Bassens, Maarten; Borchert, Till-Holger; Deneweth, Heidi; Dewilde, Brecht; De Wilde, Evelien; D'haene, Virginie; Gabriëls, Nele; Geirnaert, Noël; Harth, Astrid; Huvenne, Paul; Klein Koerkamp, Joyce; Mareel, Samuel; Martens, Maximiliaan P.J; Ng, Valerie; Souffreau, Guenevere; Tahon, Eva; Van Oosterwijk, Anne; Vandamme, Ludo; Vandeweghe, Elizabeth; Vernackt, Elien; Wolfthal, Diane; Wolters, Margreet; Zvereva, Alexandra
Reference : 021701
(2017)
ISBN : 9789461614094
2017 Snoeck Publishers Hardcover
Vergeten Meesters: Pieter Pourbus en de Brugse schilderkunst van 1525 tot 1625 Hardcover, 285 x 235 mm, 320 blz, illustraties in kleur, zeer goede staat
BE - , Snoeck, 2018 Hardcover, 336 Pages: 250 Illustrations: .FINE. . ISBN 9789461614155.
Forgotten Masters Pieter Pourbus and Bruges Painting from 1525 to 1625 In the early sixteenth century Bruges had a stable economic climate that was not to be compared with the heady heyday of the fifteenth century. A small but wealthy elite continued to commission works of art but in general demand was falling, though the quality of what was produced was still high. Around the same time, a number of leading humanists congregated in the city. Erasmus called Bruges the ?Athens of the North. The catalogue provides a sampling of Bruges's artistic production between 1525 and 1625, with works by Ambrosius Benson, Adriaen Isenbrant, Marcus Gerards, Lancelot Blondeel, Pieter and Frans Pourbus, and Pieter, Antonius and Gillis Claeissens.
S.l., Chantecler, 1981. in-8°, 63 pp, photos n/b, broche, couverture illustree plastifiee.
Bel exemplaire. [CA29-3][BE-1]
Borchert, W. Blockmans, N. Gabriels, J. Oosterman, A. Van Oosterwijk (eds.)
Reference : 42275
, Brepols - Harvey Miller, 2013 Hardback with dusjacket, IV 396 p., 200 b/w ill. 50 colour ill., 220 x 280 mm, Studies in Medieval and Early Renaissance Art History (HMSAH 69) Languages: English . ISBN 9781905375820.
This volume presents a study of the Burgundian court during the 15th century, and provides a forum for new research in various fields. In the course of the fifteenth century, the reputation of the Burgundian court rose to an unprecedented level, catapulted forward by ever growing territorial ambitions and accumulation of wealth. This reached a climax during the reign of Charles the Bold (1433-1477), the living embodiment of the pomp and pageantry of the Burgundian court and a generous patron of the fine arts. Rather than focusing on a single domain, this volume aims to shed light on Burgundian court culture as an organic whole, between the start of the reign of Philip the Good (1419) and the death of Mary of Burgundy (1482). It is intended to provide a forum for new research from the fields of History, History of Art, Literature and Musicology. With contributions (among others) from Wim Blockmans, Herman Brinkman, Barbara Haggh, Andrea Berlin, James Bloom, Till-Holger Borchert, Andrew Brown, Hendrik Callewier, Anna Campbell, Mario Damen, Sonja Duennebeil, Jonas Goossenaerts, Bieke Hillewaert, Andrew Hamilton, Eva Helfenstein, Jesse Hurlbut, Sophie Jolivet, Sascha Kohl, Sherry Lindquist, Jana Lucas, Samuel Mareel, Elizabeth J. Moodey, Klaus Oschema, Kathryn Rudy, Emily Snow, Olga Vassilieva-Codognet, Hanno Wijsman.
, Brussel, De Lage Landen 1943, 222pp.met 21 penteekeningen van de schrijfster, kaft lichte slijtage