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A collection of 40 books about Søren Kierkegaard's life and writings.
Bound in 50 volumes of which most are in original wrappers. Generally in good condition.
Contains works by Paul V. Rubow, Peter P. Rohde, Carl Jørgensen, Paul Müller, Frithiof Brandt, Hjalmar Helweg et al.
Soren Kierkegaard, Jacques Lafarge (Préface) ...
Reference : RO20267945
(2004)
ISBN : 2743612827
La dialectique de la communication ethique et ethico religieuse - Petite bibliotheque N°470
RIVAGES POCHE/ PETITE BIBLIOTHEQUE N°470. 2004. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 91 pages. . . . Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES
Soren Kierkegaard, Jacques Lafarge (Préface), Paul-Henri Tisseau + Else-Marie Jacquet-Tisseau (Traduction) Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES
L’éternité dans le tempsSix discours présentés par Flemming Fleinert
Les bergers et les mages 2000
LA MALADIE A LA MORTLe concept du desespoir ( traduit du danois par P.H.Tisseau ) Exposé Psychologique et Chrétien pour l'édification et le renouvellement spirituel par Anti-Climacus
Broché - 14 x 22 - 124 pp - sans date - Editions chez le Traducteur Bazoges en Pareds Vendée -
ANTHROLOGIE HISTOIR PHILOSOPHIE LITTERATURE PARADES
Der Begriff Angst Vorworte
Güttersloher Verlaghaus broché Couverture Illustrée 1983 280 pages en format -12
Très Bon État
Soren Kierkegaard, Anne-Christine Habbard (Traduction)
Reference : 133155
(2003)
ISBN : 2845450656 9782845450653
Post-scriptum aux miettes philosophiques
Gallimard (30 juin 2002)
Livre à l'état de neuf, très frais sans annotations ni défauts dissmulés.
DIARIO DE UN SEDUCTOR, TEMOR Y TREMBLOR
EDICIONES GUADARRAMA. 1976. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Intérieur frais. 394 pages. Premier plat illustré en couleurs. Texte en espagnol. Couverture plastifiée.. . . . Classification Dewey : 830-Littératures des langues germaniques
Traduit du danois par Demetrio Gutierrez Riviero. Classification Dewey : 830-Littératures des langues germaniques
Traité du désespoir
Folio essais. 1995. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 251 pages.. . . . Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES
Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES
OBLIQUES-KIERKEGAARD
208 PAGES-21 CM X 27 CM-LIRE KIERKEGAARD-ANGOISSE, PARADOXE, IRONIE, LIBERTE-THEOLOGIES, IDEOLOGIES, PHILOSOPHIES-TEXTES-LEGERES ROUSSEURS EN COUVERTURE-(E1025)
BORDERIE COUVERTURE SOUPLE ETAT TRES BON
L'alternative (deuxième Partie). La Valeur esthétique du Mariage ... Traduction par P.-H Tisseau.
Chez le traducteur 1940. Bon in-8 broché, couverture d'éditeur, in-8, II + 313 pages avec présentation.
L'instant
ed. Tisseau 1948 - pages non coupées , papier fragile de l'époque un peu jauni mais ensemble bien conservé quand même - écriture au bic p1 -
philosophie, c'est notre spécialité, n'hésitez pas à demander des titres
LA REPETITION
ESSAI D'EXPERIENCE PSYCHOLOGIQUE PAR CONSTANTIN CONSTANTIUS-TRADUIT DU DANOIS PAR P.-H.TISSEAU-118 PAGES FORMAT IN 8-(6E)
TISSEAU-BAZOGES-EN-PAREDS (VENDEE) COUVERTURE SOUPLE ETAT COMME NEUF
Le Droit de mourir pour la vérité. Le Génie et l?apôtre
Chez le traducteur Broché 1935 In-8, (19x12 cm), broché, 100 pages, non coupé, traduit du danois par P.-H. Tisseau ; pliures sur le dos, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Discours chrétiens : Les soucis des païens - Sentiments dans la lutte des souffrances - Les Pensées qui blessent... pour édifier - Discours pour la Communion
Delachaux et Niestlé Broché 1952 In-8 (14 x 21 cm), broché, 270 pages ; traces et rousseurs sur les plats, intérieur bruni, par ailleurs assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Discours chrétiens.
Neuchâtel et Paris, Delachaux & Niestlé, 1952, in-8°, 272 p., non rogné, brochure originale.
(SLACES, NVVA)
Phone number : 41 (0)26 3223808
Enten – Eller. Et Livs=Fragment udgivet af Victor Eremita. Anden Udgave. Første Deel, indeholdende A.’s Papirer + Anden Deel, indeholdende B.’s Papirer, Breve til A.
Kjøbenhavn, Reitzel, 1849. 8vo. In contemporary half calf. Spine with wear and scratches. Back hinge partly split. Previous owner's name ""P. O. Bugge / 1852"". First and last leaves slightly browned, otherwise internally nice and clean. XIV, (2), 320" (4), 250 pp + final blank.
Second edition of Kierkegaard’s Either-Or, his magnum opus, widely regarded as a foundational work of existentialism and among the most celebrated writings of the greatest Scandinavian philosopher. Kierkegaard is “now generally considered to be, however eccentric, one of the most important Christian philosophers” (PMM 314). Kierkegaard's monumental magnum opus seminally influenced later as well as contemporary philosophy and ranks as one of the most important works of philosophy of modern times. Either-Or is the earliest of Kierkegaard’s major works and the work with which he begins his pseudonymous authorship. Kierkegaard’s pseudonymity is an entire subject unto its own. The various cover names he uses play a significant role in his way of communicating and are essential to the understanding of his philosophical and religious messages. And it all properly begins here, with his groundbreaking magnum opus. Conjuring up two distinctive figures with diverging beliefs and modes of life – the aesthetic “A” of Part One, and the ethical B (note that this is the first “pseudonym” that Kierkegaard uses, in his earliest articles – no. I above)/Judge Vilhelm of Part Two, Kierkegaard presents us with the most basic reflections on the search for a meaningful existence, seen from two completely different philosophical views. This masterpiece of duality explores the foundational conflict between the ethical and the aesthetical, providing us along the way with the now so famous contemplations on music (Mozart), drama, boredom, pleasures, virtues, and, probably most famously, seduction (and rejection – The Seducer’s Diary). It is primarily Judge Vilhelm from Part Two of Either-Or that has bestowed upon Kierkegaard the reputation as the Father of Existentialism. His emphasis on taking ownership of oneself and the importance of making choices has made him the (first) personification of Existentialism and the idea that one does not passively develop into the self that he or she should be or ought to become. Kierkegaard went to great lengths to ensure that the public would not know the identity of the author was of Either-Or. He even had the draft of the work done by several hands, so that employees at the printer’s would also be deceived. Despite his efforts, however, it did not take long for the public to guess that Kierkegaard had written this astounding work. But Kierkegaard himself kept up the façade and did not accept authorship until several years later. Nothing Kierkegaard did was left to chance, which his carefully chosen pseudonyms also reflect. This also spills over in his presentation-inscriptions, which follow as strict a pattern as the pseudonyms themselves – he never signed himself the author, if his Christian name was not listed as the author on the title-page. And seeing that he had not accepted authorship of Either-Or and is not mentioned by name anywhere on the title-page (also not as the editor nor publisher as with the other pseudonymous works), he was not able to give away copies of his magnum opus, which is why no presentation-copy of the first edition exists. The appearance of the second edition of this monumental work was, naturally, carefully planned. Either-Or first appeared in 1843, and due to the great demand for the work, which had originally only been printed in ca 525 copies, it had quickly been sold out but Kierkegaard refused to have it reprinted. In 1849, finally, he decided to let it appear again, in a textually unchanged version. When the second edition appeared (recte second issue), Kierkegaard had meanwhile owned up to the authorship of Either-Or. He had done so in 1846, in his Concluding Unscientific Postscript to The Philosophical Fragments (own translation): “For the sake of manners and etiquette I hereby acknowledge, what can hardly in reality be of interest to anybody to know, that I am, as one says, the author of Either-Or (Victor Eremita), Copenhagen in February 1843...”. Now, finally, Kierkegaard could give away his magnum opus! In his Papers from 1849, Kierkegaard states (own translation): “The poets here at home each received a copy of Either-Or. I thought it my duty and now I was able to do it because now one cannot reasonably claim that a conspiracy is made concerning the book. -because the book is now old and its crisis over. Of course they were given the copy from Victor Eremita...” (Pap., X1A 402). Naturally, because “as little as I in Either-Or is the Seductor or the Assessor, as little am I the publisher Victor Eremita, exactly as little he is a poetically-real subjective thinker, as he is also found in “in vino veritas.” “ (the postscript to the Postscript, 1846) Either-Or is now not only the title of Kierkegaard’s most famous and widely read work, it is also a phrase that summarizes much of the thinking for which he is best known and a cornerstone of what we now characterize as Existentialism. The first edition caused a sensation. The second issue (termed “edition”, although it is textually unaltered) is not only the first edition of the work to appear after Kierkegaard had acknowledged authorship of it and thus also confirmed being one and the same with his most famous pseudonym, it is also the first of Kierkegaard’s works to appear in a second edition or issue. The second edition of the work is thus also of the utmost importance and is one of the only important second editions of any of Kierkegaard’s works. PMM: 314 Himmelstrup 21
Af en endnu Levendes Papirer. Udgivet mod hans Villie. - [KIERKEGAARD'S FIRST BOOK]
Kjøbenhavn, 1838. Ubeskåret, i et senere blankt omslag. Gennemgående skjold i øverste venstre hjørne, overvejende ganske svagt. Første og sidste blade mest påvirkede. X, 79pp.
Originaludgaven af Kierkegaards debut, -værket i hvilket han skarpt kritiserer H.C. Andersen, og i hvilket inspirationen fra Poul Martin Møller (til hvem han dedikerede værket ""Begrebet Angest"" - den eneste uden for familien, der er blevet beæret med en trykt dedikation af Kierkegaard) formenlig er tydeligst at spore. Den specielle titel kan med en vis rimelighed siges at hentyde til en villet videreførelse af den beundrede og på tidspunktet for udgivelsen netop afdøde Poul Martin Møllers nærmest upublicerede produktion. Den ""endnu Levende"" skulle således være ""Danmarks Gæde i Glæden over Danmark"", ""Mindet i den danske Sommer"", Poul Martin Møller, den mand, der ved sin person har inspireret Kierkegaard mere end nogen anden. Himmelstrup 6.Uncut in a very nice later halfleatherbdg. of dark red morocco w. green marbled paper and dark red gilt leather-title-label on front board. Gilt lines to back. (Oscar Jacobsen). Some brownspotting. X + 79pp.First edition of Kierkegaard's first work" -the work in which he sharply critisizes Hans Christian Andersen and ridicules the genre of fairy tales in general.
