Clarendon Press PHOTOS SUR DEMANDE
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Blackwell Publishers 1970 296 pages in8. 1970. Relié. 296 pages.
Bon Etat intérieur propre bonne tenue
Hachette. 1970. In-12. Broché. Etat d'usage, 1er plat abîmé, Coiffe en pied abîmée, Intérieur acceptable. 252 pages - nombreuses photos et illustrations en noir et blanc dans et hors texte. 1er plat décoloré, déchiré. Mors fendus en coiffe de pied.. . . . Classification Dewey : 366.5-Sociétés secrètes
Classification Dewey : 366.5-Sociétés secrètes
HACHETTE. 1970. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos fané, Intérieur frais. 252 pages - Nombreuses photographies en noir et blanc dans le texte - Quelques soulignements - coins frottés. . . . Classification Dewey : 280-Confessions et sectes chrétiennes
Collection l4univers des connaissances Classification Dewey : 280-Confessions et sectes chrétiennes
LE ROCHER. 1987. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 357 pages - jaquette en bon état.. Avec Jaquette. . . Classification Dewey : 230-Christianisme. Théologie chrétienne
Traduit de l'anglais et annoté par Marc Albert. Classification Dewey : 230-Christianisme. Théologie chrétienne
Monaco, Editions du rocher , 1987; in-8, 356 pp., cartonnage de l'éditeur. Avec jaquette.
Avec jaquette.
Paris, Hachette, L'univers des connaissances, 1970, in-12 broché, 252 pp, nombreuses illustrations. Service de presse. Bon état.
Baum, Kelly, and Randall Griffey, with contributions by Meredith A. Brown, Julia Bryan-Wilson, and Susanna V. Temkin
Reference : 68304
New York, The Metropolitan Museum of Art, 2021 Hardcover, 256 pages, 201 illustrations, 8 x 11.5 in., EN. *NEW . ISBN 9781588397256.
"For me, people come first," Alice Neel (1900?1984) declared in 1950. "I have tried to assert the dignity and eternal importance of the human being." This ambitious publication surveys Neel's nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York's global diaspora reveal that Neel viewed humanism as both a political and philosophical ideal. In addition to these paintings of famous and unknown sitters, the more than 100 works highlighted include Neel's emotionally charged cityscapes and still lifes as well as the artist?s erotic pastels and watercolors. Essays tackle Neel's portrayal of LGBTQ subjects; her unique aesthetic language, which merged abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity. The authors also explore Neel's highly personal preoccupations with death, illness, and motherhood while reasserting her place in the broader cultural history of the 20th century. Director's Foreword Acknowledgments Contributors to the Catalogue Lenders to the Exhibition Anarchic Humanist Kelly Baum and Randall Griffey Political Creatures Kelly Baum Siempre en la Calle Susanna V. Temkin "I'll Show Everybody": An Artist-Mother at Home Meredith A. Brown Painting Fruit(s) Randall Griffey Alice Neel's "Good Abstract Qualities" Julia Bryan-Wilson Plates Notes Works in Plates Index Photography Credits
[Louise Nevelson] - Bryan-Wilson, Julia
Reference : 122627
(2023)
ISBN : 9780300236705
Bryan-Wilson, Julia: Louise Nevelson's Sculpture: Drag, Color, Join, Face. 4 vols. New Haven: 2023. 352 pages. 105 colour and 24 black and white illustrations. Paperback in a slipcase. 25.4x20.3cms. An exploration of Louise Nevelson's procedures of construction. Four volumes are organised by key elements within Nevelson's process: dragging, colouring, joining and facing. Discussions include the implications of her employment of black paint, links to craft and domesticity, her works as reliefs as well as her installation 'Mrs. N's Palace'.
An exploration of Louise Nevelsonâs procedures of construction. Four volumes are organised by key elements within Nevelson's process: dragging, colouring, joining and facing. Discussions include the implications of her employment of black paint, links to craft and domesticity, her works as reliefs as well as her installation âMrs. Nâs Palaceâ. Text in English
Penguin books 1966 in12. 1966. Broché.
bon état bonne tenue intérieur propre plats intérieurs brunis
Hachette, collection "l'univers des connaissances", 1970. Format 12x19 cm, broche, 252 pages. Bon etat .