, Yale University Press, 1995 Hardcover with dusjacket, 301 pages, Illustrated. index. ISBN 9780300063387.
This lavishly illustrated book is the first to examine the development of Gothic sculpture throughout Europe. It discusses not only the most famous monuments?such as the cathedrals of Chartres, Amiens, and Reims, Westminster Abbey, and the Siena Duomo?but also less familiar buildings in France, England, Italy, Germany, Spain, and Scandinavia. Paul Williamson begins by setting the sculptures of the cathedrals in their social context. He then focuses on the working methods of the sculptors, illustrating the stages of making Gothic sculpture with a number of previously unpublished examples. Moving from country to country, Williamson traces the transition from Romanesque to Early Gothic style and then examines the flowering of "mature" Gothic in the early thirteenth century and in the less well-known sculptures of the last half of the thirteenth century. Throughout, he includes descriptions of wood sculpture, so often neglected by others, and he sheds new light on figures and reliefs in bronze and ivory.
Williamson, Paul: Gothic Sculpture 1140-1300. London: Yale University Press, 1995. 302 pages, with 20 colour and 15 monochrome plates, 61 colour and 284 monochrome illustrations and 5 maps. Paperback. 30cms. This is the first lavishly illustrated, authoritative examination of Gothic sculpture in Europe, discussing famous monuments (Chartres cathedral, Westminster Abbey, Siena Duomo etc.) as well as those lesser known. Divided chronologically into two parts: Romanesque / Early Gothic and Mature Gothic, the author studies the developments of each country individually. Select bibliography.
This is the first lavishly illustrated, authoritative examination of Gothic sculpture in Europe, discussing famous monuments (Chartres cathedral, Westminster Abbey, Siena Duomo etc.) as well as those lesser known. Divided chronologically into two parts: Romanesque / Early Gothic and Mature Gothic, the author studies the developments of each country individually. Select bibliography. Text in English
Williamson, Paul: The Wyvern Collection. Medieval and Renaissance Enamels and Other Works of Art. London: 2021. 512 pages, 400 illustrations in colour. Hardback. 23 x 28cms. Fourth volume of the Wyvern Collection, focused on European enamels from the twelfth to the sixteenth centuries. With a catalogue of 120 entries divided in early medieval works of art, romanesque enamels, Limoges enamels, gothic and renaissance works of art, stained and painted glass, Limoges painted enamels, ceramics, textiles and tapestry, later works of art. An appendix covers works that were omitted from the first two catalogues..
Fourth volume of the Wyvern Collection, focused on European enamels from the twelfth to the sixteenth centuries. With a catalogue of 120 entries divided in early medieval works of art, romanesque enamels, Limoges enamels, gothic and renaissance works of art, stained and painted glass, Limoges painted enamels, ceramics, textiles and tapestry, later works of art. An appendix covers works that were omitted from the first two catalogues.. Text in English
[Richard Serra] - Williamson, Paul and Simone Kotva
Reference : 106107
(2014)
ISBN : 9780992891206
Williamson, Paul and Simone Kotva: Ekphrasis: Serra. Stockholm: 2014. 72 pages, with 18 tritone illustrations. Edition limited to 250 copies, each numbered in black ink. Paperback. 21 x 27cms. A poetic response to 4 works by Richard Serra (b. 1939) displayed at Gagosian Gallery in 2008: 'Fernando Pessoa', 'TTI London', 'Open Ended' and 'Forged Drawing'.
A poetic response to 4 works by Richard Serra (b. 1939) displayed at Gagosian Gallery in 2008: 'Fernando Pessoa', 'TTI London', 'Open Ended' and 'Forged Drawing'.
Williamson, Paul: Medieval Ivory Carvings. Early Christian to Romanesque : Victoria and Albert Museum. London: 2010. 480pp with 450 colour illustrations. Cloth, 28.7x24.7cms. The first catalogue of the Victoria and Albert Museum's important collection of medieval ivories to be published since 1927. With all illustrations newly and specifically photographed for the publication it contains 120 entries of ivories dating between c.400 and 1200. Combining existing literature with new research each entry is detailed and full. Also included is a section devoted to a small group of fakes and copies of Early Medieval and Byzantine ivories.
The first catalogue of the Victoria and Albert Museum's important collection of medieval ivories to be published since 1927. With all illustrations newly and specifically photographed for the publication it contains 120 entries of ivories dating between c.400 and 1200. Combining existing literature with new research each entry is detailed and full. Also included is a section devoted to a small group of fakes and copies of Early Medieval and Byzantine ivories. Text in English
[Vincent van Gogh] - Williamson, Paul (ed)
Reference : 106050
(2015)
ISBN : 9780992891213
Williamson, Paul (ed): The New Potato Eaters: Van Gogh in Nuenen 1883-1885. Stockholm: 2015. 136 pages, with 100 illustrations. Paper by Fedrigoni. Paperback. 27.2 x 24cms. Focuses on the 2 years spent by the Dutch artist in Neunen, from 1883-1885; it was here that he painted his first masterpiece 'The Potato Eaters', among other significant works.
Focuses on the 2 years spent by the Dutch artist in Neunen, from 1883-1885; it was here that he painted his first masterpiece 'The Potato Eaters', among other significant works.
, Sotheby's Publications, 1987 Hardcover with dusjacket 177 pages illustrated . ISBN 9780856673351.
Thyssen-Bornemisza Collection
Marks, Richard and Paul Williamson: Gothic: Art for England 1400-1547. Exhibition: London, Victoria & Albert Museum, 2003. 496pp with 355 colour and 75 monochrome illustrations, plus maps and tables. Hardback. 28.7x25cms. 360 catalogue entries including tapestries, paintings, sculpture, and jewellery, tombs, altarpieces, stained glass, gold and silver plate and wood carving serve to explore the period between 1400 and the Tudor age in English art. This publication aims to be the only one of its size and range to cover art and culture during this glorious period of English art. With essays by leading medievalists ranging in scope from religion to war, politics, music and architecture.
360 catalogue entries including tapestries, paintings, sculpture, and jewellery, tombs, altarpieces, stained glass, gold and silver plate and wood carving serve to explore the period between 1400 and the Tudor age in English art. This publication aims to be the only one of its size and range to cover art and culture during this glorious period of English art. With essays by leading medievalists ranging in scope from religion to war, politics, music and architecture. Text in English
BAUDOU Jacques; GAYOT Paul; REOUVEN René; WILLIAMSON Barbara; ANDERSON Poul & al.:
Reference : 8927
(1989)
Paris, Néo, coll. Néo-policier 3, 1989. In-8 broché de 171-[4] pages, couverture illustrée couleurs.
Dix nouvelles mettant en scène l'illustre détective, sous dix plumes différentes, presque toutes inédites en français.
"Société d'Edition Publications et Industries Annexes "" Collection Fama "" N°177. 1928. In-12. Broché. Etat d'usage, Couv. convenable, Dos frotté, Quelques rousseurs. 128 PAGES. Coiffes abîmées.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne"
Classification Dewey : 820-Littératures anglaise et anglo-saxonne