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Philippe Vandenberg. Oeuvre 2000-2006: La Folie Ne Laisse Pas D'oeuvre / L'important c'est le kamikaze: oeuvre, 2000-2006.
Ghent], On Line, 2006 softcover, 205 pages, Illustrated. 23x16cm. text Frans, Engels. fine. ISBN 9789078547013.
Tentoonstellingscatalogus Mus e Arthur Rimbaud [Charleville-M zi res]
Philippe Vandenberg l'important c'est le kamikaze: oeuvre 2000-2006*** (signed)
Charleville-M zi res, Mus e Arthur Rimbaud & On-Line, 2006 Softcover, 205 pages, 16 x 0.99 x 23.01 cm. English/Fran ais. ***Signed and dedicated by the artist. *Fine condition. ISBN 9789078547013.
Philippe Vandenberg l'important c'est le kamikaze oeuvre 2000-2006 is an artist's book and the catalogue to the solo exhibition of the same name. The exhibition was held in 2006 in Mus e Arthur Rimbaud, Charleville-M zi res. The catalogue includes a selection of paintings and works on paper by Philippe Vandenberg spanning the years 2000-2006. The Song of the Finch, Philippe Vandenberg Le chant du pin on, Philippe Vandenberg Letter to the Nigger, Philippe Vandenberg
erlinde De Bruyckere , Brett Littman , Estate Philippe Vandenberg (Redacteur)
Reference : 38194
Berlinde De Bruyckere - Philippe Vandenberg. Innocence is precisely: never to avoid the worst,
UK, Skira , 2012 Hardback, 240x280mm, 144p, 100 colour illustrations. ISBN 9788857214146.
A selection of drawings by two Belgian artists: Philippe Vandenberg, painter, and Berlinde De Bruyckere, sculptress. Philippe Vandenberg (Ghent, 1952 Brussels, 2009) was a foremost Belgian painter, whose oeuvre presented a series of radical stylistic and thematic shifts, reflecting both a personal trajectory and responses to varying socio-cultural changes. The creative basis of Berlinde De Bruyckeres drawings, sculptures and installations, is rooted in her childhood, and has been layered over with subsequent experiences and ideas. Its figurative points of departure render her work highly recognizable. Even though their oeuvres are so divergent in approach, sensibility, imagery, style, iconography, they show some strong affinity. As far as the content of their work is concerned, the two artists share parallel existential views, as well as a deep interest in the literary world, in the history of Western art, and in the traditions of religious imagery. The starting point is Berlinde De Bruyckeres intuitive selection from Philippe Vandenberg's legacy of drawings. For more than one year she leafed through his work. From the extensive amount of drawings that he left behind, she selected about 70 items and joined them to a selection from her own drawings. This book is the reflection of a meeting. It is a dialogue, not between artists who may, or may not, have known each other, but between their corpus of drawings.
Val rie Da Costa, Berlinde de Bruyckere, Antoine de Galbert, Damien Sausset, Philippe Vandenberg
Reference : 70029
me faut tout oublier
Paris, La maison rouge ? Fondation Antoine de Galbert, 2014 Softcover, 128 pages, 87 illustrations, 16.0 x 23.5 cm, FR. *En bon tat . ISBN 9782849753248.
L?exposition Il me faut tout oublier, pr sent e La maison rouge en f vrier 2014, r unit de mani re in dite en France le travail de deux artistes belges de g n rations diff rentes : un sculpteur, Berlinde De Bruyckere (n e en 1964 Gand), qui a repr sent la Belgique la 55e Biennale de Venise, et un peintre, Philippe Vandenberg (n en 1952 Gand, et d c d Bruxelles en 2009). Fascin e de longue date par le travail de Philippe Vandenberg, qu?elle a bien connu, Berlinde De Bruyckere a assur exceptionnellement le commissariat de cette exposition. Elle a s lectionn avec l?Estate Philippe Vandenberg des tableaux et dessins de l?artiste mis en dialogue avec son propre travail en volume et sur papier.
Philippe Vandenberg. Seven Paintings
Gent, Richard Foncke Gallery,, 1986 Oorspronkelijk uitgevers omslag, 18 pages .Lichte verkleuring omslag.
tentoonstelling catalogus met ingeplakte afbeeldingen in kleur.
