142 books for « mantegna »Edit

‎Andrea Mantegna: Humanist Aesthetics, Faith, and the Force of Images‎

‎, Brepols - Harvey Miller 2020, 2020 Hardcover, xx + 308 pages., 150 col. ills, 220 x 300 mm, English, .fine! ISBN 9781912554348.‎

‎No other artist before him could boast a celebrity like that of Andrea Mantegna (1431-1506), whose career reads like an archetype of Renaissance social ascent. Half a millennium later Mantegna is well-remembered; yet while his importance in any account of a Western Tradition of painting has long been beyond dispute, it has been and remains under-examined and misunderstood. In this provocative re-assessment, based on his Betty Allison Rand lectures at the University of North Carolina 2017, Stephen J. Campbell shows that Mantegna has served the function of illustrating early Renaissance painting, whether the principles of a "humanist theory of art" as prescribed in the De pictura of Alberti, with its elaboration of perspective techniques, or the preoccupation with antiquity and its reconstruction. While he is rightly regarded a crucial nexus of interaction between the world of the artisan, of the court, and of intellectual life, Mantegna?s importance is still perceived to lie in an early formulation of what is called the "classical tradition," destined to be surpassed after his death by Raphael and his followers. Campbell argues that the place of normativity or typicality that Mantegna occupies in the History of Art ? "Early Renaissance artist," "artist as antiquarian," "Albertian perspectivist," has kept from view the more radical potential of his work for a re-description of early Renaissance painting. In particular, this study of the artist?s major works re-open the questions of "humanist art," of the relationship between painting and intellectual life, of image-making as a form of discourse that bears a far from passive or ancillary relationship to poetry, history, or rhetoric. Mantegna?s work is shown to challenge and complicate prevailing understandings of the way works of art address their beholders and construct their spatial milieu, of the materiality of painting and the relationship of painting and writing, and the volatile ideologies of classical antiquity as a component of Renaissance painting.‎

‎Placchette e rilievi di bronzo nell'eta di Mantegna‎

‎Rossi, Francesco ed: Placchette e rilievi di bronzo nell'eta di Mantegna. Exhibition: Mantua, Museo della Cittá di Palazzo San Sebastiano, 2006. 88pp with 72 colour and monochrome illustrations. Wrappers. 28x24cms. A study of reliefs, bronzes and plaquettes from the time of Mantegna including drawings and engravings by him. Text in Italian.‎

‎A study of reliefs, bronzes and plaquettes from the time of Mantegna including drawings and engravings by him. Text in Italian‎

‎Mantegna a Mantova. 1460-1506‎

‎Lucco, Mauro: Mantegna a Mantova. 1460-1506. Exhibition: Mantua, Palazzo Te, 2006. 227pp with 80 colour and 50 monochrome illustrations. Boards. 29x25cms. Arriving in Mantua in 1460, Mantegna became the court painter, remaining their until his death in 1506. This exhibition marks the quincentenary of his death, looking at his artistic output in Mantua. Includes works by other artists working in the area including Lorenzo Costa, Correggio and Gian Francesco Tura. Text in Italian.‎

‎Arriving in Mantua in 1460, Mantegna became the court painter, remaining their until his death in 1506. This exhibition marks the quincentenary of his death, looking at his artistic output in Mantua. Includes works by other artists working in the area including Lorenzo Costa, Correggio and Gian Francesco Tura. Text in Italian‎

‎Andrea Mantegna - Peintre, dessinateur et graveur de la Renaissance italienne.‎

‎ S.l., Gallimard / Electa, (1992). Un fort vol. au format in-4 (303 x 258 mm) de 513 pp. Reliure d'édition de pleine percaline satinée moutarde, sous jaquette illustrée, sous coffret.‎

‎ L'ouvrage s'agrémente d'une abondante iconographie en couleurs. ''Andrea Mantegna (vers 1431-1506) fut l'un des plus grands artistes de la première Renaissance italienne. Fils d'un charpentier, il arriva enfant à Padoue, où l'on pouvait voir les ruines de l'ancienne cité romaine, où l'université était un centre de cours humanistes, où d'importants personnages collectionnaient des œuvres antiques... C'est là que sa passion pour la civilisation de la Rome ancienne est née. Autour de 1460, Mantegna devint peintre à la cour des Gonzague à Mantoue, et c'est sous leur patronage qu'il produisit ses plus grands chefs-d'œuvre. Cet ouvrage retrace le développement du génie inventif de Mantegna à travers ses peintures, dessins et gravures. Il est écrit par les plus grand spécialistes mondiaux de l'artiste, dont Laurence Gowing, Keith Christiansen, David Landau, Jane Martineau et Suzanne Boorsch.'' Très belle condition. ‎

‎Otto Pacht. Venetian Painting in the Fifteenth Century. Jacopo, Gentile and Giovanni Bellini and Andrea Mantegna‎

‎, Brepols Publishers, 2004 paperback, 260 p., 219 b/w ill. 41 colour ill., 210 x 280 mm English. ISBN 9781872501239.‎

‎Otto Pacht, one of the most significant art-historians of the ?Vienna School?, and well known for his analyses of Early Netherlandish art, turns his attention in this publication to the humanist circle of Early Renaissance painters in Venice, dominated by Jacopo Bellini, his sons Gentile and Giovanni, and also his son-in-law Andrea Mantegna. It was a period of newly awakened interest in the Antique, of studies made directly from nature, and of trial and error in the technique of perspective. And in addition, a new awareness of the role of light and colour in the devotional and often monumental images of the Madonna, of altarpieces and of allegories contributed to the founding of what we now recognise as the hall-mark of Venetian painting, that culminated with Titian. Of the Bellini family, it has been Giovanni who was generally regarded as the major figure of the dynasty. Pacht, however, devotes particular attention to Jacopo?s work, interpreting it as the basis for his sons? later development. He analyses Jacopo?s London and Paris Sketchbook drawings, demonstrating where Late Gothic elements can be seen to be overtaken by the need to give perspective depth to the image, and how subsequent painting took account of these changes. This is also the essence of Pacht?s examination of Mantegna?s work, where the construction of space and depth is the key to our understanding of Mantegna?s creative process. Turning to the next generation of the Bellini family, Pachts guides our eyes to appreciate the refinement and perception of Gentile?s portraits, and finally takes us step by step through the works of Giovanni, where fantasy combines with the play of colour and light in creating compositions, devotional images, and landscape settings of perfect harmony and beauty. !Winner of the Apollo Magazine Book of the Year 2003 Award! "Pacht's lessons are as timely now as thitrty-five years ago." (P. Hills in The Burlington Magazine, cxlvii, January 2005, p. 47-48)‎

‎De Mantegna à Raphaël‎

‎Gérard Monfort, Editeur, Paris, 1996. In-8, broché sous couverture rempliée et illustrée en couleurs, 119 pp. I. Le mythe Mantegna - II. Mantegna parmi les "antiquaires" - III. Les Triomphes de César - IV. Le studiolo d'Isabelle d'Este : Mantegna, Bellini, Le Pérugin - V. Le studiolo d'Isabelle d'Este : problèmes d'iconographie - VI. Léonard de ...‎

‎Avec 32 planches en noir et blanc en hors texte.Ouvrage épuisé. --- Plus d'informations sur le site archivesdunord.com‎

‎Mantegna‎

‎Editions Citadelles & Mazenod, Paris, 2004. Fort in-4, reliure pleine toile éditeur sous jaquette illustrée en couleurs, bien complet de son étui en cartonnage rigide et illustré, 335 pp. La "vie" d'Andrea Mantegna - Andrea Mantegna à Padoue - Andrea Mantegna à Mantoue - Catalogue - Notes - Bibliographie - Index des noms‎

‎Abondante iconographie en noir et en couleurs.Traduit de l'italien par Odile Ménégaux et Françoise Mathilde Lantieri. --- Plus d'informations sur le site archivesdunord.com‎

‎Andrea Mantegna‎

‎ 1992 Distributed for the Metropolitan Museum in North America by Abrams Hardcover Fine 1st Edition ‎

‎Andrea Mantegna Hardcover, blue linen binding with silver print, with dust jacket, 300 x 260 mm, 499 pg, richly illustrated in color, some illustrations are full-page, very nice edition in very good condition‎

‎MANTEGNA ANDREA L'oeuvre du maitre - tableau , gravures sur cuivre.‎

‎Librairie hachette - les classiques de l'art 1911 In-4 relié. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Andrea Mantegna. Catalogo dell'opera grafica‎

‎Andrea Mantegna. Catalogo dell'opera grafica. Sale: Turin, Silverio Salamon, 2008. 14 lots with descriptions and illustrations. Partial price list included. Hardback. 30x21.5cms. Text in Italian.‎

‎Text in Italian‎

‎Bonacolsi l'Antico : Uno scultore nella Mantova di Andrea Mantegna e Isabella d'Este‎

‎Bonacolsi l'Antico : Uno scultore nella Mantova di Andrea Mantegna e Isabella d'Este. Exhibition: Mantua, Palazzo Ducale, 2008. 344pp with illustrations in colour. Soft covers. 28x24cms. Highly illustrated catalogue of the work of Pier Jacopo Alari Bonacolsi called l'Antico (1460?-1528), contemporary of Mantegna and artist to Isabella d'Este. A sculptor and a goldsmith, Antico is famous for fusing these two disciplines resulting in beautiful bronzes with gilded drapery, hair, and occasionally eyes. Also includes detailed catalogue entries of his medals and vases, as well as his work on antique Roman sculpture. Text in Italian.‎

‎Highly illustrated catalogue of the work of Pier Jacopo Alari Bonacolsi called l'Antico (1460?-1528), contemporary of Mantegna and artist to Isabella d'Este. A sculptor and a goldsmith, Antico is famous for fusing these two disciplines resulting in beautiful bronzes with gilded drapery, hair, and occasionally eyes. Also includes detailed catalogue entries of his medals and vases, as well as his work on antique Roman sculpture. Text in Italian‎

‎Andrea Mantegna - des Meisters Gemälde und Kupferstiche. Klassiker der Kunst. XVI‎

‎Knapp, Fritz: Andrea Mantegna - des Meisters Gemälde und Kupferstiche. Berlin / Leipzig: Deutsche, 1910. Series: Klassiker der Kunst. XVI. 193pp with 193 monochrome illustrations. Cloth. 26x19cms. Text in German.‎

‎Text in German‎

‎Mantegna e le Arti a Verona‎

‎Marinelli, Sergio and Paola Marini: Mantegna e le Arti a Verona. Exhibition: Verona, Palazzo della Gran Guardia, 2006. 519pp, with 350 colour and monochrome illustrations. Wrappers. Celebration of the work of the great Italian Renaissance painter (1431-1506) and his work in Verona, and the emerging personalities of his contemporaries Francesco Benaglio (c.1432-1492), Francesco Bonsignori (c.1460-1519), Liberale da Verona (1445-1526/9), Girolamo Dai Libri (c.1452-c.1514) and Domenico Morone (c1442-c.1518). Text in Italian.‎

‎Celebration of the work of the great Italian Renaissance painter (1431-1506) and his work in Verona, and the emerging personalities of his contemporaries Francesco Benaglio (c.1432-1492), Francesco Bonsignori (c.1460-1519), Liberale da Verona (1445-1526/9), Girolamo Dai Libri (c.1452-c.1514) and Domenico Morone (c1442-c.1518). Text in Italian‎

‎Mantegna, 1431-1506‎

‎Mantegna, 1431-1506. Exhibition: Paris, Musée du Louvre, 2008. Hardback. 480 pages, fully illustrated in colour. Excellent condition. Hardback. Text in French.‎

‎Text in French‎

‎Andrea Mantegna, l'oeuvre du maître. ‎

‎Paris, Hachette, 1911. In-4°, XLIX-190p. Reliure percaline rouge d'éditeur ornée d'un décor doré, tête dorée.‎

‎Avec 200 reproductions en noir. En fin de volume table chronologique des oeuvres de Mantegna. Nom de possesseur en page de garde, sinon exemplaire en parfaite condition.‎

‎Andrea Mantegna, l'oeuvre du maître. ‎

‎Paris, Hachette, 1911. In-4°, XLIX-190p. Reliure demi-chagrin à coins, dos à nerfs, tête dorée.‎

‎Avec 200 reproductions en noir. En fin de volume table chronologique des oeuvres de Mantegna. Bel exemplaire.‎

‎Andrea Mantegna‎

‎Martineau, Jane: Andrea Mantegna. Exhibition: London, Royal Academy and New York, Metropolitan Museum, 1992. 504 pages, fully illustrated. Very good condition. Paperback. 29.5 x 25cms.‎

‎Text in English‎

‎Mantegna Opera Completa. Classici dell'Arte‎

‎Bellonci, Maria and Niny Garaviglia: Mantegna Opera Completa. Milan: Rizzoli, 1967. Series: Classici dell'Arte. 128pp with 64 colour plates and 131 monochrome illustrations. Hardback. 31.5x24cms. Text in Italian.‎

‎Text in Italian‎

‎Mantegna.‎

‎ Paris: Gallimard, no date [1937/8] Traduction de Jean Chuzeville. 247 p.,in8,pleine toile editeur, +200 p. of b/w pls., ills. (215 ills.), chronology, notes, bibliography. Cloth, 21.2 cm.‎

‎quelques ht collés par l'humidité, ‎

‎MANTEGNA - La Chapelle Overati dans l'Eglise des Erémitiques ‎

‎ Milan, Editions d'Art Amilcare Pizzi - 1944 - Coll. "Silvana" - In-folio - Cartonnage éditeur blanc avec motif en relief - Exemplaire numéroté (n° 761) - 39 pages de texte, 18 figures dans le texte et HT NB et en couleurs + 23 planches HT en couleurs - Bel exemplaire‎

‎Ces planches constituent le plus fidèle document existant sur les fresques de Mantegna à Padoue. Les sélections photographiques en couleurs furent exécutées sur place au mois de mars 1944 quelques jours avant la destruction de la Chapelle des Erémitiques - ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le prix du supplément de port en fonction du poids et du nombre de livres- Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148 ‎

‎Mantegna‎

‎Edité par Gallimard/ Electa, 1997. Maîtres de l’art. 25,5x29,5cm. 168pp. Relié en toile avec jaquette en couleurs. Oeuvres illustrées en couleurs et commentées. Etat comme neuf. Nous soignons nos envois. ‎

5 Images

‎Andrea Mantegna. Teacher's work in 200 reproductions (Loeuvre du maitre en 200 reproductions. Tableaux: Gravures sur cui‎

‎Andrea Mantegna. Teacher's work in 200 reproductions (Loeuvre du maitre en 200 reproductions. Tableaux: Gravures sur cuivreIn Russian (ask us if in doubt)./Andrea Manten'ya (Andrea Mantegna). Rabota uchitelya v 200 reproduktsiy (Loeuvre du maitre en 200 reproductions. Tableaux: Gravures sur cuivre Paintings etchings on copper. (Loeuvre du maitre en 200 reproductions. Tableaux: Gravures sur cuivre) In German) Paris Librairie Hachette 1911. XLIX 190 p. SKUalb4f6dc80a65fe7242.‎

‎Andrea Mantegna‎

‎London, , Thames and Hudson/Electa, 1992 Hardcover with dusjacket, 499 pages, numerous illustrations, Weight in g: 3600 30.0 x 25.0 cm. ISBN 9780500974001.‎

‎Catalog of the exhibitions at the Royal Academy London from January 17 to April 5, 1992 and at the Metropolitan Museum of Art New York from May 9 to July 12, 1992‎

‎Andrea Mantegna : l'oeuvre du maître, tableaux, gravures sur cuivre : ouvrage illustré de 200 gravures. Collection : Nouvelle collection des classiques de l'art. Paris : Hachette, 1911.‎

‎1 volume in-4° relié pleine toile rouge décorée des fers spéciaux de la collection. Tête dorée. 185 p. - Illustrations en noir et blanc. Petites rousseurs éparses sinon très bon état. ‎

‎LA CAMERA DEGLI SPOSI DEL MANTEGNA A MANTOVA.‎

‎Con un'appendice di E. Camesasca. Rizzoli Milano, 1959. In-folio, tela editoriale, sovracoperta (lievi mancanze), astuccio, pp. 73,(3) con 92 illustrazioni per lo piu' a colori applicate alla pagina nel testo e 30 bellissime tavole a colori fuori testo, in riprese d'assieme e con particolari. In Appendice: Vita e opere del Mantegna; il Palazzo ducale di Mantova; Casa Gonzaga; destinazione della Camera; le raffigurazioni. Ben conservato.‎