. Maxwell and Kirk Ambrose, Introduction: Romanesque Sculpture Studies at a Crossroads - Jerome Baschet, Iconography beyond Iconography: Relational Meanings and Figures of Authority in the Reliefs of Souillac - Martin Buchsel, The Status of Sculpture in the Early Middle Ages: Liturgy and Paraliturgy in the Liber miraculorum sancte Fidis - Thomas E. A. Dale, The Nude at Moissac: Vision, Phantasia and the Experience of Romanesque Sculpture - Ilene H. Forsyth, The Date of the Moissac Portal - Dorothy F. Glass, (Re)framing Early, Romanesque Sculpture in Italy - Klaus Niehr, Sculpturing Architecture, Framing Sculpture and Modes of Contextualizing the Arts in the Eleventh and Twelfth Centuries - Jose Luis Senra, Between Rupture and Continuity: Romanesque Sculpture at the Monastery of Santo Domingo de Silos - Andrea von ‎

‎LA SCULPTURE ROMANE / La sculpture romane‎

‎, Hazan, 2014 Couverture reliee sous jaquette, 440 pages, illustr , 26,00 x 31,00 cm.+ boite /slipcase ISBN 9782754103602.‎

‎Une somme exceptionnelle sur la sculpture romane par l?ancien conservateur en chef du d partement des Sculptures du mus e du Louvre. Une iconographie d?une grande qualit photographique. Si la sculpture romane a pu faire l'objet de nombreux ouvrages sur telles coles ou r gions donn es, les livres g n raux sont plus rares. Dans la revue Connaissances des arts = Jean-Ren Gaborit, apr s avoir patronn , en 2005 au mus e du Louvre, une exposition consacr e l'art roman, se devait de nous offrir ce livre en tout point remarquable. partir de chapitres clairement d finis, n' ludant aucune des questions (telles que sources, influences et significations) que soul vent les multiples r alisations romanes, l'auteur parvient offrir au lecteur une synth se tr s dense et vivante faisant un large appel la typologie largie ainsi a tous les types de r alisations dans l'Europe enti re avec, souvent, des oeuvres peu connues du public fran ais, la sculpture romane retrouve ici une grandeur laquelle participent des reproductions de qualit exceptionnelle, qui font aussi de ce livre savant un ouvrage somptueux. M me si la d finition de l?art roman et, plus encore peut- tre, sa d nomination, font l?objet de contestations, le ph nom ne que recouvre ce terme, c'est- -dire le profond renouvellement qui se manifeste, dans toute l?Europe occidentale, entre la fin du Xe si cle et le milieu du XIIe si cle, tant dans l?architecture que dans les autres domaines de la cr ation artistique, appara t comme une vidence. L?une des caract ristiques de ce renouvellement est incontestablement l?importance croissante donn e la sculpture, avec en particulier l?extraordinaire essor de la sculpture monumentale dont on peut voir des t moignages jusque dans les difices les plus modestes. Apr s divers essais, parfois assez timides, durant la p riode dite du premier art roman , la sculpture conna t, d s les derni res d cennies du XIe si cle, un soudain panouissement qui culmine dans la premi re moiti du XIIe si cle avec un grand nombre de r alisations majeures : portails et fa ades, clo tres, d cors int rieurs. Mais la recherche constante de nouvelles formules et, sans doute aussi, la volont d?accompagner les innovations dans l?art de b tir ont amen les sculpteurs multiplier les exp riences ; les rapports entre sculpture et architecture sont ainsi pens s de diff rentes fa ons ; le traitement de la figure humaine volue et l?ornement se diversifie. De nombreux ouvrages ont t consacr s, partiellement ou totalement, la sculpture romane ; parce qu?il est bien difficile de dresser un tableau chronologique coh rent d?un art dont l? volution, sur une p riode relativement br ve, n?a rien de lin aire, l?approche choisie a t essentiellement r gionale, mettant l?accent sur la diversit , bien r elle qui caract rise les principales provinces de l?art roman. Le pr sent ouvrage tente une autre d marche : mettre en valeur, par une analyse plus typologique, ce qui fait l?unit de la sculpture romane : sources d?inspirations communes, recours aux m mes mod les (m me si l?interpr tation en est tr s vari e), adaptation aux m mes sch mas iconographiques, solutions parall les adopt es pour r pondre aux m mes n cessit s. La connaissance de la sculpture romane permet sans doute, du fait de ce m lange d?unit et de diversit , de mieux comprendre la culture de la soci t des XIe et XIIe si cles, soci t marqu e par la violence, que les structures de la f odalit divisent et cloisonnent mais laquelle, en d pit de crises profondes, un certain renouveau conomique et l?omnipr sence de l? glise, travers la constitution du r seau paroissial, l?action des ordres monastiques et les p lerinages, ont donn une r elle unit .‎

‎Lot de 10 ouvrages "Le louvre sculpture..": titres voir description détaillée‎

‎Éditions s.n.e.p infolio. Sans date. Feuillets mobiles. Sculpture grecque / Sculpture egyptienne / Sculpture romaine / Sculpture du moyen-âge / Sculpture de la renaissance italienne / Sculpture de la renaissance française / Sculpture du XVII siècle / Sculpture du XVIII siècle / Sculpture du XIX siècle / Sculpture orientale‎

19 Images

‎dos frotté chemise légèrement défraîchie feuillet assez propre‎

‎La sculpture au musée du Louvre (emboîtage deux) - l'illustration: Sculpture de la Renaissance Italienne + Sculpture du XVIIe siècle + Sculpture du XVIIIe siècle + Sculpture du XIXe siècle + Sculpture Orientale‎

‎L'illustration 1955 in folio. 1955. Non relié + emboîtage. La sculpture au musée du Louvre (emboîtage deux) - l'illustration - 5 chemises: Sculpture de la Renaissance Italienne + Sculpture du XVIIe siècle + Sculpture du XVIIIe siècle + Sculpture du XIXe siècle + Sculpture Orientale --- abondante iconographie noir et blanc accompagné de textes descriptifs format in folio‎

10 Images

‎Etat Correct emboîtage frotté taché de rousseurs rousseurs sur chemises qq rousseurs sporadiques sur les documents globalement propre circa 1955‎

‎LE LOUVRE, SCULPTURE: ORIENTALE, EGYPTIENNE, GRECQUE, ROMAINE, DU MOYEN-AGE, DE LA RENAISSANCE ITALIENNE, DE LA RENAISSANCE FRANCAISE, DU XVIIe SIECLE, DU XVIIIe SIECLE, DU XIXe SIECLE (10 VOL.)‎

‎Editions de L'Illustration, Baschet et Cie, Paris. Non daté. In-Folio. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 10 ouvrages d'env. 30 pages chacun. Feuillets doubles, illustrés de nombreuses photos en noir et blanc (héliogravées) dans et hors texte, et de photos en couleur encollées hors texte, dans leur pochette d'origine.. . . . Classification Dewey : 709-Histoire des arts‎

‎Sculpture orientale, par André Parrot. Sculpture egyptienne, par Jacques Vandier. Sculpture grecque, par Etienne Michon. Sculpture romaine, par Etienne Michon. Sculpture du Moyen-Age, par Paul Vitry. Sculpture de la Renaissance italienne, par Marcel Aubert. Sculpture de la Renaissance française, par Paul Vitry. Sculpture du XVIIe siècle, par Pierre Pradel. Sculpture du XVIIIe siècle, par Pierre Pradel. Sculpture du XIXe siècle, par Pierre Pradel. Photographies d'Emmanuel Sougez. Classification Dewey : 709-Histoire des arts‎

‎La Sculpture au musée du Louvre (2 volumes)‎

‎L'Illustration Cahiers sous chemise et emboîtage Deux volumes in-folio (29,5 x 39 cm.), cahiers sous chemise sous emboîtage, 1 illustration couleurs contre-collée au 1er plat de chaque chemise, vol.1: Sculpture de la Renaissance italienne / Sculpture de la Renaissance française / Sculpture du XVIIe siècle / Sculpture du XVIIIe siècle, vol.2: Sculpture orientale / Sculpture grecque / Sculpture romaine / Sculpture égyptienne / Sculpture du Moyen-Âge, grandes héliogravures, pièces d'illustrations couleurs contre-collées, sans date ; légers frottements aux coiffes et mors des chemises, emboîtages à peine défraîchis, intérieur très frais, bel état d'ensemble. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Sculpture of Tullio Lombardo, Tullio Lombardo‎

‎, Brepols - Harvey Miller, 2014 Hardback VI 463 p., 339 b/w ill., 225 x 300 mm, Languages: English FINE COPY !!!! ISBN 9781909400177.‎

‎In the first book ever devoted to the sculpture of Venice?s most famous Renaissance marble carver, Markham Schulz integrates all biographical data from primary and secondary sources and criticism of every epoch, with her own first-hand study of Tullio?s work over the course of forty years, to create a comprehensive picture of Tullio?s sculpture - its characteristics and iconography, its sources, development, and influence - within the context of Renaissance Venetian art. At the same time, she explores Tullio?s relations to his father Pietro and his brother Antonio, both renowned sculptors in their own right. The text is accompanied by 339 newly made and largely full-page illustrations, many of sculptures which, on account of their height and inaccessibility, have never been photographed before. Thus, every detail of the author?s meticulous and pellucid analyses is made manifest to the reader by illustrations, which not only meet the most exacting standards for the photography of sculpture, but also provide a treasury of gorgeous images. Educated in the History of Art at Radcliffe College, Harvard University, and the Institute of Fine Arts, NYU, Anne Markham Schulz has taught at the University of Illinois at Chicago Circle, Brown University, and the Universita Federico II at Naples. Table of Contents Acknowledgments Chapter 1-Tullio's Critical Fortune Chapter 2- Inscriptions, Documents, and Sources Chapter 3-The Style of Tullio's Sculpture and His Early Works Chapter 4-The Tomb of Doge Andrea Vendramin Chapter 5-In the Wake of the Vendramin Tomb: Tullio's Sculpture at the End of the Fifteenth and the Beginning of the Sixteenth Century Chapter 6-Tullio's Late Works Chapter 7-Conclusion Bibliography-List of illustrations-Illustrations-Index ‎

‎Corpus of Gothic Sculpture in America. II. The museums of the Midwest.‎

‎Turnhout, Brepols, 2001 Hardback, 468 p., 397 b/w ill., 280 x 210 mm. ISBN 9782503511474.‎

‎This publication is the second volume of the Census of Gothic Sculpture in America and incorporates over 650 works of sculpture located in twelve states and twenty museums in the Midwest, serving as a basis for new interpretations and new meanings. With the publication of this second volume of the Census of Gothic Sculpture in America the project has examined over 650 works of sculpture in stone and wood located in twelve states and twenty museums. The richness and inclusiveness of this material - although for the most part existing in fragmentary condition and removed from its original context - constitutes a deposit of the past in which Americans have been free to imagine a culture far removed from their direct experience. This catalogue stands for a late twentieth-century interpretation of the European Middle Ages. At the same time, by presenting all the documentary and physical information now available to us, the authors hope to provide a basis on which new interpretations can be built and new meanings created. New book.‎

‎La Sculpture au Musée du Louvre (5 volumes) : Sculpture égyptienne / Sculpture romaine / Sculpture du Moyen Âge / Sculpture de la Renaissance Française / Sculpture du XIXe siècle‎

‎L'Illustration. Non daté. In-Folio. En feuillets. Bon état, Couv. défraîchie, Dos fané, Intérieur frais. 5 volumes d'environ 30 pages chacun. Nombreuses planches de photos monochromes et en couleurs, quelques planches avec reproduction en couleurs contre-collée. Quelques photos monochromes dans le texte. Sous-emboîtage en bon état. Trois photos disponibles.. . Sous Emboitage. . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎ Classification Dewey : 730-Arts plastiques. Sculpture‎

‎PETITS GUIDES DES GRANDS MUSEES - N°84 - MUSEE DU LOUVRE - LA SCULPTURE COPTE - les sources de la sculpture copte - la sculpture proto-copte IVe - milieu du Ve siecle - le sculpture copte milieu Ve - milieu VIIe siecle - sculpture en ivoire..‎

‎REUNION DE MUSEES NATIONAUX. 1981. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 16 pages - quelques photos en noir et blanc dans et hors texte - texte en 2 colonnes - 2 plat contre-plié.. . . . Classification Dewey : 708-Galeries, musées, collections d'art‎

‎Sommaire: les sources de la sculpture copte - la sculpture proto-copte IVe - milieu du Ve siecle - le sculpture copte milieu Ve - milieu VIIe siecle - sculpture en ivoire.. Classification Dewey : 708-Galeries, musées, collections d'art‎

‎European Sculpture in the Collection of His Majesty The King. 4 Volumes‎

‎Marsden, Jonathan: European Sculpture in the Collection of His Majesty The King. 4 Volumes. 2025. 1656 pages, 1986 colour illustrations. Hardback in a slipcase. 30x24.8cms. A catalogue of 1311 European Sculptures in the Royal Collection, including a group of bronze busts from the Italian and Northern Renaissance, the first bronze casts of ancient sculptures in Britain, an ensemble of French seventeenth and eighteenth century bronzes and the most complete surviving collection of Victorian sculpture. Exploring royal patronage, the display of sculptures in the galleries, gardens, libraries and studies of the English monarchs, and issues of maintenance and conservation. The catalogue is organised chronologically, each entry listing provenance, exhibition history and literature.‎

‎A catalogue of 1311 European Sculptures in the Royal Collection, including a group of bronze busts from the Italian and Northern Renaissance, the first bronze casts of ancient sculptures in Britain, an ensemble of French seventeenth and eighteenth century bronzes and the most complete surviving collection of Victorian sculpture. Exploring royal patronage, the display of sculptures in the galleries, gardens, libraries and studies of the English monarchs, and issues of maintenance and conservation. The catalogue is organised chronologically, each entry listing provenance, exhibition history and literature. Text in English‎

‎Relief Sculpture of the Mausoleum at Halicarnassus‎

‎Cook, Brian Francis: Relief Sculpture of the Mausoleum at Halicarnassus. Oxford: 2005. 125pp plus 63 monochrome plates. Cloth. 28.3x22.5cms. The site of the Mausoleum at Halicarnassus, one of the Seven Wonders of the World, was rediscovered and partially excavated by C. T. Newton's expedition in 1865-6, and has been cleared completely by the Danish Archaeological Expedition to Bodrum (1966-76). Most of the fragments of relief sculpture have not been published before. The larger pieces, including slabs formerly incorporated in the Castle at Bodrum, are well known, but new, detailed photographs are published here for the first time.‎

‎The site of the Mausoleum at Halicarnassus, one of the Seven Wonders of the World, was rediscovered and partially excavated by C. T. Newton's expedition in 1865-6, and has been cleared completely by the Danish Archaeological Expedition to Bodrum (1966-76). Most of the fragments of relief sculpture have not been published before. The larger pieces, including slabs formerly incorporated in the Castle at Bodrum, are well known, but new, detailed photographs are published here for the first time. Text in English‎

‎Myth and Marble: Ancient Roman Sculpture from the Torlonia Collection‎

‎Cakmak, Lisa Ayla and Katharine A Raff eds.: Myth and Marble: Ancient Roman Sculpture from the Torlonia Collection. Exhibition: Chicago, Art Institute, 2025. 144 pages, 150 colour illustrations. Hardback. 26 x 21cms. A catalogue of 58 ancient Roman sculptures in the Torlonia collection of which 24 have never been on public display in modern times. 3 essays explore sculpture and portraits in Roman visual culture, and the Torlonia foundations's intentions to make their holdings accessible to the public. The catalogue is divided into 5 parts: portraits, funerary art, gods and goddesses, and ideal forms.‎

‎A catalogue of 58 ancient Roman sculptures in the Torlonia collection of which 24 have never been on public display in modern times. 3 essays explore sculpture and portraits in Roman visual culture, and the Torlonia foundations's intentions to make their holdings accessible to the public. The catalogue is divided into 5 parts: portraits, funerary art, gods and goddesses, and ideal forms. Text in English‎

‎Guidelines for the Technical Examination of Bronze Sculpture‎

‎Bourgarit, David, Jane Bassett, Francesca Bewer, Arlen Heginbotham, Andrew Lacey: Guidelines for the Technical Examination of Bronze Sculpture. New Haven: 2023. 518 pages. 468 colour illustrations, 80 charts and diagrams with 15 tables. Paperback. 27.9x21.6cms. 25 essays divided into 3 parts look at casting processes, the composition and properties of the copper alloys used, casting defects, repairs, assembly of bronze sculptures, tool marks, gilding and plating, patinas, and inlays and overlays. The second volume discusses analytical techniques, photography and other imaging tools, radiography and tomography for metal walls and interiors, measurements of dimension, metal types, surface layer and core analysis, dating methods, and the use of experimental simulation in developing new fabrication techniques. The final section contains 7 case studies on Roman reliefs, European vessels from the middle ages, a 3000 year old bronze elephant from China, 8th, 9th and 10th century Indonesian statuettes, renaissance statues, American sand-cast bronze, and an interview with Andrew Lacey on material choices. Also includes a terminology of sculpture, bronze and foundry vocabulary, and a visual atlas of features.‎

‎25 essays divided into 3 parts look at casting processes, the composition and properties of the copper alloys used, casting defects, repairs, assembly of bronze sculptures, tool marks, gilding and plating, patinas, and inlays and overlays. The second volume discusses analytical techniques, photography and other imaging tools, radiography and tomography for metal walls and interiors, measurements of dimension, metal types, surface layer and core analysis, dating methods, and the use of experimental simulation in developing new fabrication techniques. The final section contains 7 case studies on Roman reliefs, European vessels from the middle ages, a 3000 year old bronze elephant from China, 8th, 9th and 10th century Indonesian statuettes, renaissance statues, American sand-cast bronze, and an interview with Andrew Lacey on material choices. Also includes a terminology of sculpture, bronze and foundry vocabulary, and a visual atlas of features. Text in English‎

‎La sculpture Belge au 19Úme siÚcle. 2 vols‎

‎Lennep, Jacques van: La sculpture Belge au 19Úme siÚcle. 2 vols. Exhibition: Brussels, GÃnÃrale de Banque, 1990. Together: 636pp with over 500 monochrome illustrations. Wrappers. 21x24cms. Volume 1 contains eleven articles on the history and various aspects of 19th-century Belgian sculpture. Volume 2 contains the fully-illustrated catalogue of the 137 pieces exhibited arranged alphabetically according to artist, together with a short biography. Text in French.‎

‎Volume 1 contains eleven articles on the history and various aspects of 19th-century Belgian sculpture. Volume 2 contains the fully-illustrated catalogue of the 137 pieces exhibited arranged alphabetically according to artist, together with a short biography. Text in French‎

‎Roubiliac and the Eighteenth-Century Monument. Sculpture as Theatre.‎

‎Bindman, D and M. Baker: Roubiliac and the Eighteenth-Century Monument. Sculpture as Theatre. London: Yale University Press, 1995. 409 pages. 288 black and white illustrations. Cloth. 25.6x19.2cms.cms. Comprehensive examination of Louis FranÃois Roubiliac's tomb sculpture and monuments, covering commissions, settings, the design processes involved, social and religious conditions, etc. .‎

‎Comprehensive examination of Louis FranÃois Roubiliac's tomb sculpture and monuments, covering commissions, settings, the design processes involved, social and religious conditions, etc. ‎

‎Bronzes, Other Metalwork and Sculpture in the Irwin Untermyer Collection. Vol 5‎

‎Hackenbroch, Yvonne (intro.): Bronzes, Other Metalwork and Sculpture in the Irwin Untermyer Collection. Vol 5. London: Thames & Hudson, 1962. lxv, 64pp with 27 monochrome illustrations, plus monochrome frontispiece and 201 monochrome plates. Cloth backed boards. 30.5x23cms. Catalogue of over 200 objects, consisting principally of bronzes from Italy, Germany, France and the Netherlands, 13th to 18th century. The catalogue also includes small sculpture in wood and ivory and a rare selection of Charles II enamels on brass. Bibliography: books of reference, exhibition catalogues, public, private and selected sale catalogues, magazine articles; index of names. Arntzen P29.‎

‎Catalogue of over 200 objects, consisting principally of bronzes from Italy, Germany, France and the Netherlands, 13th to 18th century. The catalogue also includes small sculpture in wood and ivory and a rare selection of Charles II enamels on brass. Bibliography: books of reference, exhibition catalogues, public, private and selected sale catalogues, magazine articles; index of names‎

‎The sculpture of Bernardo Rossellino and his workshop‎

‎Schulz, Anne Markham: The sculpture of Bernardo Rossellino and his workshop. Princeton University Press, 1977. xxiii, 176pp plus 225 monochrome illustrations. Cloth. 28.5x22cms. Detailed study of 9 works of monumental sculpture, with catalogue of works, chronologies, documentation.‎

‎Detailed study of 9 works of monumental sculpture, with catalogue of works, chronologies, documentation‎

‎Western European Sculpture of the 19th and 20th century. Catalogue of the Collection.‎

‎Karcheva, Elena: Western European Sculpture of the 19th and 20th century. Catalogue of the Collection. St. Petersburg: 2016. 336 pages, over 200 colour illustrations. Hardback. 27.5 x 22.5cms. This volume in the Hermitage's series of collection catalogues is devoted to the nineteenth and twentieth century sculpture of Germany, Austria, Britain, Denmark, Finland, Switzerland and Sweden. However, out of the 183 catalogue entries 138 of these are German. The book accompanies each entry with high quality illustrations and paticularly draws attention to the provenance of the works, with many coming from imperial and grand-ducal collections. Text in Russian (Cyrillic).‎

‎This volume in the Hermitage's series of collection catalogues is devoted to the nineteenth and twentieth century sculpture of Germany, Austria, Britain, Denmark, Finland, Switzerland and Sweden. However, out of the 183 catalogue entries 138 of these are German. The book accompanies each entry with high quality illustrations and paticularly draws attention to the provenance of the works, with many coming from imperial and grand-ducal collections. Text in Russian (Cyrillic)‎

‎Henry Moore: Volume 3. Sculpture and Drawings. Sculpture 1955-64‎

‎Bowness, Alan (ed.) and Herbert Read (intro.): Henry Moore: Volume 3. Sculpture and Drawings. Sculpture 1955-64. London: Lund Humphries, 1965. Cloth. 30 x 25cms.‎