Brussel, Ministerie van de Vlaamse Gemeenschap, Administratie Kunst, 1997 De catalogus bestaat uit losse gevouwen bladen die in grijs omslag steken waarvan het voorplat bedrukt is. De publicatie steekt in een papieren hoes. 59 pages, Vormgeving : Luc Derycke. Als nieuw! ---- The catalog consists of separate folded pages that are placed in a gray cover with a printed front cover. The publication is in a paper sleeve. 59 pages, Design : Luc Derycke. Like New!
Thierry De Cordier : Over de Kamer der Gedachten (Scriptorium) e.a. zoals getoond in het Belgisch Paviljoen van de tentoonstellingstuinen 'Giardini di Castello' te Venetië n.a.v.d. XLVIIe Biënnale - 1997 is een boek van De Cordier, Thierry. ----- Thierry De Cordier : About the Chamber of Thoughts (Scriptorium) and others as shown in the Belgian Pavilion of the exhibition gardens 'Giardini di Castello' in Venice n.a.v.d. XLVIIe Biennale - 1997 is a book by De Cordier, Thierry.
Köln, Salon Verlag, 2015 cartonnage de l'éditeur, coupe dorée, 170 pages, 22 x 13,8 cm.*Fine. ISBN 9783897704541.
Livre d'artiste de l'artiste belge Thierry De Cordier qui a traduit en français Fragments du philosophe grec Héraclite, sans illustrations ni commentaires. Edition à 300 exemplaires numérotés. (Içi le numéro 108) ** Artist?s book by the Belgian artist Thierry De Cordier who translated Fragments of the Greek philosopher Heraclitus into French, without illustrations and commentary. Edition of 300 numbered copies.
, Xavier Hufkens,, 2025 Original publishers paper-covered boards, 100 pages, softcover, text English. ISBN 9789491245398.
NADA is a collection of Thierry De Cordier's reflections on his eponymous paintings born from an act of erasure, a symbolic annihilation of the image of Christ on the Cross. What begins as a radical negation deepens into a meditation on absence, memory, and the sublime. Through personal recollections and philosophical musings, De Cordier examines the paradox of nothingness?how the removal of an image can evoke something beyond absence. Wrestling with the necessity of discussing his own work, he questions the weight of religious symbolism, the limitations of interpretation, and the pursuit of an art that seeks to move beyond representation.
BE - , Xavier Hufkens, 2025 Original publishers paper-covered boards, 44 pages, softcover, text English. ISBN 9789491245404.
a unique compilation of three interviews and a questionnaire, offering a layered exploration of his identity, beliefs, and artistic philosophy. The first interview presents an external perspective on De Cordier?s work and ideas. The following two interviews take a more introspective and imaginative turn: one is a self-interview in which the author interrogates himself, and the other is a daring, fictional dialogue with God. Through the interview format, De Cordier constructs a fragmented yet revealing self-portrait. Rather than providing a definitive account of who he is, this book offers a glimpse into his evolving thoughts on existence, art, and religion.
Milano, Fondazione Prade, 2025 softcover, geniet, 12 pages, Illustrated. 23x16cm.
Thierry De Cordier?s ten canvases are almost monochromatic but cannot only be interpreted as purely abstract or conceptual works. As the series? title suggests, they constitute a black pictorial space that opens onto nothingness. NADA is also the inscription that appears in some paintings in the position of the historical initials for INRI (Iesus Nazarenus Rex Iudaeorum, Jesus the Nazarene, King of the Jews), which, according to the Gospels, was affixed to the Cross of Christ and represented by many artists in their depictions of the crucifixion.
, Hayen Editeurs 1995, softcover,79 pages, 22x14cm , Texte en Francais . Un des 530 exemplaires, celui-ci étant le n° 152 des 500 exemplaires réguliers sur papier Garamond corps 12. *Tres bon etat neuf.
text book. Mes Écrits De Cuisine, ou : qqs. écrits ,'en philosophique' du dimanche et outres poèteries... (Vol. 2) Contient: une justification sommaire adressée aux flamands, 17 morceaux de libre-textes; comme un amalgame de réflexions philosophiques préparatoires et de passages proto-poétiques; suivi en annexe par la 1ère "Lettre en retard à ma mère (??)"