15 books for « weisberg gabriel p »Edit

‎Edgar Chahine : la vie parisienne (en anglais)‎

‎Smithsonian Institution Traveling Exhibition Service 1984 In-4 broché. Illustrations en noir. État correct d’occasion.‎

‎ Etat correct d’occasion ‎

‎Collecting in the Gilded Age: Art Patronage in Pittsburgh 1890-1910‎

‎Frick Art Museum U.S 1997 420 pages 31x26x4cm. 1997. Relié. 420 pages.‎

‎Très Bon Etat jaquette un peu frottée état proche du neuf‎

‎Art Nouveau Bing: Paris Style 1900‎

‎ 1986 Harry N Abrams Inc Hardcover Fine 1st Edition ‎

‎Art Nouveau Bing: Paris Style 1900 Softcover, 280 x 215 mm, 296 pp ,beaucoup d'illustrations en couleur et b/n, bon etat‎

‎Bonvin‎

‎Geoffroy-Dechaume 1979 Traduction française et adaptation d’André Watteau.In- 4, cartonnage éditeur dos toile noir 2 légères rayures sur premier plat de la couverture 325p. Bon état‎

‎ Etat correct d’occasion ‎

‎Redefining Genre : French and American Painting 1850-1900‎

‎Seattle, WA, The Trust for Museum Exhibitions 1995 In-4 30,5 x 25 cm. Broché, couverture à rabats illustrée en couleurs, 111 pp., figures, 70 reproductions en couleurs et en noir & blanc, sommaire, notes, bibliographie. Exemplaire en très bon état.‎

‎Texte en anglais. Très bon état d’occasion ‎

‎Bonvin‎

‎Editions Geoffroy-Dechaume Relié D'occasion état correct 01/01/1979 323 pages‎

‎Japonisme . An annotated, bibliography.‎

‎New York et London, Garland reference library of the humanities, 1990, in-8, toile mauve éd., XXVIII-446 pp., illustrations à pleine page, index. (DI3) ‎

‎729 références, index par auteurs et par titres. Texte en anglais. ‎

‎Art Nouveau Bing , Paris Style 1900.‎

‎ New-York, Abrams/Smithsonian, 1986, in-4°, sewn, orig. wrapper ( softcover), 295 pp with 260 ill. (many col.)index and bibliography included.study on the art dealer Bing who was next to Meier-Graeffe the most important dealer in Art Nouveau artefacts and furniture in Paris at the turn of the 19th century. Published on the occasion of a travelling exhibition.‎

‎Japonisme. Japanese Influence on French Art 1854-1910. Exhibition in the Cleveland Museum of Art 1975.‎

‎3. Cleveland, Museum of Art (and others), (1975), 27 x 19 cm, 220 pp, hardback, with orig. printed wrapper, 308 items and b/w ills + some col. tipped-in coloured plates, bibliographies. ISBN 0-910386-22-6 .‎

‎Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918,‎

‎Brussels, Fonds Mercator, 2010 Hardcover with dust-jacket, 25,1 x 30,1 cm, 224pp., 226 colour illustrations, of which 90 full pages. ISBN 9789061539414.‎

‎Capturing realistic images on canvas has been a staple of western art since the renaissance development of scientific perspective. At the end of the nineteenth century, however, artists attempted not only to paint realistically, but also to create images that reflected the reality of the world around them. Naturalist painters portrayed life as they observed it, utilizing their academic artistic training to illustrate the existence of everyday people. Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918, published in association with an eponymous exhibition developed by the Van Gogh Museum in Amsterdam, traces the relationship between several art forms that utilize the Naturalist aesthetic. Painting, literature, theatre, photography and film, and the important relationship between these art forms, are examined within the context of Naturalism as a vehicle for understanding the lives of ordinary people at a time of great social, economic and cultural transformation. The cultural and technological threads that wove these diverse art forms together emerged earlier in the nineteenth century with the development of photography. In the 1840, painters began to experiment with the use of the camera as a tool for composition, and by the 1870s, Naturalists novelists, such as Emile Zola, recognized that the camera could supplement their written notes in documenting scenes from daily life. Likewise, the theatre became more receptive to producing plays about social and cultural concerns, broadening the repertoire to include dramas based on contemporary issues. The advent of film in the late nineteenth century added yet another dimension to the Naturalist aesthetic, basing this new art form on the models provided by large-scale narrative painting, Naturalist photography, and contemporary, socially conscious theatre productions. In a series of essays, the authors of Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918 explore the international scope of Naturalism through a number of interwoven themes. The livres of ordinary people are at the heart of Naturalist art in any medium, and so the themes of these works reflect the common concerns shared by urban an rural populations in both Europe and North America. The social ills created by industrialization are frequent themes, as are the social responses to these problems in the form of public education and newly energized religious faith. Likewise, the transformation brought about by industrialization led many artists to focus on the loss of traditional agrarian culture as well as the political upheaval caused by working conditions in the factories. In short, Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918 offers a fresh interpretation of how Naturalist artists, and the aesthetic the espoused, attempted to understand and explain the rapid and profound changes of their own time. Accompanies the exhibitions in the Van Gogh Museum Amsterdam, 8 October 2010 - 16 January 2011, and in the Ateneum Art Museum, Helsinki, February - June 2011.‎

‎Prints in Paris 1900. Van elitair tot populair.‎

‎, mercaterfonds - fondsmercator, 2017 Gebonden, Hardcover, 380x253mm, 160 pagina's 130, colour illustrations, Dutch (NL) edition ISBN 9789462301672.‎

‎ Van Gogh Museum beheert een van s' werelds mooiste collecties Franse prenten uit het fin de siecle (1890-1905). Dit boek, gebaseerd op intensief, meerjarig onderzoek naar deze werken en hun oorspronkelijke context, neemt de lezer mee op een wervelende reis door de werelden van de Parijse prentkunst: van elitair tot populair. Het fin de siecle geldt als de bloeiperiode van de Franse prentkunst. Avant-gardekunstenaars als Pierre Bonnard, Theophile Alexandre Steinlen en Henri de Toulouse-Lautrec experimenteerden geestdriftig met verschillende grafische technieken, met prachtige en vernieuwende kunstwerken als resultaat. Hun moderne prenten waren overal in Parijs te zien. In luxe-edities werden ze als zelfstandige kunstwerken bewonderd en bediscussieerd door kunstliefhebbers en verzamelaars in de private ruimte van hun interieurs en op tentoonstellingen voor een ingewijd publiek. Op straat vormden de affiches op muren en reclamezuilen en de geillustreerde tijdschriften in de kiosken een attractie voor de massa, die zich vergaapte aan dit visuele spektakel. Inclusief gratis print van Felix Vallotton, La paresse, 1896, 25 x 33 cm EXPO : Amsterdam, Van Gogh Museum, 3 maart ? 11 juni 2017 Tokyo, Mitsubishi Ichigokan Museum, 17 oktober 2017 ? 17 januari 2018 ‎

‎ Prophet des Neuen Stil : Der architekt und Designer : Henry van de Velde‎

‎, Klassik Stiftung Weimar 2013 Wallstein, 2013 Hardcover, 383 seiten, Deutsch, 235 x 165 mm, mit photos / abbildungen in farbe und s/w, wie Neu. ISBN 9783835312296.‎

‎Das Jahrbuch 2013 der Klassik Stiftung Weimar erscheint zu Ehren von Henry van de Velde zu seinem 150. Geburtstag und umfasst Essays zum K nstler als Architekt, Maler und Designer sowie zu seinen theoretischen Schriften mit Blick auf sein Leben in Weimar 1902 bis 1917‎

‎Collecting in the Gilded Age: Art Patronage in Pittsburgh, 1890-1910‎

‎Frick Art Museum,U.S. 1997 Jaquette avec un manque au dos. ‎

‎ Bon état d’occasion ‎

‎estampe a Paris, 1900, elitiste et populaire.‎

‎, mercaterfonds - fondsmercator, 2017 Hardback, 380x253mm,160 pages ,+ 130 colour illustrations, French edition ISBN 9789462301672.‎

‎En France, la periode fin-de-siecle (1890-1905) est le sommet de l'art de l'estampe. Pierre Bonnard, Alexandre Steinlen et Henri de Toulouse-Lautrec, entre autres, experimentent intensement les nouvelles techniques d'impression, avec des resultats superbes et saisissants. Si les artistes produisent souvent des estampes pour la decoration des maisons particulieres, surtout a la demande des collectionneurs, ils realisent egalement des creations graphiques appliquees pour un plus large public. Le lecteur de ce livre sera accueilli dans ces differents univers, de l'art noble a l'art populaire. Cet ouvrage attrayant en 'style d'impression' sera richement illustre de beaux exemples d'affiches, de musique en feuilles et d'illustrations de magazines, ainsi que d'estampes exclusives pour collectionneurs. Avec sa vaste collection de 1800 estampes, le Musee Van Gogh est un centre de recherche mondialement connu sur Van Gogh, son epoque et ses contemporains. Inclusief gratis print van Felix Vallotton, La paresse, 1896, 25 x 33 cm EXPO : Amsterdam, Van Gogh Museum, 3 maart - 11 juni 2017 Tokyo, Mitsubishi Ichigokan Museum, 17 oktober 2017 - 17 januari 2018 ‎

‎The Realist Debate. A Bibliography of French Realist Painting, 1830-1885.‎

‎ New York / London, Garland, 1984, in-8°, xvi + 213 pp, indexes, publ. cloth. Discusses 504 books. Published as volume 473 in the Garland reference library of the Humanities. Fine copy.‎