2866 books for « florence »Edit

‎Savonarole et Florence. Prophétie et patriotisme à la Renaissance.‎

‎Calmann-Levy - Archives des sciences sociales 1973 In-8, br. 407pp. Assez bon état.‎

‎Savonarole et la République de 1494. Jerome Savonarole, théoricien des libertés républicaines. Le Millénium à Florence après Savonarole. Il fut brûlé à Florence le 23 mai 1498. Il est connu pour ses réformes religieuses, ses prêches contre la papauté, son bûcher des vanités où disparurent de nombreux livres et de nombreuses œuvres d’art. Il prêcha de façon véhémente contre la corruption morale du clergé catholique, sans toutefois remettre en cause le dogme. L’abbé Julio le considéra comme un de ces maitres. Bon état d’occasion ‎

‎Les matins à Florence. Simples études d’Art chrétien‎

‎Paris, Librairie Renouard, H. Laurens, éditeur 1908 In-4, reliure époq. demi-chagrin bleu marine, dos orné, tranche dorée, XXXII-220 pp. Ouvrage illustré d’une vue de Florence et de 11 planches hors texte sous serpentes. coins de pied émoussés, intérieur très frais.‎

‎Traduites de l'anglais par Eugénie Nypels. Annotées par Emile Cammaerts. Préface de M. Robert de La Sizeranne. Bon état d’occasion ‎

‎Voyage d’étude à Florence, Pise, Sienne et la Toscane, automne 1969. 25 Planches gravées par les élèves de l’école d’Art de La-Chaux-de-Fonds.‎

‎ La-Chaux-de-Fonds, Ecole d’Art 1969, 260x270mm, 25 planches gravées en feuilles avec chemise toile rempliée rigide. Sous emboitage en toile de l’éditeur. Toutes les planches sont numérotées n.° 10 / 40. Planche 1: Florence 1 gravure par C. Rosselet. - Planche 2: Florence 3 gravures par F. Rebetez, J. C. Froideveaux et R. Desvoigues. - Planche 3: Florence 2 gravures par R. Lauper et P. A. Quilleret. - Planche 4: Florence 3 gravures par R. Rebetez et J. C. Froideveaux. Planche 5: Florence 2 gravures par E. Villemin et C. Rosselet. Planche 6: Florence 1 gravure par M. Bourrut. Planche 7: Florence 1 gravure par C. Neury. Planche 8: Florence 1 gravure par M. Bourrut. Planche 9: Florence 1 gravure par C. Neury. Planche 10: Florence 1 gravure par J. F. Douzé. Planche 11: Florence 1 gravure par C. Neury. Planche 12: Florence 1 gravure par F. Laurent. Planche 13: Florence 1 gravure par C. Rosselet. Planche 14: Sienne 2 gravures par F. Zurbuchen et M. Huber. Planche 15: Sienne 1 gravure par R. Desvoigues. Planche 16: Sienne 2 gravures par C. Resselet et P. Dubied. Planche 17: San Giuviniano Sienne 2 gravures par R. Rebetez et R. Desvoigues. Planche 18: Sienne 1 gravure par C. Rosselet. Planche 19: San Guivaniano 1 gravure par R. Desvoigues. Planche 20: San Guivaniano 2 gravures par P. A. Quilleret et F. Leuba. Planche 21: San Guivaniano 1 gravure par P. Dubied. Planche 22: San Giuvaniano 1 gravure par J. F. Douzé. Planche 23: Pise 1 gravure par R. Desvoigues. Planche 24: Pise 1 gravure par R. Desvoigues. Planche 25: Pise 1 gravure par J. C. Froidevaux. Exemplaire à l'état de neuf.‎

‎Le tour du monde - nouveau journal des voyages - livraison n°1718,1719 et 1720 - A travers la Toscane par Eugène Müntz: Florence.‎

‎Hachette. 1893. In-12. Broché. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. 47 pages environ, illustrées de gravures noir et blanc. Paginées de 370 à 416. Trois livraisons. Quelques légères rousseurs en haut de page.. . . . Classification Dewey : 70.4412-Le journal des voyages‎

‎L'Athènes de l'Italie et ernest Renan. Florence dans l'antiquité et au moyen âge - Mars et St Zanobi,illustré de gravures: panorama de Florence,vue du Viale dei Colli et du palais Pitti. Le XIVème siècle - essor des Lettres,des Arts et de l'Industrie. La Renaissance,illustré d'une gravure des Médicis sous le costume des Rois Mages ( reproduction d'une fresque de Benozzo Gozzoli,palais Riccardi). Le XVII,le XVIII et le XIXème siècle - les derniers Médicis et les princes de Lorraine-un grand citoyen florentin, illustré de gravures dont une de l'intérieur du Ponte Vecchio. La Florence d'autrefois et la Florence moderne - le Mercato vecchio et le Ghetto,illustré de gravures de vues du marché vieux, gravures dans le texte: le ghetto, panorama de Florence. Le Ponte vecchio - orfèvres et mosaïstes florentins. le Baptistère et la Renaissance du XIIème siècle. Les portes de bronze - André de Pise et Ghiberti,illustré d'une gravure du panorama de Florence pris du palais-vieux. Les mosaïques byzantines du Baptistère - le tombeau d'un ex-pape. La loge du Bigallo-art et bienfaisance,illustré d'une gravure d'une vue de la cathédrâle de Florence. Le Campanile de Giotto,illustré de gravures dans le texte des bordures des portes du baptistère et de la décollation de St Jean Baptiste par Vinc. Danti (porte du baptistère). La cathédrâle (1296-1887)-la nef et la coupole-Arnolfo et Brunellesco,illustré de gravures dont: façade de la cathédrâle de Florence. Gravures dans le texte: la loggia del Bigallo, fragment du pavement du baptistère, détails du campanile (statues de Donatello). La façade - incrustations et sépultures-les Précurseurs de Donatello,illustré d'une pleine page de panoramas de Florence (la cathédrâle et le palais vieux - le clocher de la Badia et le Bargello-le Pont Vieux), dessins par Berteault d'après photos et de gravures dans le texte (fronton de la porte de la Mandorla,la sibylle tiburtine campanile). La cathédrâle: intérieur,Ghiberti,Donatello,della Robia et Michel Ange illustré dans le texte d'une gravure du bénitier gothique de la cathédrâle de Florence. Gravure pleine page de Lung Arno Nuovo et via de Cerretani. Les peintures de la cathédrâle,illustré dans le texte d'une gravure de la statue de St Jean assis par Donatello, gravure pleine page du pont Evecchio. le musée de l'opéra del Duomo. Classification Dewey : 70.4412-Le journal des voyages‎

‎Archaeological Campaigns below the Florence Duomo and Baptistery, 1895-1980 ‎

‎, Brepols, 2013 Hardback, 536 p., 591 b/w ill. 124 colour ill., 220 x 280 mm, Languages: English. ISBN 9781905375523.‎

‎Based on the excavations of 1965-1980, this second volume in the series provides an overview of the medieval art and architecture that was found below the Florence Duomo and Baptistery Archaeological Campaigns below the Florence Duomo and Baptistery, 1895-1980 presents the results of one of the major archaeological campaigns of our times: the decade-long excavation below Florence's cathedral of S. Maria del Fiore. The book presents a cutaway vision of a great city that would be hard to match anywhere, exploring a site that was in use for 1500 years, from the founding of the Roman settlement of Florence to the burial there of Giotto and Brunelleschi. In terms of structures, the excavation uncovered a Roman house, an Early Christian basilica, a Carolingian crypt, and further rebuildings from the eleventh century and later. For artifacts, the findings constitute a virtual encyclopedia of ancient and medieval art in mosaics, frescoes, the grave of Florence's earliest documented saint, the first elaborate tomb of the Medici, and outstanding examples of Roman and medieval glass, metalwork, and ceramics. Forty-one specialists in material culture and archaeological science report on those finds in the book, and hundreds more illustrations are carried on the author's website, www.franklintoker.com. But the findings from below the Florence Duomo are not limited to art history. The Roman house gives a glimpse of life on the Italian peninsula in the half-millennium between Emperor Augustus and the Ostrogoth king Theodoric. The construction of a large basilica with its rich mosaic floor marks the evident revival of a battered city: a turn of events entirely unexpected from the few other fragments of early Florentine history that survive. The later additions to the church of S. Reparata (as the early cathedral was titled by then) also constitute rare remains from the turbulent centuries that followed. Archaeological Campaigns additionally caries the results of excavations at the Baptistery of Florence and digging to establish the construction history of S. Maria del Fiore. The excavation results for S. Reparata, S. Giovanni, and S. Maria del Fiore make a fundamental contribution to the history of a city that has itself contributed so much to western civilization‎

‎MORNINGS IN FLORENCE-being simple studies of christian art for english travellers. ‎

‎Londre, George Allen, 1894; in-8, de VIP, 1f. et 207pp. , cartonnage de l'éditeur. Vélin rigide de l'époque, larges dentelles dorées d'encadrement sur les plats dégageant un cartouche avec fleur de lys frappée sur le plat sup. dos lisse orné de feuillages dorés, gardes de papier fleurdelysé . très bon état - quatrième ed. anglaise et première édition orné de photographies (clichés de M. Alinari) sur les oeuvres d'art qui se trouvent à Florence. L'auteur (1819-1900), essayste et critique d'art anglais, professeur d'histoire de l'art à Oxford, ami intime de Carlye, est connu en France grâce à Marcel Proust qui le traduisit et l'admira. Ouvrage orné de 5 photographies (plusieurs en double page) dont 37 représentent des peintures ou des fresques, 10 monuments ou panorama et 4 des sculptures (dont le tombeau de Galilée.)Bel exemplaire dans une reliure originale italienne (avec la fleur de lys, emblème de Florence) ayant apparten à J.W.R. Brocklebank (jolie vignette gravé) avec la mention manuscrite de ce dernier qu'il l'a acheté en 1899 à Florence chez le libraire George A. Cole.‎

‎Vélin rigide de l'époque, larges dentelles dorées d'encadrement sur les plats dégageant un cartouche avec fleur de lys frappée sur le plat sup. dos lisse orné de feuillages dorés, gardes de papier fleurdelysé . très bon état - quatrième ed. anglaise et première édition orné de photographies (clichés de M. Alinari) sur les oeuvres d'art qui se trouvent à Florence. L'auteur (1819-1900), essayste et critique d'art anglais, professeur d'histoire de l'art à Oxford, ami intime de Carlye, est connu en France grâce à Marcel Proust qui le traduisit et l'admira. Ouvrage orné de 5 photographies (plusieurs en double page) dont 37 représentent des peintures ou des fresques, 10 monuments ou panorama et 4 des sculptures (dont le tombeau de Galilée.)Bel exemplaire dans une reliure originale italienne (avec la fleur de lys, emblème de Florence) ayant apparten à J.W.R. Brocklebank (jolie vignette gravé) avec la mention manuscrite de ce dernier qu'il l'a acheté en 1899 à Florence chez le libraire George A. Cole.‎

‎Histoire de Florence. Traduction nouvelle. 2 vols.‎

‎Amsterdam, Henri Desbordes, 1694. 8vo. Uniformly bound in two contemporary full calf bindings with five raised bands and richly gilt spines. Edges of boards gilt. Small paper label pasted on to upper compartment of spines. A very nice set. (34), 588 pp. 624 pp.‎

‎A fine late 17th century-edition of Machiavelli's Florentine Histories" his famous account of the political events and power struggles in Florence during the Renaissance. Essentially being a panegyric to the house of Medici, Machiavelli's work offers valuable insights into the rise and fall of political factions, the challenges faced by republican governments, and the dynamics of power in a city-state. Although often overshadowed by his more famous 'The Prince', the present work is important in understanding Machiavelli's broader political philosophy and is an indispensable document in understanding renaissance politics in general. The Histories constitute an essential work for understanding the political development of the late Machiavelli, and is “also an important item in modern historiography because for the first time the issue of conflict, and more precisely of urban conflict, finds itself at the heart of historical narrative (…).Infact, the Histories constitute the first attempt in modern historiography to analyze the totality of individual and collective agents and factors that allow a community to sustain itself or to founder. This analytical quality was certainly at the basis of the interest in the work outside Florence and the fact of its being translated. As Yves de Brinon explains in dedicating his ‘Histoire Florentine [the present work] to Cathrine de Medici, the case of Florence is a model for the dangers that threaten the integrity of every state and the Kingdom of France in Particular.” (Landi, A re-reading of Machiavelli). Machiavelli visited France, representing the Republic of Florence, where he - and later his writings - exercised great influence. The Huguenot, Innocent Gentillet, whose work commonly referred to as 'Discourse against Machiavelli' or 'Anti Machiavel', accused Machiavelli of being an atheist and accused politicians of his time by saying that his works were the ""Koran of the courtiers"", that ""he is of no reputation in the court of France which hath not Machiavel's writings at the fingers ends"" (Birely, The Counter Reformation, 1990). “Although Machiavelli became the embodiment of a real ""devil theory of history,"" there was nothing supernatural or even suspicious about his journey across the Alps. As the French translator remarked to his customers in 1544, ""This Florentine merchant has voluntarily left his own country to be received into yours.... Do not be so ungracious as to refuse him citizenship. From all appearances he was welcomed with open arms, or at least open minds. Within a few years, one of his admirers declared that he was a prophet honored more in France than in his own country."" (Kelley, Murd'rous Machiavel in France: A Post Mortem). Following the crisis of 1513, which involved arrests for conspiracy and torture, Machiavelli's relationship with the Medici family gradually improved. Despite the dedication of his book ""Il Principe"" to Lorenzo II de' Medici having little effect, Machiavelli found favor with a faction in Florence that was not opposed to him and was granted an appointment. In a letter Machiavelli expressed his dissatisfaction with his idle state and offered his valuable political experience to the new ruler. To further solidify his position, Machiavelli, adopting a somewhat courtier-like attitude, arranged for the staging of his play ""Mandragola"" at the wedding of Lorenzino de' Medici in 1518. In 1520, he received an invitation to Lucca for a semi-private mission, indicating that his ostracism was coming to an end. Later that year, Giulio Cardinal de Medici commissioned him to write a history of Florence. Although this was not exactly the role he desired, Machiavelli accepted it as the only way to regain the favor of the Medicis. The purpose of the work, although unofficial, was to restore the city's official historical standing. The salary for this appointment was not substantial, starting at 57 florins per year and later increased to 100. In May 1526, Machiavelli formally presented the finished work to Giulio de' Medici, who had become Pope Clement VII. The Pope appreciated the work and rewarded Machiavelli, though only moderately, and sought his support in creating a national army based on his theoretical work ""The Art of War,"" in preparation for the War of the League of Cognac. However, Machiavelli's hopes were shattered following the Sack of Rome in 1527 and the fall of the Medici government in Florence. Soon after, Machiavelli passed away. ‎

‎Histoire florentine de Nicolas Machiavel citoien et Secretaire de Florence. Nouvellement traduicte d'Italien en Francois, Par le Seigneur de Brinon Gentil-homme ordinaire de la chambre du Roy. - [FIRST FRENCH TRANSLATION OF MACHIAVELLI'S 'FLORENTINE HISTORIES']‎

‎Paris, Guillaume de la Noue, 1577. 8vo. In recent full limp vellum with yapp edges. Woodcut printer's device on title, woodcut headpieces and initials. Small closed tear to upper inner margin of title-page. First 33 ff. with small worm tract in inner margin, with minor loss of text. Light dampstaining to first and last leaves. A good copy. (36), 294, (6) pp. ‎

‎The exceedingly rare first French, and presumably very first overall, translation, of Machiavelli's Florentine Histories" his famous account of the political events and power struggles in Florence during the Renaissance. Essentially being a panegyric to the house of Medici, Machiavelli's work offers valuable insights into the rise and fall of political factions, the challenges faced by republican governments, and the dynamics of power in a city-state. Although often overshadowed by his more famous 'The Prince', the present work is important in understanding Machiavelli's broader political philosophy and is an indispensable document in understanding renaissance politics in general. The Histories constitute an essential work for understanding the political development of the late Machiavelli, and is “also an important item in modern historiography because for the first time the issue of conflict, and more precisely of urban conflict, finds itself at the heart of historical narrative (…).Infact, the Histories constitute the first attempt in modern historiography to analyze the totality of individual and collective agents and factors that allow a community to sustain itself or to founder. This analytical quality was certainly at the basis of the interest in the work outside Florence and the fact of its being translated. As Yves de Brinon explains in dedicating his ‘Histoire Florentine [the present work] to Cathrine de Medici, the case of Florence is a model for the dangers that threaten the integrity of every state and the Kingdom of France in Particular.” (Landi, A re-reading of Machiavelli). Machiavelli visited France, representing the Republic of Florence, where he - and later his writings - exercised great influence. The Huguenot, Innocent Gentillet, whose work commonly referred to as 'Discourse against Machiavelli' or 'Anti Machiavel', accused Machiavelli of being an atheist and accused politicians of his time by saying that his works were the ""Koran of the courtiers"", that ""he is of no reputation in the court of France which hath not Machiavel's writings at the fingers ends"" (Birely, The Counter Reformation, 1990). “Although Machiavelli became the embodiment of a real ""devil theory of history,"" there was nothing supernatural or even suspicious about his journey across the Alps. As the French translator remarked to his customers in 1544, ""This Florentine merchant has voluntarily left his own country to be received into yours.... Do not be so ungracious as to refuse him citizenship. From all appearances he was welcomed with open arms, or at least open minds. Within a few years, one of his admirers declared that he was a prophet honored more in France than in his own country."" (Kelley, Murd'rous Machiavel in France: A Post Mortem). Following the crisis of 1513, which involved arrests for conspiracy and torture, Machiavelli's relationship with the Medici family gradually improved. Despite the dedication of his book ""Il Principe"" to Lorenzo II de' Medici having little effect, Machiavelli found favor with a faction in Florence that was not opposed to him and was granted an appointment. In a letter Machiavelli expressed his dissatisfaction with his idle state and offered his valuable political experience to the new ruler. To further solidify his position, Machiavelli, adopting a somewhat courtier-like attitude, arranged for the staging of his play ""Mandragola"" at the wedding of Lorenzino de' Medici in 1518. In 1520, he received an invitation to Lucca for a semi-private mission, indicating that his ostracism was coming to an end. Later that year, Giulio Cardinal de Medici commissioned him to write a history of Florence. Although this was not exactly the role he desired, Machiavelli accepted it as the only way to regain the favor of the Medicis. The purpose of the work, although unofficial, was to restore the city's official historical standing. The salary for this appointment was not substantial, starting at 57 florins per year and later increased to 100. In May 1526, Machiavelli formally presented the finished work to Giulio de' Medici, who had become Pope Clement VII. The Pope appreciated the work and rewarded Machiavelli, though only moderately, and sought his support in creating a national army based on his theoretical work ""The Art of War,"" in preparation for the War of the League of Cognac. However, Machiavelli's hopes were shattered following the Sack of Rome in 1527 and the fall of the Medici government in Florence. Soon after, Machiavelli passed away. This exceedingly scarce first French edition was issued with two variant title-pages, the present referred to as variant-b. (see Gerber, Niccolo Machiavelli). Bibliopgraphia Machiavelliana, p. 60, no. 160. Gerber, dritter teil, p. 37, D-b. Brunet 1279.‎

‎On Holy Ground: Liturgy, Architecture and Urbanism in the Cathedral and the Streets of Medieval Florence,‎

‎Turnhout, Brepols, 2009 Hardback, IV+324 p., 52 b/w ill., 220 x 280 mm. ISBN 9781905375516.‎

‎On Holy Ground: Liturgy, Architecture, and Urbanism in the Cathedral and in the Streets of Medieval Florence asks just one question: had the Florence Duomo never been excavated, what could we have known of the legendary cathedral of S. Reparata below it? The answer comes through the transcription of two key texts: one, never published until now, was written for the cathedral clergy around 1190; the other was composed around 1230, and printed just once, in the eighteenth century. English translations bring to life the liturgical year in medieval Florence, from the gorgeous pageantry of Christmas to the plaintive rites of Easter. The archaeological finds now make sense of the chapels, altars, and hallowed tombs that are cited in the texts. The volume then reconstructs the canonry (torn down around 1840), where the officiating priests lived, and the neighboring buildings on the cathedral square: a hospital, a school, and a prominent city gate that long ago disappeared, and a Baptistery, bishop's palace, and confraternity headquarters that are still standing. One chapter is devoted to the religious processions that ventured forth from S. Reparata to wind through the streets of Florence. Here the old texts are brought to life by the towers, bridges, churches, and monuments that survive from medieval Florence. The processional routes are examined for their social, political, and economic importance to the cathedral clergy, and the way the routes delineated the main lines of Roman Florence. The final chapter explores the food that poured onto the tables of the cathedral clergy from the farms and villages of the Florentine countryside. Altogether, the volume provides an exceptional look at the physical and spiritual impact of Florence's thousand-year-old cathedral in the age of Dante. Language : English, Latin.‎

‎Florence‎

‎Arthaud, coll. « Les Beaux Pays » 1961 In-8 broché 23 cm sur 17. 227 pages. Couverture d’Yves Brayer. 180 pages d’héliogravures. Ouvrage augmenté d’une carte dépliante de Florence. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Florence‎

‎Arthaud, coll. « Les Beaux Pays » 1961 In-8 reliure toile blanche. 23 cm sur 17. 227 pages. 180 pages d’héliogravures. Ouvrage augmenté d’une carte dépliante de Florence. Jaquette en bon état. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Paris et Florence, deux capitales du spectacle pour une reine : Marie de Médicis‎

‎Seuil 1990 In-4 reliure éditeur sous jaquette, 278 pp. Illustrations noir & couleurs‎

‎ Bon état d’occasion ‎

‎Florence. Fusains de Joseph Pennel‎

‎Alpina 1931 In-4. Broché, couverture illustrée en couleurs, 134 pp. Frontispice photographie en noir : “La façade du palais de la seigneurie”, 16 planches hors texte en noir, nombreuses reproductions et photographies dans le texte, lettrines. Restauration au dos.‎

‎Edition originale numérotée. Bon état d’occasion ‎

‎Fresques de Florence‎

‎Les Presses Artistiques - Petit Palais 1970 Petit in-8, broché couv. illustrée, photographies en noir et en couleurs. Etat moyen.‎

‎Exposition présentée au Petit Palais de septembre à novembre 1970. Bon état d’occasion ‎

‎Anthinéa. D’Athènes à Florence. Le voyage d’Athènes. Une ville grecque et française. Figures de Corse. Le musée des passions humaines de Florence. Le génie toscan. Le retour et l foyer, notes de Provence‎

‎Paris, Librairie Honoré et Edouard Champion 1913 In-4 broché 23 cm sur 14,5. Cinquième édition ou plus. Pas de jaquette. 304 pages. Assez bon état d’occasion. Poids sans emballage : 505 grammes. Sommet du classicisme littéraire de Maurras, dans cette ode à l’Athènes antique, Maurras ne manque pas d’établir un parallèle historique entre le destin d’Athènes livré aux forces dissolvantes de la démocratie, et la France de la IIIe République : “La brève destinée de ce qu'on appelle la démocratie dans l'Antiquité m'a fait sentir que le propre de ce régime n'est que de consommer ce que les périodes d'aristocratie ont produit.” C’est un aussi un plaidoyer pour la civilisation méditerranéenne, où se révèle l’antigermanisme de l’Action française.‎

‎Sommet du classicisme littéraire de Maurras, dans cette ode à l’Athènes antique, Maurras ne manque pas d’établir un parallèle historique entre le destin d’Athènes livré aux forces dissolvantes de la démocratie, et la France de la IIIe République : “La brève destinée de ce qu'on appelle la démocratie dans l'Antiquité m'a fait sentir que le propre de ce régime n'est que de consommer ce que les périodes d'aristocratie ont produit.” C’est un aussi un plaidoyer pour la civilisation méditerranéenne, où se révèle l’antigermanisme de l’Action française. Bon état d’occasion ‎

‎Les matins à Florence. Simples études d'Art Chrétien. ‎

‎Paris, Librairie Renouard - H. Laurens 1908 Grand in-8, broché. XXXII-220 pp plus 2 ff tables. Ouvrage illustré d'une vue de Florence et de 11 planches hors-texte d'après les clichés de MM. ALINARI. Couverture effrangée, dos passé, une découpe, sans atteinte, au faux-titre,amarges un peu brunies.‎

‎Traduites de l'anglais par Eugénie Nypels. Annotées par Emile CAMMAERTS. Préface de M. Robert de La Sizeranne. Bon état d’occasion ‎

‎Le Sang d’Avril. Florence et le complot contre les Médicis‎

‎Bibliothèque Albin Michel, coll. « Histoire » 2006 In-8 broché 22 cm sur 14,5. 445 pages. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Florence‎

‎del Duca, coll. « Couleurs du Monde » 1965 Livre en français, anglais, allemand. In-4 relié 30,5 cm sur 24. Jaquette en bon état. Non paginé, photographies en héliogravure. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎CHRISTOPHER ISHERWOOD. Photographie originale de Florence Meyer Homolka. ‎

‎ Portrait photographique original de Christopher Isherwood par la photographe américaine Florence Meyer Homolka (1911-1962). Tirage couleur, 9 x 6 cm, 3 x 2 3/8 in, au verso deux cachets : « Photo by Florence Homolka » et « This is a Kodakolor print made by Kodak July 1962 », marque de pliure au coin inférieur gauche sans atteinte au cliché. Ce tirage fait partie d’une des dernières séances de portraits réalisés par Florence Homolka ; les clichés ont été pris chez Isherwood en Californie. Provenance Pierre Le Tan (Christie’s 2005).‎

‎Florence Break jacinta Ignacio Sorrows Mexican‎

‎ 2006 2006. Florence Break Jacinta Ignacio Sorrows Mexican (Alain Devalpo / Anne Vigna The description of this item has been automatically translated. If you have any questions please feel free to contact us. This morning of December 9 2005 Televisa Canal 2 one of the main Mexican television channels opens its morning with fanfare with a scoop: a live hostage release. The whole country discovers with astonishment the faces of those who are no longer presumed guilty Israel Vallarta and Florence Cassez. Two young people who are already described as the new Bonnie and Clyde. and on which the authorities as the media will be unleashed holding there a great opportunity to prove that the police do not stand idly by in the face of the increase in kidnappings. However flaws quickly appear in the file which will not however prevent the conviction of Florence Cassez to 60 years in prison. Beyond this edifying affair it is of a deeply corrupted system that Florence becomes the hostage. Like before her Ignacio Jacinta and the others. so many ubiquitous cases which illustrate the excesses of a corrupt State. A story built in the breathtaking way of the thriller which is based on numerous documents (police reports investigation reports press clippings court reports) and on testimonies in France and Mexico of around fifty people met by the authors during an investigation which began in May 2006. Anne Vigna journalist specializing in Mexico contributes to numerous television and press media. Alain Devalpo journalist based in Paris works notably with various media including France Culture and Radio France Internationale. His latest book Voyage au pays des Mapuches was published by Éditions Cartouche for France and Belgium if other purchases are added the shipping costs increase very little if at all for France the sending is always possible by the Post office in colissimo but it is more expensive Beyond this edifying affair it is of a deeply corrupted system that Florence becomes the hostage. Like before her Ignacio Jacinta and the others. so many ubiquitous cases which illustrate the excesses of a corrupt State. A story built in the breathtaking way of the thriller which is based on numerous documents (police reports investigation reports press clippings court reports) and on testimonies in France and Mexico of around fifty people met by the authors during an investigation which began in May 2006. Anne Vigna journalist specializing in Mexico contributes to numerous television and press media. Alain Devalpo journalist based in Paris works notably with various media including France Culture and Radio France Internationale. His latest book Voyage au pays. Sujet. True crime‎

‎Très bon état‎

‎Florence Romper jacinta Ignacio Sus Penas Mexicano Anne Vigna‎

‎ 2006 2006. Florence Romper Jacinta Ignacio Sus Penas Mexicano (Alain Devalpo / Anne Vigna La descripción de este producto se ha traducido automáticamente. Si tiene alguna pregunta al respecto por favor póngase en contacto con nosotros. Esta mañana del 9 de diciembre de 2005 Televisa Canal 2 uno de los principales canales de televisión mexicanos abre su mañana con fanfarria con una primicia: una liberación de rehenes en vivo. Todo el país descubre con asombro los rostros de aquellos que ya no son presuntos culpables Israel Vallarta y Florence Cassez. Dos jóvenes que ya son descritos como los nuevos Bonnie y Clyde. y sobre el cual las autoridades como los medios se desatarán ofreciendo allí una gran oportunidad para demostrar que la policía no se queda de brazos cruzados ante el aumento de los secuestros. Sin embargo las fallas aparecen rápidamente en el archivo lo que sin embargo no impedirá la condena de Florence Cassez a 60 años de prisión. Más allá de este asunto edificante es de un sistema profundamente corrompido que Florence se convierte en rehén. Como antes que ella Ignacio Jacinta y los demás. tantos casos ubicuos que ilustran los excesos de un Estado corrupto. Una historia construida a la manera impresionante del thriller que se basa en numerosos documentos (informes policiales informes de investigación recortes de prensa informes judiciales) y en testimonios en Francia y México de alrededor de cincuenta personas reunidas por los autores durante una investigación que comenzó en mayo de 2006. Anne Vigna periodista especializada en México contribuye a numerosos medios de televisión y prensa. Alain Devalpo periodista con sede en París trabaja en particular con diversos medios entre ellos France Culture y Radio France Internationale. Su último libro Voyage au pays des Mapuches fue publicado por Éditions Cartouche para Francia y Bélgica si se agregan otras compras los costos de envío aumentan muy poco si es que lo hacen para Francia el envío siempre es posible por la oficina de correos en colissimo pero es más costoso Más allá de este asunto edificante es de un sistema profundamente corrompido que Florence se convierte en rehén. Como antes que ella Ignacio Jacinta y los demás. tantos casos ubicuos que ilustran los excesos de un Estado corrupto. Una historia construida a la manera impresionante del thriller que se basa en numerosos documentos (informes policiales informes de investigación recortes de prensa informes judiciales) y en testimonios en Francia y México de alrededor de cincuenta personas reunidas por los autores durante una investigación que comenzó en mayo de 2006. Anne Vigna periodista especializada en México contribuye a numerosos medios de televisión y prensa. Alain Devalpo periodista con sede en París trabaja en particular con diversos medios entre ellos France. Sujet. True crime‎

‎Très bon état‎

‎Florence [photographies fin 19ème de la ville de Florence]‎

‎ Couverture rigide Sans date, sans lieu. Un volume in-4 carré (30x35cm), reliure demi-chagrin, dos à nerfs orné, cartonnage "chagriné" bleu nuit, titre doré au premier plat, filets d'encadrement à froid sur les plats, quelques accrocs marginaux aux charnières et aux coiffes. 32 tirages photographiques en noir, montés sur onglet et contrecollés, de la ville de Florence, rares rousseurs. Tirage sur papier albuminé. Sont notamment représentées des vues de lieux célêbres (la fontaine de Neptune, le campanile de Giotto...) et des oeuvres d'art mythiques (sculptures, peintures...). Ex-libris gravé au premier contreplat. Bon état des tirages, bon exemplaire dans une jolie reliure.‎

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‎ Très bon ‎

‎Legends of Florence Collected from the People and Re Told by Charles Godfrey Leland Legends of Florence). In Russian (a‎

‎Legends of Florence Collected from the People and Re Told by Charles Godfrey Leland Legends of Florence). In Russian (ask us if in doubt)./Legends of Florence Collected from the People and Re Told by Charles Godfrey Leland Legendy Florentsii). London David Nutt Firenze: R. Paggi 1907. 278c. SKUalb7252b865920acb85.‎

‎Foresti-Juste pour Rire avec Florence Foresti & Friends au Palais des Sports [Édition Spéciale 2 DVD]‎

‎M6 Vidéo 2017 14x18x1cm. 2017. DVD.‎

‎French édition - DVD présentant des marques de stockage et/ou de lecture sur la couverture et/ou les pourtours mais demeurant en très bon état d'ensemble.Expédition sous blister dans une enveloppe matelassée depuis la France‎

‎Foresti-Juste pour Rire avec Florence Foresti & Friends au Palais des Sports [Édition Spéciale 2 DVD]‎

‎M6 Vidéo 2017 2017.‎