10 books for « verhagen b »Edit

‎art m di val est-il contemporain ? Is Medieval Art Contemporary?‎

‎, Brepols, 2023 Hardback, 247 pages, Size:178 x 254 mm, Illustrations:5 b/w, 66 col., Language(s):English, French. ISBN 9782503599731.‎

‎Summary This publication brings together essays by scholars of both medieval and contemporary art, offering a cross-disciplinary approach of both periods. It investigates how contemporary artists and contemporary art historians perceive medieval art, and, reciprocally, how medieval art historians envisage the echoes of medieval artforms and esthetics in contemporary art. The volume follows on from the symposium organized in conjunction with the exhibition "Make it New: Carte Blanche Jan Dibbets" that was held at the Biblioth que Nationale de France (Paris) in 2019, and which presented side by side Hrabanus Maurus's De Laudibus Sanctae Crucis (In Praise of the Holy Cross), a masterpiece of Carolingian art, with works by artists associated with conceptual art, mininimal art, and land art. How and why has medieval art, and particularly early medieval art, inspired contemporary artists since the 1950s? What has medieval art contributed to contemporary art? How has medieval art's treatment of figures, color, space, geometry, and rhythm provided inspiration for contemporary artists' experiments with form? In what way does contemporary artists' engagement with the topics of formatting, writing, semiosis, mimesis, and ornamentation draw inspiration from medieval models? To what extent and in what sense are the notions of authorship and performativity relevant for understanding conceptions of artmaking in both periods? Rather than focusing on medievalism and citational practices, or on the theory of images?both approaches having already produced an important body of comparative readings of medieval and contemporary art?the essays in this volume address the question of medieval art's contemporaneity thematically, through three trans-chronological topics: authorship, semiosis and mathematics, and performance. Engaging the artists' works as well as their writings, these studies conflate conceptual and esthetic perspectives. TABLE OF CONTENTS Pr face Charlotte Deno l, Larisa Dryansky, Isabelle Marchesin et Erik Verhagen Partie 1. Introduction Au-del des p riodisations : Parcours pass s et futurs potentiels Nancy Thebaut Partie 2. Auctoritas/authorship Qui tait Jean Fouquet pour Fran ois Robertet ? Une question d'auctorialit dans l'art de la fin du Moyen ge Elliot Adam L'artiste conceptuel son pupitre Val rie Mavridorakis Art conceptuel et scolastique : le Ch ne de Michael Craig-Martin est-il thomiste ? Benjamin Riado Partie 3. Signe et math matiques ?All form is a process of notation?: Hrabanus Maurus's ?exemplativist? art Aden Kumler' Les nombres de la forme et les formes du nombre. Essai sur les carolingiens et l'abstraction. Isabelle Marchesin Abstraction in Medieval Art: The Chiasm in Hagia Sophia Bissera Pentcheva Hollis Frampton, m di val Larisa Dryansky Partie 4. Performance La conversion du pr cieux sang : Gina Pane et la mystique m di vale Janig B goc Automata, Kineticism, and Automation: An Oblique History of Animacy in the Art of the Long 1960s Roland Betancourt Coda Zoe Leonard's Suitcases Amy Knight Powell Liste des contributeurs‎

‎De tragische maskers van Hellas. ‎

‎Amst., Van Munster's Uitgevers-Maatschappij, n.d. (after 1922) ‎

‎333 p., ills. Cloth 21 cm (Occasional ink numbers before verses in translation) ‎

‎Randstad. Driemaandelijks tijdschrift. [Nos 1-8 +10 (=9 delen)‎

‎, De Bezige Bij, 1961 Paperback, 9 boekdelen in prima staat. Literaire reuzenpocket‎

‎9 delen van literair tijdschrift met focus op de brede avant garde. Bijdragen en vertalingen van talloze auteurs en kunstenaars. (Er verschenen 13 nummers in 12 boekdelen.)‎

‎Jan Dibbets, The Photographic Work.‎

‎, Universitaire Pers Leuven, 2014 softcover,272pp. Illustrated. Fine copy.english only. 230 x 170 mm, ISBN 9789058679918.‎

‎The first monograph covering Dibbets's iconic photographic oeuvre Dutchman Jan Dibbets ( b. 1941) is one of the principal artists to have introduced photography into the plastic arts, and this as early as the 1960s. At a time when photography has massively invaded contemporary art institutions?not without generating confusion and excess?it is not easy to evaluate the full radicality of Dibbets's approach. This radicalism has nothing to do with modernist overkill. Dibbets did not merely go further than others; rather, he simply went elsewhere. Beginning in 1967, he embarked on a long-range project which, as we advance into the 21st century, he seems not to have abandoned: the "pictorializing" of photography. Jan Dibbets is one of the few artists of his generation and reputation not to have seen his oeuvre accorded full monographic coverage. This exhaustive study seeks to fill this gap by covering almost fifty years of his photographic oeuvre.‎

‎Gérard Gasiorowski - Starting the Painting Again‎

‎ Hatje Cantz 2010 In 4 relié, couverture illustrée, 190 pages; très nombreuses illustrations. Bel exemplaire‎

‎Bernar Venet. Sculpture.‎

‎ Paris, Editions du Regard, 2013. Grand in-4, rel. d’éditeur pleine toile noire sous jaquette ill., 238 pp., nbr. ill. en couleurs, la plupart à pleine page. Biographie, bibliogr. ‎

‎ Jaquette très lég. salie. - Frais de port : -France 8,45 € -U.E. 13 € -Monde (z B : 23 €) (z C : 43 €) ‎

‎"Où va l'Europe ?; unité économique, unité politique ?; ce numéro contient tout ce que vous devez savoir de l'unification progressive de l'Europe; des points de vue divers, parfois opposés, à vous de juger !. Collection : Le dossier du mois (novembre 1963, N°11, 2e année)."‎

‎Bruxelles, Editions du Ponant, 1963. 21 x 27, 36 pp., quelques illustrations et dessins, broché, bon état.‎

‎Prehistorie en vroegste geschiedenis van West-Brabant.‎

‎ Waalre, Stichting Brabants Heem, 1984, in-4°, 94 pp, softcover. Gepubliceerd als ''Deel 24'' in de reeks '' Bijdragen tot de studie van het Brabantse Heem''..‎

‎Originele éénbladsdruk dienende als affiche. Stadsbestuur Antwerpen. 10 Maart 1759 Begintekst: ADVERTENTIE. Alsoo vacerende zyn de naervolgende Officien te weten : ....‎

‎ Antwerpen, Weduwe Petrus Jouret, 1759, in plano, 27,5 x 14,5 cm ( marges afgesneden). Met houtgravure titel-vignet en houtgravure initiaal ( 30 x 30 mm), opgeplakt op eigentijdse papieren drager. Herkomst: 18e eeuwse collectie van de Antwerpse Jezuïeten. (Veiling Walter Couvreur). Onderwerp: Affiche bekendmaking van open gevallen betrekkingen bij de Stad. O.a. een wagenvoerder voor de Moerdijk, bij de dood van Petrus Dobbeleir. Een beurtschipper op Amsterdam bij de dood van N.Verryt....Officieel document in affiche-vorm , gedrukt op dit formaat om op de geëigende plaatsen aangeplakt te worden, zeldzaam.‎

‎Philippe Jacquin-Ravot. De l'usage des images‎

‎FAGE éditions / Musée-Museum départemental de Gap, 2007, 16,5 x 23,5 cm, 96 p. br., 65 ill. n/b & coul. Ouvrage publié à l'occasion de l'exposition au Musée du 6 avril au 10 juin.‎