Face to Face with Hugo van der Goes. Old Master, New Interpretation. Exhibition: Bruges, Sint-Janshospitaal, 2022. 144 pages with 126 colour and 5 black and white illustrations. Hardback. 29 x 24.5cms. A re-examination of Flemish painter Hugo Van Der Goes (c. 1440-1482/1483), centred on his important painting 'The Death of the Virgin', which has just undergone an extensive five-year restoration. Chapters include an analysis of 'The Death of the Virgin' before and after restoration, a look at its iconographical sources, a discussion of Van Der Goes' life and work, including a summation of his extant oeuvre and known patrons, and a consideration of his influence on contemporary painters, both at home and abroad.
A re-examination of Flemish painter Hugo Van Der Goes (c. 1440-1482/1483), centred on his important painting 'The Death of the Virgin', which has just undergone an extensive five-year restoration. Chapters include an analysis of 'The Death of the Virgin' before and after restoration, a look at its iconographical sources, a discussion of Van Der Goes' life and work, including a summation of his extant oeuvre and known patrons, and a consideration of his influence on contemporary painters, both at home and abroad.
, Hannibal Books, 2022 Gebonden, hardcover, , 292 x 245 mm, 144 pages Nederlandse uitgave. . ISBN 9789464366723.
In deze fascinerende introductie tot het werk en leven van de Vlaamse primitief Hugo van der Goes (ca. 1440-1482/1483) belichten verschillende experts en onderzoekers de virtuositeit van de meester himself. Zijn Dood van Maria is een van de belangrijkste werken in de wereldbefaamde collectie Vlaamse schilderkunst van Musea Brugge. Na een intensieve restauratie van vijf jaar komt het meesterwerk weer volledig tot zijn recht met talloze schitterende elementen, een fel kleurenpalet en recent ontdekte details. Oog in oog met Hugo van der Goes ? Oude meester, nieuwe blik biedt een inkijk in het tijdloze en hedendaagse karakter van het topstuk en besteedt aandacht aan de iconische waarde van een te ontdekken oeuvre. Met tekstbijdragen van Matthias Depoorter, Lieven De Visch, Marijn Everaarts, Sibylla Goegebuer, Griet Steyaert en Anne van Oosterwijk. Publicatie naar aanleiding van de tentoonstelling Oog in Oog met de Dood. Hugo van der Goes, oude meesters, nieuwe blikken in het Sint-Janshospitaal in Brugge van 28 oktober 2022 tot 5 februari 2023.
, Hannibal Books, 2022 HB, 300 x 250 mm, 144 pages, illustr. *English edition. ISBN 9789464366716.
In this fascinating introduction to the work and life of Flemish Primitive Hugo van der Goes (c. 1440-1482/1483), several experts and researchers shed light on the virtuosity of the master himself. The Death of the Virgin is one of the most important works in Musea Brugge's world-renowned collection of Early Netherlandish painting. After an intensive five-year restoration the masterpiece has come into its own again, with many brilliant elements, a bright colour palette and newly uncovered details. Face to Face with Hugo van der Goes - Old Master, New Interpretation offers an insight into the timeless yet contemporary character of the masterpiece and pays attention to the iconic value of a work waiting to be discovered. With text contributions by Matthias Depoorter, Lieven De Visch, Marijn Everaarts, Sibylla Goegebuer, Griet Steyaert and Anne van Oosterwijk. This publication is issued on the occasion of the exhibition Face to face with Death. Hugo van der Goes, Old Masters and New Interpretations at the Sint-Janshospitaal in Bruges from 28 October 2022 to 5 February 2023.
Turnhout, Brepols, 2008 Hardback, original editor's jacket, english, IV+178 pp., 42 b/w ill. + 95 colour ill., 220 x 280 mm. ISBN 9781905375158.
Studies in Medieval and Early Renaissance Art History (HMSAH 49). Hugo van der Goes is a towering figure in the history of art. Hugely original, he exerted a massive influence, pushing the portrayal of volume, motion and light to its limits while exploring an inherited Christian iconography in profoundly new ways. This book identifies the artist?s painterly procedures as well as the religious practices and hopes his painting served. Focusing on Hugo?s masterpiece, the Portinari Altarpiece, Koster pictures the painter, his patron, and the wider public as a set of diverse forces fuelling this artist?s achievements. Painted in the Netherlands for a Florentine chapel, the altarpiece also reflects artistic exchange in the Fifteenth Century. Koster presents a ground-breaking technical examination of Hugo?s triptych and for the first time, readers can access all of the evidence in a high-resolution and easily-navigable form ? and for a work of supreme historical importance. But this book also studies the work?s origins in the Modern Devotion movement, Hugo?s personality, the machinations of a wealthy Italian donor, and the patterns of response within a church setting. Rich in information, wide-ranging in its sources, and original in its understanding of Hugo?s aims, this book also places ? uniquely ? the tools of its analysis in the hands of specialists and general readers alike.
, Hirmer Verlag (Thames), 2023 HB, 280 x 240 mm, 304 pages , 250 Kleurenillustraties, EN edition, ISBN 9783777438481.
Hugo van der Goes (c. 1440-1482) was the most important Flemish artist of the second half of the 15th century. His innovative pictorial compositions are characterised by monumental figures and realistic narrative moments. They paved the way for the development of Netherlandish painting during the following centuries. Hugo van der Goes worked in Ghent and in the Red Cloister near Brussels. His works were admired by his contemporaries and were copied countless times until well into the 17th century. This modern monograph pays tribute to the character and importance of his numerically modest works. It juxtaposes his great altarpieces with more intimate panels, drawings and miniatures as well as works from his immediate circle. Lavishly illustrated and competently explained, the publication creates a comprehensive overview of the creative oeuvre of a magnificent artist.
"2. Brussel, Academie (Royal Belgian Academy) , 1985, in-8°, sewn, orig. wrapp. 23 pp with ill.; with English summary. (Published as a Notice of the Academy; Academiae Analecta together with two other notices of the author; Het Raadselachtig Schilderij van Ince-Hall, ca. 25 pp with ill. ; Het Graf van Rooms-Koning Willem II, ca. 75 pp + 35 ill. h.t)."
2. Brussel, Academie voor Wetenschappen, Letteren en Schone Kunsten, 1984, , in-8°, 98 pp + 48 ills. Sewn, orig. stiff wrapper. Text in Dutch , with an English summary . Contains 5 articles by Dhanens on the Ghendt art scene between the completion by van Eyck of his altar piece (1432) and the sudden appearence of the master Hugo van der Goes (circa 1465).
Amsterdam/Antwerpen, L.J.Veen/Onze Kunst 1914 pp.189-224 geïllustreerd + buitentekstplaten (zw/w), 29cm., geïllustreerde omslag, luttele roestvlekjes, onopengesneden, mooie staat, [bevat voornamelijk: DESTREE Jos., Een verloren origineel van Hugo van der Goes (pp.189-193 met 4 ills.) & GOFFIN Arnold, William Degouve de Nuncques (pp.194-213 met 13 ills.], S76292
2. Basel, Benno Schwabe Verlag, 1923, 32 x 24 cm, coloured frontispiece, 26 pp + 35 plates h.t., publisher's cloth (a bit dusty). (Freitag No. 3637.).
2. Bruxelles, Editions Cercle d'Art, 1945, in-8°, 47 pp + 48 b/w ill. h.t., sewn, orig. wrappers. Freitag No. 3638 , Comblen-Sonkes 557.
4. Mainz, Von Zabern, 1992, 306 pp, in-8°, 32 coloured plates h.t., 114 b/w ills and plates, bibliography, index, publisher's board, fine copy.
1999 Brepols N.V. Soft cover
The Flemish Primitives II : Dirk Bouts, Petrus Christus, Hans Memling, Hugo van der Goes soft cover: 295 x 215 mm, 313 p, very good condition
Nouvelle Sedo S.A.. Octobre 1982. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 72 pages. Nombreuses illustrations en couleurs et noir et blanc dans et hors texte.. . . . Classification Dewey : 700-LES ARTS
Sommaire : Un grand primitif flamand : Hugo Van der Goes par Philippe Cruysmans, Musée de Metz : l'art de la vie quotidienne par Pierre Joly, Hundertwasser, par Patrick Grainville, Picasso sculpteur par Pierre Cabanne, La FIAC : creuset des marchands par Monelle Hayot Classification Dewey : 700-LES ARTS
BUREAU DE LA REVUE. 1 MAI 1896. In-12. Broché. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. Paginé de 361 à 448. Nombreuses gravures en noir et blanc dans et hors texte ainsi que des eaux-fortes sous serpentes.. . . . Classification Dewey : 702-Ouvrages divers sur les beaux-arts et les arts décoratifs
Courrier européen de l'art et de la curiosité. Sommaire : Le triptyque de l'adoration des bergers, par Hugo van der Goes par Emile Michel, Jean Perréal, dit Jean de Paris, sa vie et son oeuvre (4e et dernier article) par R. de Maulde la Clavière, Bernard Palissy ou Saint-Porchaire par Gaston Migeon, Les bronzes de Jacques de Gerines, au musée national d'Amsterdam par J. Six, Jean Baptiste Perronneau (4e et dernier article) par Maurice Tourneux, La parure et la tiare d'Olbia, au musée du Louvre par Etienne Michon, Ernest Duez par Eugène Montrosier Classification Dewey : 702-Ouvrages divers sur les beaux-arts et les arts décoratifs
Editions Gallimard, Paris, . In-12, broché sous couverture rempliée, 1982 pp. Le sommeil de la raison - Le perroquet de Charles Quint - Le singulier trépas de Messire Ulenspiegel - La folie d'Hugo van der Goes - La grande tentation de Saint Antoine - Noyage des songes - Table des matières. ...
Exemplaire du Service de Presse. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
, Antwerpen, Mercatorfonds, 1998.** , Gebonden, met foudraal, linnen, vergulde bandstempel, rug versierd met vergulde titel, originele geillustreerde stofomslag in kleur, 25,5x33cm, 422pp, geillustreerd waarvan 300 in kleur en 100 z/w, bibliografie. Boek in zeer goede staat ! ** Hagelnieuw !!!! *** ISBN 9061534186.
** Hagelnieuw exemplaar !!!! *** I. Hoe zijn naam en faam tot ons gekomen. II. Biografie en levenskader. III. Het verloren oeuvre, gedocumenteerd door archief of oude literatuur. IV. Het bewaard gebleven oeuvre. Good condition text in Dutch
, Bruxelles/Paris, G. Van Oest & C? , 1914., Broche, 29,2 x 22,5 cm, X + 256 pp. couverture orig. conservee,
Hors texte colour and monochrome plates throughout. in very good condition, ex-bibliotheek of Prosper Verheyden ( famous beiaardier from Mechelen)
Antwerpen, Mercatorfonds 2002 216pp. rijkelijk geïllustreerd (vnl. in kleur) + bijgevoegd: DVD "De visione Dei" (Het Lam Gods, Van Eyck), gecart. uitgeversband, geïllustreerde stofwikkel, 33cm., in de reeks "Bibliotheek van de Vrienden van het Mercatorfonds" deel 10, zeer goede staat, S98690
Non Renseigné in8. Sans date. Relié. 3 volume(s). illustrations en noir et blanc
Très bon état circa 1970 reliures artisanales intérieurs frais pages titres manquantes intérieur propre
Pietro Giugni, Locarno. 1917. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Intérieur acceptable. 165 pages. Etiquettes de code sur le dos et le 1er plat. Tampons de bibliothèque sur le 1er plat et en page de titre.. . . . Classification Dewey : 430-Langues germaniques. Allemand
Dissertation zur Erlangung der Doktorwürde von der Philosophischen Fakultät der Univ. Freiburg i.d.S. Classification Dewey : 430-Langues germaniques. Allemand
"EDITIONS DE ""L'EPREUVE"". 1902. In-4. En feuillets. Etat d'usage, Couv. légèrement passée, Coiffe en tête abîmée, Mouillures. Environ 40 pages, feuillets doubles et planches illustrés en noir et blanc dans ou hors texte.. . . . Classification Dewey : 750-La peinture et les peintres"
Classification Dewey : 750-La peinture et les peintres
Bruxelles et Paris, G. van Oest & Cie, 1914. In-4°, X-256p. Broché, couverture rempliée.
Avec une centaine de reproductions en noir hors texte. Très légèrement débroché, néanmoins bel exemplaire.
Bruxelles et Paris, G. van Oest & Cie, 1914. In-4°, X-256p. Reliure demi-chagrin à coins, tête dorée.
Avec une centaine de reproductions en noir hors texte. Rousseurs.
Bruxelles, Editions du Cercle d'Art, 1945 Broche, sous jacquette originale d'editeur en n/b, 23x15.8 cm., 47 pp. + XLVIII planches en n/b.
La Renaissance Du Livre Couverture Illustrée à Rabat Bruxelles 1962 "collection "" notre passé "" - 93 pages en format 12 - 19 cm"
Bon État