77 books for « pieter bruegel »Edit

‎Pieter BRUEGEL. ‎

‎Paris, Nouvelles editions françaises, 1980; in-4, cartonnage de l'éditeur. Collection des grands peintres classiques - très bon état.‎

‎Collection des grands peintres classiques - très bon état.‎

‎Pieter Bruegel: Die Zeichnungen ‎

‎, Brepols, 1997 Hardback 247 p., 161 bl/w. ill., 190 x 250 mm. ISBN 9782503504995.‎

‎This new catalogue raisonne of the drawings by Pieter Bruegel the Elder is a radical revision of previous catalogues, with Bruegel emerging as a zestful and inventive draughtsman. This new catalogue raisonne of the drawings by Pieter Bruegel the Elder, one of the most significant artists of the sixteenth century, is a landmark in studies of its kind. A radical revision of previous catalogues, Bruegel emerges as a highly intricate yet zestful and inventive draughtsman. The drawings range from complex allegorical designs to detailed landscapes, many depicting dramatic alpine scenery. Dr. Mielke has made one of his most significant contributions by discovering that many deceptive imitations of these views were drawn in the sixteenth century by Bruegel's follower, Roelant Savery, and have been accepted as Bruegel's own work ever since. The author also proposes that several, previously unknown or rejected drawings should be regarded as autograph, including the early River Landscape in the Louvre, one of the most overtly naturalistic landscape drawings to have survived from the sixteenth century. Many of Bruegels's drawings were made to prepare the engravings through which his work became celebrated in his own day, altough other, often more spontaneous sketches are also known. The catalogue also illustrates and discusses drawings that were formerly attributed to Bruegel. Dr Mielke, who until his death in 1994 was curator of Netherlandish drawings at the Berlin Kupferstichkabinett, had an incisive style of writing which well communicates the experience and knowledge that he had accumulated during more than three decades. In this period he was acknowledged as one of the most gifted connoisseurs in the field. The Bruegel catalogue, sadly the last he completed before his untimely death, is a model that will find many emulators and which will be the standard work on Bruegel's drawings for the foreseeable future.‎

‎Pieter Bruegel ongezien!‎

‎Leuven, davidsfonds, 2012 Hardcover, geillustreerde platten, 224pp., 22.5x28cm., rijkelijk geillustreerd in kleur en z/w., . ISBN 9789058268754.‎

‎Pieter Bruegel en Brussel zijn voor de meeste mensen ontegenzeggelijk verbonden. Toch was het Antwerpen waar de meester zijn artistieke opleiding genoot. Het is in Antwerpen dat hij naam en faam kreeg als tekenaar en ontwerper van prenten en waar hij fundamentele stappen zette in zijn verdere ontwikkeling als schilder. Hoog tijd dus om de Antwerpse werken van Bruegel in de kijker te zetten. Enkele schilderijen, bladen grafiek en vele prenten uit het Museum Mayer van den Bergh, Museum Plantin-Moretus en het Prentenkabinet en het Koninklijk Museum voor Schone Kunsten geven een beeld van het oeuvre van Bruegel in de context van de stad die hem artistiek en intellectueel gevormd heeft. De focus op de prentkunst van Bruegel schetst een mooi en karakteristiek overzicht van de intellectuele rijkdom, creatieve verbeeldingskracht en het visuele vernuft van de meester. Een grondige analyse van twee schilderijen leert je bovendien meer over de manier van schilderen van Bruegel en zijn ontwikkeling van landschapstekenaar en prentontwerper tot schilder. Pieter Bruegel ongezien! is het boek bij de tentoonstelling die de werken van Pieter Bruegel in Antwerpen voor het eerst samen brengt. Boek en tentoonstelling tonen dat het werk van Bruegel een tijdloze kwaliteit heeft die nieuwe generaties blijft boeien.‎

‎BOSCH EN BRUEGEL ALS BOSCH. KUNST OVER KUNST BIJ PIETER BRUEGEL (C. 1528 - 1569) EN JHERONIMUS BOSCH (C. 1450 - 1516).‎

‎Edam/Nijmegen, Orange House/Radboud Universiteit, 2009 Gebonden, hardcover, originele geillustreerd uitgeversomslag, 23x20.4 cm., 408 pp., geillustreerd in z/w en kleur.Stichting Nijmeegse Kunsthistorische Studies XVII. ISBN 9789490128173.‎

‎De tekeningen en schilderijen van Jheronimus Bosch (c. 1450-1516), bevolkt door duivels en demonen, kopvoeters en boommensen, zijn zo origineel dat ze even raadselachtig als fascinerend zijn. Pieter Bruegel (c. 1528-1569) werd al tijdens zijn leven de tweede Bosch genoemd, omdat hij in zijn werk heel bewust de vormentaal van zijn voorganger Jheronimus Bosch imiteerde. In dit boek staat het kunstenaarschap van de schilders Bosch en Bruegel centraal. Jheronimus Bosch was niet alleen een hoogst opmerkelijk schilder, maar ook een zelfbewuste tekenaar, die de kunst zelf tot onderwerp van zijn kunst maakt. Bosch als de verbeelder van het boze is een imago dat door hemzelf actief is vormgegeven. Pieter Bruegel nodigt het publiek uit door middel van openlijke verwijzingen naar Bosch om beide grootmeesters met elkaar te vergelijken. Hier blijkt hoe zich in de imitatie de meester toont.‎

‎Pieter Bruegel the Elder. Fall of the Rebel Angels. Art, Knowledge and Politics on the Eve of the Dutch Revolt ‎

‎, [IT] Silvana , 2014 Paperback, 240x170mm, 128p, 100 bw and col. illustrations. English edition ISBN 9788836629206.‎

‎Art, Knowledge and Politics on the Eve of the Dutch Revolt Pieter Bruegel the Elder's Fall of the Rebel Angels is the first comprehensive book on one of the most cherished masterpieces of the Royal Museums of Fine Arts of Belgium in Brussels. It argues that with his Fall of the Rebel Angels (1562) Pieter Bruegel (died 1569) turned a traditional devotional theme into an innovative commentary on his own time, and situates the painting within the early modern cultures of knowledge and collecting. More particularly, it exposes that many of the hybrid falling angels are carefully composed of naturalia and artificialia, as they were collected in art and curiosity cabinets of the time. Bruegel's much noted emulation of Jheronymus Bosch was thus only part of his wider interest in collecting, inspecting, and imitating the artistic and natural world around him. This prompts an examination of the world at the time that Bruegel painted the Fall of the Rebel Angels: locally, in the urban and courtly centers of Antwerp and Brussels on the eve of the Dutch revolt, and globally, as the discovery of the New World irreversibly transformed the European perception of art and nature. Painted as a tale of hubris and pride, Bruegel's masterpiece becomes a meditation on the potential and danger of man's pursuit of art, knowledge and politics, a universal theme that has lost nothing of its power today. The lavishly illustrated book is based on extensive research sponsored by the Inter University Attraction Pool project P7/26 'City and Society in the Low Countries (ca. 1200 - ca. 1850)' (Federal Science Policy, Belgium)'. ‎

‎Brueg(H)el Phenomenon, Paintings by Pieter Bruegel the Elder and Pieter Brueghel the Younger with a Special Focus on Technique and Copying Practice.‎

‎, Brepols, 2012 Paperback, 3 volume set in cardboard box, 1061 pp., 230 x 290 mm, Languages: English, As new (signed and dedication by both authors on first page) ISBN 9782930054148.‎

‎The fascination exerted by the works of the illustrious Pieter Bruegel the Elder in the decades following his death in 1569 is matched only by the intense interest they generate today. At the end of the sixteenth century and in the first half of the seventeenth, the most ambitious art collectors fought over the few paintings by the master that were still on the market. This setting was the catalyst for the appearance of copies and pastiches ? and even deliberate forgeries. It was then that the elder son of Pieter Bruegel, known as Pieter Brueghel the Younger (whose name is spelled ?Brueghel? here, conforming to the signature that he adopted during the initial phase of his career) emerged as a legitimate successor, producing astonishingly faithful replicas of his father?s paintings. This was all the more surprising given that they were often made after works that were by then dispersed in diverse and sometimes inaccessible private collections. Operating within the context of a sizeable workshop, Brueghel supplied the market with hundreds of copies of variable quality according to demand. This enterprise merited re-evaluation from a technical point of view: how were such vast numbers of copies produced in practice? This three-volume book explores the intriguing Brueg[H]el phenomenon through the two artists? painting practices. The technical aspects of their works are investigated in a detective-like manner and are strikingly elucidated with a wealth of colour illustrations. The reader will come to understand the accomplished practitioner behind the genius that is Bruegel the Elder and the working procedures of his foremost emulator?s workshop. Furthermore, Brueghel the Younger?s exceptional qualities as a painter are singled out from those of his workshop production. The book also reveals fresh discoveries on the father?s creative process through the study of his son?s copies. ‎

‎PIETER BRUEGEL DE OUDE - VAL VAN DE OPSTANDIGE ENGELEN, Kunst, kennis en politiek aan de vooravond van de Nederlandse Opstand.‎

‎, Silvana Editoriale, 2019 hardcover, 240 x 170 mm, 200 pages, 100 illustrations; Nederlandstalige edition. ISBN 9788836642915.‎

‎Dit zestiende nummer van de Cahiers van de Koninklijke Musea voor Schone Kunsten van Belgi verscheen naar aanleiding van meerdere jaren onderzoek naar het oeuvre van Pieter Bruegel de Oude. Het boek onthult de geheimen van De val van de opstandige engelen, in het bijzonder de weergave van fantasiedieren en enigmatische objecten door nieuwe verbanden te leggen tussen kunst, kennis en politiek in de tijd van Bruegel. With this masterpiece painting, Bruegel turned a traditional devotional theme into an innovative commentary on his own historical time. This is the first comprehensive book on one of the most cherished masterpieces of the Royal Museums of Fine Arts of Belgium in Brussels. It argues that with his Fall of the Rebel Angels (1562) Pieter Bruegel (died 1569) turned a traditional devotional theme into an innovative commentary on his own time, and situates the painting within the early modern cultures of knowledge and collecting. More particularly, it exposes that many of the hybrid falling angels are carefully composed of naturalia and artificialia, as they were collected in art and curiosity cabinets of the time. Bruegel's much noted emulation of Jheronymus Bosch was thus only part of his wider interest in collecting, inspecting, and imitating the artistic and natural world around him. This prompts an examination of the world at the time that Bruegel painted the Fall of the Rebel Angels: locally, in the urban and courtly centers of Antwerp and Brussels on the eve of the Dutch revolt, and globally, as the discovery of the New World irreversibly transformed the European perception of art and nature. Painted as a tale of hubris and pride, Bruegel's masterpiece becomes a meditation on the potential and danger of man's pursuit of art, knowledge and politics, a universal theme that has lost nothing of its power today.‎

‎Pieter Bruegel the Elder. Drawings and Prints‎

‎Orenstein, Nadine M. et al: Pieter Bruegel the Elder. Drawings and Prints. Exhibition: New York, Metropolitan Museum and Rotterdam, Museum Boymans-van Beuningen, 2001. 323pp., with 5 colour, 120 duotone and 75 monochrome illustrations. Hardback. 30.4 x 22.8cms. Scholarly catalogue accompanying the travelling exhibition, bringing together 140 of Bruegel's drawings, designs for engravings and etchings, the majority of which have been drawn from the Boymans van Beuningen's holdings. They have been the subject of new scholarship and are examined here in the context of printmaking and humanism in the 16th century. Each work is fully documented with provenances and references. With an extensive bibliography and index.‎

‎Scholarly catalogue accompanying the travelling exhibition, bringing together 140 of Bruegel's drawings, designs for engravings and etchings, the majority of which have been drawn from the Boymans van Beuningen's holdings. They have been the subject of new scholarship and are examined here in the context of printmaking and humanism in the 16th century. Each work is fully documented with provenances and references. With an extensive bibliography and index. Text in English‎

‎BEREDENEERDE CATALOGUS VAN DE PRENTEN NAAR PIETER BRUEGEL DE OUDE.‎

‎Brussel, Koninklijke Bibliotheek Albert I, 1969 ing. originele uitgeversomslag, 19x25.5 cm., oblong, 218 pp., geillustreerd in z/w.‎

‎Tentoonstelling t.g.v. de vierhonderdste verjaardag van het overlijden van Pieter Bruegel de Oude in de Koninklijke Bibliotheek Albert I van 6 september tot 2 november 1969. Catalogus nr. 37. ‎

‎Peter Bruegel the Elder. Sins and Virtues. Sins and Virtues by Pieter Bruegel th‎

‎Peter Bruegel the Elder. Sins and Virtues. Sins and Virtues by Pieter Bruegel the Elder. /Piter Breygel' Starshiy. Grekhi i Dobrodeteli. Seriya gravyur. / Sins and Virtues by Pieter Bruegel the Elder. Author of the introductory article Inga Lander. Leningrad Aurora. 1991. 4 Leningrad We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb9b41d5fbfa0b07d8‎

‎Pieter Bruegel the Elder and Lucas van Leyden. The Complete Engravings, Etchings, and Woodcuts‎

‎Lavalleye, Jacques: Pieter Bruegel the Elder and Lucas van Leyden. The Complete Engravings, Etchings, and Woodcuts. Harry N. Abrams, 366pp with 491 monochrome illustrations plus a fold out list of illustrations. Cloth. 34x25cms. ell illustrated catalogue of the complete engravings, etchings, and woodcuts of both artists. With bibliographical notes.‎

‎ell illustrated catalogue of the complete engravings, etchings, and woodcuts of both artists. With bibliographical notes‎

‎Pieter Bruegel D. A. Und Das Theater Der Welt‎

‎Mossinger, Ingrid: Pieter Bruegel D. A. Und Das Theater Der Welt. Exhibition: Chemnitz, Kunstsammlungen, 2014. 304 pages illustrated fully, mostly in colour. Hardback. 30.5 x 24.5cms. Text in German.‎

‎Text in German‎

‎Pieter Bruegel the Elder at the Kunsthistoriches Museum in Vienna‎

‎Seipel, Wilfried; Klaus Demus: Pieter Bruegel the Elder at the Kunsthistoriches Museum in Vienna. Skira, 1998. 164 pages; colour illustrations. Wrappers. 25 x 28cms.‎

‎Gerhard W. Menzel Pieter Bruegel der altere. Book in German./Gerhard W. Menzel P‎

‎Gerhard W. Menzel Pieter Bruegel der altere. Book in German./Gerhard W. Menzel Pieter Bruegel der altere. Kniga na nemetskom yazyke. Short description: Publishing House: Buch-und Kunstverlag. Leipzig. 1966 Peter Bruegel was a brilliant artist who opened up new possibilities for his art in an era of GROWTH change. True, he no longer witnessed the formidable storm of the Dutch liberation struggle. But the way hostile forces, thunderous fronts collided, and the first annual eruption of iconoclasm was crushing, as the ominous silence upon Alba's arrival triggered only a crude, elementary detente of national passions, which he felt and probably understood as well We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUbd-d32bb03692bbe52c‎

‎Pieter Bruegel, l'Ancien‎

‎Cercle d'Art 1981 In-4 relié. 158 pages. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Pieter Bruegel d. A. und das Theater der Welt. ‎

‎, Deutscher Kunstverlag, 2014 Hardcover, 304 Seiten, 30.5x24.5cm. mit 213 farbigen Abbildungen . ISBN 9783422072428.‎

‎Katalog zur gleichnamigen Ausstellung in den Kunstsammlungen Chemnitz vom 13. April bis 6. Juli 2014. Die Druckgrafiken nach Entwurfen Pieter Bruegels d. A. zahlen zu den unterhaltsamsten, innovativsten und intelligentesten Bildfindungen der Fruhen Neuzeit. In erhabenen Landschaften, grotesken Spuk- und Hollenszenen, satirischen Allegorien, Schiffsdarstellungen, biblischen Historien und wilden Bauernfesten entfaltet sich das Welttheater des 16. Jahrhunderts. Die Kunstsammlungen Chemnitz prasentieren in Kooperation mit der Technischen Universitat Dresden das gesamte druckgrafische ?uvre des bedeutenden flamischen Kunstlers. Hohepunkt der Schau ist das ebenso beruhmte wie geheimnisvolle Werk ?Die Imker? aus dem Berliner Kupferstichkabinett. Der Katalog ergrundet das Ratsel dieser Zeichnung und beleuchtet die fantasievolle Bilderwelt Pieter Bruegels d. A. in 88 Grafiken. Neben kritischen Anspielungen auf zeitgeschichtliche Ereignisse sind die Werke von geistreichen Pointen gespickt, die dem Betrachter die menschlichen Schwachen humorvoll vor Augen fuhren.‎

‎Pieter Bruegel l'Ancien.‎

‎Paris, Cercle d'Art, "La Bibliothèque des grands peintres", [cop. 1987] 1 volume 24 x 32cm Reliure éditeur pleine toile sous jaquette au 1er plat illustré couleurs, en étui carton muet. 158p., 1 feuillet; 89 vignettes en noir in texte, 48 illustrations couleurs en tirés à part contrecollés. Très bon état.‎

‎Traduction, par Paul PEYRELEVADE, de cet ouvrage sur la vie et l'oeuvre du peintre et dessinateur Pierre Bruegel dit l'Ancien (1525?-1569) publié par l'historien de l'art états-unien Wolfgang STECHOW (1896-1974); texte illustré de 40 vignettes en noir (surtout dessins et gravures) suivi de notes biographiques et de 48 planches couleurs en tirés à part avec commentaires illustrés de vignettes en noir; index des oeuvres; bibliographie. Exemplaire bien complet de ses 48 tirés à part et de ses jaquette, au titre abrégé en "Bruegel", et étui. ‎

‎Early Netherlandish painting. Vol. XIV, Pieter Bruegel. Comments and notes by Henri Pauwels. Translation by Heinz Norden‎

‎Leyden - Brussels, A. W. Sijthoff, éditions de la Connaissance 1976 In-4 28 x 21 cm. Reliure éditeur gris-bleu sous jaquette à l’identique, 56 pp., 62 planches en noir & blanc, sommaire, catalogues, notes bibliographiques, index des lieux.‎

‎Texte en anglais. Max Jakob Friedländer (1867-1958) est un expert en art et un historien de l'art renommé pour ses travaux sur les primitifs flamands, auxquels il a consacré l'importante monographie “Die altniederländische Malerei” en 14 volumes dont la publication s'étend de 1924 à 1937 et qui a été traduite en anglais. Bon état d’occasion ‎

‎Pieter Bruegel l'Ancien au Kunsthistorisches Museum de Vienne.‎

‎ 1 Relié, cartonnage et jaquette illustrée de l'éditeur. 28,5 x 25 cm, 164 p., nombreuses illustrations en noir et en couleurs. Milan, Skira / Vienne, Kunsthistorisches Museum, 1999. ‎

‎Première monographie d'envergure consacrée aux tableaux de Pieter Bruegel l'Ancien appartenant à la collection du Kunsthistorisches Museum de Vienne. Textes de Wilfried Seipel, Klais Demus, biographie par Karel van Mander, catalogue par Alexander Wied, bibliographie sélective. Édition en français. Très bon état ‎

‎Pieter Bruegel : Drawing the World‎

‎ 2018 Hirmer Publishers Hardcover ‎

‎Pieter Bruegel: Drawing the World Hardcover, 290 x 240 mm, 224 blz, illustrations , very fine condition‎

‎Pieter Bruegel (Early Nederlandish Painting vol. 14)‎

‎Leyden/ Brussels, Sijthoff/ La connaissance 1976 56pp.with 62 plates out-of-text + Supplements vol.1-13 (40pp.), 28cm., cloth, dustwrapper, VG‎

‎Pieter Bruegel the elder: the Dulle Griet in the Mayer Van Den Bergh Museum, Antwerp‎

‎London, Percy Lund Humphries s.d. 24pp.with 20 illustrations, 27cm., text in English, S79029‎

‎Volkstaal en volksleven in het werk van Pieter Bruegel‎

‎Antwerpen-Amsterdam, Standaard 1957 223pp.+ 22 ills. buiten tekst, 26cm., linnen band, geïllustreerde stofwikkel, goede staat, S87231‎

‎Pieter Bruegel Die Zeichnungen [in: Pictura Nova-series, II]‎

‎Turnhout, Brepols 1996 viii + 247pp. with 161 bl/w illustrations, 26cm., editor's hardcover, dustwrapper, text in English, in the series "Pictura Nova. Studies in the 16th and 17th century Flemish Painting and Drawing" volume 2, very good condition, ISBN 2-503-50499-5, S87575‎

‎Pieter Bruegel de oudere‎

‎ 1997 snoeck-ducaju & zoon Soft cover ‎

‎Pieter Bruegel de oudere Hardcover , 335 x 245 mm, 352 blz, zeer goede staat‎