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Corona virtutum moralium.. Quam, divina favente gratia : praeside clarissimo et excellentissimo viro, Dn. Casparo Finckio, in illustri & principale schola Giessensi logices & physices professore ordinario, publice discutiendas proponit Iohannes Breidenbach Klopfheimensis Wedderavus
Giessen, Nicolaus Hampel, 1606 petit in-4, [8] ff. n. ch., dérelié.
Un des nombreux exercices universitaires passés devant le jury présidé par le philosophe et logicien Caspar Finck (1578-1631), professeur à l'Université de Marburg de 1607 à 1616, auteur du Thesaurus logices (1613).Aucun exemplaire au CCF. Les fonds allemands contiennent pas mal de dissertations et de thèses passées sous la présidence de Kaspar Finck, mais celle-ci semble avoir échappé. - - VENTE PAR CORRESPONDANCE UNIQUEMENT
Lithographie v. Breidenbach & Co Düsseldorf : Gott ist die Liebe. Und mit Handgeschriebene Widmung zum Andenken an Pauline Hoffmann 1857.
23.5x30 cm Einzelblatt
Image disp.
(SLACES, NVVA)
Phone number : 41 (0)26 3223808
Evelyn Hofer. Texte von Evelyn Hofer, Christoph Ribbat, Kim Sichel, Beat Wismer.
Göttingen. Steidl Verlag. 2004. 4°. 311 S. Mit vielen teils farbigen Fotografien. Originalleinwand mit Schutzumschlag.
Erste Auflage. - Text in Deutsch und Englisch. - Schönes Exemplar.
Lucinda Devlin ; Susanne Breidenbach; translation : Christoph Ribbat
Reference : 60298
Lucinda Devlin :The Omega Suites
, Steidl Publishers, 2001 Hardcover, 80 pages / seiten , ENG / D, 285 x 255 x 12 mm, New condition ! , images in colour, dustjacket, . ISBN 9783882437591.
During the early 1990s, Lucinda Devlin systematically took photographs of gas chambers, injection rooms, electric chairs, and death row cells in the rural United States. She entitled the resulting series The Omega Suites, alluding to the final letter of the Greek alphabet as a metaphor for the finality of execution. More than just a critique of the death penalty, Devlin's austere, haunting images extend that critique to an American society in which 70 percent of the citizens support the death penalty. In her photographs, death row and the death chambers are symbolic of American culture and the American psyche. An electric chair in one image, placed in the center of a room amid emptiness and clinical sterility, resembles nothing so much as a throne. Elsewhere, the somber cross-like stretcher used for lethal injections invokes the execution as religious ritual, complete with a captivated audience. Icy and compelling, these photographs paint a clearly defined picture of a world we often choose not to see.
